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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 15 109 it is the complementary color RGB 118 240 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 15 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 15 109 shade: RGB 142 15 104, RGB 159 33 123, RGB 176 51 142, RGB 193 69 161 and RGB 210 87 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 15 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 15 109 shade: RGB 137 15 109, RGB 120 0 90, RGB 103 0 71, RGB 86 0 52 and RGB 69 0 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 15 109 shade: RGB 137 15 109, RGB 137 15 76, RGB 137 15 43 and RGB 137 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 15 109 shade: RGB 137 15 109, RGB 132 15 137, RGB 99 15 137, RGB 66 15 137 and RGB 33 15 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 15 109 shade matches the following richer shades: RGB 137 15 109 and RGB 150 2 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 15 109 shade: RGB 137 15 109, RGB 125 27 102, RGB 112 40 96, RGB 100 52 89 and RGB 88 64 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 15 109 shade: RGB 98 15 137, RGB 131 15 137, RGB 137 15 111, RGB 137 15 78 and RGB 137 15 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 15 109 shade: RGB 63 7 50, RGB 100 11 80, RGB 137 15 109, RGB 174 19 139 and RGB 211 23 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 15 109 shade: RGB 137 15 109, RGB 137 66 15 and RGB 15 137 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 15 109 shade: RGB 137 15 109, RGB 111 137 15 and RGB 15 111 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 15 109 shade: RGB 137 15 109, RGB 137 66 15, RGB 15 137 41 and RGB 15 86 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 15 109 shade: RGB 137 15 109, RGB 137 103 15, RGB 15 137 41 and RGB 15 49 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 20 / 46

HEX #890F6D

RGB 137 15 109

HSL 313.77, 0.8%, 0.3%

LAB 31.26, 55.52, -21.98

 

Complementary color

CMYK 51 / 0 / 39 / 6

HEX #76F092

RGB 118 240 146

HSL 133.77, 0.8%, 0.7%

LAB 86.13, -53.95, 35.2

 

CMYK 0 / 89 / 27 / 44

HEX #8E0F68

RGB 142 15 104

HSL 317.95, 0.81%, 0.31%

LAB 32.02, 55.99, -17.52

 

CMYK 0 / 79 / 23 / 38

HEX #9F217B

RGB 159 33 123

HSL 317.14, 0.66%, 0.38%

LAB 37.64, 58.12, -20.59

 

CMYK 0 / 71 / 19 / 31

HEX #B0338E

RGB 176 51 142

HSL 316.32, 0.55%, 0.45%

LAB 43.58, 59.08, -22.84

 

CMYK 0 / 64 / 17 / 24

HEX #C145A1

RGB 193 69 161

HSL 315.48, 0.5%, 0.51%

LAB 49.7, 59.33, -24.53

 

CMYK 0 / 59 / 14 / 18

HEX #D257B4

RGB 210 87 180

HSL 314.63, 0.58%, 0.58%

LAB 55.9, 59.15, -25.84

 

CMYK 0 / 89 / 20 / 46

HEX #890F6D

RGB 137 15 109

HSL 313.77, 0.8%, 0.3%

LAB 31.26, 55.52, -21.98

 

CMYK 0 / 100 / 25 / 53

HEX #78005A

RGB 120 0 90

HSL 315, 1%, 0.24%

LAB 25.95, 51.94, -18.14

 

CMYK 0 / 100 / 31 / 60

HEX #670047

RGB 103 0 71

HSL 318.64, 1%, 0.2%

LAB 21.35, 45.86, -12.75

 

CMYK 0 / 100 / 40 / 66

HEX #560034

RGB 86 0 52

HSL 323.72, 1%, 0.17%

LAB 16.63, 39.65, -6.98

 

CMYK 0 / 100 / 52 / 73

HEX #450021

RGB 69 0 33

HSL 331.3, 1%, 0.14%

LAB 11.79, 33.32, -0.67

 

CMYK 0 / 89 / 20 / 46

HEX #890F6D

RGB 137 15 109

HSL 313.77, 0.8%, 0.3%

LAB 31.26, 55.52, -21.98

 

CMYK 0 / 89 / 45 / 46

HEX #890F4C

RGB 137 15 76

HSL 330, 0.8%, 0.3%

LAB 29.87, 51.67, -2.57

 

CMYK 0 / 89 / 69 / 46

HEX #890F2B

RGB 137 15 43

HSL 346.23, 0.8%, 0.3%

LAB 28.99, 49.17, 18.29

 

CMYK 0 / 89 / 89 / 46

HEX #890F0F

RGB 137 15 15

HSL 0, 0.8%, 0.3%

LAB 28.63, 48.11, 35.15

 

CMYK 0 / 89 / 20 / 46

HEX #890F6D

RGB 137 15 109

HSL 313.77, 0.8%, 0.3%

LAB 31.26, 55.52, -21.98

 

CMYK 4 / 89 / 0 / 46

HEX #840F89

RGB 132 15 137

HSL 297.54, 0.8%, 0.3%

LAB 31.93, 58.74, -38.65

 

CMYK 28 / 89 / 0 / 46

HEX #630F89

RGB 99 15 137

HSL 281.31, 0.8%, 0.3%

LAB 26.16, 52.99, -48.25

 

CMYK 52 / 89 / 0 / 46

HEX #420F89

RGB 66 15 137

HSL 265.08, 0.8%, 0.3%

LAB 21.23, 48.44, -56.52

 

CMYK 76 / 89 / 0 / 46

HEX #210F89

RGB 33 15 137

HSL 248.85, 0.8%, 0.3%

LAB 17.79, 45.55, -62.33

 

CMYK 0 / 89 / 20 / 46

HEX #890F6D

RGB 137 15 109

HSL 313.77, 0.8%, 0.3%

LAB 31.26, 55.52, -21.98

 

CMYK 0 / 99 / 23 / 41

HEX #960274

RGB 150 2 116

HSL 313.78, 0.97%, 0.3%

LAB 33.54, 61.12, -22.7

 

CMYK 0 / 89 / 20 / 46

HEX #890F6D

RGB 137 15 109

HSL 313.77, 0.8%, 0.3%

LAB 31.26, 55.52, -21.98

 

CMYK 0 / 78 / 18 / 51

HEX #7D1B66

RGB 125 27 102

HSL 314.08, 0.64%, 0.3%

LAB 29.67, 48.62, -20.13

 

CMYK 0 / 64 / 14 / 56

HEX #702860

RGB 112 40 96

HSL 313.33, 0.47%, 0.3%

LAB 28.92, 38.85, -17.59

 

CMYK 0 / 48 / 11 / 61

HEX #643459

RGB 100 52 89

HSL 313.75, 0.32%, 0.3%

LAB 29.12, 27.21, -12.89

 

CMYK 0 / 27 / 7 / 65

HEX #584052

RGB 88 64 82

HSL 315, 0.16%, 0.3%

LAB 30.28, 13.83, -6.74

 

CMYK 28 / 89 / 0 / 46

HEX #620F89

RGB 98 15 137

HSL 280.82, 0.8%, 0.3%

LAB 25.99, 52.84, -48.53

 

CMYK 4 / 89 / 0 / 46

HEX #830F89

RGB 131 15 137

HSL 297.05, 0.8%, 0.3%

LAB 31.75, 58.55, -38.95

 

CMYK 0 / 89 / 19 / 46

HEX #890F6F

RGB 137 15 111

HSL 312.79, 0.8%, 0.3%

LAB 31.37, 55.79, -23.1

 

CMYK 0 / 89 / 43 / 46

HEX #890F4E

RGB 137 15 78

HSL 329.02, 0.8%, 0.3%

LAB 29.94, 51.87, -3.8

 

CMYK 0 / 89 / 67 / 46

HEX #890F2D

RGB 137 15 45

HSL 345.25, 0.8%, 0.3%

LAB 29.03, 49.28, 17

 

CMYK 0 / 89 / 21 / 75

HEX #3F0732

RGB 63 7 50

HSL 313.93, 0.8%, 0.14%

LAB 12.21, 30.98, -12.77

 

CMYK 0 / 89 / 20 / 61

HEX #640B50

RGB 100 11 80

HSL 313.48, 0.8%, 0.22%

LAB 22.04, 43.82, -17.86

 

CMYK 0 / 89 / 20 / 46

HEX #890F6D

RGB 137 15 109

HSL 313.77, 0.8%, 0.3%

LAB 31.26, 55.52, -21.98

 

CMYK 0 / 89 / 20 / 32

HEX #AE138B

RGB 174 19 139

HSL 313.55, 0.8%, 0.38%

LAB 40.13, 66.68, -26.4

 

CMYK 0 / 89 / 20 / 17

HEX #D317A8

RGB 211 23 168

HSL 313.72, 0.8%, 0.46%

LAB 48.62, 77.22, -30.11

 

CMYK 0 / 89 / 20 / 46

HEX #890F6D

RGB 137 15 109

HSL 313.77, 0.8%, 0.3%

LAB 31.26, 55.52, -21.98

 

CMYK 0 / 52 / 89 / 46

HEX #89420F

RGB 137 66 15

HSL 25.08, 0.8%, 0.3%

LAB 36.46, 27.13, 41.6

 

CMYK 89 / 0 / 16 / 46

HEX #0F8973

RGB 15 137 115

HSL 169.18, 0.8%, 0.3%

LAB 50.96, -36.13, 3.12

 

CMYK 0 / 89 / 20 / 46

HEX #890F6D

RGB 137 15 109

HSL 313.77, 0.8%, 0.3%

LAB 31.26, 55.52, -21.98

 

CMYK 19 / 0 / 89 / 46

HEX #6F890F

RGB 111 137 15

HSL 72.79, 0.8%, 0.3%

LAB 53.28, -24.95, 54.42

 

CMYK 89 / 19 / 0 / 46

HEX #0F6F89

RGB 15 111 137

HSL 192.79, 0.8%, 0.3%

LAB 43.18, -15.95, -21.54

 

CMYK 0 / 89 / 20 / 46

HEX #890F6D

RGB 137 15 109

HSL 313.77, 0.8%, 0.3%

LAB 31.26, 55.52, -21.98

 

CMYK 0 / 52 / 89 / 46

HEX #89420F

RGB 137 66 15

HSL 25.08, 0.8%, 0.3%

LAB 36.46, 27.13, 41.6

 

CMYK 89 / 0 / 70 / 46

HEX #0F8929

RGB 15 137 41

HSL 132.79, 0.8%, 0.3%

LAB 49.68, -50.72, 41.16

 

CMYK 89 / 37 / 0 / 46

HEX #0F5689

RGB 15 86 137

HSL 205.08, 0.8%, 0.3%

LAB 35.13, -0.9, -34.14

 

CMYK 0 / 89 / 20 / 46

HEX #890F6D

RGB 137 15 109

HSL 313.77, 0.8%, 0.3%

LAB 31.26, 55.52, -21.98

 

CMYK 0 / 25 / 89 / 46

HEX #89670F

RGB 137 103 15

HSL 43.28, 0.8%, 0.3%

LAB 45.71, 5.73, 49.14

 

CMYK 89 / 0 / 70 / 46

HEX #0F8929

RGB 15 137 41

HSL 132.79, 0.8%, 0.3%

LAB 49.68, -50.72, 41.16

 

CMYK 89 / 64 / 0 / 46

HEX #0F3189

RGB 15 49 137

HSL 223.28, 0.8%, 0.3%

LAB 24.01, 24.5, -52.08

 

Description

Color code: RGB 137 15 109 | qconv.com Color code: RGB 137 15 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 15 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 15 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 20 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 20% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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