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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 139 47 it is the complementary color RGB 118 116 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 139 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 139 47 shade: RGB 142 139 42, RGB 159 157 61, RGB 176 175 80, RGB 193 193 99 and RGB 210 211 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 139 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 139 47 shade: RGB 137 139 47, RGB 120 121 28, RGB 103 103 9, RGB 86 85 0 and RGB 69 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 139 47 shade: RGB 134 136 46, RGB 136 114 46, RGB 136 90 46, RGB 136 65 46 and RGB 136 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 139 47 shade: RGB 134 136 46, RGB 110 136 46, RGB 86 136 46, RGB 62 136 46 and RGB 46 136 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 139 47 shade matches the following richer shades: RGB 134 136 46, RGB 149 151 31, RGB 163 166 17 and RGB 177 181 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 139 47 shade: RGB 134 136 46, RGB 120 121 61, RGB 106 107 76, RGB 92 92 91 and RGB 77 77 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 139 47 shade: RGB 136 90 46, RGB 136 114 46, RGB 135 136 46, RGB 111 136 46 and RGB 87 136 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 139 47 shade: RGB 74 75 25, RGB 104 106 36, RGB 134 136 46, RGB 165 167 57 and RGB 190 192 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 139 47 shade: RGB 137 139 47, RGB 46 136 66 and RGB 102 46 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 139 47 shade: RGB 137 139 47, RGB 46 135 136 and RGB 136 46 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 139 47 shade: RGB 137 139 47, RGB 46 136 66, RGB 48 46 136 and RGB 136 46 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 139 47 shade: RGB 137 139 47, RGB 46 136 93, RGB 48 46 136 and RGB 136 46 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 66 / 45

HEX #898B2F

RGB 137 139 47

HSL 61.3, 0.49%, 0.36%

LAB 56.08, -12.97, 47.07

 

Complementary color

CMYK 43 / 44 / 0 / 18

HEX #7674D0

RGB 118 116 208

HSL 241.3, 0.49%, 0.64%

LAB 52.84, 24.09, -47.43

 

CMYK 0 / 2 / 70 / 44

HEX #8E8B2A

RGB 142 139 42

HSL 58.2, 0.54%, 0.36%

LAB 56.47, -11.03, 49.69

 

CMYK 0 / 1 / 62 / 38

HEX #9F9D3D

RGB 159 157 61

HSL 58.78, 0.45%, 0.43%

LAB 63.2, -11.88, 49.03

 

CMYK 0 / 1 / 55 / 31

HEX #B0AF50

RGB 176 175 80

HSL 59.38, 0.38%, 0.5%

LAB 69.8, -12.54, 48.03

 

CMYK 0 / 0 / 49 / 24

HEX #C1C163

RGB 193 193 99

HSL 60, 0.43%, 0.57%

LAB 76.3, -13.08, 46.9

 

CMYK 0 / 0 / 44 / 17

HEX #D2D376

RGB 210 211 118

HSL 60.65, 0.51%, 0.65%

LAB 82.7, -13.52, 45.73

 

CMYK 1 / 0 / 66 / 45

HEX #898B2F

RGB 137 139 47

HSL 61.3, 0.49%, 0.36%

LAB 56.08, -12.97, 47.07

 

CMYK 1 / 0 / 77 / 53

HEX #78791C

RGB 120 121 28

HSL 60.65, 0.62%, 0.29%

LAB 49.19, -12.06, 47.36

 

CMYK 0 / 0 / 91 / 60

HEX #676709

RGB 103 103 9

HSL 60, 0.84%, 0.22%

LAB 42.16, -10.83, 46.32

 

CMYK 0 / 1 / 100 / 66

HEX #565500

RGB 86 85 0

HSL 59.3, 1%, 0.17%

LAB 34.95, -9.19, 42.58

 

CMYK 0 / 3 / 100 / 73

HEX #454300

RGB 69 67 0

HSL 58.26, 1%, 0.14%

LAB 27.52, -7.21, 36.23

 

CMYK 1 / 0 / 66 / 47

HEX #86882E

RGB 134 136 46

HSL 61.33, 0.49%, 0.36%

LAB 54.94, -12.77, 46.24

 

CMYK 0 / 16 / 66 / 47

HEX #88722E

RGB 136 114 46

HSL 45.33, 0.49%, 0.36%

LAB 48.84, 0.35, 39.81

 

CMYK 0 / 34 / 66 / 47

HEX #885A2E

RGB 136 90 46

HSL 29.33, 0.49%, 0.36%

LAB 42.37, 14.33, 32.59

 

CMYK 0 / 52 / 66 / 47

HEX #88412E

RGB 136 65 46

HSL 12.67, 0.49%, 0.36%

LAB 36.39, 28.7, 25.53

 

CMYK 0 / 66 / 66 / 47

HEX #882E2E

RGB 136 46 46

HSL 0, 0.49%, 0.36%

LAB 32.67, 38.4, 20.95

 

CMYK 1 / 0 / 66 / 47

HEX #86882E

RGB 134 136 46

HSL 61.33, 0.49%, 0.36%

LAB 54.94, -12.77, 46.24

 

CMYK 19 / 0 / 66 / 47

HEX #6E882E

RGB 110 136 46

HSL 77.33, 0.49%, 0.36%

LAB 53.08, -23.26, 43.71

 

CMYK 37 / 0 / 66 / 47

HEX #56882E

RGB 86 136 46

HSL 93.33, 0.49%, 0.36%

LAB 51.59, -32.84, 41.67

 

CMYK 54 / 0 / 66 / 47

HEX #3E882E

RGB 62 136 46

HSL 109.33, 0.49%, 0.36%

LAB 50.49, -40.84, 40.15

 

CMYK 66 / 0 / 60 / 47

HEX #2E8837

RGB 46 136 55

HSL 126, 0.49%, 0.36%

LAB 50.06, -43.89, 35.25

 

CMYK 1 / 0 / 66 / 47

HEX #86882E

RGB 134 136 46

HSL 61.33, 0.49%, 0.36%

LAB 54.94, -12.77, 46.24

 

CMYK 1 / 0 / 79 / 41

HEX #95971F

RGB 149 151 31

HSL 61, 0.66%, 0.36%

LAB 60.45, -14.77, 57.55

 

CMYK 2 / 0 / 90 / 35

HEX #A3A611

RGB 163 166 17

HSL 61.21, 0.81%, 0.36%

LAB 65.83, -16.71, 65.89

 

CMYK 2 / 0 / 99 / 29

HEX #B1B502

RGB 177 181 2

HSL 61.34, 0.98%, 0.36%

LAB 71.15, -18.39, 72.43

 

CMYK 1 / 0 / 66 / 47

HEX #86882E

RGB 134 136 46

HSL 61.33, 0.49%, 0.36%

LAB 54.94, -12.77, 46.24

 

CMYK 1 / 0 / 50 / 53

HEX #78793D

RGB 120 121 61

HSL 61, 0.33%, 0.36%

LAB 49.5, -9.6, 32.52

 

CMYK 1 / 0 / 29 / 58

HEX #6A6B4C

RGB 106 107 76

HSL 61.94, 0.17%, 0.36%

LAB 44.38, -5.94, 17.3

 

CMYK 0 / 0 / 1 / 64

HEX #5C5C5B

RGB 92 92 91

HSL 60, 0.01%, 0.36%

LAB 39.04, -0.21, 0.57

 

CMYK 27 / 27 / 0 / 58

HEX #4D4D6A

RGB 77 77 106

HSL 240, 0.16%, 0.36%

LAB 33.83, 7.19, -16.75

 

CMYK 0 / 34 / 66 / 47

HEX #885A2E

RGB 136 90 46

HSL 29.33, 0.49%, 0.36%

LAB 42.37, 14.33, 32.59

 

CMYK 0 / 16 / 66 / 47

HEX #88722E

RGB 136 114 46

HSL 45.33, 0.49%, 0.36%

LAB 48.84, 0.35, 39.81

 

CMYK 1 / 0 / 66 / 47

HEX #87882E

RGB 135 136 46

HSL 60.67, 0.49%, 0.36%

LAB 55.03, -12.32, 46.36

 

CMYK 18 / 0 / 66 / 47

HEX #6F882E

RGB 111 136 46

HSL 76.67, 0.49%, 0.36%

LAB 53.15, -22.84, 43.81

 

CMYK 36 / 0 / 66 / 47

HEX #57882E

RGB 87 136 46

HSL 92.67, 0.49%, 0.36%

LAB 51.65, -32.47, 41.75

 

CMYK 1 / 0 / 67 / 71

HEX #4A4B19

RGB 74 75 25

HSL 61.2, 0.5%, 0.2%

LAB 30.78, -8.06, 28.83

 

CMYK 2 / 0 / 66 / 58

HEX #686A24

RGB 104 106 36

HSL 61.71, 0.49%, 0.28%

LAB 43.33, -10.73, 37.73

 

CMYK 1 / 0 / 66 / 47

HEX #86882E

RGB 134 136 46

HSL 61.33, 0.49%, 0.36%

LAB 54.94, -12.77, 46.24

 

CMYK 1 / 0 / 66 / 35

HEX #A5A739

RGB 165 167 57

HSL 61.09, 0.49%, 0.44%

LAB 66.47, -14.75, 54.36

 

CMYK 1 / 0 / 62 / 25

HEX #BEC049

RGB 190 192 73

HSL 61.01, 0.49%, 0.52%

LAB 75.53, -15.86, 57.81

 

CMYK 1 / 0 / 66 / 45

HEX #898B2F

RGB 137 139 47

HSL 61.3, 0.49%, 0.36%

LAB 56.08, -12.97, 47.07

 

CMYK 66 / 0 / 51 / 47

HEX #2E8842

RGB 46 136 66

HSL 133.33, 0.49%, 0.36%

LAB 50.2, -42.3, 29.79

 

CMYK 25 / 66 / 0 / 47

HEX #662E88

RGB 102 46 136

HSL 277.33, 0.49%, 0.36%

LAB 30.77, 41.31, -40.14

 

CMYK 1 / 0 / 66 / 45

HEX #898B2F

RGB 137 139 47

HSL 61.3, 0.49%, 0.36%

LAB 56.08, -12.97, 47.07

 

CMYK 66 / 1 / 0 / 47

HEX #2E8788

RGB 46 135 136

HSL 180.67, 0.49%, 0.36%

LAB 51.48, -25.34, -8.28

 

CMYK 0 / 66 / 1 / 47

HEX #882E87

RGB 136 46 135

HSL 300.67, 0.49%, 0.36%

LAB 35.86, 49.64, -31.11

 

CMYK 1 / 0 / 66 / 45

HEX #898B2F

RGB 137 139 47

HSL 61.3, 0.49%, 0.36%

LAB 56.08, -12.97, 47.07

 

CMYK 66 / 0 / 51 / 47

HEX #2E8842

RGB 46 136 66

HSL 133.33, 0.49%, 0.36%

LAB 50.2, -42.3, 29.79

 

CMYK 65 / 66 / 0 / 47

HEX #302E88

RGB 48 46 136

HSL 241.33, 0.49%, 0.36%

LAB 24.83, 29.95, -50.06

 

CMYK 0 / 66 / 14 / 47

HEX #882E75

RGB 136 46 117

HSL 312.67, 0.49%, 0.36%

LAB 34.95, 46.58, -21.33

 

CMYK 1 / 0 / 66 / 45

HEX #898B2F

RGB 137 139 47

HSL 61.3, 0.49%, 0.36%

LAB 56.08, -12.97, 47.07

 

CMYK 66 / 0 / 32 / 47

HEX #2E885D

RGB 46 136 93

HSL 151.33, 0.49%, 0.36%

LAB 50.66, -37.16, 15.47

 

CMYK 65 / 66 / 0 / 47

HEX #302E88

RGB 48 46 136

HSL 241.33, 0.49%, 0.36%

LAB 24.83, 29.95, -50.06

 

CMYK 0 / 66 / 34 / 47

HEX #882E5A

RGB 136 46 90

HSL 330.67, 0.49%, 0.36%

LAB 33.83, 42.67, -5.86

 

Description

Color code: RGB 137 139 47 | qconv.com Color code: RGB 137 139 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 139 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 139 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 66 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 66% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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