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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 78 141 it is the complementary color RGB 120 177 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 78 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 78 141 shade: RGB 140 78 136, RGB 157 96 155, RGB 174 114 174, RGB 191 132 193 and RGB 208 150 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 78 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 78 141 shade: RGB 135 78 141, RGB 118 60 122, RGB 101 42 103, RGB 84 24 84 and RGB 67 6 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 78 141 shade: RGB 135 77 141, RGB 141 77 130, RGB 141 77 113, RGB 141 77 96 and RGB 141 77 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 78 141 shade: RGB 135 77 141, RGB 118 77 141, RGB 101 77 141, RGB 83 77 141 and RGB 77 77 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 78 141 shade matches the following richer shades: RGB 135 77 141, RGB 149 60 159, RGB 164 42 176, RGB 178 24 194 and RGB 192 6 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 78 141 shade: RGB 135 77 141, RGB 121 95 123, RGB 106 113 105, RGB 92 131 88 and RGB 77 148 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 78 141 shade: RGB 101 77 141, RGB 118 77 141, RGB 135 77 141, RGB 141 77 130 and RGB 141 77 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 78 141 shade: RGB 84 48 88, RGB 109 63 114, RGB 135 77 141, RGB 159 94 166 and RGB 175 120 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 78 141 shade: RGB 135 78 141, RGB 141 84 77 and RGB 77 141 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 78 141 shade: RGB 135 78 141, RGB 141 135 77 and RGB 77 141 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 78 141 shade: RGB 135 78 141, RGB 141 84 77, RGB 84 141 77 and RGB 77 135 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 78 141 shade: RGB 135 78 141, RGB 141 103 77, RGB 84 141 77 and RGB 77 116 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 45 / 0 / 45

HEX #874E8D

RGB 135 78 141

HSL 294.29, 0.29%, 0.43%

LAB 42.04, 34.43, -25.11

 

Complementary color

CMYK 32 / 0 / 36 / 31

HEX #78B172

RGB 120 177 114

HSL 114.29, 0.29%, 0.57%

LAB 67.02, -31.16, 26.49

 

CMYK 0 / 44 / 3 / 45

HEX #8C4E88

RGB 140 78 136

HSL 303.87, 0.28%, 0.43%

LAB 42.46, 35.05, -21.37

 

CMYK 0 / 39 / 1 / 38

HEX #9D609B

RGB 157 96 155

HSL 301.97, 0.24%, 0.5%

LAB 49.38, 34.26, -21.9

 

CMYK 0 / 34 / 0 / 32

HEX #AE72AE

RGB 174 114 174

HSL 300, 0.27%, 0.56%

LAB 56.18, 33.48, -22.35

 

CMYK 1 / 32 / 0 / 24

HEX #BF84C1

RGB 191 132 193

HSL 298.03, 0.33%, 0.64%

LAB 62.87, 32.74, -22.76

 

CMYK 2 / 29 / 0 / 17

HEX #D096D4

RGB 208 150 212

HSL 296.13, 0.42%, 0.71%

LAB 69.45, 32.05, -23.14

 

CMYK 4 / 45 / 0 / 45

HEX #874E8D

RGB 135 78 141

HSL 294.29, 0.29%, 0.43%

LAB 42.04, 34.43, -25.11

 

CMYK 3 / 51 / 0 / 52

HEX #763C7A

RGB 118 60 122

HSL 296.13, 0.34%, 0.36%

LAB 34.98, 35.2, -24.62

 

CMYK 2 / 59 / 0 / 60

HEX #652A67

RGB 101 42 103

HSL 298.03, 0.42%, 0.28%

LAB 27.85, 35.83, -23.93

 

CMYK 0 / 71 / 0 / 67

HEX #541854

RGB 84 24 84

HSL 300, 0.56%, 0.21%

LAB 20.74, 35.98, -22.81

 

CMYK 0 / 91 / 3 / 74

HEX #430641

RGB 67 6 65

HSL 301.97, 0.84%, 0.14%

LAB 13.86, 34.98, -20.87

 

CMYK 4 / 45 / 0 / 45

HEX #874D8D

RGB 135 77 141

HSL 294.38, 0.29%, 0.43%

LAB 41.82, 34.99, -25.45

 

CMYK 0 / 45 / 8 / 45

HEX #8D4D82

RGB 141 77 130

HSL 310.31, 0.29%, 0.43%

LAB 42.13, 34.81, -18.23

 

CMYK 0 / 45 / 20 / 45

HEX #8D4D71

RGB 141 77 113

HSL 326.25, 0.29%, 0.43%

LAB 41.47, 31.86, -8.8

 

CMYK 0 / 45 / 32 / 45

HEX #8D4D60

RGB 141 77 96

HSL 342.19, 0.29%, 0.43%

LAB 40.92, 29.28, 0.89

 

CMYK 0 / 45 / 45 / 45

HEX #8D4D4E

RGB 141 77 78

HSL 359.06, 0.29%, 0.43%

LAB 40.44, 26.99, 11.37

 

CMYK 4 / 45 / 0 / 45

HEX #874D8D

RGB 135 77 141

HSL 294.38, 0.29%, 0.43%

LAB 41.82, 34.99, -25.45

 

CMYK 16 / 45 / 0 / 45

HEX #764D8D

RGB 118 77 141

HSL 278.44, 0.29%, 0.43%

LAB 39.72, 29.63, -28.88

 

CMYK 28 / 45 / 0 / 45

HEX #654D8D

RGB 101 77 141

HSL 262.5, 0.29%, 0.43%

LAB 37.84, 24.42, -31.97

 

CMYK 41 / 45 / 0 / 45

HEX #534D8D

RGB 83 77 141

HSL 245.63, 0.29%, 0.43%

LAB 36.12, 19.23, -34.8

 

CMYK 45 / 45 / 0 / 45

HEX #4D4D8D

RGB 77 77 141

HSL 240, 0.29%, 0.43%

LAB 35.61, 17.61, -35.64

 

CMYK 4 / 45 / 0 / 45

HEX #874D8D

RGB 135 77 141

HSL 294.38, 0.29%, 0.43%

LAB 41.82, 34.99, -25.45

 

CMYK 6 / 62 / 0 / 38

HEX #953C9F

RGB 149 60 159

HSL 293.94, 0.45%, 0.43%

LAB 41.41, 51.25, -36.79

 

CMYK 7 / 76 / 0 / 31

HEX #A42AB0

RGB 164 42 176

HSL 294.63, 0.61%, 0.43%

LAB 42.28, 64.7, -45.4

 

CMYK 8 / 88 / 0 / 24

HEX #B218C2

RGB 178 24 194

HSL 294.35, 0.78%, 0.43%

LAB 44.25, 74.66, -52.69

 

CMYK 9 / 97 / 0 / 17

HEX #C006D4

RGB 192 6 212

HSL 294.17, 0.94%, 0.43%

LAB 47.09, 81.89, -58.42

 

CMYK 4 / 45 / 0 / 45

HEX #874D8D

RGB 135 77 141

HSL 294.38, 0.29%, 0.43%

LAB 41.82, 34.99, -25.45

 

CMYK 2 / 23 / 0 / 52

HEX #795F7B

RGB 121 95 123

HSL 295.71, 0.13%, 0.43%

LAB 43.77, 15.85, -11.69

 

CMYK 6 / 0 / 7 / 56

HEX #6A7169

RGB 106 113 105

HSL 112.5, 0.04%, 0.43%

LAB 46.84, -4.3, 3.52

 

CMYK 30 / 0 / 33 / 49

HEX #5C8358

RGB 92 131 88

HSL 114.42, 0.2%, 0.43%

LAB 50.93, -22.63, 19.02

 

CMYK 48 / 0 / 53 / 42

HEX #4D9446

RGB 77 148 70

HSL 114.62, 0.36%, 0.43%

LAB 55.28, -38.5, 34.2

 

CMYK 28 / 45 / 0 / 45

HEX #654D8D

RGB 101 77 141

HSL 262.5, 0.29%, 0.43%

LAB 37.84, 24.42, -31.97

 

CMYK 16 / 45 / 0 / 45

HEX #764D8D

RGB 118 77 141

HSL 278.44, 0.29%, 0.43%

LAB 39.72, 29.63, -28.88

 

CMYK 4 / 45 / 0 / 45

HEX #874D8D

RGB 135 77 141

HSL 294.38, 0.29%, 0.43%

LAB 41.82, 34.99, -25.45

 

CMYK 0 / 45 / 8 / 45

HEX #8D4D82

RGB 141 77 130

HSL 310.31, 0.29%, 0.43%

LAB 42.13, 34.81, -18.23

 

CMYK 0 / 45 / 20 / 45

HEX #8D4D71

RGB 141 77 113

HSL 326.25, 0.29%, 0.43%

LAB 41.47, 31.86, -8.8

 

CMYK 5 / 45 / 0 / 65

HEX #543058

RGB 84 48 88

HSL 294, 0.29%, 0.27%

LAB 25.87, 23.72, -17.43

 

CMYK 4 / 45 / 0 / 55

HEX #6D3F72

RGB 109 63 114

HSL 294.12, 0.29%, 0.35%

LAB 34.03, 28.92, -21.19

 

CMYK 4 / 45 / 0 / 45

HEX #874D8D

RGB 135 77 141

HSL 294.38, 0.29%, 0.43%

LAB 41.82, 34.99, -25.45

 

CMYK 4 / 43 / 0 / 35

HEX #9F5EA6

RGB 159 94 166

HSL 294.17, 0.29%, 0.51%

LAB 49.65, 38.16, -27.92

 

CMYK 3 / 34 / 0 / 29

HEX #AF78B5

RGB 175 120 181

HSL 294.1, 0.29%, 0.59%

LAB 57.93, 31.84, -23.68

 

CMYK 4 / 45 / 0 / 45

HEX #874E8D

RGB 135 78 141

HSL 294.29, 0.29%, 0.43%

LAB 42.04, 34.43, -25.11

 

CMYK 0 / 40 / 45 / 45

HEX #8D544D

RGB 141 84 77

HSL 6.56, 0.29%, 0.43%

LAB 42.06, 22.88, 14.21

 

CMYK 45 / 0 / 23 / 45

HEX #4D8D6D

RGB 77 141 109

HSL 150, 0.29%, 0.43%

LAB 53.74, -28.35, 10.78

 

CMYK 4 / 45 / 0 / 45

HEX #874E8D

RGB 135 78 141

HSL 294.29, 0.29%, 0.43%

LAB 42.04, 34.43, -25.11

 

CMYK 0 / 4 / 45 / 45

HEX #8D874D

RGB 141 135 77

HSL 54.38, 0.29%, 0.43%

LAB 55.61, -6.45, 31.88

 

CMYK 45 / 0 / 4 / 45

HEX #4D8D87

RGB 77 141 135

HSL 174.38, 0.29%, 0.43%

LAB 54.42, -22.07, -3.21

 

CMYK 4 / 45 / 0 / 45

HEX #874E8D

RGB 135 78 141

HSL 294.29, 0.29%, 0.43%

LAB 42.04, 34.43, -25.11

 

CMYK 0 / 40 / 45 / 45

HEX #8D544D

RGB 141 84 77

HSL 6.56, 0.29%, 0.43%

LAB 42.06, 22.88, 14.21

 

CMYK 40 / 0 / 45 / 45

HEX #548D4D

RGB 84 141 77

HSL 113.44, 0.29%, 0.43%

LAB 53.46, -32.11, 28.34

 

CMYK 45 / 4 / 0 / 45

HEX #4D878D

RGB 77 135 141

HSL 185.63, 0.29%, 0.43%

LAB 52.76, -17.28, -9.15

 

CMYK 4 / 45 / 0 / 45

HEX #874E8D

RGB 135 78 141

HSL 294.29, 0.29%, 0.43%

LAB 42.04, 34.43, -25.11

 

CMYK 0 / 27 / 45 / 45

HEX #8D674D

RGB 141 103 77

HSL 24.38, 0.29%, 0.43%

LAB 46.84, 11.8, 20.63

 

CMYK 40 / 0 / 45 / 45

HEX #548D4D

RGB 84 141 77

HSL 113.44, 0.29%, 0.43%

LAB 53.46, -32.11, 28.34

 

CMYK 45 / 18 / 0 / 45

HEX #4D748D

RGB 77 116 141

HSL 203.44, 0.29%, 0.43%

LAB 46.96, -6.62, -17.93

 

Description

Color code: RGB 135 78 141 | qconv.com Color code: RGB 135 78 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 78 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 78 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 45 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 45% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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