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Color name
RGB 137 25 78

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 25 78 it is the complementary color RGB 118 230 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 25 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 25 78 shade: RGB 142 25 73, RGB 159 43 92, RGB 176 61 111, RGB 193 79 130 and RGB 210 97 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 25 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 25 78 shade: RGB 137 25 78, RGB 120 7 59, RGB 103 0 40, RGB 86 0 21 and RGB 69 0 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 25 78 shade: RGB 137 25 78, RGB 137 25 48 and RGB 137 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 25 78 shade: RGB 137 25 78, RGB 137 25 108, RGB 136 25 137, RGB 106 25 137 and RGB 75 25 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 25 78 shade matches the following richer shades: RGB 137 25 78 and RGB 151 12 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 25 78 shade: RGB 137 25 78, RGB 124 38 79, RGB 111 51 79, RGB 98 64 80 and RGB 85 78 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 25 78 shade: RGB 136 25 137, RGB 137 25 109, RGB 137 25 79, RGB 137 25 49 and RGB 137 30 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 25 78 shade: RGB 68 12 38, RGB 103 18 58, RGB 137 25 78, RGB 172 31 98 and RGB 207 38 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 25 78 shade: RGB 137 25 78, RGB 137 105 25 and RGB 25 124 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 25 78 shade: RGB 137 25 78, RGB 79 137 25 and RGB 25 79 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 25 78 shade: RGB 137 25 78, RGB 137 105 25, RGB 25 137 83 and RGB 25 57 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 25 78 shade: RGB 137 25 78, RGB 136 137 25, RGB 25 137 83 and RGB 27 25 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

Complementary color

CMYK 49 / 0 / 23 / 10

HEX #76E6B1

RGB 118 230 177

HSL 151.61, 0.69%, 0.68%

LAB 83.77, -44.11, 16.11

 

CMYK 0 / 82 / 49 / 44

HEX #8E1949

RGB 142 25 73

HSL 335.38, 0.7%, 0.33%

LAB 31.64, 50.31, 2.13

 

CMYK 0 / 73 / 42 / 38

HEX #9F2B5C

RGB 159 43 92

HSL 334.66, 0.57%, 0.4%

LAB 37.61, 51.15, -1.08

 

CMYK 0 / 65 / 37 / 31

HEX #B03D6F

RGB 176 61 111

HSL 333.91, 0.49%, 0.46%

LAB 43.82, 51.19, -3.49

 

CMYK 0 / 59 / 33 / 24

HEX #C14F82

RGB 193 79 130

HSL 333.16, 0.48%, 0.53%

LAB 50.15, 50.79, -5.37

 

CMYK 0 / 54 / 29 / 18

HEX #D26195

RGB 210 97 149

HSL 332.39, 0.56%, 0.6%

LAB 56.51, 50.16, -6.89

 

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

CMYK 0 / 94 / 51 / 53

HEX #78073B

RGB 120 7 59

HSL 332.39, 0.89%, 0.25%

LAB 25.14, 47.24, 1.55

 

CMYK 0 / 100 / 61 / 60

HEX #670028

RGB 103 0 40

HSL 336.7, 1%, 0.2%

LAB 20.19, 42.83, 7.28

 

CMYK 0 / 100 / 76 / 66

HEX #560015

RGB 86 0 21

HSL 345.35, 1%, 0.17%

LAB 15.66, 37.07, 14.23

 

CMYK 0 / 100 / 97 / 73

HEX #450002

RGB 69 0 2

HSL 358.26, 1%, 0.14%

LAB 11.06, 31.36, 16.6

 

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

CMYK 0 / 82 / 65 / 46

HEX #891930

RGB 137 25 48

HSL 347.68, 0.69%, 0.32%

LAB 29.98, 46.93, 16.24

 

CMYK 0 / 82 / 82 / 46

HEX #891919

RGB 137 25 25

HSL 0, 0.69%, 0.32%

LAB 29.62, 45.82, 30.48

 

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

CMYK 0 / 82 / 21 / 46

HEX #89196C

RGB 137 25 108

HSL 315.54, 0.69%, 0.32%

LAB 32.03, 53.04, -20.15

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 23 / 82 / 0 / 46

HEX #6A1989

RGB 106 25 137

HSL 283.39, 0.69%, 0.32%

LAB 28.29, 51.33, -44.74

 

CMYK 45 / 82 / 0 / 46

HEX #4B1989

RGB 75 25 137

HSL 266.79, 0.69%, 0.32%

LAB 23.66, 45.99, -52.48

 

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

CMYK 0 / 92 / 49 / 41

HEX #970C4D

RGB 151 12 77

HSL 331.94, 0.85%, 0.32%

LAB 32.65, 55.81, 1.19

 

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

CMYK 0 / 69 / 36 / 51

HEX #7C264F

RGB 124 38 79

HSL 331.4, 0.53%, 0.32%

LAB 30, 41, -4.64

 

CMYK 0 / 54 / 29 / 56

HEX #6F334F

RGB 111 51 79

HSL 332, 0.37%, 0.32%

LAB 30.19, 30.09, -4.6

 

CMYK 0 / 35 / 18 / 62

HEX #624050

RGB 98 64 80

HSL 331.76, 0.21%, 0.32%

LAB 31.45, 17.48, -3.58

 

CMYK 0 / 8 / 5 / 67

HEX #554E51

RGB 85 78 81

HSL 334.29, 0.04%, 0.32%

LAB 33.93, 3.51, -0.73

 

CMYK 1 / 82 / 0 / 46

HEX #881989

RGB 136 25 137

HSL 299.46, 0.69%, 0.32%

LAB 33.43, 57.26, -36.21

 

CMYK 0 / 82 / 20 / 46

HEX #89196D

RGB 137 25 109

HSL 315, 0.69%, 0.32%

LAB 32.07, 53.18, -20.72

 

CMYK 0 / 82 / 42 / 46

HEX #89194F

RGB 137 25 79

HSL 331.07, 0.69%, 0.32%

LAB 30.83, 49.52, -3.14

 

CMYK 0 / 82 / 64 / 46

HEX #891931

RGB 137 25 49

HSL 347.14, 0.69%, 0.32%

LAB 30, 46.99, 15.61

 

CMYK 0 / 78 / 82 / 46

HEX #891E19

RGB 137 30 25

HSL 2.68, 0.69%, 0.32%

LAB 30.2, 44.21, 31.06

 

CMYK 0 / 82 / 44 / 73

HEX #440C26

RGB 68 12 38

HSL 332.14, 0.7%, 0.16%

LAB 13.42, 28.79, -2.02

 

CMYK 0 / 83 / 44 / 60

HEX #67123A

RGB 103 18 58

HSL 331.76, 0.7%, 0.24%

LAB 22.38, 39.81, -2.23

 

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

CMYK 0 / 82 / 43 / 33

HEX #AC1F62

RGB 172 31 98

HSL 331.49, 0.69%, 0.4%

LAB 38.95, 59.07, -2.63

 

CMYK 0 / 82 / 43 / 19

HEX #CF2676

RGB 207 38 118

HSL 331.6, 0.69%, 0.48%

LAB 46.92, 68.06, -2.6

 

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

CMYK 0 / 23 / 82 / 46

HEX #896919

RGB 137 105 25

HSL 42.86, 0.69%, 0.32%

LAB 46.3, 4.89, 46.41

 

CMYK 82 / 9 / 0 / 46

HEX #197C89

RGB 25 124 137

HSL 186.96, 0.69%, 0.32%

LAB 47.53, -22.15, -14.86

 

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

CMYK 42 / 0 / 82 / 46

HEX #4F8919

RGB 79 137 25

HSL 91.07, 0.69%, 0.32%

LAB 51.41, -37.34, 49.42

 

CMYK 82 / 42 / 0 / 46

HEX #194F89

RGB 25 79 137

HSL 211.07, 0.69%, 0.32%

LAB 33.15, 4.63, -37.29

 

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

CMYK 0 / 23 / 82 / 46

HEX #896919

RGB 137 105 25

HSL 42.86, 0.69%, 0.32%

LAB 46.3, 4.89, 46.41

 

CMYK 82 / 0 / 39 / 46

HEX #198953

RGB 25 137 83

HSL 151.07, 0.69%, 0.32%

LAB 50.36, -43.06, 20.64

 

CMYK 82 / 58 / 0 / 46

HEX #193989

RGB 25 57 137

HSL 222.86, 0.69%, 0.32%

LAB 26.56, 19.75, -47.91

 

CMYK 0 / 82 / 43 / 46

HEX #89194E

RGB 137 25 78

HSL 331.61, 0.69%, 0.32%

LAB 30.79, 49.42, -2.53

 

CMYK 1 / 0 / 82 / 46

HEX #888919

RGB 136 137 25

HSL 60.54, 0.69%, 0.32%

LAB 55.27, -13.46, 54.35

 

CMYK 82 / 0 / 39 / 46

HEX #198953

RGB 25 137 83

HSL 151.07, 0.69%, 0.32%

LAB 50.36, -43.06, 20.64

 

CMYK 80 / 82 / 0 / 46

HEX #1B1989

RGB 27 25 137

HSL 241.07, 0.69%, 0.32%

LAB 18.95, 40.57, -60.42

 

Description

Color code: RGB 137 25 78 | qconv.com Color code: RGB 137 25 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 25 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 25 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 43 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 43% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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