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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 220 132 it is the complementary color RGB 119 35 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 220 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 220 132 shade: RGB 141 220 127, RGB 158 238 146, RGB 175 255 165, RGB 192 255 184 and RGB 209 255 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 220 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 220 132 shade: RGB 136 220 132, RGB 119 202 113, RGB 102 184 94, RGB 85 166 75 and RGB 68 148 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 220 132 shade: RGB 135 220 131, RGB 159 220 131, RGB 183 220 131, RGB 207 220 131 and RGB 220 209 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 220 132 shade: RGB 135 220 131, RGB 131 220 151, RGB 131 220 175, RGB 131 220 199 and RGB 131 217 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 220 132 shade matches the following richer shades: RGB 135 220 131, RGB 124 233 118 and RGB 112 245 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 220 132 shade: RGB 135 220 131, RGB 147 207 144, RGB 158 194 157, RGB 170 181 170 and RGB 182 169 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 220 132 shade: RGB 183 220 131, RGB 159 220 131, RGB 136 220 131, RGB 131 220 150 and RGB 131 220 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 220 132 shade: RGB 73 202 67, RGB 104 211 99, RGB 135 220 131, RGB 166 229 163 and RGB 197 238 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 220 132 shade: RGB 136 220 132, RGB 131 206 220 and RGB 220 131 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 220 132 shade: RGB 136 220 132, RGB 131 136 220 and RGB 220 131 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 220 132 shade: RGB 136 220 132, RGB 131 206 220, RGB 215 131 220 and RGB 220 144 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 220 132 shade: RGB 136 220 132, RGB 131 180 220, RGB 215 131 220 and RGB 220 171 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 40 / 14

HEX #88DC84

RGB 136 220 132

HSL 117.27, 0.56%, 0.69%

LAB 80.79, -42.77, 35.39

 

Complementary color

CMYK 3 / 72 / 0 / 52

HEX #77237B

RGB 119 35 123

HSL 297.27, 0.56%, 0.31%

LAB 30.77, 47.73, -31.87

 

CMYK 36 / 0 / 42 / 14

HEX #8DDC7F

RGB 141 220 127

HSL 110.97, 0.57%, 0.68%

LAB 80.95, -41.92, 38.16

 

CMYK 34 / 0 / 39 / 7

HEX #9EEE92

RGB 158 238 146

HSL 112.17, 0.73%, 0.75%

LAB 87.24, -41.73, 36.97

 

CMYK 31 / 0 / 35 / 0

HEX #AFFFA5

RGB 175 255 165

HSL 113.33, 1%, 0.82%

LAB 93.17, -41.08, 35.47

 

CMYK 25 / 0 / 28 / 0

HEX #C0FFB8

RGB 192 255 184

HSL 113.24, 1%, 0.86%

LAB 94.39, -32.73, 27.74

 

CMYK 18 / 0 / 20 / 0

HEX #D1FFCB

RGB 209 255 203

HSL 113.08, 1%, 0.9%

LAB 95.74, -24.1, 20.11

 

CMYK 38 / 0 / 40 / 14

HEX #88DC84

RGB 136 220 132

HSL 117.27, 0.56%, 0.69%

LAB 80.79, -42.77, 35.39

 

CMYK 41 / 0 / 44 / 21

HEX #77CA71

RGB 119 202 113

HSL 115.96, 0.46%, 0.62%

LAB 74.42, -42.95, 36.62

 

CMYK 45 / 0 / 49 / 28

HEX #66B85E

RGB 102 184 94

HSL 114.67, 0.39%, 0.55%

LAB 67.96, -43.07, 37.89

 

CMYK 49 / 0 / 55 / 35

HEX #55A64B

RGB 85 166 75

HSL 113.41, 0.38%, 0.47%

LAB 61.4, -43.08, 39.17

 

CMYK 54 / 0 / 62 / 42

HEX #449438

RGB 68 148 56

HSL 112.17, 0.45%, 0.4%

LAB 54.76, -42.9, 40.37

 

CMYK 39 / 0 / 40 / 14

HEX #87DC83

RGB 135 220 131

HSL 117.3, 0.56%, 0.69%

LAB 80.73, -43.22, 35.8

 

CMYK 28 / 0 / 40 / 14

HEX #9FDC83

RGB 159 220 131

HSL 101.12, 0.56%, 0.69%

LAB 81.94, -35.42, 37.62

 

CMYK 17 / 0 / 40 / 14

HEX #B7DC83

RGB 183 220 131

HSL 84.94, 0.56%, 0.69%

LAB 83.39, -26.87, 39.76

 

CMYK 6 / 0 / 40 / 14

HEX #CFDC83

RGB 207 220 131

HSL 68.76, 0.56%, 0.69%

LAB 85.04, -17.81, 42.2

 

CMYK 0 / 5 / 40 / 14

HEX #DCD183

RGB 220 209 131

HSL 52.58, 0.56%, 0.69%

LAB 83.15, -7.2, 40.02

 

CMYK 39 / 0 / 40 / 14

HEX #87DC83

RGB 135 220 131

HSL 117.3, 0.56%, 0.69%

LAB 80.73, -43.22, 35.8

 

CMYK 40 / 0 / 31 / 14

HEX #83DC97

RGB 131 220 151

HSL 133.48, 0.56%, 0.69%

LAB 80.88, -41.2, 25.74

 

CMYK 40 / 0 / 20 / 14

HEX #83DCAF

RGB 131 220 175

HSL 149.66, 0.56%, 0.69%

LAB 81.35, -36.7, 13.84

 

CMYK 40 / 0 / 10 / 14

HEX #83DCC7

RGB 131 220 199

HSL 165.84, 0.56%, 0.69%

LAB 81.91, -31.58, 1.93

 

CMYK 40 / 1 / 0 / 14

HEX #83D9DC

RGB 131 217 220

HSL 182.02, 0.56%, 0.69%

LAB 81.63, -25.18, -9.65

 

CMYK 39 / 0 / 40 / 14

HEX #87DC83

RGB 135 220 131

HSL 117.3, 0.56%, 0.69%

LAB 80.73, -43.22, 35.8

 

CMYK 47 / 0 / 49 / 9

HEX #7CE976

RGB 124 233 118

HSL 116.87, 0.72%, 0.69%

LAB 83.9, -53.66, 46.09

 

CMYK 54 / 0 / 57 / 4

HEX #70F56A

RGB 112 245 106

HSL 117.41, 0.87%, 0.69%

LAB 86.89, -62.86, 55.1

 

CMYK 39 / 0 / 40 / 14

HEX #87DC83

RGB 135 220 131

HSL 117.3, 0.56%, 0.69%

LAB 80.73, -43.22, 35.8

 

CMYK 29 / 0 / 30 / 19

HEX #93CF90

RGB 147 207 144

HSL 117.14, 0.4%, 0.69%

LAB 77.78, -31.49, 25.33

 

CMYK 19 / 0 / 19 / 24

HEX #9EC29D

RGB 158 194 157

HSL 118.38, 0.23%, 0.69%

LAB 75.01, -19.21, 14.7

 

CMYK 6 / 0 / 6 / 29

HEX #AAB5AA

RGB 170 181 170

HSL 120, 0.07%, 0.69%

LAB 72.56, -5.91, 4.28

 

CMYK 0 / 7 / 0 / 29

HEX #B6A9B6

RGB 182 169 182

HSL 300, 0.08%, 0.69%

LAB 70.66, 7.06, -4.98

 

CMYK 17 / 0 / 40 / 14

HEX #B7DC83

RGB 183 220 131

HSL 84.94, 0.56%, 0.69%

LAB 83.39, -26.87, 39.76

 

CMYK 28 / 0 / 40 / 14

HEX #9FDC83

RGB 159 220 131

HSL 101.12, 0.56%, 0.69%

LAB 81.94, -35.42, 37.62

 

CMYK 38 / 0 / 40 / 14

HEX #88DC83

RGB 136 220 131

HSL 116.63, 0.56%, 0.69%

LAB 80.77, -42.92, 35.87

 

CMYK 40 / 0 / 32 / 14

HEX #83DC96

RGB 131 220 150

HSL 132.81, 0.56%, 0.69%

LAB 80.86, -41.37, 26.24

 

CMYK 40 / 0 / 21 / 14

HEX #83DCAE

RGB 131 220 174

HSL 148.99, 0.56%, 0.69%

LAB 81.33, -36.9, 14.33

 

CMYK 64 / 0 / 67 / 21

HEX #49CA43

RGB 73 202 67

HSL 117.33, 0.56%, 0.53%

LAB 72.27, -60.62, 54.98

 

CMYK 51 / 0 / 53 / 17

HEX #68D363

RGB 104 211 99

HSL 117.32, 0.56%, 0.61%

LAB 76.33, -52.88, 45.71

 

CMYK 39 / 0 / 40 / 14

HEX #87DC83

RGB 135 220 131

HSL 117.3, 0.56%, 0.69%

LAB 80.73, -43.22, 35.8

 

CMYK 28 / 0 / 29 / 10

HEX #A6E5A3

RGB 166 229 163

HSL 117.27, 0.56%, 0.77%

LAB 85.4, -32.48, 25.97

 

CMYK 17 / 0 / 18 / 7

HEX #C5EEC4

RGB 197 238 196

HSL 118.57, 0.55%, 0.85%

LAB 90.32, -21.04, 16.01

 

CMYK 38 / 0 / 40 / 14

HEX #88DC84

RGB 136 220 132

HSL 117.27, 0.56%, 0.69%

LAB 80.79, -42.77, 35.39

 

CMYK 40 / 6 / 0 / 14

HEX #83CEDC

RGB 131 206 220

HSL 189.44, 0.56%, 0.69%

LAB 78.54, -19.69, -14.27

 

CMYK 0 / 40 / 22 / 14

HEX #DC83AB

RGB 220 131 171

HSL 333.03, 0.56%, 0.69%

LAB 65.27, 39.35, -6.38

 

CMYK 38 / 0 / 40 / 14

HEX #88DC84

RGB 136 220 132

HSL 117.27, 0.56%, 0.69%

LAB 80.79, -42.77, 35.39

 

CMYK 40 / 38 / 0 / 14

HEX #8388DC

RGB 131 136 220

HSL 236.63, 0.56%, 0.69%

LAB 59.53, 18.93, -43.54

 

CMYK 0 / 40 / 38 / 14

HEX #DC8388

RGB 220 131 136

HSL 356.63, 0.56%, 0.69%

LAB 64.34, 34.76, 12.12

 

CMYK 38 / 0 / 40 / 14

HEX #88DC84

RGB 136 220 132

HSL 117.27, 0.56%, 0.69%

LAB 80.79, -42.77, 35.39

 

CMYK 40 / 6 / 0 / 14

HEX #83CEDC

RGB 131 206 220

HSL 189.44, 0.56%, 0.69%

LAB 78.54, -19.69, -14.27

 

CMYK 2 / 40 / 0 / 14

HEX #D783DC

RGB 215 131 220

HSL 296.63, 0.56%, 0.69%

LAB 66.4, 45.89, -32.2

 

CMYK 0 / 35 / 40 / 14

HEX #DC9083

RGB 220 144 131

HSL 8.76, 0.56%, 0.69%

LAB 67.13, 27.26, 18.8

 

CMYK 38 / 0 / 40 / 14

HEX #88DC84

RGB 136 220 132

HSL 117.27, 0.56%, 0.69%

LAB 80.79, -42.77, 35.39

 

CMYK 40 / 18 / 0 / 14

HEX #83B4DC

RGB 131 180 220

HSL 206.97, 0.56%, 0.69%

LAB 71.31, -6.05, -25.24

 

CMYK 2 / 40 / 0 / 14

HEX #D783DC

RGB 215 131 220

HSL 296.63, 0.56%, 0.69%

LAB 66.4, 45.89, -32.2

 

CMYK 0 / 22 / 40 / 14

HEX #DCAB83

RGB 220 171 131

HSL 26.97, 0.56%, 0.69%

LAB 73.53, 12.74, 27.47

 

Description

Color code: RGB 136 220 132 | qconv.com Color code: RGB 136 220 132 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 220 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 220 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 40 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 40% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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