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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 45 154 it is the complementary color RGB 118 210 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 45 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 45 154 shade: RGB 142 45 149, RGB 159 63 168, RGB 176 81 187, RGB 193 99 206 and RGB 210 117 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 45 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 45 154 shade: RGB 137 45 154, RGB 120 27 135, RGB 103 9 116, RGB 86 0 97 and RGB 69 0 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 45 154 shade: RGB 137 44 154, RGB 154 44 141, RGB 154 44 112, RGB 154 44 82 and RGB 154 44 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 45 154 shade: RGB 137 44 154, RGB 107 44 154, RGB 78 44 154, RGB 48 44 154 and RGB 44 44 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 45 154 shade matches the following richer shades: RGB 137 44 154, RGB 148 28 170 and RGB 159 12 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 45 154 shade: RGB 137 44 154, RGB 126 60 138, RGB 114 76 121, RGB 103 93 105 and RGB 92 109 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 45 154 shade: RGB 77 44 154, RGB 106 44 154, RGB 135 44 154, RGB 154 44 143 and RGB 154 44 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 45 154 shade: RGB 80 26 90, RGB 108 35 122, RGB 137 44 154, RGB 165 54 186 and RGB 183 77 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 45 154 shade: RGB 137 45 154, RGB 154 48 44 and RGB 44 154 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 45 154 shade: RGB 137 45 154, RGB 154 135 44 and RGB 44 154 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 45 154 shade: RGB 137 45 154, RGB 154 48 44, RGB 62 154 44 and RGB 44 150 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 45 154 shade: RGB 137 45 154, RGB 154 81 44, RGB 62 154 44 and RGB 44 117 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 71 / 0 / 40

HEX #892D9A

RGB 137 45 154

HSL 290.64, 0.55%, 0.39%

LAB 36.98, 53.83, -40.94

 

Complementary color

CMYK 44 / 0 / 52 / 18

HEX #76D265

RGB 118 210 101

HSL 110.64, 0.55%, 0.61%

LAB 76.61, -48.23, 45.23

 

CMYK 5 / 70 / 0 / 42

HEX #8E2D95

RGB 142 45 149

HSL 295.96, 0.54%, 0.38%

LAB 37.48, 54.05, -37.07

 

CMYK 5 / 63 / 0 / 34

HEX #9F3FA8

RGB 159 63 168

HSL 294.86, 0.45%, 0.45%

LAB 43.88, 54.13, -38.17

 

CMYK 6 / 57 / 0 / 27

HEX #B051BB

RGB 176 81 187

HSL 293.77, 0.44%, 0.53%

LAB 50.34, 53.8, -38.94

 

CMYK 6 / 52 / 0 / 19

HEX #C163CE

RGB 193 99 206

HSL 292.71, 0.52%, 0.6%

LAB 56.8, 53.24, -39.52

 

CMYK 7 / 48 / 0 / 12

HEX #D275E1

RGB 210 117 225

HSL 291.67, 0.64%, 0.67%

LAB 63.23, 52.57, -39.98

 

CMYK 11 / 71 / 0 / 40

HEX #892D9A

RGB 137 45 154

HSL 290.64, 0.55%, 0.39%

LAB 36.98, 53.83, -40.94

 

CMYK 11 / 80 / 0 / 47

HEX #781B87

RGB 120 27 135

HSL 291.67, 0.67%, 0.32%

LAB 30.7, 53.04, -39.48

 

CMYK 11 / 92 / 0 / 55

HEX #670974

RGB 103 9 116

HSL 292.71, 0.86%, 0.25%

LAB 24.76, 50.86, -37.19

 

CMYK 11 / 100 / 0 / 62

HEX #560061

RGB 86 0 97

HSL 293.2, 1%, 0.19%

LAB 19.4, 46.46, -33.62

 

CMYK 12 / 100 / 0 / 69

HEX #45004E

RGB 69 0 78

HSL 293.08, 1%, 0.15%

LAB 14.49, 40, -28.89

 

CMYK 11 / 71 / 0 / 40

HEX #892C9A

RGB 137 44 154

HSL 290.73, 0.56%, 0.39%

LAB 36.84, 54.22, -41.17

 

CMYK 0 / 71 / 8 / 40

HEX #9A2C8D

RGB 154 44 141

HSL 307.09, 0.56%, 0.39%

LAB 38.89, 55.94, -29.83

 

CMYK 0 / 71 / 27 / 40

HEX #9A2C70

RGB 154 44 112

HSL 322.91, 0.56%, 0.39%

LAB 37.56, 51.7, -13.91

 

CMYK 0 / 71 / 47 / 40

HEX #9A2C52

RGB 154 44 82

HSL 339.27, 0.56%, 0.39%

LAB 36.52, 48.26, 3.61

 

CMYK 0 / 71 / 66 / 40

HEX #9A2C35

RGB 154 44 53

HSL 355.09, 0.56%, 0.39%

LAB 35.85, 45.94, 21.24

 

CMYK 11 / 71 / 0 / 40

HEX #892C9A

RGB 137 44 154

HSL 290.73, 0.56%, 0.39%

LAB 36.84, 54.22, -41.17

 

CMYK 31 / 71 / 0 / 40

HEX #6B2C9A

RGB 107 44 154

HSL 274.36, 0.56%, 0.39%

LAB 32.39, 47.68, -48.56

 

CMYK 49 / 71 / 0 / 40

HEX #4E2C9A

RGB 78 44 154

HSL 258.55, 0.56%, 0.39%

LAB 28.78, 42.02, -54.59

 

CMYK 69 / 71 / 0 / 40

HEX #302C9A

RGB 48 44 154

HSL 242.18, 0.56%, 0.39%

LAB 26.05, 37.44, -59.18

 

CMYK 71 / 71 / 0 / 40

HEX #2C2C9A

RGB 44 44 154

HSL 240, 0.56%, 0.39%

LAB 25.77, 36.97, -59.64

 

CMYK 11 / 71 / 0 / 40

HEX #892C9A

RGB 137 44 154

HSL 290.73, 0.56%, 0.39%

LAB 36.84, 54.22, -41.17

 

CMYK 13 / 84 / 0 / 33

HEX #941CAA

RGB 148 28 170

HSL 290.7, 0.72%, 0.39%

LAB 37.89, 64.52, -49.02

 

CMYK 15 / 94 / 0 / 27

HEX #9F0CBA

RGB 159 12 186

HSL 290.69, 0.88%, 0.39%

LAB 39.88, 72.03, -55.22

 

CMYK 11 / 71 / 0 / 40

HEX #892C9A

RGB 137 44 154

HSL 290.73, 0.56%, 0.39%

LAB 36.84, 54.22, -41.17

 

CMYK 9 / 57 / 0 / 46

HEX #7E3C8A

RGB 126 60 138

HSL 290.77, 0.39%, 0.39%

LAB 36.93, 40.88, -31.36

 

CMYK 6 / 37 / 0 / 53

HEX #724C79

RGB 114 76 121

HSL 290.67, 0.23%, 0.39%

LAB 38.07, 24.39, -19.24

 

CMYK 2 / 11 / 0 / 59

HEX #675D69

RGB 103 93 105

HSL 290, 0.06%, 0.39%

LAB 40.79, 6.46, -5.37

 

CMYK 16 / 0 / 18 / 57

HEX #5C6D59

RGB 92 109 89

HSL 111, 0.1%, 0.39%

LAB 44.14, -10.59, 9.08

 

CMYK 50 / 71 / 0 / 40

HEX #4D2C9A

RGB 77 44 154

HSL 258, 0.56%, 0.39%

LAB 28.67, 41.85, -54.77

 

CMYK 31 / 71 / 0 / 40

HEX #6A2C9A

RGB 106 44 154

HSL 273.82, 0.56%, 0.39%

LAB 32.25, 47.47, -48.79

 

CMYK 12 / 71 / 0 / 40

HEX #872C9A

RGB 135 44 154

HSL 289.64, 0.56%, 0.39%

LAB 36.53, 53.77, -41.69

 

CMYK 0 / 71 / 7 / 40

HEX #9A2C8F

RGB 154 44 143

HSL 306, 0.56%, 0.39%

LAB 38.99, 56.26, -30.89

 

CMYK 0 / 71 / 26 / 40

HEX #9A2C72

RGB 154 44 114

HSL 321.82, 0.56%, 0.39%

LAB 37.64, 51.97, -15.04

 

CMYK 11 / 71 / 0 / 65

HEX #501A5A

RGB 80 26 90

HSL 290.63, 0.55%, 0.23%

LAB 20.76, 35.22, -26.84

 

CMYK 11 / 71 / 0 / 52

HEX #6C237A

RGB 108 35 122

HSL 290.34, 0.55%, 0.31%

LAB 28.89, 44.87, -34.34

 

CMYK 11 / 71 / 0 / 40

HEX #892C9A

RGB 137 44 154

HSL 290.73, 0.56%, 0.39%

LAB 36.84, 54.22, -41.17

 

CMYK 11 / 71 / 0 / 27

HEX #A536BA

RGB 165 54 186

HSL 290.45, 0.55%, 0.47%

LAB 44.49, 62.57, -47.74

 

CMYK 10 / 62 / 0 / 20

HEX #B74DCB

RGB 183 77 203

HSL 290.48, 0.55%, 0.55%

LAB 51.48, 60.42, -46.3

 

CMYK 11 / 71 / 0 / 40

HEX #892D9A

RGB 137 45 154

HSL 290.64, 0.55%, 0.39%

LAB 36.98, 53.83, -40.94

 

CMYK 0 / 69 / 71 / 40

HEX #9A302C

RGB 154 48 44

HSL 2.18, 0.56%, 0.39%

LAB 36.3, 43.79, 27.38

 

CMYK 71 / 0 / 40 / 40

HEX #2C9A5C

RGB 44 154 92

HSL 146.18, 0.56%, 0.39%

LAB 56.51, -45.2, 23.89

 

CMYK 11 / 71 / 0 / 40

HEX #892D9A

RGB 137 45 154

HSL 290.64, 0.55%, 0.39%

LAB 36.98, 53.83, -40.94

 

CMYK 0 / 12 / 71 / 40

HEX #9A872C

RGB 154 135 44

HSL 49.64, 0.56%, 0.39%

LAB 56.47, -3.3, 49.24

 

CMYK 71 / 0 / 12 / 40

HEX #2C9A87

RGB 44 154 135

HSL 169.64, 0.56%, 0.39%

LAB 57.46, -35.1, 1.11

 

CMYK 11 / 71 / 0 / 40

HEX #892D9A

RGB 137 45 154

HSL 290.64, 0.55%, 0.39%

LAB 36.98, 53.83, -40.94

 

CMYK 0 / 69 / 71 / 40

HEX #9A302C

RGB 154 48 44

HSL 2.18, 0.56%, 0.39%

LAB 36.3, 43.79, 27.38

 

CMYK 60 / 0 / 71 / 40

HEX #3E9A2C

RGB 62 154 44

HSL 110.18, 0.56%, 0.39%

LAB 56.4, -48.05, 47.32

 

CMYK 71 / 3 / 0 / 40

HEX #2C969A

RGB 44 150 154

HSL 182.18, 0.56%, 0.39%

LAB 56.76, -27.69, -10.76

 

CMYK 11 / 71 / 0 / 40

HEX #892D9A

RGB 137 45 154

HSL 290.64, 0.55%, 0.39%

LAB 36.98, 53.83, -40.94

 

CMYK 0 / 47 / 71 / 40

HEX #9A512C

RGB 154 81 44

HSL 20.18, 0.56%, 0.39%

LAB 42.67, 27.3, 34.67

 

CMYK 60 / 0 / 71 / 40

HEX #3E9A2C

RGB 62 154 44

HSL 110.18, 0.56%, 0.39%

LAB 56.4, -48.05, 47.32

 

CMYK 71 / 24 / 0 / 40

HEX #2C759A

RGB 44 117 154

HSL 200.18, 0.56%, 0.39%

LAB 46.43, -9.97, -26.54

 

Description

Color code: RGB 137 45 154 | qconv.com Color code: RGB 137 45 154 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 45 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 45 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 71 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 71% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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