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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 90 42 it is the complementary color RGB 120 165 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 90 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 90 42 shade: RGB 140 90 37, RGB 157 108 56, RGB 174 126 75, RGB 191 144 94 and RGB 208 162 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 90 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 90 42 shade: RGB 135 90 42, RGB 118 72 23, RGB 101 54 4, RGB 84 36 0 and RGB 67 18 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 90 42 shade: RGB 136 90 41, RGB 136 65 41 and RGB 136 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 90 42 shade: RGB 136 90 41, RGB 136 116 41, RGB 131 136 41, RGB 105 136 41 and RGB 80 136 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 90 42 shade matches the following richer shades: RGB 136 90 41, RGB 150 91 27 and RGB 165 91 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 90 42 shade: RGB 136 90 41, RGB 122 90 56, RGB 107 89 70, RGB 93 89 85 and RGB 78 88 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 90 42 shade: RGB 136 41 45, RGB 136 64 41, RGB 136 89 41, RGB 136 114 41 and RGB 133 136 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 90 42 shade: RGB 73 48 22, RGB 104 69 32, RGB 136 90 41, RGB 168 111 51 and RGB 196 132 64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 90 42 shade: RGB 135 90 42, RGB 70 136 41 and RGB 51 41 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 90 42 shade: RGB 135 90 42, RGB 41 136 89 and RGB 89 41 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 90 42 shade: RGB 135 90 42, RGB 70 136 41, RGB 41 89 136 and RGB 108 41 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 90 42 shade: RGB 135 90 42, RGB 41 136 41, RGB 41 89 136 and RGB 136 41 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 69 / 47

HEX #875A2A

RGB 135 90 42

HSL 30.97, 0.53%, 0.35%

LAB 42.2, 13.6, 34.49

 

Complementary color

CMYK 44 / 23 / 0 / 16

HEX #78A5D5

RGB 120 165 213

HSL 210.97, 0.53%, 0.65%

LAB 66.3, -2.55, -29.14

 

CMYK 0 / 36 / 74 / 45

HEX #8C5A25

RGB 140 90 37

HSL 30.87, 0.58%, 0.35%

LAB 42.8, 15.6, 37.88

 

CMYK 0 / 31 / 64 / 38

HEX #9D6C38

RGB 157 108 56

HSL 30.89, 0.47%, 0.42%

LAB 49.71, 14.06, 36.36

 

CMYK 0 / 28 / 57 / 32

HEX #AE7E4B

RGB 174 126 75

HSL 30.91, 0.4%, 0.49%

LAB 56.51, 12.79, 34.81

 

CMYK 0 / 25 / 51 / 25

HEX #BF905E

RGB 191 144 94

HSL 30.93, 0.43%, 0.56%

LAB 63.2, 11.72, 33.33

 

CMYK 0 / 22 / 46 / 18

HEX #D0A271

RGB 208 162 113

HSL 30.95, 0.5%, 0.63%

LAB 69.78, 10.82, 31.95

 

CMYK 0 / 33 / 69 / 47

HEX #875A2A

RGB 135 90 42

HSL 30.97, 0.53%, 0.35%

LAB 42.2, 13.6, 34.49

 

CMYK 0 / 39 / 81 / 54

HEX #764817

RGB 118 72 23

HSL 30.95, 0.67%, 0.28%

LAB 35.1, 15.34, 35.9

 

CMYK 0 / 47 / 96 / 60

HEX #653604

RGB 101 54 4

HSL 30.93, 0.92%, 0.21%

LAB 27.88, 17.48, 36.54

 

CMYK 0 / 57 / 100 / 67

HEX #542400

RGB 84 36 0

HSL 25.71, 1%, 0.16%

LAB 20.62, 20.13, 30.1

 

CMYK 0 / 73 / 100 / 74

HEX #431200

RGB 67 18 0

HSL 16.12, 1%, 0.13%

LAB 13.39, 22.64, 20.5

 

CMYK 0 / 34 / 70 / 47

HEX #885A29

RGB 136 90 41

HSL 30.95, 0.54%, 0.35%

LAB 42.32, 14, 35.18

 

CMYK 0 / 52 / 70 / 47

HEX #884129

RGB 136 65 41

HSL 15.16, 0.54%, 0.35%

LAB 36.32, 28.38, 28.4

 

CMYK 0 / 70 / 70 / 47

HEX #882929

RGB 136 41 41

HSL 0, 0.54%, 0.35%

LAB 31.76, 40.32, 22.99

 

CMYK 0 / 34 / 70 / 47

HEX #885A29

RGB 136 90 41

HSL 30.95, 0.54%, 0.35%

LAB 42.32, 14, 35.18

 

CMYK 0 / 15 / 70 / 47

HEX #887429

RGB 136 116 41

HSL 47.37, 0.54%, 0.35%

LAB 49.36, -1.11, 42.7

 

CMYK 4 / 0 / 70 / 47

HEX #838829

RGB 131 136 41

HSL 63.16, 0.54%, 0.35%

LAB 54.65, -14.43, 47.97

 

CMYK 23 / 0 / 70 / 47

HEX #698829

RGB 105 136 41

HSL 79.58, 0.54%, 0.35%

LAB 52.7, -25.73, 45.35

 

CMYK 41 / 0 / 70 / 47

HEX #508829

RGB 80 136 41

HSL 95.37, 0.54%, 0.35%

LAB 51.24, -35.46, 43.38

 

CMYK 0 / 34 / 70 / 47

HEX #885A29

RGB 136 90 41

HSL 30.95, 0.54%, 0.35%

LAB 42.32, 14, 35.18

 

CMYK 0 / 39 / 82 / 41

HEX #965B1B

RGB 150 91 27

HSL 31.22, 0.69%, 0.35%

LAB 44.3, 19.11, 44.39

 

CMYK 0 / 45 / 92 / 35

HEX #A55B0D

RGB 165 91 13

HSL 30.79, 0.85%, 0.35%

LAB 46.33, 25.4, 51.73

 

CMYK 0 / 34 / 70 / 47

HEX #885A29

RGB 136 90 41

HSL 30.95, 0.54%, 0.35%

LAB 42.32, 14, 35.18

 

CMYK 0 / 26 / 54 / 52

HEX #7A5A38

RGB 122 90 56

HSL 30.91, 0.37%, 0.35%

LAB 40.79, 8.77, 24.65

 

CMYK 0 / 17 / 35 / 58

HEX #6B5946

RGB 107 89 70

HSL 30.81, 0.21%, 0.35%

LAB 39.09, 4.27, 13.75

 

CMYK 0 / 4 / 9 / 64

HEX #5D5955

RGB 93 89 85

HSL 30, 0.04%, 0.35%

LAB 38.07, 0.81, 2.88

 

CMYK 21 / 11 / 0 / 61

HEX #4E5863

RGB 78 88 99

HSL 211.43, 0.12%, 0.35%

LAB 36.93, -1.23, -7.65

 

CMYK 0 / 70 / 67 / 47

HEX #88292D

RGB 136 41 45

HSL 357.47, 0.54%, 0.35%

LAB 31.83, 40.57, 20.53

 

CMYK 0 / 53 / 70 / 47

HEX #884029

RGB 136 64 41

HSL 14.53, 0.54%, 0.35%

LAB 36.1, 28.92, 28.15

 

CMYK 0 / 35 / 70 / 47

HEX #885929

RGB 136 89 41

HSL 30.32, 0.54%, 0.35%

LAB 42.06, 14.59, 34.9

 

CMYK 0 / 16 / 70 / 47

HEX #887229

RGB 136 114 41

HSL 46.11, 0.54%, 0.35%

LAB 48.8, 0.03, 42.12

 

CMYK 2 / 0 / 70 / 47

HEX #858829

RGB 133 136 41

HSL 61.89, 0.54%, 0.35%

LAB 54.82, -13.53, 48.19

 

CMYK 0 / 34 / 70 / 71

HEX #493016

RGB 73 48 22

HSL 30.59, 0.54%, 0.19%

LAB 22.26, 8.26, 20.93

 

CMYK 0 / 34 / 69 / 59

HEX #684520

RGB 104 69 32

HSL 30.83, 0.53%, 0.27%

LAB 32.49, 11.01, 27.92

 

CMYK 0 / 34 / 70 / 47

HEX #885A29

RGB 136 90 41

HSL 30.95, 0.54%, 0.35%

LAB 42.32, 14, 35.18

 

CMYK 0 / 34 / 70 / 34

HEX #A86F33

RGB 168 111 51

HSL 30.77, 0.53%, 0.43%

LAB 51.76, 16.91, 41.59

 

CMYK 0 / 33 / 67 / 23

HEX #C48440

RGB 196 132 64

HSL 30.91, 0.53%, 0.51%

LAB 60.43, 18.16, 45.68

 

CMYK 0 / 33 / 69 / 47

HEX #875A2A

RGB 135 90 42

HSL 30.97, 0.53%, 0.35%

LAB 42.2, 13.6, 34.49

 

CMYK 49 / 0 / 70 / 47

HEX #468829

RGB 70 136 41

HSL 101.68, 0.54%, 0.35%

LAB 50.77, -38.86, 42.74

 

CMYK 63 / 70 / 0 / 47

HEX #332988

RGB 51 41 136

HSL 246.32, 0.54%, 0.35%

LAB 23.89, 33.58, -51.58

 

CMYK 0 / 33 / 69 / 47

HEX #875A2A

RGB 135 90 42

HSL 30.97, 0.53%, 0.35%

LAB 42.2, 13.6, 34.49

 

CMYK 70 / 0 / 35 / 47

HEX #298859

RGB 41 136 89

HSL 150.32, 0.54%, 0.35%

LAB 50.45, -38.98, 17.44

 

CMYK 35 / 70 / 0 / 47

HEX #592988

RGB 89 41 136

HSL 270.32, 0.54%, 0.35%

LAB 28.08, 40.87, -44.57

 

CMYK 0 / 33 / 69 / 47

HEX #875A2A

RGB 135 90 42

HSL 30.97, 0.53%, 0.35%

LAB 42.2, 13.6, 34.49

 

CMYK 49 / 0 / 70 / 47

HEX #468829

RGB 70 136 41

HSL 101.68, 0.54%, 0.35%

LAB 50.77, -38.86, 42.74

 

CMYK 70 / 35 / 0 / 47

HEX #295988

RGB 41 89 136

HSL 209.68, 0.54%, 0.35%

LAB 36.73, 0.02, -30.95

 

CMYK 21 / 70 / 0 / 47

HEX #6C2988

RGB 108 41 136

HSL 282.32, 0.54%, 0.35%

LAB 30.76, 45.17, -40.11

 

CMYK 0 / 33 / 69 / 47

HEX #875A2A

RGB 135 90 42

HSL 30.97, 0.53%, 0.35%

LAB 42.2, 13.6, 34.49

 

CMYK 70 / 0 / 70 / 47

HEX #298829

RGB 41 136 41

HSL 120, 0.54%, 0.35%

LAB 49.79, -46.58, 41.4

 

CMYK 70 / 35 / 0 / 47

HEX #295988

RGB 41 89 136

HSL 209.68, 0.54%, 0.35%

LAB 36.73, 0.02, -30.95

 

CMYK 0 / 70 / 0 / 47

HEX #882988

RGB 136 41 136

HSL 300, 0.54%, 0.35%

LAB 35.2, 51.84, -32.78

 

Description

Color code: RGB 135 90 42 | qconv.com Color code: RGB 135 90 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 90 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 90 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 69 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 69% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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