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Color name
RGB 137 143 27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 143 27 it is the complementary color RGB 118 112 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 143 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 143 27 shade: RGB 142 143 22, RGB 159 161 41, RGB 176 179 60, RGB 193 197 79 and RGB 210 215 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 143 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 143 27 shade: RGB 137 143 27, RGB 120 125 8, RGB 103 107 0, RGB 86 89 0 and RGB 69 71 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 143 27 shade: RGB 135 141 26, RGB 141 116 26, RGB 141 85 26, RGB 141 54 26 and RGB 141 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 143 27 shade: RGB 135 141 26, RGB 104 141 26, RGB 73 141 26, RGB 42 141 26 and RGB 26 141 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 143 27 shade matches the following richer shades: RGB 135 141 26 and RGB 147 154 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 143 27 shade: RGB 135 141 26, RGB 123 127 40, RGB 111 114 54, RGB 98 100 67 and RGB 86 86 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 143 27 shade: RGB 141 86 26, RGB 141 116 26, RGB 135 141 26, RGB 105 141 26 and RGB 74 141 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 143 27 shade: RGB 69 72 13, RGB 102 106 20, RGB 135 141 26, RGB 168 176 33 and RGB 201 210 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 143 27 shade: RGB 137 143 27, RGB 26 141 55 and RGB 101 26 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 143 27 shade: RGB 137 143 27, RGB 26 135 141 and RGB 141 26 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 143 27 shade: RGB 137 143 27, RGB 26 141 55, RGB 32 26 141 and RGB 141 26 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 143 27 shade: RGB 137 143 27, RGB 26 141 89, RGB 32 26 141 and RGB 141 26 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 81 / 44

HEX #898F1B

RGB 137 143 27

HSL 63.1, 0.68%, 0.33%

LAB 57.12, -16.1, 55.42

 

Complementary color

CMYK 48 / 51 / 0 / 11

HEX #7670E4

RGB 118 112 228

HSL 243.1, 0.68%, 0.67%

LAB 52.99, 32.38, -58.47

 

CMYK 1 / 0 / 85 / 44

HEX #8E8F16

RGB 142 143 22

HSL 60.5, 0.73%, 0.32%

LAB 57.51, -14.02, 57.3

 

CMYK 1 / 0 / 75 / 37

HEX #9FA129

RGB 159 161 41

HSL 61, 0.59%, 0.4%

LAB 64.18, -15.12, 58.02

 

CMYK 2 / 0 / 66 / 30

HEX #B0B33C

RGB 176 179 60

HSL 61.51, 0.5%, 0.47%

LAB 70.73, -16, 57.8

 

CMYK 2 / 0 / 60 / 23

HEX #C1C54F

RGB 193 197 79

HSL 62.03, 0.5%, 0.54%

LAB 77.18, -16.71, 57.1

 

CMYK 2 / 0 / 54 / 16

HEX #D2D762

RGB 210 215 98

HSL 62.56, 0.59%, 0.61%

LAB 83.54, -17.29, 56.15

 

CMYK 4 / 0 / 81 / 44

HEX #898F1B

RGB 137 143 27

HSL 63.1, 0.68%, 0.33%

LAB 57.12, -16.1, 55.42

 

CMYK 4 / 0 / 94 / 51

HEX #787D08

RGB 120 125 8

HSL 62.56, 0.88%, 0.26%

LAB 50.31, -14.87, 53.66

 

CMYK 4 / 0 / 100 / 58

HEX #676B00

RGB 103 107 0

HSL 62.24, 1%, 0.21%

LAB 43.36, -13.3, 49.45

 

CMYK 3 / 0 / 100 / 65

HEX #565900

RGB 86 89 0

HSL 62.02, 1%, 0.17%

LAB 36.22, -11.49, 43.51

 

CMYK 3 / 0 / 100 / 72

HEX #454700

RGB 69 71 0

HSL 61.69, 1%, 0.14%

LAB 28.83, -9.61, 37.32

 

CMYK 4 / 0 / 82 / 45

HEX #878D1A

RGB 135 141 26

HSL 63.13, 0.69%, 0.33%

LAB 56.36, -15.99, 54.98

 

CMYK 0 / 18 / 82 / 45

HEX #8D741A

RGB 141 116 26

HSL 46.96, 0.69%, 0.33%

LAB 49.77, 0.5, 49.34

 

CMYK 0 / 40 / 82 / 45

HEX #8D551A

RGB 141 85 26

HSL 30.78, 0.69%, 0.33%

LAB 41.59, 18.45, 41.85

 

CMYK 0 / 62 / 82 / 45

HEX #8D361A

RGB 141 54 26

HSL 14.61, 0.69%, 0.33%

LAB 34.75, 35.44, 35.31

 

CMYK 0 / 82 / 82 / 45

HEX #8D1A1A

RGB 141 26 26

HSL 0, 0.69%, 0.33%

LAB 30.58, 46.8, 31.13

 

CMYK 4 / 0 / 82 / 45

HEX #878D1A

RGB 135 141 26

HSL 63.13, 0.69%, 0.33%

LAB 56.36, -15.99, 54.98

 

CMYK 26 / 0 / 82 / 45

HEX #688D1A

RGB 104 141 26

HSL 79.3, 0.69%, 0.33%

LAB 54.1, -29.45, 52.1

 

CMYK 48 / 0 / 82 / 45

HEX #498D1A

RGB 73 141 26

HSL 95.48, 0.69%, 0.33%

LAB 52.44, -41.02, 49.97

 

CMYK 70 / 0 / 82 / 45

HEX #2A8D1A

RGB 42 141 26

HSL 111.65, 0.69%, 0.33%

LAB 51.4, -49.35, 48.62

 

CMYK 82 / 0 / 71 / 45

HEX #1A8D29

RGB 26 141 41

HSL 127.83, 0.69%, 0.33%

LAB 51.19, -50.82, 42.8

 

CMYK 4 / 0 / 82 / 45

HEX #878D1A

RGB 135 141 26

HSL 63.13, 0.69%, 0.33%

LAB 56.36, -15.99, 54.98

 

CMYK 5 / 0 / 92 / 40

HEX #939A0D

RGB 147 154 13

HSL 62.98, 0.84%, 0.33%

LAB 61.08, -17.72, 62.26

 

CMYK 4 / 0 / 82 / 45

HEX #878D1A

RGB 135 141 26

HSL 63.13, 0.69%, 0.33%

LAB 56.36, -15.99, 54.98

 

CMYK 3 / 0 / 69 / 50

HEX #7B7F28

RGB 123 127 40

HSL 62.76, 0.52%, 0.33%

LAB 51.32, -13.27, 44.78

 

CMYK 3 / 0 / 53 / 55

HEX #6F7236

RGB 111 114 54

HSL 63, 0.36%, 0.33%

LAB 46.55, -10.44, 32.52

 

CMYK 2 / 0 / 33 / 61

HEX #626443

RGB 98 100 67

HSL 63.64, 0.2%, 0.33%

LAB 41.4, -6.69, 18.5

 

CMYK 0 / 0 / 6 / 66

HEX #565651

RGB 86 86 81

HSL 60, 0.03%, 0.33%

LAB 36.42, -1.04, 2.9

 

CMYK 0 / 39 / 82 / 45

HEX #8D561A

RGB 141 86 26

HSL 31.3, 0.69%, 0.33%

LAB 41.83, 17.87, 42.08

 

CMYK 0 / 18 / 82 / 45

HEX #8D741A

RGB 141 116 26

HSL 46.96, 0.69%, 0.33%

LAB 49.77, 0.5, 49.34

 

CMYK 4 / 0 / 82 / 45

HEX #878D1A

RGB 135 141 26

HSL 63.13, 0.69%, 0.33%

LAB 56.36, -15.99, 54.98

 

CMYK 26 / 0 / 82 / 45

HEX #698D1A

RGB 105 141 26

HSL 78.78, 0.69%, 0.33%

LAB 54.16, -29.03, 52.18

 

CMYK 48 / 0 / 82 / 45

HEX #4A8D1A

RGB 74 141 26

HSL 94.96, 0.69%, 0.33%

LAB 52.49, -40.69, 50.03

 

CMYK 4 / 0 / 82 / 72

HEX #45480D

RGB 69 72 13

HSL 63.05, 0.69%, 0.17%

LAB 29.23, -9.59, 32.63

 

CMYK 4 / 0 / 81 / 58

HEX #666A14

RGB 102 106 20

HSL 62.79, 0.68%, 0.25%

LAB 43.04, -12.6, 43.91

 

CMYK 4 / 0 / 82 / 45

HEX #878D1A

RGB 135 141 26

HSL 63.13, 0.69%, 0.33%

LAB 56.36, -15.99, 54.98

 

CMYK 5 / 0 / 81 / 31

HEX #A8B021

RGB 168 176 33

HSL 63.36, 0.68%, 0.41%

LAB 69.1, -19.17, 65.2

 

CMYK 4 / 0 / 81 / 18

HEX #C9D228

RGB 201 210 40

HSL 63.18, 0.68%, 0.49%

LAB 81.11, -21.73, 74.77

 

CMYK 4 / 0 / 81 / 44

HEX #898F1B

RGB 137 143 27

HSL 63.1, 0.68%, 0.33%

LAB 57.12, -16.1, 55.42

 

CMYK 82 / 0 / 61 / 45

HEX #1A8D37

RGB 26 141 55

HSL 135.13, 0.69%, 0.33%

LAB 51.32, -49.19, 36.62

 

CMYK 28 / 82 / 0 / 45

HEX #651A8D

RGB 101 26 141

HSL 279.13, 0.69%, 0.33%

LAB 27.92, 50.93, -47.86

 

CMYK 4 / 0 / 81 / 44

HEX #898F1B

RGB 137 143 27

HSL 63.1, 0.68%, 0.33%

LAB 57.12, -16.1, 55.42

 

CMYK 82 / 4 / 0 / 45

HEX #1A878D

RGB 26 135 141

HSL 183.13, 0.69%, 0.33%

LAB 51.23, -26.39, -11.6

 

CMYK 0 / 82 / 4 / 45

HEX #8D1A87

RGB 141 26 135

HSL 303.13, 0.69%, 0.33%

LAB 34.29, 57.71, -33.53

 

CMYK 4 / 0 / 81 / 44

HEX #898F1B

RGB 137 143 27

HSL 63.1, 0.68%, 0.33%

LAB 57.12, -16.1, 55.42

 

CMYK 82 / 0 / 61 / 45

HEX #1A8D37

RGB 26 141 55

HSL 135.13, 0.69%, 0.33%

LAB 51.32, -49.19, 36.62

 

CMYK 77 / 82 / 0 / 45

HEX #201A8D

RGB 32 26 141

HSL 243.13, 0.69%, 0.33%

LAB 19.92, 41.72, -61.3

 

CMYK 0 / 82 / 21 / 45

HEX #8D1A70

RGB 141 26 112

HSL 315.13, 0.69%, 0.33%

LAB 33.07, 54.27, -21.01

 

CMYK 4 / 0 / 81 / 44

HEX #898F1B

RGB 137 143 27

HSL 63.1, 0.68%, 0.33%

LAB 57.12, -16.1, 55.42

 

CMYK 82 / 0 / 37 / 45

HEX #1A8D59

RGB 26 141 89

HSL 152.87, 0.69%, 0.33%

LAB 51.83, -43.25, 19.25

 

CMYK 77 / 82 / 0 / 45

HEX #201A8D

RGB 32 26 141

HSL 243.13, 0.69%, 0.33%

LAB 19.92, 41.72, -61.3

 

CMYK 0 / 82 / 45 / 45

HEX #8D1A4E

RGB 141 26 78

HSL 332.87, 0.69%, 0.33%

LAB 31.7, 50.23, -1.11

 

Description

Color code: RGB 137 143 27 | qconv.com Color code: RGB 137 143 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 143 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 143 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 81 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 81% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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