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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 64 170 it is the complementary color RGB 119 191 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 64 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 64 170 shade: RGB 141 64 165, RGB 158 82 184, RGB 175 100 203, RGB 192 118 222 and RGB 209 136 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 64 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 64 170 shade: RGB 136 64 170, RGB 119 46 151, RGB 102 28 132, RGB 85 10 113 and RGB 68 0 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 64 170 shade: RGB 136 64 170, RGB 164 64 170, RGB 170 64 147, RGB 170 64 118 and RGB 170 64 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 64 170 shade: RGB 136 64 170, RGB 107 64 170, RGB 79 64 170 and RGB 64 64 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 64 170 shade matches the following richer shades: RGB 136 64 170, RGB 143 45 189, RGB 149 26 208 and RGB 156 7 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 64 170 shade: RGB 136 64 170, RGB 129 83 151, RGB 122 102 132, RGB 115 121 113 and RGB 109 140 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 64 170 shade: RGB 78 64 170, RGB 106 64 170, RGB 134 64 170, RGB 163 64 170 and RGB 170 64 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 64 170 shade: RGB 88 41 110, RGB 112 53 140, RGB 136 64 170, RGB 156 85 190 and RGB 174 115 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 64 170 shade: RGB 136 64 170, RGB 170 64 78 and RGB 64 170 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 64 170 shade: RGB 136 64 170, RGB 170 134 64 and RGB 64 170 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 64 170 shade: RGB 136 64 170, RGB 170 64 78, RGB 99 170 64 and RGB 64 170 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 64 170 shade: RGB 136 64 170, RGB 170 82 64, RGB 99 170 64 and RGB 64 152 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 62 / 0 / 33

HEX #8840AA

RGB 136 64 170

HSL 280.75, 0.45%, 0.46%

LAB 40.9, 48.33, -44.29

 

Complementary color

CMYK 38 / 0 / 55 / 25

HEX #77BF55

RGB 119 191 85

HSL 100.75, 0.45%, 0.54%

LAB 70.76, -41.76, 45.83

 

CMYK 15 / 61 / 0 / 35

HEX #8D40A5

RGB 141 64 165

HSL 285.74, 0.44%, 0.45%

LAB 41.29, 48.51, -40.65

 

CMYK 14 / 55 / 0 / 28

HEX #9E52B8

RGB 158 82 184

HSL 284.71, 0.42%, 0.52%

LAB 47.96, 47.92, -41.11

 

CMYK 14 / 51 / 0 / 20

HEX #AF64CB

RGB 175 100 203

HSL 283.69, 0.5%, 0.59%

LAB 54.6, 47.19, -41.44

 

CMYK 14 / 47 / 0 / 13

HEX #C076DE

RGB 192 118 222

HSL 282.69, 0.61%, 0.67%

LAB 61.17, 46.41, -41.69

 

CMYK 13 / 44 / 0 / 5

HEX #D188F1

RGB 209 136 241

HSL 281.71, 0.79%, 0.74%

LAB 67.66, 45.63, -41.89

 

CMYK 20 / 62 / 0 / 33

HEX #8840AA

RGB 136 64 170

HSL 280.75, 0.45%, 0.46%

LAB 40.9, 48.33, -44.29

 

CMYK 21 / 70 / 0 / 41

HEX #772E97

RGB 119 46 151

HSL 281.71, 0.53%, 0.39%

LAB 34.21, 48.7, -43.71

 

CMYK 23 / 79 / 0 / 48

HEX #661C84

RGB 102 28 132

HSL 282.69, 0.65%, 0.31%

LAB 27.63, 48.45, -42.71

 

CMYK 25 / 91 / 0 / 56

HEX #550A71

RGB 85 10 113

HSL 283.69, 0.84%, 0.24%

LAB 21.36, 46.9, -40.92

 

CMYK 28 / 100 / 0 / 63

HEX #44005E

RGB 68 0 94

HSL 283.4, 1%, 0.18%

LAB 15.68, 43.04, -37.82

 

CMYK 20 / 62 / 0 / 33

HEX #8840AA

RGB 136 64 170

HSL 280.75, 0.45%, 0.46%

LAB 40.9, 48.33, -44.29

 

CMYK 4 / 62 / 0 / 33

HEX #A440AA

RGB 164 64 170

HSL 296.6, 0.45%, 0.46%

LAB 44.89, 55.32, -37.7

 

CMYK 0 / 62 / 14 / 33

HEX #AA4093

RGB 170 64 147

HSL 313.02, 0.45%, 0.46%

LAB 44.69, 53.02, -24.22

 

CMYK 0 / 62 / 31 / 33

HEX #AA4076

RGB 170 64 118

HSL 329.43, 0.45%, 0.46%

LAB 43.54, 48.88, -8.33

 

CMYK 0 / 62 / 47 / 33

HEX #AA405A

RGB 170 64 90

HSL 345.28, 0.45%, 0.46%

LAB 42.69, 45.69, 7.74

 

CMYK 20 / 62 / 0 / 33

HEX #8840AA

RGB 136 64 170

HSL 280.75, 0.45%, 0.46%

LAB 40.9, 48.33, -44.29

 

CMYK 37 / 62 / 0 / 33

HEX #6B40AA

RGB 107 64 170

HSL 264.34, 0.45%, 0.46%

LAB 37.29, 41.42, -50.28

 

CMYK 54 / 62 / 0 / 33

HEX #4F40AA

RGB 79 64 170

HSL 248.49, 0.45%, 0.46%

LAB 34.46, 35.5, -55

 

CMYK 62 / 62 / 0 / 33

HEX #4040AA

RGB 64 64 170

HSL 240, 0.45%, 0.46%

LAB 33.26, 32.82, -57

 

CMYK 20 / 62 / 0 / 33

HEX #8840AA

RGB 136 64 170

HSL 280.75, 0.45%, 0.46%

LAB 40.9, 48.33, -44.29

 

CMYK 24 / 76 / 0 / 26

HEX #8F2DBD

RGB 143 45 189

HSL 280.83, 0.62%, 0.46%

LAB 40.23, 62.05, -56.54

 

CMYK 28 / 88 / 0 / 18

HEX #951AD0

RGB 149 26 208

HSL 280.55, 0.78%, 0.46%

LAB 40.71, 72.26, -66.79

 

CMYK 31 / 97 / 0 / 11

HEX #9C07E3

RGB 156 7 227

HSL 280.64, 0.94%, 0.46%

LAB 42.41, 79.55, -74.88

 

CMYK 20 / 62 / 0 / 33

HEX #8840AA

RGB 136 64 170

HSL 280.75, 0.45%, 0.46%

LAB 40.9, 48.33, -44.29

 

CMYK 15 / 45 / 0 / 41

HEX #815397

RGB 129 83 151

HSL 280.59, 0.29%, 0.46%

LAB 42.9, 31.84, -29.84

 

CMYK 8 / 23 / 0 / 48

HEX #7A6684

RGB 122 102 132

HSL 280, 0.13%, 0.46%

LAB 46.05, 13.93, -13.65

 

CMYK 5 / 0 / 7 / 53

HEX #737971

RGB 115 121 113

HSL 105, 0.03%, 0.46%

LAB 50.11, -3.87, 3.6

 

CMYK 22 / 0 / 33 / 45

HEX #6D8C5E

RGB 109 140 94

HSL 100.43, 0.2%, 0.46%

LAB 54.88, -19.97, 21.12

 

CMYK 54 / 62 / 0 / 33

HEX #4E40AA

RGB 78 64 170

HSL 247.92, 0.45%, 0.46%

LAB 34.37, 35.31, -55.14

 

CMYK 38 / 62 / 0 / 33

HEX #6A40AA

RGB 106 64 170

HSL 263.77, 0.45%, 0.46%

LAB 37.18, 41.19, -50.47

 

CMYK 21 / 62 / 0 / 33

HEX #8640AA

RGB 134 64 170

HSL 279.62, 0.45%, 0.46%

LAB 40.63, 47.83, -44.73

 

CMYK 4 / 62 / 0 / 33

HEX #A340AA

RGB 163 64 170

HSL 296.04, 0.45%, 0.46%

LAB 44.74, 55.07, -37.95

 

CMYK 0 / 62 / 13 / 33

HEX #AA4094

RGB 170 64 148

HSL 312.45, 0.45%, 0.46%

LAB 44.73, 53.18, -24.76

 

CMYK 20 / 63 / 0 / 57

HEX #58296E

RGB 88 41 110

HSL 280.87, 0.46%, 0.3%

LAB 26.12, 34.17, -31.3

 

CMYK 20 / 62 / 0 / 45

HEX #70358C

RGB 112 53 140

HSL 280.69, 0.45%, 0.38%

LAB 33.74, 41.14, -37.78

 

CMYK 20 / 62 / 0 / 33

HEX #8840AA

RGB 136 64 170

HSL 280.75, 0.45%, 0.46%

LAB 40.9, 48.33, -44.29

 

CMYK 18 / 55 / 0 / 25

HEX #9C55BE

RGB 156 85 190

HSL 280.57, 0.45%, 0.54%

LAB 48.61, 47.12, -43.58

 

CMYK 13 / 43 / 0 / 21

HEX #AE73C9

RGB 174 115 201

HSL 281.16, 0.44%, 0.62%

LAB 57.54, 38.41, -35.69

 

CMYK 20 / 62 / 0 / 33

HEX #8840AA

RGB 136 64 170

HSL 280.75, 0.45%, 0.46%

LAB 40.9, 48.33, -44.29

 

CMYK 0 / 62 / 54 / 33

HEX #AA404E

RGB 170 64 78

HSL 352.08, 0.45%, 0.46%

LAB 42.4, 44.59, 14.79

 

CMYK 62 / 0 / 46 / 33

HEX #40AA5C

RGB 64 170 92

HSL 135.85, 0.45%, 0.46%

LAB 62.18, -47.63, 31.35

 

CMYK 20 / 62 / 0 / 33

HEX #8840AA

RGB 136 64 170

HSL 280.75, 0.45%, 0.46%

LAB 40.9, 48.33, -44.29

 

CMYK 0 / 21 / 62 / 33

HEX #AA8640

RGB 170 134 64

HSL 39.62, 0.45%, 0.46%

LAB 58.01, 5.7, 42.15

 

CMYK 62 / 0 / 21 / 33

HEX #40AA86

RGB 64 170 134

HSL 159.62, 0.45%, 0.46%

LAB 62.98, -39.15, 9.67

 

CMYK 20 / 62 / 0 / 33

HEX #8840AA

RGB 136 64 170

HSL 280.75, 0.45%, 0.46%

LAB 40.9, 48.33, -44.29

 

CMYK 0 / 62 / 54 / 33

HEX #AA404E

RGB 170 64 78

HSL 352.08, 0.45%, 0.46%

LAB 42.4, 44.59, 14.79

 

CMYK 42 / 0 / 62 / 33

HEX #63AA40

RGB 99 170 64

HSL 100.19, 0.45%, 0.46%

LAB 63.15, -41.59, 46.52

 

CMYK 62 / 0 / 8 / 33

HEX #40AA9C

RGB 64 170 156

HSL 172.08, 0.45%, 0.46%

LAB 63.54, -33.59, -1.78

 

CMYK 20 / 62 / 0 / 33

HEX #8840AA

RGB 136 64 170

HSL 280.75, 0.45%, 0.46%

LAB 40.9, 48.33, -44.29

 

CMYK 0 / 52 / 62 / 33

HEX #AA5240

RGB 170 82 64

HSL 10.19, 0.45%, 0.46%

LAB 45.57, 34.58, 27.37

 

CMYK 42 / 0 / 62 / 33

HEX #63AA40

RGB 99 170 64

HSL 100.19, 0.45%, 0.46%

LAB 63.15, -41.59, 46.52

 

CMYK 62 / 11 / 0 / 33

HEX #4098AA

RGB 64 152 170

HSL 190.19, 0.45%, 0.46%

LAB 58.46, -20.62, -17.27

 

Description

Color code: RGB 136 64 170 | qconv.com Color code: RGB 136 64 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 64 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 64 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 62 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 62% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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