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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 57 246 it is the complementary color RGB 119 198 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 57 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 57 246 shade: RGB 141 57 241, RGB 158 75 255, RGB 175 93 255, RGB 192 111 255 and RGB 209 129 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 57 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 57 246 shade: RGB 136 57 246, RGB 119 39 227, RGB 102 21 208, RGB 85 3 189 and RGB 68 0 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 57 246 shade: RGB 134 55 245, RGB 186 55 245, RGB 237 55 245, RGB 245 55 202 and RGB 245 55 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 57 246 shade: RGB 134 55 245, RGB 83 55 245 and RGB 55 55 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 57 246 shade matches the following richer shades: RGB 134 55 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 57 246 shade: RGB 134 55 245, RGB 137 72 228, RGB 140 89 211, RGB 143 106 194 and RGB 145 122 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 57 246 shade: RGB 55 77 245, RGB 83 55 245, RGB 134 55 245, RGB 185 55 245 and RGB 236 55 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 57 246 shade: RGB 92 9 208, RGB 111 15 243, RGB 134 55 245, RGB 158 94 247 and RGB 182 134 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 57 246 shade: RGB 136 57 246, RGB 245 55 128 and RGB 55 245 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 57 246 shade: RGB 136 57 246, RGB 245 134 55 and RGB 55 245 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 57 246 shade: RGB 136 57 246, RGB 245 55 128, RGB 166 245 55 and RGB 55 245 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 57 246 shade: RGB 136 57 246, RGB 245 55 71, RGB 166 245 55 and RGB 55 245 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 77 / 0 / 4

HEX #8839F6

RGB 136 57 246

HSL 265.08, 0.91%, 0.59%

LAB 45.38, 69.12, -80.86

 

Complementary color

CMYK 40 / 0 / 95 / 22

HEX #77C609

RGB 119 198 9

HSL 85.08, 0.91%, 0.41%

LAB 72.45, -49.14, 71.07

 

CMYK 41 / 76 / 0 / 5

HEX #8D39F1

RGB 141 57 241

HSL 267.39, 0.87%, 0.58%

LAB 45.55, 68.67, -77.75

 

CMYK 38 / 71 / 0 / 0

HEX #9E4BFF

RGB 158 75 255

HSL 267.67, 1%, 0.65%

LAB 51.29, 67.19, -76.12

 

CMYK 31 / 64 / 0 / 0

HEX #AF5DFF

RGB 175 93 255

HSL 270.37, 1%, 0.68%

LAB 56.25, 62.15, -67.99

 

CMYK 25 / 56 / 0 / 0

HEX #C06FFF

RGB 192 111 255

HSL 273.75, 1%, 0.72%

LAB 61.48, 57.1, -59.5

 

CMYK 18 / 49 / 0 / 0

HEX #D181FF

RGB 209 129 255

HSL 278.1, 1%, 0.75%

LAB 66.88, 52.2, -50.79

 

CMYK 45 / 77 / 0 / 4

HEX #8839F6

RGB 136 57 246

HSL 265.08, 0.91%, 0.59%

LAB 45.38, 69.12, -80.86

 

CMYK 48 / 83 / 0 / 11

HEX #7727E3

RGB 119 39 227

HSL 265.53, 0.77%, 0.52%

LAB 39.44, 68.93, -79.94

 

CMYK 51 / 90 / 0 / 18

HEX #6615D0

RGB 102 21 208

HSL 265.99, 0.82%, 0.45%

LAB 33.81, 67.77, -78.37

 

CMYK 55 / 98 / 0 / 26

HEX #5503BD

RGB 85 3 189

HSL 266.45, 0.97%, 0.38%

LAB 28.57, 65.29, -75.96

 

CMYK 60 / 100 / 0 / 33

HEX #4400AA

RGB 68 0 170

HSL 264, 1%, 0.33%

LAB 24.1, 60.32, -72.07

 

CMYK 45 / 78 / 0 / 4

HEX #8637F5

RGB 134 55 245

HSL 264.95, 0.9%, 0.59%

LAB 44.79, 69.38, -81.27

 

CMYK 24 / 78 / 0 / 4

HEX #BA37F5

RGB 186 55 245

HSL 281.37, 0.9%, 0.59%

LAB 51.57, 77.41, -69.93

 

CMYK 3 / 78 / 0 / 4

HEX #ED37F5

RGB 237 55 245

HSL 297.47, 0.9%, 0.59%

LAB 59.28, 86.48, -57.13

 

CMYK 0 / 78 / 18 / 4

HEX #F537CA

RGB 245 55 202

HSL 313.58, 0.9%, 0.59%

LAB 58.42, 81.98, -34.14

 

CMYK 0 / 78 / 38 / 4

HEX #F53797

RGB 245 55 151

HSL 329.68, 0.9%, 0.59%

LAB 56.47, 76.21, -7.52

 

CMYK 45 / 78 / 0 / 4

HEX #8637F5

RGB 134 55 245

HSL 264.95, 0.9%, 0.59%

LAB 44.79, 69.38, -81.27

 

CMYK 66 / 78 / 0 / 4

HEX #5337F5

RGB 83 55 245

HSL 248.84, 0.9%, 0.59%

LAB 39.86, 63.49, -89.58

 

CMYK 78 / 78 / 0 / 4

HEX #3737F5

RGB 55 55 245

HSL 240, 0.9%, 0.59%

LAB 38.09, 61.37, -92.56

 

CMYK 45 / 78 / 0 / 4

HEX #8637F5

RGB 134 55 245

HSL 264.95, 0.9%, 0.59%

LAB 44.79, 69.38, -81.27

 

CMYK 45 / 78 / 0 / 4

HEX #8637F5

RGB 134 55 245

HSL 264.95, 0.9%, 0.59%

LAB 44.79, 69.38, -81.27

 

CMYK 40 / 68 / 0 / 11

HEX #8948E4

RGB 137 72 228

HSL 265, 0.74%, 0.59%

LAB 46.38, 58.31, -69.07

 

CMYK 34 / 58 / 0 / 17

HEX #8C59D3

RGB 140 89 211

HSL 265.08, 0.58%, 0.59%

LAB 48.79, 45.92, -55.49

 

CMYK 26 / 45 / 0 / 24

HEX #8F6AC2

RGB 143 106 194

HSL 265.23, 0.42%, 0.59%

LAB 51.89, 32.88, -40.8

 

CMYK 18 / 31 / 0 / 31

HEX #917AB1

RGB 145 122 177

HSL 265.09, 0.26%, 0.59%

LAB 55.19, 20.09, -25.86

 

CMYK 78 / 69 / 0 / 4

HEX #374DF5

RGB 55 77 245

HSL 233.05, 0.9%, 0.59%

LAB 42.33, 49.47, -85.55

 

CMYK 66 / 78 / 0 / 4

HEX #5337F5

RGB 83 55 245

HSL 248.84, 0.9%, 0.59%

LAB 39.86, 63.49, -89.58

 

CMYK 45 / 78 / 0 / 4

HEX #8637F5

RGB 134 55 245

HSL 264.95, 0.9%, 0.59%

LAB 44.79, 69.38, -81.27

 

CMYK 24 / 78 / 0 / 4

HEX #B937F5

RGB 185 55 245

HSL 281.05, 0.9%, 0.59%

LAB 51.43, 77.24, -70.17

 

CMYK 4 / 78 / 0 / 4

HEX #EC37F5

RGB 236 55 245

HSL 297.16, 0.9%, 0.59%

LAB 59.12, 86.29, -57.39

 

CMYK 56 / 96 / 0 / 18

HEX #5C09D0

RGB 92 9 208

HSL 265.03, 0.92%, 0.43%

LAB 31.86, 69.17, -81.62

 

CMYK 54 / 94 / 0 / 5

HEX #6F0FF3

RGB 111 15 243

HSL 265.26, 0.9%, 0.51%

LAB 38.19, 77.59, -91.13

 

CMYK 45 / 78 / 0 / 4

HEX #8637F5

RGB 134 55 245

HSL 264.95, 0.9%, 0.59%

LAB 44.79, 69.38, -81.27

 

CMYK 36 / 62 / 0 / 3

HEX #9E5EF7

RGB 158 94 247

HSL 265.1, 0.91%, 0.67%

LAB 54.02, 56.22, -67.26

 

CMYK 27 / 46 / 0 / 2

HEX #B686F9

RGB 182 134 249

HSL 265.04, 0.91%, 0.75%

LAB 64.83, 41.04, -50.93

 

CMYK 45 / 77 / 0 / 4

HEX #8839F6

RGB 136 57 246

HSL 265.08, 0.91%, 0.59%

LAB 45.38, 69.12, -80.86

 

CMYK 0 / 78 / 48 / 4

HEX #F53780

RGB 245 55 128

HSL 336.95, 0.9%, 0.59%

LAB 55.79, 74.16, 5.12

 

CMYK 78 / 0 / 76 / 4

HEX #37F53A

RGB 55 245 58

HSL 120.95, 0.9%, 0.59%

LAB 85.21, -77.9, 71.26

 

CMYK 45 / 77 / 0 / 4

HEX #8839F6

RGB 136 57 246

HSL 265.08, 0.91%, 0.59%

LAB 45.38, 69.12, -80.86

 

CMYK 0 / 45 / 78 / 4

HEX #F58637

RGB 245 134 55

HSL 24.95, 0.9%, 0.59%

LAB 67.08, 36.92, 58.66

 

CMYK 78 / 0 / 45 / 4

HEX #37F586

RGB 55 245 134

HSL 144.95, 0.9%, 0.59%

LAB 85.93, -69.28, 40.56

 

CMYK 45 / 77 / 0 / 4

HEX #8839F6

RGB 136 57 246

HSL 265.08, 0.91%, 0.59%

LAB 45.38, 69.12, -80.86

 

CMYK 0 / 78 / 48 / 4

HEX #F53780

RGB 245 55 128

HSL 336.95, 0.9%, 0.59%

LAB 55.79, 74.16, 5.12

 

CMYK 32 / 0 / 78 / 4

HEX #A6F537

RGB 166 245 55

HSL 84.95, 0.9%, 0.59%

LAB 88.77, -50.51, 76.78

 

CMYK 78 / 0 / 30 / 4

HEX #37F5AC

RGB 55 245 172

HSL 156.95, 0.9%, 0.59%

LAB 86.55, -62.18, 22.34

 

CMYK 45 / 77 / 0 / 4

HEX #8839F6

RGB 136 57 246

HSL 265.08, 0.91%, 0.59%

LAB 45.38, 69.12, -80.86

 

CMYK 0 / 78 / 71 / 4

HEX #F53747

RGB 245 55 71

HSL 354.95, 0.9%, 0.59%

LAB 54.66, 70.63, 37.34

 

CMYK 32 / 0 / 78 / 4

HEX #A6F537

RGB 166 245 55

HSL 84.95, 0.9%, 0.59%

LAB 88.77, -50.51, 76.78

 

CMYK 78 / 0 / 7 / 4

HEX #37F5E5

RGB 55 245 229

HSL 174.95, 0.9%, 0.59%

LAB 87.86, -48.48, -5.4

 

Description

Color code: RGB 136 57 246 | qconv.com Color code: RGB 136 57 246 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 57 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 57 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 77 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 77% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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