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Color name
RGB 137 118 19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 118 19 it is the complementary color RGB 118 137 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 118 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 118 19 shade: RGB 142 118 14, RGB 159 136 33, RGB 176 154 52, RGB 193 172 71 and RGB 210 190 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 118 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 118 19 shade: RGB 137 118 19, RGB 120 100 0, RGB 103 82 0, RGB 86 64 0 and RGB 69 46 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 118 19 shade: RGB 139 119 18, RGB 139 87 18, RGB 139 54 18, RGB 139 22 18 and RGB 139 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 118 19 shade: RGB 139 119 18, RGB 126 139 18, RGB 93 139 18, RGB 61 139 18 and RGB 28 139 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 118 19 shade matches the following richer shades: RGB 139 119 18 and RGB 151 128 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 118 19 shade: RGB 139 119 18, RGB 126 111 31, RGB 113 102 44, RGB 100 93 57 and RGB 87 85 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 118 19 shade: RGB 139 55 18, RGB 139 87 18, RGB 139 119 18, RGB 127 139 18 and RGB 95 139 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 118 19 shade: RGB 66 57 9, RGB 102 88 14, RGB 139 119 18, RGB 175 151 23 and RGB 211 182 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 118 19 shade: RGB 137 118 19, RGB 18 139 22 and RGB 71 18 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 118 19 shade: RGB 137 118 19, RGB 18 139 119 and RGB 119 18 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 118 19 shade: RGB 137 118 19, RGB 18 139 22, RGB 18 38 139 and RGB 139 18 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 118 19 shade: RGB 137 118 19, RGB 18 139 59, RGB 18 38 139 and RGB 139 18 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 86 / 46

HEX #897613

RGB 137 118 19

HSL 50.34, 0.76%, 0.31%

LAB 49.88, -2.76, 51.48

 

Complementary color

CMYK 50 / 42 / 0 / 7

HEX #7689EC

RGB 118 137 236

HSL 230.34, 0.76%, 0.69%

LAB 59.71, 19.9, -52.21

 

CMYK 0 / 17 / 90 / 44

HEX #8E760E

RGB 142 118 14

HSL 48.75, 0.82%, 0.31%

LAB 50.38, -0.53, 53.39

 

CMYK 0 / 14 / 79 / 38

HEX #9F8821

RGB 159 136 33

HSL 49.05, 0.66%, 0.38%

LAB 57.16, -2.08, 54.29

 

CMYK 0 / 13 / 70 / 31

HEX #B09A34

RGB 176 154 52

HSL 49.35, 0.54%, 0.45%

LAB 63.83, -3.35, 54.03

 

CMYK 0 / 11 / 63 / 24

HEX #C1AC47

RGB 193 172 71

HSL 49.67, 0.5%, 0.52%

LAB 70.38, -4.38, 53.22

 

CMYK 0 / 10 / 57 / 18

HEX #D2BE5A

RGB 210 190 90

HSL 50, 0.57%, 0.59%

LAB 76.84, -5.24, 52.16

 

CMYK 0 / 14 / 86 / 46

HEX #897613

RGB 137 118 19

HSL 50.34, 0.76%, 0.31%

LAB 49.88, -2.76, 51.48

 

CMYK 0 / 17 / 100 / 53

HEX #786400

RGB 120 100 0

HSL 50, 1%, 0.24%

LAB 42.92, -1.06, 49.89

 

CMYK 0 / 20 / 100 / 60

HEX #675200

RGB 103 82 0

HSL 47.77, 1%, 0.2%

LAB 35.83, 1.17, 44.03

 

CMYK 0 / 26 / 100 / 66

HEX #564000

RGB 86 64 0

HSL 44.65, 1%, 0.17%

LAB 28.5, 3.57, 37.83

 

CMYK 0 / 33 / 100 / 73

HEX #452E00

RGB 69 46 0

HSL 40, 1%, 0.14%

LAB 20.9, 6.19, 29.74

 

CMYK 0 / 14 / 87 / 45

HEX #8B7712

RGB 139 119 18

HSL 50.08, 0.77%, 0.31%

LAB 50.37, -2.41, 52.24

 

CMYK 0 / 37 / 87 / 45

HEX #8B5712

RGB 139 87 18

HSL 34.21, 0.77%, 0.31%

LAB 41.77, 16.1, 45.05

 

CMYK 0 / 61 / 87 / 45

HEX #8B3612

RGB 139 54 18

HSL 17.85, 0.77%, 0.31%

LAB 34.34, 34.39, 38.7

 

CMYK 0 / 84 / 87 / 45

HEX #8B1612

RGB 139 22 18

HSL 1.98, 0.77%, 0.31%

LAB 29.68, 47.09, 34.64

 

CMYK 0 / 87 / 87 / 45

HEX #8B1212

RGB 139 18 18

HSL 0, 0.77%, 0.31%

LAB 29.32, 48.1, 34.32

 

CMYK 0 / 14 / 87 / 45

HEX #8B7712

RGB 139 119 18

HSL 50.08, 0.77%, 0.31%

LAB 50.37, -2.41, 52.24

 

CMYK 9 / 0 / 87 / 45

HEX #7E8B12

RGB 126 139 18

HSL 66.45, 0.77%, 0.31%

LAB 55.02, -19.26, 55.65

 

CMYK 33 / 0 / 87 / 45

HEX #5D8B12

RGB 93 139 18

HSL 82.81, 0.77%, 0.31%

LAB 52.77, -33.27, 52.85

 

CMYK 56 / 0 / 87 / 45

HEX #3D8B12

RGB 61 139 18

HSL 98.68, 0.77%, 0.31%

LAB 51.27, -44.34, 50.95

 

CMYK 80 / 0 / 87 / 45

HEX #1C8B12

RGB 28 139 18

HSL 115.04, 0.77%, 0.31%

LAB 50.4, -51.58, 49.85

 

CMYK 0 / 14 / 87 / 45

HEX #8B7712

RGB 139 119 18

HSL 50.08, 0.77%, 0.31%

LAB 50.37, -2.41, 52.24

 

CMYK 0 / 15 / 96 / 41

HEX #978006

RGB 151 128 6

HSL 50.48, 0.92%, 0.31%

LAB 54.06, -2.06, 58.16

 

CMYK 0 / 14 / 87 / 45

HEX #8B7712

RGB 139 119 18

HSL 50.08, 0.77%, 0.31%

LAB 50.37, -2.41, 52.24

 

CMYK 0 / 12 / 75 / 51

HEX #7E6F1F

RGB 126 111 31

HSL 50.53, 0.61%, 0.31%

LAB 46.85, -3.51, 44.17

 

CMYK 0 / 10 / 61 / 56

HEX #71662C

RGB 113 102 44

HSL 50.43, 0.44%, 0.31%

LAB 43.06, -3.61, 33.73

 

CMYK 0 / 7 / 43 / 61

HEX #645D39

RGB 100 93 57

HSL 50.23, 0.27%, 0.31%

LAB 39.3, -3.04, 21.68

 

CMYK 0 / 2 / 20 / 66

HEX #575546

RGB 87 85 70

HSL 52.94, 0.11%, 0.31%

LAB 35.92, -2.09, 9.06

 

CMYK 0 / 60 / 87 / 45

HEX #8B3712

RGB 139 55 18

HSL 18.35, 0.77%, 0.31%

LAB 34.53, 33.89, 38.87

 

CMYK 0 / 37 / 87 / 45

HEX #8B5712

RGB 139 87 18

HSL 34.21, 0.77%, 0.31%

LAB 41.77, 16.1, 45.05

 

CMYK 0 / 14 / 87 / 45

HEX #8B7712

RGB 139 119 18

HSL 50.08, 0.77%, 0.31%

LAB 50.37, -2.41, 52.24

 

CMYK 9 / 0 / 87 / 45

HEX #7F8B12

RGB 127 139 18

HSL 65.95, 0.77%, 0.31%

LAB 55.09, -18.81, 55.75

 

CMYK 32 / 0 / 87 / 45

HEX #5F8B12

RGB 95 139 18

HSL 81.82, 0.77%, 0.31%

LAB 52.89, -32.48, 52.99

 

CMYK 0 / 14 / 86 / 74

HEX #423909

RGB 66 57 9

HSL 50.53, 0.76%, 0.15%

LAB 24.01, -2.11, 29.21

 

CMYK 0 / 14 / 86 / 60

HEX #66580E

RGB 102 88 14

HSL 50.45, 0.76%, 0.23%

LAB 37.55, -2.5, 41.02

 

CMYK 0 / 14 / 87 / 45

HEX #8B7712

RGB 139 119 18

HSL 50.08, 0.77%, 0.31%

LAB 50.37, -2.41, 52.24

 

CMYK 0 / 14 / 87 / 31

HEX #AF9717

RGB 175 151 23

HSL 50.53, 0.77%, 0.39%

LAB 62.77, -3.29, 62.64

 

CMYK 0 / 14 / 87 / 17

HEX #D3B61C

RGB 211 182 28

HSL 50.49, 0.77%, 0.47%

LAB 74.44, -3.61, 72.38

 

CMYK 0 / 14 / 86 / 46

HEX #897613

RGB 137 118 19

HSL 50.34, 0.76%, 0.31%

LAB 49.88, -2.76, 51.48

 

CMYK 87 / 0 / 84 / 45

HEX #128B16

RGB 18 139 22

HSL 121.98, 0.77%, 0.31%

LAB 50.28, -52.61, 48.62

 

CMYK 49 / 87 / 0 / 45

HEX #47128B

RGB 71 18 139

HSL 266.28, 0.77%, 0.31%

LAB 22.43, 48.57, -55.77

 

CMYK 0 / 14 / 86 / 46

HEX #897613

RGB 137 118 19

HSL 50.34, 0.76%, 0.31%

LAB 49.88, -2.76, 51.48

 

CMYK 87 / 0 / 14 / 45

HEX #128B77

RGB 18 139 119

HSL 170.08, 0.77%, 0.31%

LAB 51.75, -35.67, 1.96

 

CMYK 14 / 87 / 0 / 45

HEX #77128B

RGB 119 18 139

HSL 290.08, 0.77%, 0.31%

LAB 29.96, 56.07, -43.18

 

CMYK 0 / 14 / 86 / 46

HEX #897613

RGB 137 118 19

HSL 50.34, 0.76%, 0.31%

LAB 49.88, -2.76, 51.48

 

CMYK 87 / 0 / 84 / 45

HEX #128B16

RGB 18 139 22

HSL 121.98, 0.77%, 0.31%

LAB 50.28, -52.61, 48.62

 

CMYK 87 / 73 / 0 / 45

HEX #12268B

RGB 18 38 139

HSL 230.08, 0.77%, 0.31%

LAB 21.5, 32.95, -57.45

 

CMYK 0 / 87 / 3 / 45

HEX #8B1287

RGB 139 18 135

HSL 301.98, 0.77%, 0.31%

LAB 33.29, 59.17, -35.16

 

CMYK 0 / 14 / 86 / 46

HEX #897613

RGB 137 118 19

HSL 50.34, 0.76%, 0.31%

LAB 49.88, -2.76, 51.48

 

CMYK 87 / 0 / 58 / 45

HEX #128B3B

RGB 18 139 59

HSL 140.33, 0.77%, 0.31%

LAB 50.58, -48.83, 33.75

 

CMYK 87 / 73 / 0 / 45

HEX #12268B

RGB 18 38 139

HSL 230.08, 0.77%, 0.31%

LAB 21.5, 32.95, -57.45

 

CMYK 0 / 87 / 29 / 45

HEX #8B1263

RGB 139 18 99

HSL 319.83, 0.77%, 0.31%

LAB 31.4, 54.07, -15.3

 

Description

Color code: RGB 137 118 19 | qconv.com Color code: RGB 137 118 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 118 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 118 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 86 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 86% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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