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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 154 103 it is the complementary color RGB 118 101 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 154 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 154 103 shade: RGB 142 154 98, RGB 159 172 117, RGB 176 190 136, RGB 193 208 155 and RGB 210 226 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 154 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 154 103 shade: RGB 137 154 103, RGB 120 136 84, RGB 103 118 65, RGB 86 100 46 and RGB 69 82 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 154 103 shade: RGB 136 153 102, RGB 149 153 102, RGB 153 142 102, RGB 153 128 102 and RGB 153 114 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 154 103 shade: RGB 136 153 102, RGB 122 153 102, RGB 108 153 102, RGB 102 153 109 and RGB 102 153 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 154 103 shade matches the following richer shades: RGB 136 153 102, RGB 142 173 81, RGB 149 194 60, RGB 156 214 40 and RGB 163 235 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 154 103 shade: RGB 136 153 102, RGB 129 132 122, RGB 122 111 143, RGB 115 91 163 and RGB 108 70 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 154 103 shade: RGB 153 142 102, RGB 149 153 102, RGB 136 153 102, RGB 122 153 102 and RGB 108 153 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 154 103 shade: RGB 91 103 68, RGB 113 128 85, RGB 136 153 102, RGB 155 169 126 and RGB 174 186 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 154 103 shade: RGB 137 154 103, RGB 102 153 129 and RGB 149 102 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 154 103 shade: RGB 137 154 103, RGB 102 136 153 and RGB 153 102 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 154 103 shade: RGB 137 154 103, RGB 102 153 129, RGB 118 102 153 and RGB 153 102 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 154 103 shade: RGB 137 154 103, RGB 102 153 144, RGB 118 102 153 and RGB 153 102 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 33 / 40

HEX #899A67

RGB 137 154 103

HSL 80, 0.2%, 0.5%

LAB 61.14, -15.07, 24.83

 

Complementary color

CMYK 22 / 34 / 0 / 40

HEX #766598

RGB 118 101 152

HSL 260, 0.2%, 0.5%

LAB 46.21, 17.87, -25.36

 

CMYK 8 / 0 / 36 / 40

HEX #8E9A62

RGB 142 154 98

HSL 72.86, 0.22%, 0.49%

LAB 61.43, -13.76, 28

 

CMYK 8 / 0 / 32 / 33

HEX #9FAC75

RGB 159 172 117

HSL 74.18, 0.25%, 0.57%

LAB 68.14, -13.89, 26.83

 

CMYK 7 / 0 / 28 / 25

HEX #B0BE88

RGB 176 190 136

HSL 75.56, 0.29%, 0.64%

LAB 74.72, -13.98, 25.73

 

CMYK 7 / 0 / 25 / 18

HEX #C1D09B

RGB 193 208 155

HSL 76.98, 0.36%, 0.71%

LAB 81.19, -14.05, 24.68

 

CMYK 7 / 0 / 23 / 11

HEX #D2E2AE

RGB 210 226 174

HSL 78.46, 0.47%, 0.78%

LAB 87.56, -14.11, 23.69

 

CMYK 11 / 0 / 33 / 40

HEX #899A67

RGB 137 154 103

HSL 80, 0.2%, 0.5%

LAB 61.14, -15.07, 24.83

 

CMYK 12 / 0 / 38 / 47

HEX #788854

RGB 120 136 84

HSL 78.46, 0.24%, 0.43%

LAB 54.28, -15.01, 26.03

 

CMYK 13 / 0 / 45 / 54

HEX #677641

RGB 103 118 65

HSL 76.98, 0.29%, 0.36%

LAB 47.26, -14.9, 27.29

 

CMYK 14 / 0 / 54 / 61

HEX #56642E

RGB 86 100 46

HSL 75.56, 0.37%, 0.29%

LAB 40.06, -14.71, 28.58

 

CMYK 16 / 0 / 67 / 68

HEX #45521B

RGB 69 82 27

HSL 74.18, 0.5%, 0.21%

LAB 32.65, -14.36, 29.73

 

CMYK 11 / 0 / 33 / 40

HEX #889966

RGB 136 153 102

HSL 80, 0.2%, 0.5%

LAB 60.76, -15.09, 24.86

 

CMYK 3 / 0 / 33 / 40

HEX #959966

RGB 149 153 102

HSL 64.71, 0.2%, 0.5%

LAB 61.77, -9.87, 26.37

 

CMYK 0 / 7 / 33 / 40

HEX #998E66

RGB 153 142 102

HSL 47.06, 0.2%, 0.5%

LAB 59.05, -2.23, 22.83

 

CMYK 0 / 16 / 33 / 40

HEX #998066

RGB 153 128 102

HSL 30.59, 0.2%, 0.5%

LAB 55.25, 5.62, 17.7

 

CMYK 0 / 25 / 33 / 40

HEX #997266

RGB 153 114 102

HSL 14.12, 0.2%, 0.5%

LAB 51.57, 13.64, 12.64

 

CMYK 11 / 0 / 33 / 40

HEX #889966

RGB 136 153 102

HSL 80, 0.2%, 0.5%

LAB 60.76, -15.09, 24.86

 

CMYK 20 / 0 / 33 / 40

HEX #7A9966

RGB 122 153 102

HSL 96.47, 0.2%, 0.5%

LAB 59.78, -20.5, 23.38

 

CMYK 29 / 0 / 33 / 40

HEX #6C9966

RGB 108 153 102

HSL 112.94, 0.2%, 0.5%

LAB 58.91, -25.62, 22.06

 

CMYK 33 / 0 / 29 / 40

HEX #66996D

RGB 102 153 109

HSL 128.24, 0.2%, 0.5%

LAB 58.71, -26.45, 17.85

 

CMYK 33 / 0 / 20 / 40

HEX #66997B

RGB 102 153 123

HSL 144.71, 0.2%, 0.5%

LAB 59.01, -23.73, 10.42

 

CMYK 11 / 0 / 33 / 40

HEX #889966

RGB 136 153 102

HSL 80, 0.2%, 0.5%

LAB 60.76, -15.09, 24.86

 

CMYK 18 / 0 / 53 / 32

HEX #8EAD51

RGB 142 173 81

HSL 80.22, 0.36%, 0.5%

LAB 66.7, -25.41, 43.29

 

CMYK 23 / 0 / 69 / 24

HEX #95C23C

RGB 149 194 60

HSL 80.15, 0.53%, 0.5%

LAB 73.09, -34.36, 59.6

 

CMYK 27 / 0 / 81 / 16

HEX #9CD628

RGB 156 214 40

HSL 80, 0.69%, 0.5%

LAB 79.22, -41.65, 71.96

 

CMYK 31 / 0 / 92 / 8

HEX #A3EB13

RGB 163 235 19

HSL 80, 0.85%, 0.5%

LAB 85.63, -48.56, 81.44

 

CMYK 11 / 0 / 33 / 40

HEX #889966

RGB 136 153 102

HSL 80, 0.2%, 0.5%

LAB 60.76, -15.09, 24.86

 

CMYK 2 / 0 / 8 / 48

HEX #81847A

RGB 129 132 122

HSL 78, 0.04%, 0.5%

LAB 54.63, -3.05, 5

 

CMYK 15 / 22 / 0 / 44

HEX #7A6F8F

RGB 122 111 143

HSL 260.63, 0.13%, 0.5%

LAB 48.87, 11.03, -15.91

 

CMYK 29 / 44 / 0 / 36

HEX #735BA3

RGB 115 91 163

HSL 260, 0.28%, 0.5%

LAB 43.9, 25.82, -35.51

 

CMYK 41 / 62 / 0 / 28

HEX #6C46B8

RGB 108 70 184

HSL 260, 0.45%, 0.5%

LAB 39.63, 42.08, -54.78

 

CMYK 0 / 7 / 33 / 40

HEX #998E66

RGB 153 142 102

HSL 47.06, 0.2%, 0.5%

LAB 59.05, -2.23, 22.83

 

CMYK 3 / 0 / 33 / 40

HEX #959966

RGB 149 153 102

HSL 64.71, 0.2%, 0.5%

LAB 61.77, -9.87, 26.37

 

CMYK 11 / 0 / 33 / 40

HEX #889966

RGB 136 153 102

HSL 80, 0.2%, 0.5%

LAB 60.76, -15.09, 24.86

 

CMYK 20 / 0 / 33 / 40

HEX #7A9966

RGB 122 153 102

HSL 96.47, 0.2%, 0.5%

LAB 59.78, -20.5, 23.38

 

CMYK 29 / 0 / 33 / 40

HEX #6C9966

RGB 108 153 102

HSL 112.94, 0.2%, 0.5%

LAB 58.91, -25.62, 22.06

 

CMYK 12 / 0 / 34 / 60

HEX #5B6744

RGB 91 103 68

HSL 80.57, 0.2%, 0.34%

LAB 41.75, -11.27, 18.28

 

CMYK 12 / 0 / 34 / 50

HEX #718055

RGB 113 128 85

HSL 80.93, 0.2%, 0.42%

LAB 51.39, -13.42, 21.57

 

CMYK 11 / 0 / 33 / 40

HEX #889966

RGB 136 153 102

HSL 80, 0.2%, 0.5%

LAB 60.76, -15.09, 24.86

 

CMYK 8 / 0 / 25 / 34

HEX #9BA97E

RGB 155 169 126

HSL 79.53, 0.2%, 0.58%

LAB 67.16, -12.56, 20.61

 

CMYK 6 / 0 / 19 / 27

HEX #AEBA97

RGB 174 186 151

HSL 80.57, 0.2%, 0.66%

LAB 73.77, -10.39, 16.38

 

CMYK 11 / 0 / 33 / 40

HEX #899A67

RGB 137 154 103

HSL 80, 0.2%, 0.5%

LAB 61.14, -15.07, 24.83

 

CMYK 33 / 0 / 16 / 40

HEX #669981

RGB 102 153 129

HSL 151.76, 0.2%, 0.5%

LAB 59.15, -22.46, 7.24

 

CMYK 3 / 33 / 0 / 40

HEX #956699

RGB 149 102 153

HSL 295.29, 0.2%, 0.5%

LAB 49.73, 27.79, -20.26

 

CMYK 11 / 0 / 33 / 40

HEX #899A67

RGB 137 154 103

HSL 80, 0.2%, 0.5%

LAB 61.14, -15.07, 24.83

 

CMYK 33 / 11 / 0 / 40

HEX #668899

RGB 102 136 153

HSL 200, 0.2%, 0.5%

LAB 54.8, -7.6, -12.91

 

CMYK 0 / 33 / 11 / 40

HEX #996688

RGB 153 102 136

HSL 320, 0.2%, 0.5%

LAB 49.56, 25.95, -10.41

 

CMYK 11 / 0 / 33 / 40

HEX #899A67

RGB 137 154 103

HSL 80, 0.2%, 0.5%

LAB 61.14, -15.07, 24.83

 

CMYK 33 / 0 / 16 / 40

HEX #669981

RGB 102 153 129

HSL 151.76, 0.2%, 0.5%

LAB 59.15, -22.46, 7.24

 

CMYK 23 / 33 / 0 / 40

HEX #766699

RGB 118 102 153

HSL 258.82, 0.2%, 0.5%

LAB 46.52, 17.51, -25.48

 

CMYK 0 / 33 / 18 / 40

HEX #99667D

RGB 153 102 125

HSL 332.94, 0.2%, 0.5%

LAB 49.2, 24.05, -4.4

 

CMYK 11 / 0 / 33 / 40

HEX #899A67

RGB 137 154 103

HSL 80, 0.2%, 0.5%

LAB 61.14, -15.07, 24.83

 

CMYK 33 / 0 / 6 / 40

HEX #669990

RGB 102 153 144

HSL 169.41, 0.2%, 0.5%

LAB 59.54, -19.07, -0.7

 

CMYK 23 / 33 / 0 / 40

HEX #766699

RGB 118 102 153

HSL 258.82, 0.2%, 0.5%

LAB 46.52, 17.51, -25.48

 

CMYK 0 / 33 / 28 / 40

HEX #99666E

RGB 153 102 110

HSL 350.59, 0.2%, 0.5%

LAB 48.76, 21.7, 3.92

 

Description

Color code: RGB 137 154 103 | qconv.com Color code: RGB 137 154 103 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 154 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 154 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 33 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 33% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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