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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 249 174 it is the complementary color RGB 118 6 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 249 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 249 174 shade: RGB 142 249 169, RGB 159 255 188, RGB 176 255 207, RGB 193 255 226 and RGB 210 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 249 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 249 174 shade: RGB 137 249 174, RGB 120 231 155, RGB 103 213 136, RGB 86 195 117 and RGB 69 177 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 249 174 shade: RGB 138 248 175, RGB 138 248 145, RGB 161 248 138, RGB 191 248 138 and RGB 221 248 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 249 174 shade: RGB 138 248 175, RGB 138 248 204, RGB 138 248 234, RGB 138 233 248 and RGB 138 203 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 249 174 shade matches the following richer shades: RGB 138 248 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 249 174 shade: RGB 138 248 175, RGB 148 238 178, RGB 158 229 181, RGB 168 219 185 and RGB 178 209 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 249 174 shade: RGB 162 248 138, RGB 138 248 144, RGB 138 248 173, RGB 138 248 202 and RGB 138 248 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 249 174 shade: RGB 60 244 121, RGB 99 246 148, RGB 138 248 175, RGB 177 250 202 and RGB 217 253 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 249 174 shade: RGB 137 249 174, RGB 138 191 248 and RGB 248 138 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 249 174 shade: RGB 137 249 174, RGB 173 138 248 and RGB 248 173 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 249 174 shade: RGB 137 249 174, RGB 138 191 248, RGB 248 138 213 and RGB 248 195 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 249 174 shade: RGB 137 249 174, RGB 138 158 248, RGB 248 138 213 and RGB 248 228 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 30 / 2

HEX #89F9AE

RGB 137 249 174

HSL 139.82, 0.9%, 0.76%

LAB 89.92, -48.04, 26.28

 

Complementary color

CMYK 0 / 95 / 31 / 54

HEX #760651

RGB 118 6 81

HSL 319.82, 0.9%, 0.24%

LAB 25.49, 49.24, -12.9

 

CMYK 43 / 0 / 32 / 2

HEX #8EF9A9

RGB 142 249 169

HSL 135.14, 0.9%, 0.77%

LAB 90.03, -47.58, 29

 

CMYK 38 / 0 / 26 / 0

HEX #9FFFBC

RGB 159 255 188

HSL 138.13, 1%, 0.81%

LAB 92.8, -42.14, 23.27

 

CMYK 31 / 0 / 19 / 0

HEX #B0FFCF

RGB 176 255 207

HSL 143.54, 1%, 0.85%

LAB 93.99, -33.76, 15.35

 

CMYK 24 / 0 / 11 / 0

HEX #C1FFE2

RGB 193 255 226

HSL 151.94, 1%, 0.88%

LAB 95.31, -25.08, 7.58

 

CMYK 18 / 0 / 4 / 0

HEX #D2FFF5

RGB 210 255 245

HSL 166.67, 1%, 0.91%

LAB 96.74, -16.21, 0.01

 

CMYK 45 / 0 / 30 / 2

HEX #89F9AE

RGB 137 249 174

HSL 139.82, 0.9%, 0.76%

LAB 89.92, -48.04, 26.28

 

CMYK 48 / 0 / 33 / 9

HEX #78E79B

RGB 120 231 155

HSL 138.92, 0.7%, 0.69%

LAB 83.71, -48.23, 27.44

 

CMYK 52 / 0 / 36 / 16

HEX #67D588

RGB 103 213 136

HSL 138, 0.57%, 0.62%

LAB 77.43, -48.37, 28.68

 

CMYK 56 / 0 / 40 / 24

HEX #56C375

RGB 86 195 117

HSL 137.06, 0.48%, 0.55%

LAB 71.07, -48.41, 30

 

CMYK 61 / 0 / 45 / 31

HEX #45B162

RGB 69 177 98

HSL 136.11, 0.44%, 0.48%

LAB 64.64, -48.3, 31.41

 

CMYK 44 / 0 / 29 / 3

HEX #8AF8AF

RGB 138 248 175

HSL 140.18, 0.89%, 0.76%

LAB 89.69, -47.18, 25.46

 

CMYK 44 / 0 / 42 / 3

HEX #8AF891

RGB 138 248 145

HSL 123.82, 0.89%, 0.76%

LAB 89.2, -52.08, 39.83

 

CMYK 35 / 0 / 44 / 3

HEX #A1F88A

RGB 161 248 138

HSL 107.45, 0.89%, 0.76%

LAB 90.11, -46.22, 44.61

 

CMYK 23 / 0 / 44 / 3

HEX #BFF88A

RGB 191 248 138

HSL 91.09, 0.89%, 0.76%

LAB 91.71, -36.19, 46.95

 

CMYK 11 / 0 / 44 / 3

HEX #DDF88A

RGB 221 248 138

HSL 74.73, 0.89%, 0.76%

LAB 93.6, -25.27, 49.72

 

CMYK 44 / 0 / 29 / 3

HEX #8AF8AF

RGB 138 248 175

HSL 140.18, 0.89%, 0.76%

LAB 89.69, -47.18, 25.46

 

CMYK 44 / 0 / 18 / 3

HEX #8AF8CC

RGB 138 248 204

HSL 156, 0.89%, 0.76%

LAB 90.27, -41.56, 11.38

 

CMYK 44 / 0 / 6 / 3

HEX #8AF8EA

RGB 138 248 234

HSL 172.36, 0.89%, 0.76%

LAB 91, -34.92, -3.14

 

CMYK 44 / 6 / 0 / 3

HEX #8AE9F8

RGB 138 233 248

HSL 188.18, 0.89%, 0.76%

LAB 87.22, -24.35, -16.07

 

CMYK 44 / 18 / 0 / 3

HEX #8ACBF8

RGB 138 203 248

HSL 204.55, 0.89%, 0.76%

LAB 78.98, -9.07, -28.57

 

CMYK 44 / 0 / 29 / 3

HEX #8AF8AF

RGB 138 248 175

HSL 140.18, 0.89%, 0.76%

LAB 89.69, -47.18, 25.46

 

CMYK 44 / 0 / 29 / 3

HEX #8AF8AF

RGB 138 248 175

HSL 140.18, 0.89%, 0.76%

LAB 89.69, -47.18, 25.46

 

CMYK 38 / 0 / 25 / 7

HEX #94EEB2

RGB 148 238 178

HSL 140, 0.73%, 0.76%

LAB 87.32, -39.51, 20.73

 

CMYK 31 / 0 / 21 / 10

HEX #9EE5B5

RGB 158 229 181

HSL 139.44, 0.58%, 0.76%

LAB 85.32, -31.88, 16.46

 

CMYK 23 / 0 / 16 / 14

HEX #A8DBB9

RGB 168 219 185

HSL 140, 0.41%, 0.76%

LAB 83.17, -23.21, 11.41

 

CMYK 15 / 0 / 10 / 18

HEX #B2D1BC

RGB 178 209 188

HSL 139.35, 0.25%, 0.76%

LAB 81.12, -14.37, 6.97

 

CMYK 35 / 0 / 44 / 3

HEX #A2F88A

RGB 162 248 138

HSL 106.91, 0.89%, 0.76%

LAB 90.16, -45.9, 44.68

 

CMYK 44 / 0 / 42 / 3

HEX #8AF890

RGB 138 248 144

HSL 123.27, 0.89%, 0.76%

LAB 89.18, -52.23, 40.31

 

CMYK 44 / 0 / 30 / 3

HEX #8AF8AD

RGB 138 248 173

HSL 139.09, 0.89%, 0.76%

LAB 89.65, -47.53, 26.43

 

CMYK 44 / 0 / 19 / 3

HEX #8AF8CA

RGB 138 248 202

HSL 154.91, 0.89%, 0.76%

LAB 90.23, -41.97, 12.35

 

CMYK 44 / 0 / 6 / 3

HEX #8AF8E8

RGB 138 248 232

HSL 171.27, 0.89%, 0.76%

LAB 90.95, -35.38, -2.17

 

CMYK 75 / 0 / 50 / 4

HEX #3CF479

RGB 60 244 121

HSL 139.89, 0.89%, 0.6%

LAB 85.53, -70.35, 46.3

 

CMYK 60 / 0 / 40 / 4

HEX #63F694

RGB 99 246 148

HSL 140, 0.89%, 0.68%

LAB 87.34, -60.27, 35.68

 

CMYK 44 / 0 / 29 / 3

HEX #8AF8AF

RGB 138 248 175

HSL 140.18, 0.89%, 0.76%

LAB 89.69, -47.18, 25.46

 

CMYK 29 / 0 / 19 / 2

HEX #B1FACA

RGB 177 250 202

HSL 140.55, 0.88%, 0.84%

LAB 92.57, -32.06, 15.91

 

CMYK 14 / 0 / 10 / 1

HEX #D9FDE4

RGB 217 253 228

HSL 138.33, 0.9%, 0.92%

LAB 96.25, -16.22, 8.09

 

CMYK 45 / 0 / 30 / 2

HEX #89F9AE

RGB 137 249 174

HSL 139.82, 0.9%, 0.76%

LAB 89.92, -48.04, 26.28

 

CMYK 44 / 23 / 0 / 3

HEX #8ABFF8

RGB 138 191 248

HSL 211.09, 0.89%, 0.76%

LAB 75.73, -2.65, -33.58

 

CMYK 0 / 44 / 41 / 3

HEX #F88A93

RGB 248 138 147

HSL 355.09, 0.89%, 0.76%

LAB 69.64, 42.58, 13.89

 

CMYK 45 / 0 / 30 / 2

HEX #89F9AE

RGB 137 249 174

HSL 139.82, 0.9%, 0.76%

LAB 89.92, -48.04, 26.28

 

CMYK 30 / 44 / 0 / 3

HEX #AD8AF8

RGB 173 138 248

HSL 259.09, 0.89%, 0.76%

LAB 64.83, 36.2, -50.43

 

CMYK 0 / 30 / 44 / 3

HEX #F8AD8A

RGB 248 173 138

HSL 19.09, 0.89%, 0.76%

LAB 77.09, 23.45, 29

 

CMYK 45 / 0 / 30 / 2

HEX #89F9AE

RGB 137 249 174

HSL 139.82, 0.9%, 0.76%

LAB 89.92, -48.04, 26.28

 

CMYK 44 / 23 / 0 / 3

HEX #8ABFF8

RGB 138 191 248

HSL 211.09, 0.89%, 0.76%

LAB 75.73, -2.65, -33.58

 

CMYK 0 / 44 / 14 / 3

HEX #F88AD5

RGB 248 138 213

HSL 319.09, 0.89%, 0.76%

LAB 71.51, 51.26, -20.14

 

CMYK 0 / 21 / 44 / 3

HEX #F8C38A

RGB 248 195 138

HSL 31.09, 0.89%, 0.76%

LAB 82.28, 11.89, 35.83

 

CMYK 45 / 0 / 30 / 2

HEX #89F9AE

RGB 137 249 174

HSL 139.82, 0.9%, 0.76%

LAB 89.92, -48.04, 26.28

 

CMYK 44 / 36 / 0 / 3

HEX #8A9EF8

RGB 138 158 248

HSL 229.09, 0.89%, 0.76%

LAB 67, 15.84, -47.19

 

CMYK 0 / 44 / 14 / 3

HEX #F88AD5

RGB 248 138 213

HSL 319.09, 0.89%, 0.76%

LAB 71.51, 51.26, -20.14

 

CMYK 0 / 8 / 44 / 3

HEX #F8E48A

RGB 248 228 138

HSL 49.09, 0.89%, 0.76%

LAB 90.45, -5.07, 46.25

 

Description

Color code: RGB 137 249 174 | qconv.com Color code: RGB 137 249 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 249 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 249 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 30 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 30% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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