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Color name
RGB 136 215 191

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 215 191 it is the complementary color RGB 119 40 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 215 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 215 191 shade: RGB 141 215 186, RGB 158 233 205, RGB 175 251 224, RGB 192 255 243 and RGB 209 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 215 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 215 191 shade: RGB 136 215 191, RGB 119 197 172, RGB 102 179 153, RGB 85 161 134 and RGB 68 143 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 215 191 shade: RGB 136 215 191, RGB 136 215 170, RGB 136 215 148, RGB 145 215 136 and RGB 166 215 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 215 191 shade: RGB 136 215 191, RGB 136 215 212, RGB 136 196 215, RGB 136 175 215 and RGB 136 154 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 215 191 shade matches the following richer shades: RGB 136 215 191, RGB 123 228 196, RGB 110 241 201 and RGB 98 253 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 215 191 shade: RGB 136 215 191, RGB 149 202 186, RGB 162 189 181, RGB 174 177 176 and RGB 187 164 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 215 191 shade: RGB 136 215 148, RGB 136 215 169, RGB 136 215 190, RGB 136 215 211 and RGB 136 198 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 215 191 shade: RGB 74 194 158, RGB 105 205 174, RGB 136 215 191, RGB 167 225 208 and RGB 198 236 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 215 191 shade: RGB 136 215 191, RGB 136 145 215 and RGB 215 158 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 215 191 shade: RGB 136 215 191, RGB 190 136 215 and RGB 215 190 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 215 191 shade: RGB 136 215 191, RGB 136 145 215, RGB 215 136 161 and RGB 215 206 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 215 191 shade: RGB 136 215 191, RGB 150 136 215, RGB 215 136 161 and RGB 200 215 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 11 / 16

HEX #88D7BF

RGB 136 215 191

HSL 161.77, 0.5%, 0.69%

LAB 80.51, -29.64, 4.19

 

Complementary color

CMYK 0 / 66 / 46 / 53

HEX #772840

RGB 119 40 64

HSL 341.77, 0.5%, 0.31%

LAB 28.93, 36.68, 3.61

 

CMYK 34 / 0 / 13 / 16

HEX #8DD7BA

RGB 141 215 186

HSL 156.49, 0.48%, 0.7%

LAB 80.63, -29.3, 7.05

 

CMYK 32 / 0 / 12 / 9

HEX #9EE9CD

RGB 158 233 205

HSL 157.6, 0.63%, 0.77%

LAB 86.97, -29.08, 6.25

 

CMYK 30 / 0 / 11 / 2

HEX #AFFBE0

RGB 175 251 224

HSL 158.68, 0.9%, 0.84%

LAB 93.23, -28.88, 5.5

 

CMYK 25 / 0 / 5 / 0

HEX #C0FFF3

RGB 192 255 243

HSL 168.57, 1%, 0.88%

LAB 95.66, -22, -0.66

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 37 / 0 / 11 / 16

HEX #88D7BF

RGB 136 215 191

HSL 161.77, 0.5%, 0.69%

LAB 80.51, -29.64, 4.19

 

CMYK 40 / 0 / 13 / 23

HEX #77C5AC

RGB 119 197 172

HSL 160.77, 0.4%, 0.62%

LAB 74.08, -29.84, 5

 

CMYK 43 / 0 / 15 / 30

HEX #66B399

RGB 102 179 153

HSL 159.74, 0.34%, 0.55%

LAB 67.55, -30.03, 5.87

 

CMYK 47 / 0 / 17 / 37

HEX #55A186

RGB 85 161 134

HSL 158.68, 0.31%, 0.48%

LAB 60.91, -30.21, 6.82

 

CMYK 52 / 0 / 20 / 44

HEX #448F73

RGB 68 143 115

HSL 157.6, 0.36%, 0.41%

LAB 54.15, -30.35, 7.86

 

CMYK 37 / 0 / 11 / 16

HEX #88D7BF

RGB 136 215 191

HSL 161.77, 0.5%, 0.69%

LAB 80.51, -29.64, 4.19

 

CMYK 37 / 0 / 21 / 16

HEX #88D7AA

RGB 136 215 170

HSL 145.82, 0.5%, 0.69%

LAB 80.03, -33.97, 14.65

 

CMYK 37 / 0 / 31 / 16

HEX #88D794

RGB 136 215 148

HSL 129.11, 0.5%, 0.69%

LAB 79.6, -38, 25.61

 

CMYK 33 / 0 / 37 / 16

HEX #91D788

RGB 145 215 136

HSL 113.16, 0.5%, 0.69%

LAB 79.84, -37.1, 32.2

 

CMYK 23 / 0 / 37 / 16

HEX #A6D788

RGB 166 215 136

HSL 97.22, 0.5%, 0.69%

LAB 81.01, -29.97, 33.95

 

CMYK 37 / 0 / 11 / 16

HEX #88D7BF

RGB 136 215 191

HSL 161.77, 0.5%, 0.69%

LAB 80.51, -29.64, 4.19

 

CMYK 37 / 0 / 1 / 16

HEX #88D7D4

RGB 136 215 212

HSL 177.72, 0.5%, 0.69%

LAB 81.06, -24.86, -6.2

 

CMYK 37 / 9 / 0 / 16

HEX #88C4D7

RGB 136 196 215

HSL 194.43, 0.5%, 0.69%

LAB 75.84, -14.53, -15.62

 

CMYK 37 / 19 / 0 / 16

HEX #88AFD7

RGB 136 175 215

HSL 210.38, 0.5%, 0.69%

LAB 70.04, -3.31, -24.42

 

CMYK 37 / 28 / 0 / 16

HEX #889AD7

RGB 136 154 215

HSL 226.33, 0.5%, 0.69%

LAB 64.36, 8.45, -33.16

 

CMYK 37 / 0 / 11 / 16

HEX #88D7BF

RGB 136 215 191

HSL 161.77, 0.5%, 0.69%

LAB 80.51, -29.64, 4.19

 

CMYK 46 / 0 / 14 / 11

HEX #7BE4C4

RGB 123 228 196

HSL 161.71, 0.66%, 0.69%

LAB 83.8, -37.97, 6.21

 

CMYK 54 / 0 / 17 / 5

HEX #6EF1C9

RGB 110 241 201

HSL 161.68, 0.82%, 0.69%

LAB 87.21, -45.53, 8.43

 

CMYK 61 / 0 / 19 / 1

HEX #62FDCE

RGB 98 253 206

HSL 161.81, 0.97%, 0.69%

LAB 90.46, -51.78, 10.44

 

CMYK 37 / 0 / 11 / 16

HEX #88D7BF

RGB 136 215 191

HSL 161.77, 0.5%, 0.69%

LAB 80.51, -29.64, 4.19

 

CMYK 26 / 0 / 8 / 21

HEX #95CABA

RGB 149 202 186

HSL 161.89, 0.33%, 0.69%

LAB 77.39, -20.55, 2.42

 

CMYK 14 / 0 / 4 / 26

HEX #A2BDB5

RGB 162 189 181

HSL 162.22, 0.17%, 0.69%

LAB 74.45, -10.75, 0.95

 

CMYK 2 / 0 / 1 / 31

HEX #AEB1B0

RGB 174 177 176

HSL 160, 0.02%, 0.69%

LAB 71.95, -1.24, 0.13

 

CMYK 0 / 12 / 9 / 27

HEX #BBA4AB

RGB 187 164 171

HSL 341.74, 0.14%, 0.69%

LAB 69.51, 9.58, -0.54

 

CMYK 37 / 0 / 31 / 16

HEX #88D794

RGB 136 215 148

HSL 129.11, 0.5%, 0.69%

LAB 79.6, -38, 25.61

 

CMYK 37 / 0 / 21 / 16

HEX #88D7A9

RGB 136 215 169

HSL 145.06, 0.5%, 0.69%

LAB 80.01, -34.17, 15.15

 

CMYK 37 / 0 / 12 / 16

HEX #88D7BE

RGB 136 215 190

HSL 161.01, 0.5%, 0.69%

LAB 80.49, -29.85, 4.69

 

CMYK 37 / 0 / 2 / 16

HEX #88D7D3

RGB 136 215 211

HSL 176.96, 0.5%, 0.69%

LAB 81.04, -25.1, -5.71

 

CMYK 37 / 8 / 0 / 16

HEX #88C6D7

RGB 136 198 215

HSL 192.91, 0.5%, 0.69%

LAB 76.39, -15.56, -14.78

 

CMYK 62 / 0 / 19 / 24

HEX #4AC29E

RGB 74 194 158

HSL 162, 0.5%, 0.53%

LAB 71.22, -42.12, 8.27

 

CMYK 49 / 0 / 15 / 20

HEX #69CDAE

RGB 105 205 174

HSL 161.4, 0.5%, 0.61%

LAB 75.9, -36.72, 6.46

 

CMYK 37 / 0 / 11 / 16

HEX #88D7BF

RGB 136 215 191

HSL 161.77, 0.5%, 0.69%

LAB 80.51, -29.64, 4.19

 

CMYK 26 / 0 / 8 / 12

HEX #A7E1D0

RGB 167 225 208

HSL 162.41, 0.49%, 0.77%

LAB 85.31, -21.94, 2.33

 

CMYK 16 / 0 / 5 / 7

HEX #C6ECE0

RGB 198 236 224

HSL 161.05, 0.5%, 0.85%

LAB 90.5, -14.62, 1.7

 

CMYK 37 / 0 / 11 / 16

HEX #88D7BF

RGB 136 215 191

HSL 161.77, 0.5%, 0.69%

LAB 80.51, -29.64, 4.19

 

CMYK 37 / 33 / 0 / 16

HEX #8891D7

RGB 136 145 215

HSL 233.16, 0.5%, 0.69%

LAB 61.99, 13.63, -36.86

 

CMYK 0 / 27 / 37 / 16

HEX #D79E88

RGB 215 158 136

HSL 16.71, 0.5%, 0.69%

LAB 69.95, 18.34, 19.82

 

CMYK 37 / 0 / 11 / 16

HEX #88D7BF

RGB 136 215 191

HSL 161.77, 0.5%, 0.69%

LAB 80.51, -29.64, 4.19

 

CMYK 12 / 37 / 0 / 16

HEX #BE88D7

RGB 190 136 215

HSL 281.01, 0.5%, 0.69%

LAB 64.53, 34.63, -32.54

 

CMYK 0 / 12 / 37 / 16

HEX #D7BE88

RGB 215 190 136

HSL 41.01, 0.5%, 0.69%

LAB 77.91, 1.22, 30.55

 

CMYK 37 / 0 / 11 / 16

HEX #88D7BF

RGB 136 215 191

HSL 161.77, 0.5%, 0.69%

LAB 80.51, -29.64, 4.19

 

CMYK 37 / 33 / 0 / 16

HEX #8891D7

RGB 136 145 215

HSL 233.16, 0.5%, 0.69%

LAB 61.99, 13.63, -36.86

 

CMYK 0 / 37 / 25 / 16

HEX #D788A1

RGB 215 136 161

HSL 341.01, 0.5%, 0.69%

LAB 65.46, 33.5, -0.52

 

CMYK 0 / 4 / 37 / 16

HEX #D7CE88

RGB 215 206 136

HSL 53.16, 0.5%, 0.69%

LAB 82.04, -7.08, 35.96

 

CMYK 37 / 0 / 11 / 16

HEX #88D7BF

RGB 136 215 191

HSL 161.77, 0.5%, 0.69%

LAB 80.51, -29.64, 4.19

 

CMYK 30 / 37 / 0 / 16

HEX #9688D7

RGB 150 136 215

HSL 250.63, 0.5%, 0.69%

LAB 60.78, 22.76, -38.67

 

CMYK 0 / 37 / 25 / 16

HEX #D788A1

RGB 215 136 161

HSL 341.01, 0.5%, 0.69%

LAB 65.46, 33.5, -0.52

 

CMYK 7 / 0 / 37 / 16

HEX #C8D788

RGB 200 215 136

HSL 71.39, 0.5%, 0.69%

LAB 83.26, -17.44, 37.32

 

Description

Color code: RGB 136 215 191 | qconv.com Color code: RGB 136 215 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 215 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 215 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 11 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 11% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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