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Color name
RGB 137 213 41

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 213 41 it is the complementary color RGB 118 42 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 213 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 213 41 shade: RGB 142 213 36, RGB 159 231 55, RGB 176 249 74, RGB 193 255 93 and RGB 210 255 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 213 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 213 41 shade: RGB 137 213 41, RGB 120 195 22, RGB 103 177 3, RGB 86 159 0 and RGB 69 141 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 213 41 shade: RGB 137 214 40, RGB 184 214 40, RGB 214 197 40, RGB 214 150 40 and RGB 214 103 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 213 41 shade: RGB 137 214 40, RGB 90 214 40, RGB 44 214 40, RGB 40 214 84 and RGB 40 214 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 213 41 shade matches the following richer shades: RGB 137 214 40 and RGB 139 234 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 213 41 shade: RGB 137 214 40, RGB 135 193 61, RGB 132 172 82, RGB 130 152 102 and RGB 127 131 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 213 41 shade: RGB 214 196 40, RGB 185 214 40, RGB 139 214 40, RGB 92 214 40 and RGB 46 214 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 213 41 shade: RGB 93 144 27, RGB 115 179 34, RGB 137 214 40, RGB 156 220 75 and RGB 175 227 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 213 41 shade: RGB 137 213 41, RGB 40 214 150 and RGB 214 40 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 213 41 shade: RGB 137 213 41, RGB 40 139 214 and RGB 214 40 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 213 41 shade: RGB 137 213 41, RGB 40 214 150, RGB 115 40 214 and RGB 214 40 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 213 41 shade: RGB 137 213 41, RGB 40 214 202, RGB 115 40 214 and RGB 214 40 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 81 / 16

HEX #89D529

RGB 137 213 41

HSL 86.51, 0.68%, 0.5%

LAB 77.91, -48.1, 70.14

 

Complementary color

CMYK 45 / 80 / 0 / 16

HEX #762AD6

RGB 118 42 214

HSL 266.51, 0.68%, 0.5%

LAB 38.49, 64.69, -74.06

 

CMYK 33 / 0 / 83 / 16

HEX #8ED524

RGB 142 213 36

HSL 84.07, 0.71%, 0.49%

LAB 78.15, -46.52, 71.7

 

CMYK 31 / 0 / 76 / 9

HEX #9FE737

RGB 159 231 55

HSL 84.55, 0.79%, 0.56%

LAB 84.38, -47.17, 72.54

 

CMYK 29 / 0 / 70 / 2

HEX #B0F94A

RGB 176 249 74

HSL 85.03, 0.94%, 0.63%

LAB 90.54, -47.64, 72.64

 

CMYK 24 / 0 / 64 / 0

HEX #C1FF5D

RGB 193 255 93

HSL 82.96, 1%, 0.68%

LAB 93.3, -42.84, 68.73

 

CMYK 18 / 0 / 56 / 0

HEX #D2FF70

RGB 210 255 112

HSL 78.88, 1%, 0.72%

LAB 94.48, -35.1, 62.45

 

CMYK 36 / 0 / 81 / 16

HEX #89D529

RGB 137 213 41

HSL 86.51, 0.68%, 0.5%

LAB 77.91, -48.1, 70.14

 

CMYK 38 / 0 / 89 / 24

HEX #78C316

RGB 120 195 22

HSL 86.01, 0.8%, 0.43%

LAB 71.61, -47.31, 68.6

 

CMYK 42 / 0 / 98 / 31

HEX #67B103

RGB 103 177 3

HSL 85.52, 0.97%, 0.35%

LAB 65.23, -46.26, 65.72

 

CMYK 46 / 0 / 100 / 38

HEX #569F00

RGB 86 159 0

HSL 87.55, 1%, 0.31%

LAB 58.77, -44.84, 60.73

 

CMYK 51 / 0 / 100 / 45

HEX #458D00

RGB 69 141 0

HSL 90.64, 1%, 0.28%

LAB 52.19, -43.24, 55.28

 

CMYK 36 / 0 / 81 / 16

HEX #89D628

RGB 137 214 40

HSL 86.55, 0.69%, 0.5%

LAB 78.21, -48.55, 70.67

 

CMYK 14 / 0 / 81 / 16

HEX #B8D628

RGB 184 214 40

HSL 70.34, 0.69%, 0.5%

LAB 80.98, -30.66, 74.18

 

CMYK 0 / 8 / 81 / 16

HEX #D6C528

RGB 214 197 40

HSL 54.14, 0.69%, 0.5%

LAB 78.68, -9.72, 73.1

 

CMYK 0 / 30 / 81 / 16

HEX #D69628

RGB 214 150 40

HSL 37.93, 0.69%, 0.5%

LAB 66.72, 15.06, 62.69

 

CMYK 0 / 52 / 81 / 16

HEX #D66728

RGB 214 103 40

HSL 21.72, 0.69%, 0.5%

LAB 56.24, 39.93, 53.26

 

CMYK 36 / 0 / 81 / 16

HEX #89D628

RGB 137 214 40

HSL 86.55, 0.69%, 0.5%

LAB 78.21, -48.55, 70.67

 

CMYK 58 / 0 / 81 / 16

HEX #5AD628

RGB 90 214 40

HSL 102.76, 0.69%, 0.5%

LAB 76.33, -62.73, 68.26

 

CMYK 79 / 0 / 81 / 16

HEX #2CD628

RGB 44 214 40

HSL 118.62, 0.69%, 0.5%

LAB 75.32, -71.25, 66.96

 

CMYK 81 / 0 / 61 / 16

HEX #28D654

RGB 40 214 84

HSL 135.17, 0.69%, 0.5%

LAB 75.57, -67.95, 51.28

 

CMYK 81 / 0 / 39 / 16

HEX #28D683

RGB 40 214 131

HSL 151.38, 0.69%, 0.5%

LAB 76.18, -60.66, 29.33

 

CMYK 36 / 0 / 81 / 16

HEX #89D628

RGB 137 214 40

HSL 86.55, 0.69%, 0.5%

LAB 78.21, -48.55, 70.67

 

CMYK 41 / 0 / 91 / 8

HEX #8BEA14

RGB 139 234 20

HSL 86.64, 0.84%, 0.5%

LAB 84.17, -56.44, 79.63

 

CMYK 36 / 0 / 81 / 16

HEX #89D628

RGB 137 214 40

HSL 86.55, 0.69%, 0.5%

LAB 78.21, -48.55, 70.67

 

CMYK 30 / 0 / 68 / 24

HEX #87C13D

RGB 135 193 61

HSL 86.36, 0.52%, 0.5%

LAB 71.98, -39.15, 57.81

 

CMYK 23 / 0 / 52 / 33

HEX #84AC52

RGB 132 172 82

HSL 86.67, 0.35%, 0.5%

LAB 65.76, -28.73, 41.53

 

CMYK 14 / 0 / 33 / 40

HEX #829866

RGB 130 152 102

HSL 86.4, 0.2%, 0.5%

LAB 60.03, -16.92, 23.82

 

CMYK 3 / 0 / 6 / 49

HEX #7F837B

RGB 127 131 123

HSL 90, 0.03%, 0.5%

LAB 54.21, -3.06, 3.8

 

CMYK 0 / 8 / 81 / 16

HEX #D6C428

RGB 214 196 40

HSL 53.79, 0.69%, 0.5%

LAB 78.42, -9.22, 72.88

 

CMYK 14 / 0 / 81 / 16

HEX #B9D628

RGB 185 214 40

HSL 70, 0.69%, 0.5%

LAB 81.05, -30.25, 74.27

 

CMYK 35 / 0 / 81 / 16

HEX #8BD628

RGB 139 214 40

HSL 85.86, 0.69%, 0.5%

LAB 78.31, -47.85, 70.79

 

CMYK 57 / 0 / 81 / 16

HEX #5CD628

RGB 92 214 40

HSL 102.07, 0.69%, 0.5%

LAB 76.39, -62.23, 68.34

 

CMYK 79 / 0 / 81 / 16

HEX #2ED628

RGB 46 214 40

HSL 117.93, 0.69%, 0.5%

LAB 75.34, -71, 67

 

CMYK 35 / 0 / 81 / 44

HEX #5D901B

RGB 93 144 27

HSL 86.15, 0.68%, 0.34%

LAB 54.4, -35.15, 51.84

 

CMYK 36 / 0 / 81 / 30

HEX #73B322

RGB 115 179 34

HSL 86.48, 0.68%, 0.42%

LAB 66.52, -41.96, 61.31

 

CMYK 36 / 0 / 81 / 16

HEX #89D628

RGB 137 214 40

HSL 86.55, 0.69%, 0.5%

LAB 78.21, -48.55, 70.67

 

CMYK 29 / 0 / 66 / 14

HEX #9CDC4B

RGB 156 220 75

HSL 86.48, 0.67%, 0.58%

LAB 81.16, -42.32, 62.29

 

CMYK 23 / 0 / 52 / 11

HEX #AFE36E

RGB 175 227 110

HSL 86.67, 0.68%, 0.66%

LAB 84.58, -35.45, 51.26

 

CMYK 36 / 0 / 81 / 16

HEX #89D529

RGB 137 213 41

HSL 86.51, 0.68%, 0.5%

LAB 77.91, -48.1, 70.14

 

CMYK 81 / 0 / 30 / 16

HEX #28D696

RGB 40 214 150

HSL 157.93, 0.69%, 0.5%

LAB 76.53, -56.78, 19.9

 

CMYK 0 / 81 / 3 / 16

HEX #D628D0

RGB 214 40 208

HSL 302.07, 0.69%, 0.5%

LAB 52.25, 80.12, -47.65

 

CMYK 36 / 0 / 81 / 16

HEX #89D529

RGB 137 213 41

HSL 86.51, 0.68%, 0.5%

LAB 77.91, -48.1, 70.14

 

CMYK 81 / 35 / 0 / 16

HEX #288BD6

RGB 40 139 214

HSL 205.86, 0.69%, 0.5%

LAB 55.86, -1.6, -46.25

 

CMYK 0 / 81 / 35 / 16

HEX #D6288B

RGB 214 40 139

HSL 325.86, 0.69%, 0.5%

LAB 49.1, 71.34, -11.98

 

CMYK 36 / 0 / 81 / 16

HEX #89D529

RGB 137 213 41

HSL 86.51, 0.68%, 0.5%

LAB 77.91, -48.1, 70.14

 

CMYK 81 / 0 / 30 / 16

HEX #28D696

RGB 40 214 150

HSL 157.93, 0.69%, 0.5%

LAB 76.53, -56.78, 19.9

 

CMYK 46 / 81 / 0 / 16

HEX #7328D6

RGB 115 40 214

HSL 265.86, 0.69%, 0.5%

LAB 37.87, 65.02, -75.08

 

CMYK 0 / 81 / 51 / 16

HEX #D62868

RGB 214 40 104

HSL 337.93, 0.69%, 0.5%

LAB 48.02, 68.17, 7.77

 

CMYK 36 / 0 / 81 / 16

HEX #89D529

RGB 137 213 41

HSL 86.51, 0.68%, 0.5%

LAB 77.91, -48.1, 70.14

 

CMYK 81 / 0 / 6 / 16

HEX #28D6CA

RGB 40 214 202

HSL 175.86, 0.69%, 0.5%

LAB 77.76, -43.79, -6.05

 

CMYK 46 / 81 / 0 / 16

HEX #7328D6

RGB 115 40 214

HSL 265.86, 0.69%, 0.5%

LAB 37.87, 65.02, -75.08

 

CMYK 0 / 81 / 76 / 16

HEX #D62834

RGB 214 40 52

HSL 355.86, 0.69%, 0.5%

LAB 47.06, 65.24, 37.99

 

Description

Color code: RGB 137 213 41 | qconv.com Color code: RGB 137 213 41 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 213 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 213 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 81% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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