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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 59 125 it is the complementary color RGB 118 196 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 59 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 59 125 shade: RGB 142 59 120, RGB 159 77 139, RGB 176 95 158, RGB 193 113 177 and RGB 210 131 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 59 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 59 125 shade: RGB 137 59 125, RGB 120 41 106, RGB 103 23 87, RGB 86 5 68 and RGB 69 0 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 59 125 shade: RGB 135 58 123, RGB 135 58 102, RGB 135 58 81, RGB 135 58 61 and RGB 135 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 59 125 shade: RGB 135 58 123, RGB 126 58 135, RGB 105 58 135, RGB 84 58 135 and RGB 63 58 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 59 125 shade matches the following richer shades: RGB 135 58 123, RGB 151 42 134, RGB 167 26 145 and RGB 182 11 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 59 125 shade: RGB 135 58 123, RGB 119 73 112, RGB 104 89 102, RGB 88 105 91 and RGB 72 120 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 59 125 shade: RGB 105 58 135, RGB 126 58 135, RGB 135 58 124, RGB 135 58 103 and RGB 135 58 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 59 125 shade: RGB 77 33 71, RGB 106 45 97, RGB 135 58 123, RGB 164 70 150 and RGB 184 91 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 59 125 shade: RGB 137 59 125, RGB 135 85 58 and RGB 58 135 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 59 125 shade: RGB 137 59 125, RGB 124 135 58 and RGB 58 124 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 59 125 shade: RGB 137 59 125, RGB 135 85 58, RGB 58 135 69 and RGB 58 108 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 59 125 shade: RGB 137 59 125, RGB 135 108 58, RGB 58 135 69 and RGB 58 85 135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 9 / 46

HEX #893B7D

RGB 137 59 125

HSL 309.23, 0.4%, 0.38%

LAB 37.71, 42.14, -22.02

 

Complementary color

CMYK 40 / 0 / 34 / 23

HEX #76C482

RGB 118 196 130

HSL 129.23, 0.4%, 0.62%

LAB 72.85, -37.93, 25.79

 

CMYK 0 / 58 / 15 / 44

HEX #8E3B78

RGB 142 59 120

HSL 315.9, 0.41%, 0.39%

LAB 38.26, 42.82, -18

 

CMYK 0 / 52 / 13 / 38

HEX #9F4D8B

RGB 159 77 139

HSL 314.63, 0.35%, 0.46%

LAB 45, 42.24, -19.05

 

CMYK 0 / 46 / 10 / 31

HEX #B05F9E

RGB 176 95 158

HSL 313.33, 0.34%, 0.53%

LAB 51.7, 41.53, -19.88

 

CMYK 0 / 41 / 8 / 24

HEX #C171B1

RGB 193 113 177

HSL 312, 0.39%, 0.6%

LAB 58.34, 40.77, -20.56

 

CMYK 0 / 38 / 7 / 18

HEX #D283C4

RGB 210 131 196

HSL 310.63, 0.47%, 0.67%

LAB 64.9, 40.01, -21.16

 

CMYK 0 / 57 / 9 / 46

HEX #893B7D

RGB 137 59 125

HSL 309.23, 0.4%, 0.38%

LAB 37.71, 42.14, -22.02

 

CMYK 0 / 66 / 12 / 53

HEX #78296A

RGB 120 41 106

HSL 310.63, 0.49%, 0.32%

LAB 30.92, 42.43, -20.82

 

CMYK 0 / 78 / 16 / 60

HEX #671757

RGB 103 23 87

HSL 312, 0.63%, 0.25%

LAB 24.27, 42.01, -19.03

 

CMYK 0 / 94 / 21 / 66

HEX #560544

RGB 86 5 68

HSL 313.33, 0.89%, 0.18%

LAB 17.94, 40.25, -16.27

 

CMYK 0 / 100 / 29 / 73

HEX #450031

RGB 69 0 49

HSL 317.39, 1%, 0.14%

LAB 12.52, 35.21, -11.45

 

CMYK 0 / 57 / 9 / 47

HEX #873A7B

RGB 135 58 123

HSL 309.35, 0.4%, 0.38%

LAB 37.13, 41.68, -21.71

 

CMYK 0 / 57 / 24 / 47

HEX #873A66

RGB 135 58 102

HSL 325.71, 0.4%, 0.38%

LAB 36.25, 38.25, -9.9

 

CMYK 0 / 57 / 40 / 47

HEX #873A51

RGB 135 58 81

HSL 342.08, 0.4%, 0.38%

LAB 35.54, 35.39, 2.41

 

CMYK 0 / 57 / 55 / 47

HEX #873A3D

RGB 135 58 61

HSL 357.66, 0.4%, 0.38%

LAB 35.03, 33.27, 14.47

 

CMYK 0 / 57 / 57 / 47

HEX #873A3A

RGB 135 58 58

HSL 0, 0.4%, 0.38%

LAB 34.97, 33, 16.29

 

CMYK 0 / 57 / 9 / 47

HEX #873A7B

RGB 135 58 123

HSL 309.35, 0.4%, 0.38%

LAB 37.13, 41.68, -21.71

 

CMYK 7 / 57 / 0 / 47

HEX #7E3A87

RGB 126 58 135

HSL 292.99, 0.4%, 0.38%

LAB 36.39, 41.3, -30.38

 

CMYK 22 / 57 / 0 / 47

HEX #693A87

RGB 105 58 135

HSL 276.62, 0.4%, 0.38%

LAB 33.52, 35.37, -35.11

 

CMYK 38 / 57 / 0 / 47

HEX #543A87

RGB 84 58 135

HSL 260.26, 0.4%, 0.38%

LAB 31.02, 29.71, -39.24

 

CMYK 53 / 57 / 0 / 47

HEX #3F3A87

RGB 63 58 135

HSL 243.9, 0.4%, 0.38%

LAB 28.98, 24.64, -42.63

 

CMYK 0 / 57 / 9 / 47

HEX #873A7B

RGB 135 58 123

HSL 309.35, 0.4%, 0.38%

LAB 37.13, 41.68, -21.71

 

CMYK 0 / 72 / 11 / 41

HEX #972A86

RGB 151 42 134

HSL 309.36, 0.56%, 0.38%

LAB 37.76, 54.82, -27.33

 

CMYK 0 / 84 / 13 / 35

HEX #A71A91

RGB 167 26 145

HSL 309.36, 0.73%, 0.38%

LAB 39.58, 64.7, -31.03

 

CMYK 0 / 94 / 14 / 29

HEX #B60B9C

RGB 182 11 156

HSL 309.12, 0.89%, 0.38%

LAB 42.13, 71.55, -33.49

 

CMYK 0 / 57 / 9 / 47

HEX #873A7B

RGB 135 58 123

HSL 309.35, 0.4%, 0.38%

LAB 37.13, 41.68, -21.71

 

CMYK 0 / 39 / 6 / 53

HEX #774970

RGB 119 73 112

HSL 309.13, 0.24%, 0.38%

LAB 37.58, 26.09, -14.35

 

CMYK 0 / 14 / 2 / 59

HEX #685966

RGB 104 89 102

HSL 308, 0.08%, 0.38%

LAB 39.66, 8.67, -5.19

 

CMYK 16 / 0 / 13 / 59

HEX #58695B

RGB 88 105 91

HSL 130.59, 0.09%, 0.38%

LAB 42.66, -9.46, 5.75

 

CMYK 40 / 0 / 33 / 53

HEX #487850

RGB 72 120 80

HSL 130, 0.25%, 0.38%

LAB 46.16, -25.49, 16.98

 

CMYK 22 / 57 / 0 / 47

HEX #693A87

RGB 105 58 135

HSL 276.62, 0.4%, 0.38%

LAB 33.52, 35.37, -35.11

 

CMYK 7 / 57 / 0 / 47

HEX #7E3A87

RGB 126 58 135

HSL 292.99, 0.4%, 0.38%

LAB 36.39, 41.3, -30.38

 

CMYK 0 / 57 / 8 / 47

HEX #873A7C

RGB 135 58 124

HSL 308.57, 0.4%, 0.38%

LAB 37.17, 41.86, -22.26

 

CMYK 0 / 57 / 24 / 47

HEX #873A67

RGB 135 58 103

HSL 324.94, 0.4%, 0.38%

LAB 36.28, 38.4, -10.47

 

CMYK 0 / 57 / 39 / 47

HEX #873A52

RGB 135 58 82

HSL 341.3, 0.4%, 0.38%

LAB 35.57, 35.52, 1.82

 

CMYK 0 / 57 / 8 / 70

HEX #4D2147

RGB 77 33 71

HSL 308.18, 0.4%, 0.22%

LAB 20.52, 26.65, -14.45

 

CMYK 0 / 58 / 8 / 58

HEX #6A2D61

RGB 106 45 97

HSL 308.85, 0.4%, 0.3%

LAB 28.91, 34.64, -18.33

 

CMYK 0 / 57 / 9 / 47

HEX #873A7B

RGB 135 58 123

HSL 309.35, 0.4%, 0.38%

LAB 37.13, 41.68, -21.71

 

CMYK 0 / 57 / 9 / 36

HEX #A44696

RGB 164 70 150

HSL 308.94, 0.4%, 0.46%

LAB 44.91, 49.07, -25.76

 

CMYK 0 / 51 / 8 / 28

HEX #B85BAA

RGB 184 91 170

HSL 309.03, 0.4%, 0.54%

LAB 52.48, 48.12, -25.62

 

CMYK 0 / 57 / 9 / 46

HEX #893B7D

RGB 137 59 125

HSL 309.23, 0.4%, 0.38%

LAB 37.71, 42.14, -22.02

 

CMYK 0 / 37 / 57 / 47

HEX #87553A

RGB 135 85 58

HSL 21.04, 0.4%, 0.38%

LAB 41.14, 17.78, 24.27

 

CMYK 57 / 0 / 14 / 47

HEX #3A8774

RGB 58 135 116

HSL 165.19, 0.4%, 0.38%

LAB 51.25, -28.62, 3.09

 

CMYK 0 / 57 / 9 / 46

HEX #893B7D

RGB 137 59 125

HSL 309.23, 0.4%, 0.38%

LAB 37.71, 42.14, -22.02

 

CMYK 8 / 0 / 57 / 47

HEX #7C873A

RGB 124 135 58

HSL 68.57, 0.4%, 0.38%

LAB 53.94, -15.73, 39.34

 

CMYK 57 / 8 / 0 / 47

HEX #3A7C87

RGB 58 124 135

HSL 188.57, 0.4%, 0.38%

LAB 48.34, -17.58, -12.37

 

CMYK 0 / 57 / 9 / 46

HEX #893B7D

RGB 137 59 125

HSL 309.23, 0.4%, 0.38%

LAB 37.71, 42.14, -22.02

 

CMYK 0 / 37 / 57 / 47

HEX #87553A

RGB 135 85 58

HSL 21.04, 0.4%, 0.38%

LAB 41.14, 17.78, 24.27

 

CMYK 57 / 0 / 49 / 47

HEX #3A8745

RGB 58 135 69

HSL 128.57, 0.4%, 0.38%

LAB 50.28, -38.53, 28.38

 

CMYK 57 / 20 / 0 / 47

HEX #3A6C87

RGB 58 108 135

HSL 201.04, 0.4%, 0.38%

LAB 43.32, -8.53, -20.02

 

CMYK 0 / 57 / 9 / 46

HEX #893B7D

RGB 137 59 125

HSL 309.23, 0.4%, 0.38%

LAB 37.71, 42.14, -22.02

 

CMYK 0 / 20 / 57 / 47

HEX #876C3A

RGB 135 108 58

HSL 38.96, 0.4%, 0.38%

LAB 47.21, 4.29, 31.73

 

CMYK 57 / 0 / 49 / 47

HEX #3A8745

RGB 58 135 69

HSL 128.57, 0.4%, 0.38%

LAB 50.28, -38.53, 28.38

 

CMYK 57 / 37 / 0 / 47

HEX #3A5587

RGB 58 85 135

HSL 218.96, 0.4%, 0.38%

LAB 36.26, 5.68, -31.03

 

Description

Color code: RGB 137 59 125 | qconv.com Color code: RGB 137 59 125 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 59 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 59 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 9 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 9% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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