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Color name
RGB 137 19 64

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 19 64 it is the complementary color RGB 118 236 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 19 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 19 64 shade: RGB 142 19 59, RGB 159 37 78, RGB 176 55 97, RGB 193 73 116 and RGB 210 91 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 19 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 19 64 shade: RGB 137 19 64, RGB 120 1 45, RGB 103 0 26, RGB 86 0 7 and RGB 69 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 19 64 shade: RGB 139 18 64, RGB 139 18 32 and RGB 139 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 19 64 shade: RGB 139 18 64, RGB 139 18 97, RGB 139 18 129, RGB 116 18 139 and RGB 83 18 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 19 64 shade matches the following richer shades: RGB 139 18 64 and RGB 151 6 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 19 64 shade: RGB 139 18 64, RGB 126 31 67, RGB 113 44 70, RGB 100 57 73 and RGB 87 70 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 19 64 shade: RGB 139 18 129, RGB 139 18 97, RGB 139 18 65, RGB 139 18 32 and RGB 139 36 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 19 64 shade: RGB 66 9 30, RGB 102 14 47, RGB 139 18 64, RGB 175 23 81 and RGB 211 28 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 19 64 shade: RGB 137 19 64, RGB 139 117 18 and RGB 18 113 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 19 64 shade: RGB 137 19 64, RGB 65 139 18 and RGB 18 65 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 19 64 shade: RGB 137 19 64, RGB 139 117 18, RGB 18 139 93 and RGB 18 41 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 19 64 shade: RGB 137 19 64, RGB 125 139 18, RGB 18 139 93 and RGB 32 18 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 53 / 46

HEX #891340

RGB 137 19 64

HSL 337.12, 0.76%, 0.31%

LAB 29.8, 49.71, 5.33

 

Complementary color

CMYK 50 / 0 / 19 / 7

HEX #76ECBF

RGB 118 236 191

HSL 157.12, 0.76%, 0.69%

LAB 85.81, -43.8, 11.68

 

CMYK 0 / 87 / 58 / 44

HEX #8E133B

RGB 142 19 59

HSL 340.49, 0.76%, 0.32%

LAB 30.72, 50.7, 10.11

 

CMYK 0 / 77 / 51 / 38

HEX #9F254E

RGB 159 37 78

HSL 339.84, 0.62%, 0.38%

LAB 36.45, 51.91, 6.21

 

CMYK 0 / 69 / 45 / 31

HEX #B03761

RGB 176 55 97

HSL 339.17, 0.52%, 0.45%

LAB 42.5, 52.16, 3.26

 

CMYK 0 / 62 / 40 / 24

HEX #C14974

RGB 193 73 116

HSL 338.5, 0.49%, 0.52%

LAB 48.71, 51.87, 0.96

 

CMYK 0 / 57 / 36 / 18

HEX #D25B87

RGB 210 91 135

HSL 337.82, 0.57%, 0.59%

LAB 55, 51.28, -0.89

 

CMYK 0 / 86 / 53 / 46

HEX #891340

RGB 137 19 64

HSL 337.12, 0.76%, 0.31%

LAB 29.8, 49.71, 5.33

 

CMYK 0 / 99 / 63 / 53

HEX #78012D

RGB 120 1 45

HSL 337.82, 0.98%, 0.24%

LAB 24.34, 47.35, 10.09

 

CMYK 0 / 100 / 75 / 60

HEX #67001A

RGB 103 0 26

HSL 344.85, 1%, 0.2%

LAB 19.88, 41.99, 16.81

 

CMYK 0 / 100 / 92 / 66

HEX #560007

RGB 86 0 7

HSL 355.12, 1%, 0.17%

LAB 15.45, 36.52, 21.19

 

CMYK 0 / 100 / 100 / 73

HEX #450000

RGB 69 0 0

HSL 0, 1%, 0.14%

LAB 11.03, 31.28, 17.37

 

CMYK 0 / 87 / 54 / 45

HEX #8B1240

RGB 139 18 64

HSL 337.19, 0.77%, 0.31%

LAB 30.14, 50.49, 5.87

 

CMYK 0 / 87 / 77 / 45

HEX #8B1220

RGB 139 18 32

HSL 353.06, 0.77%, 0.31%

LAB 29.48, 48.55, 26.14

 

CMYK 0 / 87 / 87 / 45

HEX #8B1212

RGB 139 18 18

HSL 0, 0.77%, 0.31%

LAB 29.32, 48.1, 34.32

 

CMYK 0 / 87 / 54 / 45

HEX #8B1240

RGB 139 18 64

HSL 337.19, 0.77%, 0.31%

LAB 30.14, 50.49, 5.87

 

CMYK 0 / 87 / 30 / 45

HEX #8B1261

RGB 139 18 97

HSL 320.83, 0.77%, 0.31%

LAB 31.31, 53.83, -14.14

 

CMYK 0 / 87 / 7 / 45

HEX #8B1281

RGB 139 18 129

HSL 304.96, 0.77%, 0.31%

LAB 32.93, 58.23, -31.98

 

CMYK 17 / 87 / 0 / 45

HEX #74128B

RGB 116 18 139

HSL 288.6, 0.77%, 0.31%

LAB 29.44, 55.53, -44.05

 

CMYK 40 / 87 / 0 / 45

HEX #53128B

RGB 83 18 139

HSL 272.23, 0.77%, 0.31%

LAB 24.12, 50.19, -52.94

 

CMYK 0 / 87 / 54 / 45

HEX #8B1240

RGB 139 18 64

HSL 337.19, 0.77%, 0.31%

LAB 30.14, 50.49, 5.87

 

CMYK 0 / 96 / 60 / 41

HEX #97063D

RGB 151 6 61

HSL 337.24, 0.92%, 0.31%

LAB 31.91, 55.45, 10.73

 

CMYK 0 / 87 / 54 / 45

HEX #8B1240

RGB 139 18 64

HSL 337.19, 0.77%, 0.31%

LAB 30.14, 50.49, 5.87

 

CMYK 0 / 75 / 47 / 51

HEX #7E1F43

RGB 126 31 67

HSL 337.26, 0.61%, 0.31%

LAB 28.96, 43.11, 1.82

 

CMYK 0 / 61 / 38 / 56

HEX #712C46

RGB 113 44 70

HSL 337.39, 0.44%, 0.31%

LAB 28.78, 33.3, -0.71

 

CMYK 0 / 43 / 27 / 61

HEX #643949

RGB 100 57 73

HSL 337.67, 0.27%, 0.31%

LAB 29.7, 21.4, -1.57

 

CMYK 0 / 20 / 13 / 66

HEX #57464C

RGB 87 70 76

HSL 338.82, 0.11%, 0.31%

LAB 31.64, 8.38, -0.86

 

CMYK 0 / 87 / 7 / 45

HEX #8B1281

RGB 139 18 129

HSL 304.96, 0.77%, 0.31%

LAB 32.93, 58.23, -31.98

 

CMYK 0 / 87 / 30 / 45

HEX #8B1261

RGB 139 18 97

HSL 320.83, 0.77%, 0.31%

LAB 31.31, 53.83, -14.14

 

CMYK 0 / 87 / 53 / 45

HEX #8B1241

RGB 139 18 65

HSL 336.69, 0.77%, 0.31%

LAB 30.16, 50.57, 5.24

 

CMYK 0 / 87 / 77 / 45

HEX #8B1220

RGB 139 18 32

HSL 353.06, 0.77%, 0.31%

LAB 29.48, 48.55, 26.14

 

CMYK 0 / 74 / 87 / 45

HEX #8B2412

RGB 139 36 18

HSL 8.93, 0.77%, 0.31%

LAB 31.33, 42.46, 36.09

 

CMYK 0 / 86 / 55 / 74

HEX #42091E

RGB 66 9 30

HSL 337.89, 0.76%, 0.15%

LAB 12.27, 28.39, 2.2

 

CMYK 0 / 86 / 54 / 60

HEX #660E2F

RGB 102 14 47

HSL 337.5, 0.76%, 0.23%

LAB 21.37, 39.64, 3.96

 

CMYK 0 / 87 / 54 / 45

HEX #8B1240

RGB 139 18 64

HSL 337.19, 0.77%, 0.31%

LAB 30.14, 50.49, 5.87

 

CMYK 0 / 87 / 54 / 31

HEX #AF1751

RGB 175 23 81

HSL 337.11, 0.77%, 0.39%

LAB 38.41, 60.21, 7.51

 

CMYK 0 / 87 / 54 / 17

HEX #D31C62

RGB 211 28 98

HSL 337.05, 0.77%, 0.47%

LAB 46.39, 69.53, 9.08

 

CMYK 0 / 86 / 53 / 46

HEX #891340

RGB 137 19 64

HSL 337.12, 0.76%, 0.31%

LAB 29.8, 49.71, 5.33

 

CMYK 0 / 16 / 87 / 45

HEX #8B7512

RGB 139 117 18

HSL 49.09, 0.77%, 0.31%

LAB 49.8, -1.28, 51.78

 

CMYK 87 / 19 / 0 / 45

HEX #12718B

RGB 18 113 139

HSL 192.89, 0.77%, 0.31%

LAB 43.95, -16.11, -21.54

 

CMYK 0 / 86 / 53 / 46

HEX #891340

RGB 137 19 64

HSL 337.12, 0.76%, 0.31%

LAB 29.8, 49.71, 5.33

 

CMYK 53 / 0 / 87 / 45

HEX #418B12

RGB 65 139 18

HSL 96.69, 0.77%, 0.31%

LAB 51.42, -43.15, 51.14

 

CMYK 87 / 53 / 0 / 45

HEX #12418B

RGB 18 65 139

HSL 216.69, 0.77%, 0.31%

LAB 28.83, 14.32, -45.47

 

CMYK 0 / 86 / 53 / 46

HEX #891340

RGB 137 19 64

HSL 337.12, 0.76%, 0.31%

LAB 29.8, 49.71, 5.33

 

CMYK 0 / 16 / 87 / 45

HEX #8B7512

RGB 139 117 18

HSL 49.09, 0.77%, 0.31%

LAB 49.8, -1.28, 51.78

 

CMYK 87 / 0 / 33 / 45

HEX #128B5D

RGB 18 139 93

HSL 157.19, 0.77%, 0.31%

LAB 51.13, -42.37, 16.03

 

CMYK 87 / 71 / 0 / 45

HEX #12298B

RGB 18 41 139

HSL 228.6, 0.77%, 0.31%

LAB 22.23, 30.97, -56.26

 

CMYK 0 / 86 / 53 / 46

HEX #891340

RGB 137 19 64

HSL 337.12, 0.76%, 0.31%

LAB 29.8, 49.71, 5.33

 

CMYK 10 / 0 / 87 / 45

HEX #7D8B12

RGB 125 139 18

HSL 66.94, 0.77%, 0.31%

LAB 54.94, -19.7, 55.55

 

CMYK 87 / 0 / 33 / 45

HEX #128B5D

RGB 18 139 93

HSL 157.19, 0.77%, 0.31%

LAB 51.13, -42.37, 16.03

 

CMYK 77 / 87 / 0 / 45

HEX #20128B

RGB 32 18 139

HSL 246.94, 0.77%, 0.31%

LAB 18.38, 44.87, -62.6

 

Description

Color code: RGB 137 19 64 | qconv.com Color code: RGB 137 19 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 19 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 19 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 53 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 53% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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