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Color name
RGB 136 109 217

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 109 217 it is the complementary color RGB 119 146 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 109 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 109 217 shade: RGB 141 109 212, RGB 158 127 231, RGB 175 145 250, RGB 192 163 255 and RGB 209 181 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 109 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 109 217 shade: RGB 136 109 217, RGB 119 91 198, RGB 102 73 179, RGB 85 55 160 and RGB 68 37 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 109 217 shade: RGB 136 109 217, RGB 165 109 217, RGB 194 109 217, RGB 217 109 210 and RGB 217 109 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 109 217 shade: RGB 136 109 217 and RGB 109 109 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 109 217 shade matches the following richer shades: RGB 136 109 217, RGB 128 94 232 and RGB 121 79 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 109 217 shade: RGB 136 109 217, RGB 143 123 202, RGB 150 138 187, RGB 158 153 172 and RGB 165 168 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 109 217 shade: RGB 109 139 217, RGB 109 110 217, RGB 136 109 217, RGB 165 109 217 and RGB 193 109 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 109 217 shade: RGB 85 49 193, RGB 109 76 208, RGB 136 109 217, RGB 162 141 225 and RGB 189 174 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 109 217 shade: RGB 136 109 217, RGB 217 109 168 and RGB 125 217 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 109 217 shade: RGB 136 109 217, RGB 217 136 109 and RGB 109 217 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 109 217 shade: RGB 136 109 217, RGB 217 109 168, RGB 190 217 109 and RGB 109 217 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 109 217 shade: RGB 136 109 217, RGB 217 109 136, RGB 190 217 109 and RGB 109 217 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

Complementary color

CMYK 18 / 0 / 74 / 43

HEX #779226

RGB 119 146 38

HSL 75, 0.59%, 0.36%

LAB 56.7, -24.99, 50.86

 

CMYK 33 / 49 / 0 / 17

HEX #8D6DD4

RGB 141 109 212

HSL 258.64, 0.54%, 0.63%

LAB 53.33, 35.17, -48.79

 

CMYK 32 / 45 / 0 / 9

HEX #9E7FE7

RGB 158 127 231

HSL 257.88, 0.68%, 0.7%

LAB 60.08, 34.19, -48.64

 

CMYK 30 / 42 / 0 / 2

HEX #AF91FA

RGB 175 145 250

HSL 257.14, 0.91%, 0.77%

LAB 66.72, 33.3, -48.53

 

CMYK 25 / 36 / 0 / 0

HEX #C0A3FF

RGB 192 163 255

HSL 258.91, 1%, 0.82%

LAB 72.64, 29.17, -41.86

 

CMYK 18 / 29 / 0 / 0

HEX #D1B5FF

RGB 209 181 255

HSL 262.7, 1%, 0.85%

LAB 78.36, 24.26, -32.87

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 40 / 54 / 0 / 22

HEX #775BC6

RGB 119 91 198

HSL 255.7, 0.48%, 0.57%

LAB 46.29, 36.37, -52.16

 

CMYK 43 / 59 / 0 / 30

HEX #6649B3

RGB 102 73 179

HSL 256.42, 0.42%, 0.49%

LAB 39.32, 37.63, -52.37

 

CMYK 47 / 66 / 0 / 37

HEX #5537A0

RGB 85 55 160

HSL 257.14, 0.49%, 0.42%

LAB 32.26, 38.97, -52.53

 

CMYK 52 / 74 / 0 / 45

HEX #44258D

RGB 68 37 141

HSL 257.88, 0.58%, 0.35%

LAB 25.18, 40.26, -52.51

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 24 / 50 / 0 / 15

HEX #A56DD9

RGB 165 109 217

HSL 271.11, 0.59%, 0.64%

LAB 56.03, 42.73, -47.18

 

CMYK 11 / 50 / 0 / 15

HEX #C26DD9

RGB 194 109 217

HSL 287.22, 0.59%, 0.64%

LAB 59.36, 50.63, -41.71

 

CMYK 0 / 50 / 3 / 15

HEX #D96DD2

RGB 217 109 210

HSL 303.89, 0.59%, 0.64%

LAB 61.95, 55.77, -33.51

 

CMYK 0 / 50 / 17 / 15

HEX #D96DB5

RGB 217 109 181

HSL 320, 0.59%, 0.64%

LAB 60.8, 51.07, -18.82

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 50 / 50 / 0 / 15

HEX #6D6DD9

RGB 109 109 217

HSL 240, 0.59%, 0.64%

LAB 50.92, 28.9, -55.64

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 45 / 59 / 0 / 9

HEX #805EE8

RGB 128 94 232

HSL 254.78, 0.75%, 0.64%

LAB 50, 46.09, -65.5

 

CMYK 51 / 68 / 0 / 3

HEX #794FF7

RGB 121 79 247

HSL 255, 0.91%, 0.64%

LAB 47.46, 57.05, -78.08

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 29 / 39 / 0 / 21

HEX #8F7BCA

RGB 143 123 202

HSL 255.19, 0.43%, 0.64%

LAB 56.36, 25, -38.33

 

CMYK 20 / 26 / 0 / 27

HEX #968ABB

RGB 150 138 187

HSL 254.69, 0.26%, 0.64%

LAB 60.11, 14.75, -23.94

 

CMYK 8 / 11 / 0 / 33

HEX #9E99AC

RGB 158 153 172

HSL 255.79, 0.1%, 0.64%

LAB 64.19, 5.58, -9.24

 

CMYK 2 / 0 / 7 / 34

HEX #A5A89D

RGB 165 168 157

HSL 76.36, 0.06%, 0.64%

LAB 68.34, -3.11, 5.3

 

CMYK 50 / 36 / 0 / 15

HEX #6D8BD9

RGB 109 139 217

HSL 223.33, 0.59%, 0.64%

LAB 58.72, 10.88, -43.23

 

CMYK 50 / 49 / 0 / 15

HEX #6D6ED9

RGB 109 110 217

HSL 239.44, 0.59%, 0.64%

LAB 51.17, 28.29, -55.24

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 24 / 50 / 0 / 15

HEX #A56DD9

RGB 165 109 217

HSL 271.11, 0.59%, 0.64%

LAB 56.03, 42.73, -47.18

 

CMYK 11 / 50 / 0 / 15

HEX #C16DD9

RGB 193 109 217

HSL 286.67, 0.59%, 0.64%

LAB 59.24, 50.35, -41.91

 

CMYK 56 / 75 / 0 / 24

HEX #5531C1

RGB 85 49 193

HSL 255, 0.6%, 0.47%

LAB 33.94, 51.74, -69.46

 

CMYK 48 / 63 / 0 / 18

HEX #6D4CD0

RGB 109 76 208

HSL 255, 0.58%, 0.56%

LAB 42.72, 45.64, -63.72

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 28 / 37 / 0 / 12

HEX #A28DE1

RGB 162 141 225

HSL 255, 0.58%, 0.72%

LAB 63.48, 25.8, -39.94

 

CMYK 19 / 26 / 0 / 8

HEX #BDAEEA

RGB 189 174 234

HSL 255, 0.59%, 0.8%

LAB 74.21, 17.39, -28.07

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 0 / 50 / 23 / 15

HEX #D96DA8

RGB 217 109 168

HSL 327.22, 0.59%, 0.64%

LAB 60.35, 49.15, -12.05

 

CMYK 42 / 0 / 50 / 15

HEX #7DD96D

RGB 125 217 109

HSL 111.11, 0.59%, 0.64%

LAB 79.09, -48.02, 44.49

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 0 / 37 / 50 / 15

HEX #D9886D

RGB 217 136 109

HSL 15, 0.59%, 0.64%

LAB 64.53, 28.12, 27.47

 

CMYK 50 / 0 / 37 / 15

HEX #6DD988

RGB 109 217 136

HSL 135, 0.59%, 0.64%

LAB 78.84, -48.51, 30.59

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 0 / 50 / 23 / 15

HEX #D96DA8

RGB 217 109 168

HSL 327.22, 0.59%, 0.64%

LAB 60.35, 49.15, -12.05

 

CMYK 12 / 0 / 50 / 15

HEX #BED96D

RGB 190 217 109

HSL 75, 0.59%, 0.64%

LAB 82.74, -25.21, 49.77

 

CMYK 50 / 0 / 28 / 15

HEX #6DD99D

RGB 109 217 157

HSL 146.67, 0.59%, 0.64%

LAB 79.22, -44.68, 20.2

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 0 / 50 / 37 / 15

HEX #D96D88

RGB 217 109 136

HSL 345, 0.59%, 0.64%

LAB 59.4, 45.02, 5.04

 

CMYK 12 / 0 / 50 / 15

HEX #BED96D

RGB 190 217 109

HSL 75, 0.59%, 0.64%

LAB 82.74, -25.21, 49.77

 

CMYK 50 / 0 / 12 / 15

HEX #6DD9BE

RGB 109 217 190

HSL 165, 0.59%, 0.64%

LAB 79.95, -37.6, 3.77

 

Description

Color code: RGB 136 109 217 | qconv.com Color code: RGB 136 109 217 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 109 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 109 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 50 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 50% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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