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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 115 216 it is the complementary color RGB 117 140 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 115 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 115 216 shade: RGB 143 115 211, RGB 160 133 230, RGB 177 151 249, RGB 194 169 255 and RGB 211 187 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 115 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 115 216 shade: RGB 138 115 216, RGB 121 97 197, RGB 104 79 178, RGB 87 61 159 and RGB 70 43 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 115 216 shade: RGB 138 115 215, RGB 165 115 215, RGB 192 115 215, RGB 215 115 212 and RGB 215 115 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 115 216 shade: RGB 138 115 215 and RGB 115 115 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 115 216 shade matches the following richer shades: RGB 138 115 215, RGB 130 101 230 and RGB 122 86 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 115 216 shade: RGB 138 115 215, RGB 146 130 201, RGB 154 144 186, RGB 162 159 172 and RGB 169 173 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 115 216 shade: RGB 115 147 215, RGB 115 120 215, RGB 137 115 215, RGB 164 115 215 and RGB 190 115 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 115 216 shade: RGB 86 54 194, RGB 111 83 206, RGB 138 115 215, RGB 165 147 224 and RGB 192 180 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 115 216 shade: RGB 138 115 216, RGB 215 115 174 and RGB 134 215 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 115 216 shade: RGB 138 115 216, RGB 215 137 115 and RGB 115 215 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 115 216 shade: RGB 138 115 216, RGB 215 115 174, RGB 194 215 115 and RGB 115 215 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 115 216 shade: RGB 138 115 216, RGB 215 115 144, RGB 194 215 115 and RGB 115 215 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 47 / 0 / 15

HEX #8A73D8

RGB 138 115 216

HSL 253.66, 0.56%, 0.65%

LAB 54.68, 31.97, -48.92

 

Complementary color

CMYK 16 / 0 / 72 / 45

HEX #758C27

RGB 117 140 39

HSL 73.66, 0.56%, 0.35%

LAB 54.75, -22.78, 48.5

 

CMYK 32 / 45 / 0 / 17

HEX #8F73D3

RGB 143 115 211

HSL 257.5, 0.52%, 0.64%

LAB 54.87, 31.97, -45.77

 

CMYK 30 / 42 / 0 / 10

HEX #A085E6

RGB 160 133 230

HSL 256.7, 0.66%, 0.71%

LAB 61.62, 31.06, -45.65

 

CMYK 29 / 39 / 0 / 2

HEX #B197F9

RGB 177 151 249

HSL 255.92, 0.89%, 0.78%

LAB 68.26, 30.24, -45.56

 

CMYK 24 / 34 / 0 / 0

HEX #C2A9FF

RGB 194 169 255

HSL 257.44, 1%, 0.83%

LAB 74.23, 26.43, -39.36

 

CMYK 17 / 27 / 0 / 0

HEX #D3BBFF

RGB 211 187 255

HSL 261.18, 1%, 0.87%

LAB 79.96, 21.6, -30.39

 

CMYK 36 / 47 / 0 / 15

HEX #8A73D8

RGB 138 115 216

HSL 253.66, 0.56%, 0.65%

LAB 54.68, 31.97, -48.92

 

CMYK 39 / 51 / 0 / 23

HEX #7961C5

RGB 121 97 197

HSL 254.4, 0.46%, 0.58%

LAB 47.81, 33.05, -49.13

 

CMYK 42 / 56 / 0 / 30

HEX #684FB2

RGB 104 79 178

HSL 255.15, 0.39%, 0.5%

LAB 40.81, 34.26, -49.36

 

CMYK 45 / 62 / 0 / 38

HEX #573D9F

RGB 87 61 159

HSL 255.92, 0.45%, 0.43%

LAB 33.7, 35.59, -49.58

 

CMYK 50 / 69 / 0 / 45

HEX #462B8C

RGB 70 43 140

HSL 256.7, 0.53%, 0.36%

LAB 26.52, 36.99, -49.71

 

CMYK 36 / 47 / 0 / 16

HEX #8A73D7

RGB 138 115 215

HSL 253.8, 0.56%, 0.65%

LAB 54.63, 31.7, -48.45

 

CMYK 23 / 47 / 0 / 16

HEX #A573D7

RGB 165 115 215

HSL 270, 0.56%, 0.65%

LAB 57.24, 38.95, -44.14

 

CMYK 11 / 47 / 0 / 16

HEX #C073D7

RGB 192 115 215

HSL 286.2, 0.56%, 0.65%

LAB 60.23, 46.56, -39.24

 

CMYK 0 / 47 / 1 / 16

HEX #D773D4

RGB 215 115 212

HSL 301.8, 0.56%, 0.65%

LAB 62.9, 52.61, -33.18

 

CMYK 0 / 47 / 14 / 16

HEX #D773B9

RGB 215 115 185

HSL 318, 0.56%, 0.65%

LAB 61.84, 48.07, -19.55

 

CMYK 36 / 47 / 0 / 16

HEX #8A73D7

RGB 138 115 215

HSL 253.8, 0.56%, 0.65%

LAB 54.63, 31.7, -48.45

 

CMYK 47 / 47 / 0 / 16

HEX #7373D7

RGB 115 115 215

HSL 240, 0.56%, 0.65%

LAB 52.74, 26.03, -51.56

 

CMYK 36 / 47 / 0 / 16

HEX #8A73D7

RGB 138 115 215

HSL 253.8, 0.56%, 0.65%

LAB 54.63, 31.7, -48.45

 

CMYK 43 / 56 / 0 / 10

HEX #8265E6

RGB 130 101 230

HSL 253.49, 0.72%, 0.65%

LAB 51.57, 42, -61.83

 

CMYK 50 / 65 / 0 / 4

HEX #7A56F4

RGB 122 86 244

HSL 253.67, 0.88%, 0.65%

LAB 48.67, 52.7, -74.43

 

CMYK 36 / 47 / 0 / 16

HEX #8A73D7

RGB 138 115 215

HSL 253.8, 0.56%, 0.65%

LAB 54.63, 31.7, -48.45

 

CMYK 27 / 35 / 0 / 21

HEX #9282C9

RGB 146 130 201

HSL 253.52, 0.4%, 0.65%

LAB 58.31, 21.54, -34.68

 

CMYK 17 / 23 / 0 / 27

HEX #9A90BA

RGB 154 144 186

HSL 254.29, 0.23%, 0.65%

LAB 61.97, 12.37, -20.51

 

CMYK 6 / 8 / 0 / 33

HEX #A29FAC

RGB 162 159 172

HSL 253.85, 0.07%, 0.65%

LAB 66.1, 3.62, -6.35

 

CMYK 2 / 0 / 9 / 32

HEX #A9AD9D

RGB 169 173 157

HSL 75, 0.09%, 0.65%

LAB 70, -4.35, 7.73

 

CMYK 47 / 32 / 0 / 16

HEX #7393D7

RGB 115 147 215

HSL 220.8, 0.56%, 0.65%

LAB 61.15, 7.02, -38.27

 

CMYK 47 / 44 / 0 / 16

HEX #7378D7

RGB 115 120 215

HSL 237, 0.56%, 0.65%

LAB 54.01, 23.03, -49.54

 

CMYK 36 / 47 / 0 / 16

HEX #8973D7

RGB 137 115 215

HSL 253.2, 0.56%, 0.65%

LAB 54.54, 31.45, -48.59

 

CMYK 24 / 47 / 0 / 16

HEX #A473D7

RGB 164 115 215

HSL 269.4, 0.56%, 0.65%

LAB 57.13, 38.68, -44.31

 

CMYK 12 / 47 / 0 / 16

HEX #BE73D7

RGB 190 115 215

HSL 285, 0.56%, 0.65%

LAB 59.99, 45.99, -39.62

 

CMYK 56 / 72 / 0 / 24

HEX #5636C2

RGB 86 54 194

HSL 253.71, 0.56%, 0.49%

LAB 35.03, 49.62, -68.25

 

CMYK 46 / 60 / 0 / 19

HEX #6F53CE

RGB 111 83 206

HSL 253.66, 0.56%, 0.57%

LAB 44.26, 41.5, -60.07

 

CMYK 36 / 47 / 0 / 16

HEX #8A73D7

RGB 138 115 215

HSL 253.8, 0.56%, 0.65%

LAB 54.63, 31.7, -48.45

 

CMYK 26 / 34 / 0 / 12

HEX #A593E0

RGB 165 147 224

HSL 254.03, 0.55%, 0.73%

LAB 65.16, 23, -36.74

 

CMYK 18 / 23 / 0 / 9

HEX #C0B4E9

RGB 192 180 233

HSL 253.58, 0.55%, 0.81%

LAB 75.9, 14.8, -24.91

 

CMYK 36 / 47 / 0 / 15

HEX #8A73D8

RGB 138 115 216

HSL 253.66, 0.56%, 0.65%

LAB 54.68, 31.97, -48.92

 

CMYK 0 / 47 / 19 / 16

HEX #D773AE

RGB 215 115 174

HSL 324.6, 0.56%, 0.65%

LAB 61.45, 46.38, -13.86

 

CMYK 38 / 0 / 47 / 16

HEX #86D773

RGB 134 215 115

HSL 108.6, 0.56%, 0.65%

LAB 78.99, -43.6, 41.54

 

CMYK 36 / 47 / 0 / 15

HEX #8A73D8

RGB 138 115 216

HSL 253.66, 0.56%, 0.65%

LAB 54.68, 31.97, -48.92

 

CMYK 0 / 36 / 47 / 16

HEX #D78973

RGB 215 137 115

HSL 13.2, 0.56%, 0.65%

LAB 64.62, 27.38, 24.21

 

CMYK 47 / 0 / 36 / 16

HEX #73D789

RGB 115 215 137

HSL 133.2, 0.56%, 0.65%

LAB 78.49, -45.91, 29.66

 

CMYK 36 / 47 / 0 / 15

HEX #8A73D8

RGB 138 115 216

HSL 253.66, 0.56%, 0.65%

LAB 54.68, 31.97, -48.92

 

CMYK 0 / 47 / 19 / 16

HEX #D773AE

RGB 215 115 174

HSL 324.6, 0.56%, 0.65%

LAB 61.45, 46.38, -13.86

 

CMYK 10 / 0 / 47 / 16

HEX #C2D773

RGB 194 215 115

HSL 72.6, 0.56%, 0.65%

LAB 82.54, -22.09, 46.73

 

CMYK 47 / 0 / 27 / 16

HEX #73D79D

RGB 115 215 157

HSL 145.2, 0.56%, 0.65%

LAB 78.86, -42.29, 19.74

 

CMYK 36 / 47 / 0 / 15

HEX #8A73D8

RGB 138 115 216

HSL 253.66, 0.56%, 0.65%

LAB 54.68, 31.97, -48.92

 

CMYK 0 / 47 / 33 / 16

HEX #D77390

RGB 215 115 144

HSL 342.6, 0.56%, 0.65%

LAB 60.54, 42.25, 2.01

 

CMYK 10 / 0 / 47 / 16

HEX #C2D773

RGB 194 215 115

HSL 72.6, 0.56%, 0.65%

LAB 82.54, -22.09, 46.73

 

CMYK 47 / 0 / 13 / 16

HEX #73D7BB

RGB 115 215 187

HSL 163.2, 0.56%, 0.65%

LAB 79.52, -35.97, 4.77

 

Description

Color code: RGB 138 115 216 | qconv.com Color code: RGB 138 115 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 115 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 115 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 47 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 47% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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