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Color name
RGB 137 197 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 197 108 it is the complementary color RGB 118 58 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 197 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 197 108 shade: RGB 142 197 103, RGB 159 215 122, RGB 176 233 141, RGB 193 251 160 and RGB 210 255 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 197 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 197 108 shade: RGB 137 197 108, RGB 120 179 89, RGB 103 161 70, RGB 86 143 51 and RGB 69 125 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 197 108 shade: RGB 137 196 109, RGB 161 196 109, RGB 185 196 109, RGB 196 185 109 and RGB 196 161 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 197 108 shade: RGB 137 196 109, RGB 114 196 109, RGB 109 196 127, RGB 109 196 151 and RGB 109 196 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 197 108 shade matches the following richer shades: RGB 137 196 109, RGB 131 213 92, RGB 126 229 76 and RGB 120 246 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 197 108 shade: RGB 137 196 109, RGB 143 180 125, RGB 149 163 142, RGB 154 147 158 and RGB 160 130 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 197 108 shade: RGB 185 196 109, RGB 161 196 109, RGB 138 196 109, RGB 114 196 109 and RGB 109 196 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 197 108 shade: RGB 95 159 63, RGB 114 185 79, RGB 137 196 109, RGB 161 208 138 and RGB 185 220 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 197 108 shade: RGB 137 197 108, RGB 109 196 185 and RGB 196 109 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 197 108 shade: RGB 137 197 108, RGB 109 138 196 and RGB 196 109 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 197 108 shade: RGB 137 197 108, RGB 109 196 185, RGB 167 109 196 and RGB 196 109 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 197 108 shade: RGB 137 197 108, RGB 109 182 196, RGB 167 109 196 and RGB 196 123 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 45 / 23

HEX #89C56C

RGB 137 197 108

HSL 100.45, 0.43%, 0.6%

LAB 73.76, -35.52, 38.49

 

Complementary color

CMYK 20 / 61 / 0 / 42

HEX #763A93

RGB 118 58 147

HSL 280.45, 0.43%, 0.4%

LAB 35.95, 41.69, -38.49

 

CMYK 28 / 0 / 48 / 23

HEX #8EC567

RGB 142 197 103

HSL 95.11, 0.45%, 0.59%

LAB 73.97, -34.38, 41.31

 

CMYK 26 / 0 / 43 / 16

HEX #9FD77A

RGB 159 215 122

HSL 96.13, 0.54%, 0.66%

LAB 80.39, -34.3, 40.13

 

CMYK 24 / 0 / 39 / 9

HEX #B0E98D

RGB 176 233 141

HSL 97.17, 0.68%, 0.73%

LAB 86.72, -34.2, 38.97

 

CMYK 23 / 0 / 36 / 2

HEX #C1FBA0

RGB 193 251 160

HSL 98.24, 0.92%, 0.81%

LAB 92.96, -34.08, 37.85

 

CMYK 18 / 0 / 30 / 0

HEX #D2FFB3

RGB 210 255 179

HSL 95.53, 1%, 0.85%

LAB 95.36, -27.45, 31.75

 

CMYK 30 / 0 / 45 / 23

HEX #89C56C

RGB 137 197 108

HSL 100.45, 0.43%, 0.6%

LAB 73.76, -35.52, 38.49

 

CMYK 33 / 0 / 50 / 30

HEX #78B359

RGB 120 179 89

HSL 99.33, 0.37%, 0.53%

LAB 67.24, -35.61, 39.7

 

CMYK 36 / 0 / 57 / 37

HEX #67A146

RGB 103 161 70

HSL 98.24, 0.39%, 0.45%

LAB 60.62, -35.64, 40.88

 

CMYK 40 / 0 / 64 / 44

HEX #568F33

RGB 86 143 51

HSL 97.17, 0.47%, 0.38%

LAB 53.88, -35.54, 41.92

 

CMYK 45 / 0 / 74 / 51

HEX #457D20

RGB 69 125 32

HSL 96.13, 0.59%, 0.31%

LAB 47.02, -35.23, 42.55

 

CMYK 30 / 0 / 44 / 23

HEX #89C46D

RGB 137 196 109

HSL 100.69, 0.42%, 0.6%

LAB 73.48, -34.93, 37.64

 

CMYK 18 / 0 / 44 / 23

HEX #A1C46D

RGB 161 196 109

HSL 84.14, 0.42%, 0.6%

LAB 74.93, -26.19, 39.76

 

CMYK 6 / 0 / 44 / 23

HEX #B9C46D

RGB 185 196 109

HSL 67.59, 0.42%, 0.6%

LAB 76.62, -16.85, 42.23

 

CMYK 0 / 6 / 44 / 23

HEX #C4B96D

RGB 196 185 109

HSL 52.41, 0.42%, 0.6%

LAB 74.53, -6.76, 39.84

 

CMYK 0 / 18 / 44 / 23

HEX #C4A16D

RGB 196 161 109

HSL 35.86, 0.42%, 0.6%

LAB 68.26, 6.01, 31.88

 

CMYK 30 / 0 / 44 / 23

HEX #89C46D

RGB 137 196 109

HSL 100.69, 0.42%, 0.6%

LAB 73.48, -34.93, 37.64

 

CMYK 42 / 0 / 44 / 23

HEX #72C46D

RGB 114 196 109

HSL 116.55, 0.42%, 0.6%

LAB 72.34, -42.46, 35.95

 

CMYK 44 / 0 / 35 / 23

HEX #6DC47F

RGB 109 196 127

HSL 132.41, 0.42%, 0.6%

LAB 72.4, -41.08, 26.7

 

CMYK 44 / 0 / 23 / 23

HEX #6DC497

RGB 109 196 151

HSL 148.97, 0.42%, 0.6%

LAB 72.87, -36.56, 14.56

 

CMYK 44 / 0 / 11 / 23

HEX #6DC4AF

RGB 109 196 175

HSL 165.52, 0.42%, 0.6%

LAB 73.43, -31.3, 2.38

 

CMYK 30 / 0 / 44 / 23

HEX #89C46D

RGB 137 196 109

HSL 100.69, 0.42%, 0.6%

LAB 73.48, -34.93, 37.64

 

CMYK 38 / 0 / 57 / 16

HEX #83D55C

RGB 131 213 92

HSL 100.66, 0.59%, 0.6%

LAB 77.98, -46.43, 51.19

 

CMYK 45 / 0 / 67 / 10

HEX #7EE54C

RGB 126 229 76

HSL 100.39, 0.75%, 0.6%

LAB 82.38, -55.93, 62.75

 

CMYK 51 / 0 / 76 / 4

HEX #78F63B

RGB 120 246 59

HSL 100.43, 0.91%, 0.6%

LAB 87.1, -65.12, 73.33

 

CMYK 30 / 0 / 44 / 23

HEX #89C46D

RGB 137 196 109

HSL 100.69, 0.42%, 0.6%

LAB 73.48, -34.93, 37.64

 

CMYK 21 / 0 / 31 / 29

HEX #8FB47D

RGB 143 180 125

HSL 100.36, 0.27%, 0.6%

LAB 69.44, -22.82, 24.1

 

CMYK 9 / 0 / 13 / 36

HEX #95A38E

RGB 149 163 142

HSL 100, 0.1%, 0.6%

LAB 65.39, -8.96, 9.24

 

CMYK 3 / 7 / 0 / 38

HEX #9A939E

RGB 154 147 158

HSL 278.18, 0.05%, 0.6%

LAB 61.83, 4.69, -4.87

 

CMYK 9 / 26 / 0 / 31

HEX #A082AF

RGB 160 130 175

HSL 280, 0.22%, 0.6%

LAB 58.54, 19.96, -19.44

 

CMYK 6 / 0 / 44 / 23

HEX #B9C46D

RGB 185 196 109

HSL 67.59, 0.42%, 0.6%

LAB 76.62, -16.85, 42.23

 

CMYK 18 / 0 / 44 / 23

HEX #A1C46D

RGB 161 196 109

HSL 84.14, 0.42%, 0.6%

LAB 74.93, -26.19, 39.76

 

CMYK 30 / 0 / 44 / 23

HEX #8AC46D

RGB 138 196 109

HSL 100, 0.42%, 0.6%

LAB 73.54, -34.58, 37.72

 

CMYK 42 / 0 / 44 / 23

HEX #72C46D

RGB 114 196 109

HSL 116.55, 0.42%, 0.6%

LAB 72.34, -42.46, 35.95

 

CMYK 44 / 0 / 36 / 23

HEX #6DC47E

RGB 109 196 126

HSL 131.72, 0.42%, 0.6%

LAB 72.39, -41.26, 27.2

 

CMYK 40 / 0 / 60 / 38

HEX #5F9F3F

RGB 95 159 63

HSL 100, 0.43%, 0.44%

LAB 59.51, -38.28, 42.83

 

CMYK 38 / 0 / 57 / 27

HEX #72B94F

RGB 114 185 79

HSL 100.19, 0.43%, 0.52%

LAB 68.64, -41.49, 46.1

 

CMYK 30 / 0 / 44 / 23

HEX #89C46D

RGB 137 196 109

HSL 100.69, 0.42%, 0.6%

LAB 73.48, -34.93, 37.64

 

CMYK 23 / 0 / 34 / 18

HEX #A1D08A

RGB 161 208 138

HSL 100.29, 0.43%, 0.68%

LAB 78.77, -28.12, 29.92

 

CMYK 16 / 0 / 24 / 14

HEX #B9DCA8

RGB 185 220 168

HSL 100.38, 0.43%, 0.76%

LAB 84.14, -20.94, 21.84

 

CMYK 30 / 0 / 45 / 23

HEX #89C56C

RGB 137 197 108

HSL 100.45, 0.43%, 0.6%

LAB 73.76, -35.52, 38.49

 

CMYK 44 / 0 / 6 / 23

HEX #6DC4B9

RGB 109 196 185

HSL 172.41, 0.42%, 0.6%

LAB 73.7, -28.91, -2.67

 

CMYK 0 / 44 / 12 / 23

HEX #C46DAD

RGB 196 109 173

HSL 315.86, 0.42%, 0.6%

LAB 57.74, 43.16, -19.15

 

CMYK 30 / 0 / 45 / 23

HEX #89C56C

RGB 137 197 108

HSL 100.45, 0.43%, 0.6%

LAB 73.76, -35.52, 38.49

 

CMYK 44 / 30 / 0 / 23

HEX #6D8AC4

RGB 109 138 196

HSL 220, 0.42%, 0.6%

LAB 57.48, 5.18, -33.36

 

CMYK 0 / 44 / 30 / 23

HEX #C46D8A

RGB 196 109 138

HSL 340, 0.42%, 0.6%

LAB 56.59, 37.88, -0.56

 

CMYK 30 / 0 / 45 / 23

HEX #89C56C

RGB 137 197 108

HSL 100.45, 0.43%, 0.6%

LAB 73.76, -35.52, 38.49

 

CMYK 44 / 0 / 6 / 23

HEX #6DC4B9

RGB 109 196 185

HSL 172.41, 0.42%, 0.6%

LAB 73.7, -28.91, -2.67

 

CMYK 15 / 44 / 0 / 23

HEX #A76DC4

RGB 167 109 196

HSL 280, 0.42%, 0.6%

LAB 55.21, 38.57, -36.53

 

CMYK 0 / 44 / 39 / 23

HEX #C46D78

RGB 196 109 120

HSL 352.41, 0.42%, 0.6%

LAB 56.12, 35.62, 9.26

 

CMYK 30 / 0 / 45 / 23

HEX #89C56C

RGB 137 197 108

HSL 100.45, 0.43%, 0.6%

LAB 73.76, -35.52, 38.49

 

CMYK 44 / 7 / 0 / 23

HEX #6DB6C4

RGB 109 182 196

HSL 189.66, 0.42%, 0.6%

LAB 69.96, -19.1, -14.24

 

CMYK 15 / 44 / 0 / 23

HEX #A76DC4

RGB 167 109 196

HSL 280, 0.42%, 0.6%

LAB 55.21, 38.57, -36.53

 

CMYK 0 / 37 / 44 / 23

HEX #C47B6D

RGB 196 123 109

HSL 9.66, 0.42%, 0.6%

LAB 58.98, 26.84, 19.59

 

Description

Color code: RGB 137 197 108 | qconv.com Color code: RGB 137 197 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 197 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 197 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 45 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 45% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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