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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 54 219 it is the complementary color RGB 119 201 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 54 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 54 219 shade: RGB 141 54 214, RGB 158 72 233, RGB 175 90 252, RGB 192 108 255 and RGB 209 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 54 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 54 219 shade: RGB 136 54 219, RGB 119 36 200, RGB 102 18 181, RGB 85 0 162 and RGB 68 0 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 54 219 shade: RGB 137 55 219, RGB 181 55 219, RGB 219 55 213, RGB 219 55 169 and RGB 219 55 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 54 219 shade: RGB 137 55 219, RGB 92 55 219 and RGB 55 55 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 54 219 shade matches the following richer shades: RGB 137 55 219 and RGB 137 36 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 54 219 shade: RGB 137 55 219, RGB 137 74 200, RGB 137 93 181, RGB 137 112 162 and RGB 137 131 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 54 219 shade: RGB 55 63 219, RGB 91 55 219, RGB 134 55 219, RGB 178 55 219 and RGB 219 55 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 54 219 shade: RGB 96 28 163, RGB 116 35 199, RGB 137 55 219, RGB 157 90 225 and RGB 178 125 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 54 219 shade: RGB 136 54 219, RGB 219 55 107 and RGB 55 219 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 54 219 shade: RGB 136 54 219, RGB 219 134 55 and RGB 55 219 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 54 219 shade: RGB 136 54 219, RGB 219 55 107, RGB 140 219 55 and RGB 55 219 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 54 219 shade: RGB 136 54 219, RGB 219 55 58, RGB 140 219 55 and RGB 55 219 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 75 / 0 / 14

HEX #8836DB

RGB 136 54 219

HSL 269.82, 0.7%, 0.54%

LAB 42.74, 63.96, -69.88

 

Complementary color

CMYK 41 / 0 / 82 / 21

HEX #77C924

RGB 119 201 36

HSL 89.82, 0.7%, 0.46%

LAB 73.43, -49.59, 67.08

 

CMYK 34 / 75 / 0 / 16

HEX #8D36D6

RGB 141 54 214

HSL 272.63, 0.66%, 0.53%

LAB 43, 63.66, -66.57

 

CMYK 32 / 69 / 0 / 9

HEX #9E48E9

RGB 158 72 233

HSL 272.05, 0.79%, 0.6%

LAB 49.24, 63.45, -67.15

 

CMYK 31 / 64 / 0 / 1

HEX #AF5AFC

RGB 175 90 252

HSL 271.48, 0.96%, 0.67%

LAB 55.54, 62.9, -67.48

 

CMYK 25 / 58 / 0 / 0

HEX #C06CFF

RGB 192 108 255

HSL 274.29, 1%, 0.71%

LAB 60.92, 58.6, -60.39

 

CMYK 18 / 51 / 0 / 0

HEX #D17EFF

RGB 209 126 255

HSL 278.6, 1%, 0.75%

LAB 66.29, 53.74, -51.73

 

CMYK 38 / 75 / 0 / 14

HEX #8836DB

RGB 136 54 219

HSL 269.82, 0.7%, 0.54%

LAB 42.74, 63.96, -69.88

 

CMYK 41 / 82 / 0 / 22

HEX #7724C8

RGB 119 36 200

HSL 270.37, 0.69%, 0.46%

LAB 36.66, 63.65, -68.94

 

CMYK 44 / 90 / 0 / 29

HEX #6612B5

RGB 102 18 181

HSL 270.92, 0.82%, 0.39%

LAB 30.86, 62.29, -67.34

 

CMYK 48 / 100 / 0 / 36

HEX #5500A2

RGB 85 0 162

HSL 271.48, 1%, 0.32%

LAB 25.38, 59.76, -65.02

 

CMYK 52 / 100 / 0 / 44

HEX #44008F

RGB 68 0 143

HSL 268.53, 1%, 0.28%

LAB 20.87, 54, -60.85

 

CMYK 37 / 75 / 0 / 14

HEX #8937DB

RGB 137 55 219

HSL 270, 0.69%, 0.54%

LAB 43.01, 63.72, -69.44

 

CMYK 17 / 75 / 0 / 14

HEX #B537DB

RGB 181 55 219

HSL 286.1, 0.69%, 0.54%

LAB 49.09, 71.58, -59.29

 

CMYK 0 / 75 / 3 / 14

HEX #DB37D5

RGB 219 55 213

HSL 302.2, 0.69%, 0.54%

LAB 54.65, 78.07, -46.64

 

CMYK 0 / 75 / 23 / 14

HEX #DB37A9

RGB 219 55 169

HSL 318.29, 0.69%, 0.54%

LAB 52.57, 71.93, -24.45

 

CMYK 0 / 75 / 43 / 14

HEX #DB377D

RGB 219 55 125

HSL 334.39, 0.69%, 0.54%

LAB 51.01, 67.1, -0.6

 

CMYK 37 / 75 / 0 / 14

HEX #8937DB

RGB 137 55 219

HSL 270, 0.69%, 0.54%

LAB 43.01, 63.72, -69.44

 

CMYK 58 / 75 / 0 / 14

HEX #5C37DB

RGB 92 55 219

HSL 253.54, 0.69%, 0.54%

LAB 38.06, 57.09, -77.74

 

CMYK 75 / 75 / 0 / 14

HEX #3737DB

RGB 55 55 219

HSL 240, 0.69%, 0.54%

LAB 35.32, 53.3, -82.36

 

CMYK 37 / 75 / 0 / 14

HEX #8937DB

RGB 137 55 219

HSL 270, 0.69%, 0.54%

LAB 43.01, 63.72, -69.44

 

CMYK 42 / 85 / 0 / 7

HEX #8924EE

RGB 137 36 238

HSL 270, 0.86%, 0.54%

LAB 42.39, 74.47, -81.26

 

CMYK 37 / 75 / 0 / 14

HEX #8937DB

RGB 137 55 219

HSL 270, 0.69%, 0.54%

LAB 43.01, 63.72, -69.44

 

CMYK 32 / 63 / 0 / 22

HEX #894AC8

RGB 137 74 200

HSL 270, 0.53%, 0.54%

LAB 44.78, 50.45, -55.63

 

CMYK 24 / 49 / 0 / 29

HEX #895DB5

RGB 137 93 181

HSL 270, 0.37%, 0.54%

LAB 47.6, 35.48, -40.09

 

CMYK 15 / 31 / 0 / 36

HEX #8970A2

RGB 137 112 162

HSL 270, 0.21%, 0.54%

LAB 51.28, 19.89, -23.25

 

CMYK 4 / 8 / 0 / 44

HEX #89838F

RGB 137 131 143

HSL 270, 0.05%, 0.54%

LAB 55.62, 4.63, -5.64

 

CMYK 75 / 71 / 0 / 14

HEX #373FDB

RGB 55 63 219

HSL 237.07, 0.69%, 0.54%

LAB 36.9, 48.88, -79.75

 

CMYK 58 / 75 / 0 / 14

HEX #5B37DB

RGB 91 55 219

HSL 253.17, 0.69%, 0.54%

LAB 37.97, 56.97, -77.89

 

CMYK 39 / 75 / 0 / 14

HEX #8637DB

RGB 134 55 219

HSL 268.9, 0.69%, 0.54%

LAB 42.64, 63.22, -70.07

 

CMYK 19 / 75 / 0 / 14

HEX #B237DB

RGB 178 55 219

HSL 285, 0.69%, 0.54%

LAB 48.65, 71.02, -60.03

 

CMYK 0 / 75 / 1 / 14

HEX #DB37D9

RGB 219 55 217

HSL 300.73, 0.69%, 0.54%

LAB 54.87, 78.68, -48.58

 

CMYK 41 / 83 / 0 / 36

HEX #601CA3

RGB 96 28 163

HSL 270.22, 0.71%, 0.37%

LAB 29.32, 54.46, -59.1

 

CMYK 42 / 82 / 0 / 22

HEX #7423C7

RGB 116 35 199

HSL 269.63, 0.7%, 0.46%

LAB 36.06, 63.34, -69.35

 

CMYK 37 / 75 / 0 / 14

HEX #8937DB

RGB 137 55 219

HSL 270, 0.69%, 0.54%

LAB 43.01, 63.72, -69.44

 

CMYK 30 / 60 / 0 / 12

HEX #9D5AE1

RGB 157 90 225

HSL 269.78, 0.69%, 0.62%

LAB 51.74, 52.74, -58.6

 

CMYK 23 / 46 / 0 / 9

HEX #B27DE8

RGB 178 125 232

HSL 269.72, 0.7%, 0.7%

LAB 61.62, 40.94, -46.65

 

CMYK 38 / 75 / 0 / 14

HEX #8836DB

RGB 136 54 219

HSL 269.82, 0.7%, 0.54%

LAB 42.74, 63.96, -69.88

 

CMYK 0 / 75 / 51 / 14

HEX #DB376B

RGB 219 55 107

HSL 340.98, 0.69%, 0.54%

LAB 50.52, 65.54, 9.59

 

CMYK 75 / 0 / 68 / 14

HEX #37DB45

RGB 55 219 69

HSL 125.12, 0.69%, 0.54%

LAB 77.22, -69.21, 59.37

 

CMYK 38 / 75 / 0 / 14

HEX #8836DB

RGB 136 54 219

HSL 269.82, 0.7%, 0.54%

LAB 42.74, 63.96, -69.88

 

CMYK 0 / 39 / 75 / 14

HEX #DB8637

RGB 219 134 55

HSL 28.9, 0.69%, 0.54%

LAB 63.66, 26.36, 54.14

 

CMYK 75 / 0 / 39 / 14

HEX #37DB86

RGB 55 219 134

HSL 148.9, 0.69%, 0.54%

LAB 77.99, -60.18, 30.23

 

CMYK 38 / 75 / 0 / 14

HEX #8836DB

RGB 136 54 219

HSL 269.82, 0.7%, 0.54%

LAB 42.74, 63.96, -69.88

 

CMYK 0 / 75 / 51 / 14

HEX #DB376B

RGB 219 55 107

HSL 340.98, 0.69%, 0.54%

LAB 50.52, 65.54, 9.59

 

CMYK 36 / 0 / 75 / 14

HEX #8CDB37

RGB 140 219 55

HSL 88.9, 0.69%, 0.54%

LAB 79.91, -48.84, 67.94

 

CMYK 75 / 0 / 24 / 14

HEX #37DBA7

RGB 55 219 167

HSL 160.98, 0.69%, 0.54%

LAB 78.62, -53.3, 13.88

 

CMYK 38 / 75 / 0 / 14

HEX #8836DB

RGB 136 54 219

HSL 269.82, 0.7%, 0.54%

LAB 42.74, 63.96, -69.88

 

CMYK 0 / 75 / 74 / 14

HEX #DB373A

RGB 219 55 58

HSL 358.9, 0.69%, 0.54%

LAB 49.61, 62.62, 37.69

 

CMYK 36 / 0 / 75 / 14

HEX #8CDB37

RGB 140 219 55

HSL 88.9, 0.69%, 0.54%

LAB 79.91, -48.84, 67.94

 

CMYK 75 / 0 / 1 / 14

HEX #37DBD9

RGB 55 219 217

HSL 179.27, 0.69%, 0.54%

LAB 79.89, -40.4, -10.89

 

Description

Color code: RGB 136 54 219 | qconv.com Color code: RGB 136 54 219 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 54 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 54 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 75 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 75% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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