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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 212 196 it is the complementary color RGB 119 43 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 212 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 212 196 shade: RGB 141 212 191, RGB 158 230 210, RGB 175 248 229, RGB 192 255 248 and RGB 209 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 212 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 212 196 shade: RGB 136 212 196, RGB 119 194 177, RGB 102 176 158, RGB 85 158 139 and RGB 68 140 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 212 196 shade: RGB 135 211 195, RGB 135 211 174, RGB 135 211 154, RGB 136 211 135 and RGB 157 211 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 212 196 shade: RGB 135 211 195, RGB 135 207 211, RGB 135 186 211, RGB 135 165 211 and RGB 135 145 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 212 196 shade matches the following richer shades: RGB 135 211 195, RGB 121 224 203, RGB 108 238 210 and RGB 95 251 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 212 196 shade: RGB 135 211 195, RGB 148 198 187, RGB 161 185 180, RGB 174 172 172 and RGB 187 158 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 212 196 shade: RGB 135 211 154, RGB 135 211 174, RGB 135 211 195, RGB 135 207 211 and RGB 135 187 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 212 196 shade: RGB 74 189 165, RGB 104 200 180, RGB 135 211 195, RGB 165 222 210 and RGB 195 233 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 212 196 shade: RGB 136 212 196, RGB 135 136 211 and RGB 211 164 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 212 196 shade: RGB 136 212 196, RGB 195 135 211 and RGB 211 195 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 212 196 shade: RGB 136 212 196, RGB 135 136 211, RGB 211 135 151 and RGB 211 210 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 212 196 shade: RGB 136 212 196, RGB 156 135 211, RGB 211 135 151 and RGB 190 211 135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 8 / 17

HEX #88D4C4

RGB 136 212 196

HSL 167.37, 0.47%, 0.68%

LAB 79.79, -27.09, 0.47

 

Complementary color

CMYK 0 / 64 / 50 / 53

HEX #772B3B

RGB 119 43 59

HSL 347.37, 0.47%, 0.32%

LAB 29.33, 34.71, 7.49

 

CMYK 33 / 0 / 10 / 17

HEX #8DD4BF

RGB 141 212 191

HSL 162.25, 0.45%, 0.69%

LAB 79.9, -26.79, 3.34

 

CMYK 31 / 0 / 9 / 10

HEX #9EE6D2

RGB 158 230 210

HSL 163.33, 0.59%, 0.76%

LAB 86.26, -26.6, 2.6

 

CMYK 29 / 0 / 8 / 3

HEX #AFF8E5

RGB 175 248 229

HSL 164.38, 0.84%, 0.83%

LAB 92.53, -26.42, 1.9

 

CMYK 25 / 0 / 3 / 0

HEX #C0FFF8

RGB 192 255 248

HSL 173.33, 1%, 0.88%

LAB 95.79, -20.97, -3.05

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 36 / 0 / 8 / 17

HEX #88D4C4

RGB 136 212 196

HSL 167.37, 0.47%, 0.68%

LAB 79.79, -27.09, 0.47

 

CMYK 39 / 0 / 9 / 24

HEX #77C2B1

RGB 119 194 177

HSL 166.4, 0.38%, 0.61%

LAB 73.34, -27.26, 1.21

 

CMYK 42 / 0 / 10 / 31

HEX #66B09E

RGB 102 176 158

HSL 165.41, 0.32%, 0.55%

LAB 66.78, -27.42, 2

 

CMYK 46 / 0 / 12 / 38

HEX #559E8B

RGB 85 158 139

HSL 164.38, 0.3%, 0.48%

LAB 60.11, -27.57, 2.86

 

CMYK 51 / 0 / 14 / 45

HEX #448C78

RGB 68 140 120

HSL 163.33, 0.35%, 0.41%

LAB 53.32, -27.69, 3.8

 

CMYK 36 / 0 / 8 / 17

HEX #87D3C3

RGB 135 211 195

HSL 167.37, 0.46%, 0.68%

LAB 79.43, -27.1, 0.47

 

CMYK 36 / 0 / 18 / 17

HEX #87D3AE

RGB 135 211 174

HSL 150.79, 0.46%, 0.68%

LAB 78.92, -31.59, 10.96

 

CMYK 36 / 0 / 27 / 17

HEX #87D39A

RGB 135 211 154

HSL 135, 0.46%, 0.68%

LAB 78.5, -35.42, 20.97

 

CMYK 36 / 0 / 36 / 17

HEX #88D387

RGB 136 211 135

HSL 119.21, 0.46%, 0.68%

LAB 78.21, -38.32, 30.48

 

CMYK 26 / 0 / 36 / 17

HEX #9DD387

RGB 157 211 135

HSL 102.63, 0.46%, 0.68%

LAB 79.33, -31.37, 32.17

 

CMYK 36 / 0 / 8 / 17

HEX #87D3C3

RGB 135 211 195

HSL 167.37, 0.46%, 0.68%

LAB 79.43, -27.1, 0.47

 

CMYK 36 / 2 / 0 / 17

HEX #87CFD3

RGB 135 207 211

HSL 183.16, 0.46%, 0.68%

LAB 78.74, -21.39, -9.12

 

CMYK 36 / 12 / 0 / 17

HEX #87BAD3

RGB 135 186 211

HSL 199.74, 0.46%, 0.68%

LAB 72.87, -10.55, -17.92

 

CMYK 36 / 22 / 0 / 17

HEX #87A5D3

RGB 135 165 211

HSL 216.32, 0.46%, 0.68%

LAB 67.1, 0.89, -26.73

 

CMYK 36 / 31 / 0 / 17

HEX #8791D3

RGB 135 145 211

HSL 232.11, 0.46%, 0.68%

LAB 61.74, 12.28, -35.01

 

CMYK 36 / 0 / 8 / 17

HEX #87D3C3

RGB 135 211 195

HSL 167.37, 0.46%, 0.68%

LAB 79.43, -27.1, 0.47

 

CMYK 46 / 0 / 9 / 12

HEX #79E0CB

RGB 121 224 203

HSL 167.77, 0.62%, 0.68%

LAB 82.75, -35.01, 0.98

 

CMYK 55 / 0 / 12 / 7

HEX #6CEED2

RGB 108 238 210

HSL 167.08, 0.79%, 0.68%

LAB 86.5, -42.55, 2.69

 

CMYK 62 / 0 / 13 / 2

HEX #5FFBDA

RGB 95 251 218

HSL 167.31, 0.95%, 0.68%

LAB 90.09, -48.67, 3.68

 

CMYK 36 / 0 / 8 / 17

HEX #87D3C3

RGB 135 211 195

HSL 167.37, 0.46%, 0.68%

LAB 79.43, -27.1, 0.47

 

CMYK 25 / 0 / 6 / 22

HEX #94C6BB

RGB 148 198 187

HSL 166.8, 0.3%, 0.68%

LAB 76.24, -18.62, 0.2

 

CMYK 13 / 0 / 3 / 27

HEX #A1B9B4

RGB 161 185 180

HSL 167.5, 0.15%, 0.68%

LAB 73.27, -9.18, -0.24

 

CMYK 0 / 1 / 1 / 32

HEX #AEACAC

RGB 174 172 172

HSL 0, 0.01%, 0.68%

LAB 70.51, 0.71, 0.24

 

CMYK 0 / 16 / 12 / 27

HEX #BB9EA5

RGB 187 158 165

HSL 345.52, 0.18%, 0.68%

LAB 67.82, 11.85, 0.34

 

CMYK 36 / 0 / 27 / 17

HEX #87D39A

RGB 135 211 154

HSL 135, 0.46%, 0.68%

LAB 78.5, -35.42, 20.97

 

CMYK 36 / 0 / 18 / 17

HEX #87D3AE

RGB 135 211 174

HSL 150.79, 0.46%, 0.68%

LAB 78.92, -31.59, 10.96

 

CMYK 36 / 0 / 8 / 17

HEX #87D3C3

RGB 135 211 195

HSL 167.37, 0.46%, 0.68%

LAB 79.43, -27.1, 0.47

 

CMYK 36 / 2 / 0 / 17

HEX #87CFD3

RGB 135 207 211

HSL 183.16, 0.46%, 0.68%

LAB 78.74, -21.39, -9.12

 

CMYK 36 / 11 / 0 / 17

HEX #87BBD3

RGB 135 187 211

HSL 198.95, 0.46%, 0.68%

LAB 73.15, -11.08, -17.5

 

CMYK 61 / 0 / 13 / 26

HEX #4ABDA5

RGB 74 189 165

HSL 167.48, 0.47%, 0.52%

LAB 69.87, -38.19, 2.51

 

CMYK 48 / 0 / 10 / 22

HEX #68C8B4

RGB 104 200 180

HSL 167.5, 0.47%, 0.6%

LAB 74.54, -33.23, 1.25

 

CMYK 36 / 0 / 8 / 17

HEX #87D3C3

RGB 135 211 195

HSL 167.37, 0.46%, 0.68%

LAB 79.43, -27.1, 0.47

 

CMYK 26 / 0 / 5 / 13

HEX #A5DED2

RGB 165 222 210

HSL 167.37, 0.46%, 0.76%

LAB 84.43, -20.64, -0.03

 

CMYK 16 / 0 / 3 / 9

HEX #C3E9E1

RGB 195 233 225

HSL 167.37, 0.46%, 0.84%

LAB 89.54, -13.87, -0.24

 

CMYK 36 / 0 / 8 / 17

HEX #88D4C4

RGB 136 212 196

HSL 167.37, 0.47%, 0.68%

LAB 79.79, -27.09, 0.47

 

CMYK 36 / 36 / 0 / 17

HEX #8788D3

RGB 135 136 211

HSL 239.21, 0.46%, 0.68%

LAB 59.4, 17.51, -38.68

 

CMYK 0 / 22 / 36 / 17

HEX #D3A487

RGB 211 164 135

HSL 22.89, 0.46%, 0.68%

LAB 70.97, 13.4, 21.7

 

CMYK 36 / 0 / 8 / 17

HEX #88D4C4

RGB 136 212 196

HSL 167.37, 0.47%, 0.68%

LAB 79.79, -27.09, 0.47

 

CMYK 8 / 36 / 0 / 17

HEX #C387D3

RGB 195 135 211

HSL 287.37, 0.46%, 0.68%

LAB 64.67, 35.9, -30.05

 

CMYK 0 / 8 / 36 / 17

HEX #D3C387

RGB 211 195 135

HSL 47.37, 0.46%, 0.68%

LAB 78.83, -3.09, 32.22

 

CMYK 36 / 0 / 8 / 17

HEX #88D4C4

RGB 136 212 196

HSL 167.37, 0.47%, 0.68%

LAB 79.79, -27.09, 0.47

 

CMYK 36 / 36 / 0 / 17

HEX #8788D3

RGB 135 136 211

HSL 239.21, 0.46%, 0.68%

LAB 59.4, 17.51, -38.68

 

CMYK 0 / 36 / 28 / 17

HEX #D38797

RGB 211 135 151

HSL 347.37, 0.46%, 0.68%

LAB 64.49, 31.19, 3.68

 

CMYK 0 / 0 / 36 / 17

HEX #D3D287

RGB 211 210 135

HSL 59.21, 0.46%, 0.68%

LAB 82.75, -10.8, 37.33

 

CMYK 36 / 0 / 8 / 17

HEX #88D4C4

RGB 136 212 196

HSL 167.37, 0.47%, 0.68%

LAB 79.79, -27.09, 0.47

 

CMYK 26 / 36 / 0 / 17

HEX #9C87D3

RGB 156 135 211

HSL 256.58, 0.46%, 0.68%

LAB 60.87, 24.06, -36.25

 

CMYK 0 / 36 / 28 / 17

HEX #D38797

RGB 211 135 151

HSL 347.37, 0.46%, 0.68%

LAB 64.49, 31.19, 3.68

 

CMYK 10 / 0 / 36 / 17

HEX #BED387

RGB 190 211 135

HSL 76.58, 0.46%, 0.68%

LAB 81.45, -19.38, 35.34

 

Description

Color code: RGB 136 212 196 | qconv.com Color code: RGB 136 212 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 212 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 212 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 8 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 8% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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