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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 152 51 it is the complementary color RGB 118 103 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 152 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 152 51 shade: RGB 142 152 46, RGB 159 170 65, RGB 176 188 84, RGB 193 206 103 and RGB 210 224 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 152 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 152 51 shade: RGB 137 152 51, RGB 120 134 32, RGB 103 116 13, RGB 86 98 0 and RGB 69 80 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 152 51 shade: RGB 137 153 51, RGB 153 140 51, RGB 153 113 51, RGB 153 85 51 and RGB 153 58 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 152 51 shade: RGB 137 153 51, RGB 110 153 51, RGB 82 153 51, RGB 55 153 51 and RGB 51 153 74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 152 51 shade matches the following richer shades: RGB 137 153 51, RGB 149 169 34, RGB 161 186 17 and RGB 172 202 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 152 51 shade: RGB 137 153 51, RGB 126 136 67, RGB 114 119 84, RGB 103 103 100 and RGB 91 86 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 152 51 shade: RGB 153 112 51, RGB 153 139 51, RGB 139 153 51, RGB 112 153 51 and RGB 85 153 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 152 51 shade: RGB 82 91 30, RGB 109 122 40, RGB 137 153 51, RGB 165 183 61 and RGB 182 199 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 152 51 shade: RGB 137 152 51, RGB 51 153 85 and RGB 125 51 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 152 51 shade: RGB 137 152 51, RGB 51 139 153 and RGB 153 51 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 152 51 shade: RGB 137 152 51, RGB 51 153 85, RGB 64 51 153 and RGB 153 51 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 152 51 shade: RGB 137 152 51, RGB 51 153 115, RGB 64 51 153 and RGB 153 51 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 66 / 40

HEX #899833

RGB 137 152 51

HSL 68.91, 0.5%, 0.4%

LAB 59.9, -19.5, 49.35

 

Complementary color

CMYK 42 / 50 / 0 / 20

HEX #7667CC

RGB 118 103 204

HSL 248.91, 0.5%, 0.6%

LAB 49.39, 30.72, -50.64

 

CMYK 7 / 0 / 70 / 40

HEX #8E982E

RGB 142 152 46

HSL 65.66, 0.54%, 0.39%

LAB 60.25, -17.65, 51.88

 

CMYK 6 / 0 / 62 / 33

HEX #9FAA41

RGB 159 170 65

HSL 66.29, 0.45%, 0.46%

LAB 66.9, -18.32, 51.26

 

CMYK 6 / 0 / 55 / 26

HEX #B0BC54

RGB 176 188 84

HSL 66.92, 0.44%, 0.53%

LAB 73.44, -18.83, 50.32

 

CMYK 6 / 0 / 50 / 19

HEX #C1CE67

RGB 193 206 103

HSL 67.57, 0.51%, 0.61%

LAB 79.87, -19.24, 49.24

 

CMYK 6 / 0 / 46 / 12

HEX #D2E07A

RGB 210 224 122

HSL 68.24, 0.62%, 0.68%

LAB 86.22, -19.56, 48.11

 

CMYK 10 / 0 / 66 / 40

HEX #899833

RGB 137 152 51

HSL 68.91, 0.5%, 0.4%

LAB 59.9, -19.5, 49.35

 

CMYK 10 / 0 / 76 / 47

HEX #788620

RGB 120 134 32

HSL 68.24, 0.61%, 0.33%

LAB 53.11, -18.79, 49.62

 

CMYK 11 / 0 / 89 / 55

HEX #67740D

RGB 103 116 13

HSL 67.57, 0.8%, 0.25%

LAB 46.18, -17.81, 48.7

 

CMYK 12 / 0 / 100 / 62

HEX #566200

RGB 86 98 0

HSL 67.35, 1%, 0.19%

LAB 39.09, -16.49, 45.64

 

CMYK 14 / 0 / 100 / 69

HEX #455000

RGB 69 80 0

HSL 68.25, 1%, 0.16%

LAB 31.81, -14.79, 39.58

 

CMYK 10 / 0 / 67 / 40

HEX #899933

RGB 137 153 51

HSL 69.41, 0.5%, 0.4%

LAB 60.19, -20.02, 49.65

 

CMYK 0 / 8 / 67 / 40

HEX #998C33

RGB 153 140 51

HSL 52.35, 0.5%, 0.4%

LAB 57.82, -6.09, 47.58

 

CMYK 0 / 26 / 67 / 40

HEX #997133

RGB 153 113 51

HSL 36.47, 0.5%, 0.4%

LAB 50.48, 9.06, 39.67

 

CMYK 0 / 44 / 67 / 40

HEX #995533

RGB 153 85 51

HSL 20, 0.5%, 0.4%

LAB 43.52, 25.07, 31.75

 

CMYK 0 / 62 / 67 / 40

HEX #993A33

RGB 153 58 51

HSL 4.12, 0.5%, 0.4%

LAB 37.91, 39.31, 25.02

 

CMYK 10 / 0 / 67 / 40

HEX #899933

RGB 137 153 51

HSL 69.41, 0.5%, 0.4%

LAB 60.19, -20.02, 49.65

 

CMYK 28 / 0 / 67 / 40

HEX #6E9933

RGB 110 153 51

HSL 85.29, 0.5%, 0.4%

LAB 58.36, -31.15, 47.16

 

CMYK 46 / 0 / 67 / 40

HEX #529933

RGB 82 153 51

HSL 101.76, 0.5%, 0.4%

LAB 56.9, -41.22, 45.16

 

CMYK 64 / 0 / 67 / 40

HEX #379933

RGB 55 153 51

HSL 117.65, 0.5%, 0.4%

LAB 55.92, -48.71, 43.81

 

CMYK 67 / 0 / 52 / 40

HEX #33994A

RGB 51 153 74

HSL 133.53, 0.5%, 0.4%

LAB 56.07, -46.63, 32.92

 

CMYK 10 / 0 / 67 / 40

HEX #899933

RGB 137 153 51

HSL 69.41, 0.5%, 0.4%

LAB 60.19, -20.02, 49.65

 

CMYK 12 / 0 / 80 / 34

HEX #95A922

RGB 149 169 34

HSL 68.89, 0.67%, 0.4%

LAB 65.66, -23.8, 61.32

 

CMYK 13 / 0 / 91 / 27

HEX #A1BA11

RGB 161 186 17

HSL 68.88, 0.83%, 0.4%

LAB 71.37, -27.49, 70.25

 

CMYK 15 / 0 / 100 / 21

HEX #ACCA01

RGB 172 202 1

HSL 68.96, 0.99%, 0.4%

LAB 76.69, -30.72, 76.51

 

CMYK 10 / 0 / 67 / 40

HEX #899933

RGB 137 153 51

HSL 69.41, 0.5%, 0.4%

LAB 60.19, -20.02, 49.65

 

CMYK 7 / 0 / 51 / 47

HEX #7E8843

RGB 126 136 67

HSL 68.7, 0.34%, 0.4%

LAB 54.5, -14.53, 35.5

 

CMYK 4 / 0 / 29 / 53

HEX #727754

RGB 114 119 84

HSL 68.57, 0.17%, 0.4%

LAB 48.77, -8.18, 18.67

 

CMYK 0 / 0 / 3 / 60

HEX #676764

RGB 103 103 100

HSL 60, 0.01%, 0.4%

LAB 43.51, -0.61, 1.68

 

CMYK 22 / 26 / 0 / 54

HEX #5B5675

RGB 91 86 117

HSL 249.68, 0.15%, 0.4%

LAB 38.14, 9.23, -16.87

 

CMYK 0 / 27 / 67 / 40

HEX #997033

RGB 153 112 51

HSL 35.88, 0.5%, 0.4%

LAB 50.22, 9.63, 39.38

 

CMYK 0 / 9 / 67 / 40

HEX #998B33

RGB 153 139 51

HSL 51.76, 0.5%, 0.4%

LAB 57.54, -5.54, 47.29

 

CMYK 9 / 0 / 67 / 40

HEX #8B9933

RGB 139 153 51

HSL 68.24, 0.5%, 0.4%

LAB 60.35, -19.16, 49.86

 

CMYK 27 / 0 / 67 / 40

HEX #709933

RGB 112 153 51

HSL 84.12, 0.5%, 0.4%

LAB 58.48, -30.37, 47.32

 

CMYK 44 / 0 / 67 / 40

HEX #559933

RGB 85 153 51

HSL 100, 0.5%, 0.4%

LAB 57.03, -40.24, 45.34

 

CMYK 10 / 0 / 67 / 64

HEX #525B1E

RGB 82 91 30

HSL 68.85, 0.5%, 0.24%

LAB 36.69, -13.07, 32.92

 

CMYK 11 / 0 / 67 / 52

HEX #6D7A28

RGB 109 122 40

HSL 69.51, 0.51%, 0.32%

LAB 48.67, -16.89, 41.67

 

CMYK 10 / 0 / 67 / 40

HEX #899933

RGB 137 153 51

HSL 69.41, 0.5%, 0.4%

LAB 60.19, -20.02, 49.65

 

CMYK 10 / 0 / 67 / 28

HEX #A5B73D

RGB 165 183 61

HSL 68.85, 0.5%, 0.48%

LAB 71.01, -22.59, 57.42

 

CMYK 9 / 0 / 56 / 22

HEX #B6C757

RGB 182 199 87

HSL 69.11, 0.5%, 0.56%

LAB 76.97, -21.61, 53.09

 

CMYK 10 / 0 / 66 / 40

HEX #899833

RGB 137 152 51

HSL 68.91, 0.5%, 0.4%

LAB 59.9, -19.5, 49.35

 

CMYK 67 / 0 / 44 / 40

HEX #339955

RGB 51 153 85

HSL 140, 0.5%, 0.4%

LAB 56.23, -44.81, 27.34

 

CMYK 18 / 67 / 0 / 40

HEX #7D3399

RGB 125 51 153

HSL 283.53, 0.5%, 0.4%

LAB 36.04, 48.23, -41.95

 

CMYK 10 / 0 / 66 / 40

HEX #899833

RGB 137 152 51

HSL 68.91, 0.5%, 0.4%

LAB 59.9, -19.5, 49.35

 

CMYK 67 / 9 / 0 / 40

HEX #338B99

RGB 51 139 153

HSL 188.24, 0.5%, 0.4%

LAB 53.46, -21.33, -15.15

 

CMYK 0 / 67 / 9 / 40

HEX #99338B

RGB 153 51 139

HSL 308.24, 0.5%, 0.4%

LAB 39.59, 52.66, -27.52

 

CMYK 10 / 0 / 66 / 40

HEX #899833

RGB 137 152 51

HSL 68.91, 0.5%, 0.4%

LAB 59.9, -19.5, 49.35

 

CMYK 67 / 0 / 44 / 40

HEX #339955

RGB 51 153 85

HSL 140, 0.5%, 0.4%

LAB 56.23, -44.81, 27.34

 

CMYK 58 / 67 / 0 / 40

HEX #403399

RGB 64 51 153

HSL 247.65, 0.5%, 0.4%

LAB 28.79, 35.23, -54.02

 

CMYK 0 / 67 / 22 / 40

HEX #993377

RGB 153 51 119

HSL 320, 0.5%, 0.4%

LAB 38.68, 49.59, -16.59

 

CMYK 10 / 0 / 66 / 40

HEX #899833

RGB 137 152 51

HSL 68.91, 0.5%, 0.4%

LAB 59.9, -19.5, 49.35

 

CMYK 67 / 0 / 25 / 40

HEX #339973

RGB 51 153 115

HSL 157.65, 0.5%, 0.4%

LAB 56.81, -38.6, 11.54

 

CMYK 58 / 67 / 0 / 40

HEX #403399

RGB 64 51 153

HSL 247.65, 0.5%, 0.4%

LAB 28.79, 35.23, -54.02

 

CMYK 0 / 67 / 42 / 40

HEX #993358

RGB 153 51 88

HSL 338.24, 0.5%, 0.4%

LAB 37.56, 45.68, 1.26

 

Description

Color code: RGB 137 152 51 | qconv.com Color code: RGB 137 152 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 152 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 152 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 66 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 66% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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