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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 70 42 it is the complementary color RGB 120 185 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 70 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 70 42 shade: RGB 140 70 37, RGB 157 88 56, RGB 174 106 75, RGB 191 124 94 and RGB 208 142 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 70 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 70 42 shade: RGB 135 70 42, RGB 118 52 23, RGB 101 34 4, RGB 84 16 0 and RGB 67 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 70 42 shade: RGB 136 70 41, RGB 136 44 41 and RGB 136 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 70 42 shade: RGB 136 70 41, RGB 136 95 41, RGB 136 121 41, RGB 126 136 41 and RGB 100 136 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 70 42 shade matches the following richer shades: RGB 136 70 41, RGB 150 64 27 and RGB 165 58 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 70 42 shade: RGB 136 70 41, RGB 122 76 56, RGB 107 81 70, RGB 93 87 85 and RGB 78 93 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 70 42 shade: RGB 136 41 64, RGB 136 45 41, RGB 136 70 41, RGB 136 95 41 and RGB 136 120 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 70 42 shade: RGB 73 37 22, RGB 104 54 32, RGB 136 70 41, RGB 168 86 51 and RGB 196 104 64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 70 42 shade: RGB 135 70 42, RGB 89 136 41 and RGB 41 51 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 70 42 shade: RGB 135 70 42, RGB 41 136 70 and RGB 70 41 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 70 42 shade: RGB 135 70 42, RGB 89 136 41, RGB 41 108 136 and RGB 89 41 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 70 42 shade: RGB 135 70 42, RGB 60 136 41, RGB 41 108 136 and RGB 117 41 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 69 / 47

HEX #87462A

RGB 135 70 42

HSL 18.06, 0.53%, 0.35%

LAB 37.3, 25.22, 28.92

 

Complementary color

CMYK 44 / 13 / 0 / 16

HEX #78B9D5

RGB 120 185 213

HSL 198.06, 0.53%, 0.65%

LAB 71.89, -13.41, -20.58

 

CMYK 0 / 50 / 74 / 45

HEX #8C4625

RGB 140 70 37

HSL 19.22, 0.58%, 0.35%

LAB 38, 27.07, 32.74

 

CMYK 0 / 44 / 64 / 38

HEX #9D5838

RGB 157 88 56

HSL 19.01, 0.47%, 0.42%

LAB 44.85, 25.43, 30.65

 

CMYK 0 / 39 / 57 / 32

HEX #AE6A4B

RGB 174 106 75

HSL 18.79, 0.4%, 0.49%

LAB 51.63, 24, 28.76

 

CMYK 0 / 35 / 51 / 25

HEX #BF7C5E

RGB 191 124 94

HSL 18.56, 0.43%, 0.56%

LAB 58.32, 22.76, 27.08

 

CMYK 0 / 32 / 46 / 18

HEX #D08E71

RGB 208 142 113

HSL 18.32, 0.5%, 0.63%

LAB 64.92, 21.68, 25.57

 

CMYK 0 / 48 / 69 / 47

HEX #87462A

RGB 135 70 42

HSL 18.06, 0.53%, 0.35%

LAB 37.3, 25.22, 28.92

 

CMYK 0 / 56 / 81 / 54

HEX #763417

RGB 118 52 23

HSL 18.32, 0.67%, 0.28%

LAB 30.33, 26.98, 31.16

 

CMYK 0 / 66 / 96 / 60

HEX #652204

RGB 101 34 4

HSL 18.56, 0.92%, 0.21%

LAB 23.4, 28.81, 32.38

 

CMYK 0 / 81 / 100 / 67

HEX #541000

RGB 84 16 0

HSL 11.43, 1%, 0.16%

LAB 16.77, 30.32, 25.59

 

CMYK 0 / 100 / 100 / 74

HEX #430000

RGB 67 0 0

HSL 0, 1%, 0.13%

LAB 10.51, 30.67, 16.57

 

CMYK 0 / 49 / 70 / 47

HEX #884629

RGB 136 70 41

HSL 18.32, 0.54%, 0.35%

LAB 37.43, 25.59, 29.69

 

CMYK 0 / 68 / 70 / 47

HEX #882C29

RGB 136 44 41

HSL 1.89, 0.54%, 0.35%

LAB 32.25, 39, 23.58

 

CMYK 0 / 70 / 70 / 47

HEX #882929

RGB 136 41 41

HSL 0, 0.54%, 0.35%

LAB 31.76, 40.32, 22.99

 

CMYK 0 / 49 / 70 / 47

HEX #884629

RGB 136 70 41

HSL 18.32, 0.54%, 0.35%

LAB 37.43, 25.59, 29.69

 

CMYK 0 / 30 / 70 / 47

HEX #885F29

RGB 136 95 41

HSL 34.11, 0.54%, 0.35%

LAB 43.62, 11.06, 36.61

 

CMYK 0 / 11 / 70 / 47

HEX #887929

RGB 136 121 41

HSL 50.53, 0.54%, 0.35%

LAB 50.77, -3.94, 44.16

 

CMYK 7 / 0 / 70 / 47

HEX #7E8829

RGB 126 136 41

HSL 66.32, 0.54%, 0.35%

LAB 54.24, -16.66, 47.42

 

CMYK 26 / 0 / 70 / 47

HEX #648829

RGB 100 136 41

HSL 82.74, 0.54%, 0.35%

LAB 52.37, -27.79, 44.91

 

CMYK 0 / 49 / 70 / 47

HEX #884629

RGB 136 70 41

HSL 18.32, 0.54%, 0.35%

LAB 37.43, 25.59, 29.69

 

CMYK 0 / 57 / 82 / 41

HEX #96401B

RGB 150 64 27

HSL 18.05, 0.69%, 0.35%

LAB 38.25, 33.99, 38.72

 

CMYK 0 / 65 / 92 / 35

HEX #A53A0D

RGB 165 58 13

HSL 17.76, 0.85%, 0.35%

LAB 39.67, 42.31, 46.87

 

CMYK 0 / 49 / 70 / 47

HEX #884629

RGB 136 70 41

HSL 18.32, 0.54%, 0.35%

LAB 37.43, 25.59, 29.69

 

CMYK 0 / 38 / 54 / 52

HEX #7A4C38

RGB 122 76 56

HSL 18.18, 0.37%, 0.35%

LAB 37.1, 17.15, 19.95

 

CMYK 0 / 24 / 35 / 58

HEX #6B5146

RGB 107 81 70

HSL 17.84, 0.21%, 0.35%

LAB 36.84, 9.15, 10.66

 

CMYK 0 / 6 / 9 / 64

HEX #5D5755

RGB 93 87 85

HSL 15, 0.04%, 0.35%

LAB 37.48, 2.03, 2.03

 

CMYK 21 / 6 / 0 / 61

HEX #4E5D63

RGB 78 93 99

HSL 197.14, 0.12%, 0.35%

LAB 38.46, -4.28, -5.36

 

CMYK 0 / 70 / 53 / 47

HEX #882940

RGB 136 41 64

HSL 345.47, 0.54%, 0.35%

LAB 32.24, 42.02, 8.73

 

CMYK 0 / 67 / 70 / 47

HEX #882D29

RGB 136 45 41

HSL 2.53, 0.54%, 0.35%

LAB 32.42, 38.55, 23.78

 

CMYK 0 / 49 / 70 / 47

HEX #884629

RGB 136 70 41

HSL 18.32, 0.54%, 0.35%

LAB 37.43, 25.59, 29.69

 

CMYK 0 / 30 / 70 / 47

HEX #885F29

RGB 136 95 41

HSL 34.11, 0.54%, 0.35%

LAB 43.62, 11.06, 36.61

 

CMYK 0 / 12 / 70 / 47

HEX #887829

RGB 136 120 41

HSL 49.89, 0.54%, 0.35%

LAB 50.48, -3.37, 43.87

 

CMYK 0 / 49 / 70 / 71

HEX #492516

RGB 73 37 22

HSL 17.65, 0.54%, 0.19%

LAB 19.21, 15.41, 17.33

 

CMYK 0 / 48 / 69 / 59

HEX #683620

RGB 104 54 32

HSL 18.33, 0.53%, 0.27%

LAB 28.61, 20.16, 23.44

 

CMYK 0 / 49 / 70 / 47

HEX #884629

RGB 136 70 41

HSL 18.32, 0.54%, 0.35%

LAB 37.43, 25.59, 29.69

 

CMYK 0 / 49 / 70 / 34

HEX #A85633

RGB 168 86 51

HSL 17.95, 0.53%, 0.43%

LAB 45.93, 30.81, 35.11

 

CMYK 0 / 47 / 67 / 23

HEX #C46840

RGB 196 104 64

HSL 18.18, 0.53%, 0.51%

LAB 54.03, 33.34, 38.44

 

CMYK 0 / 48 / 69 / 47

HEX #87462A

RGB 135 70 42

HSL 18.06, 0.53%, 0.35%

LAB 37.3, 25.22, 28.92

 

CMYK 35 / 0 / 70 / 47

HEX #598829

RGB 89 136 41

HSL 89.68, 0.54%, 0.35%

LAB 51.72, -32.14, 44.02

 

CMYK 70 / 63 / 0 / 47

HEX #293388

RGB 41 51 136

HSL 233.68, 0.54%, 0.35%

LAB 25.61, 25.54, -48.79

 

CMYK 0 / 48 / 69 / 47

HEX #87462A

RGB 135 70 42

HSL 18.06, 0.53%, 0.35%

LAB 37.3, 25.22, 28.92

 

CMYK 70 / 0 / 49 / 47

HEX #298846

RGB 41 136 70

HSL 138.32, 0.54%, 0.35%

LAB 50.12, -42.66, 27.54

 

CMYK 49 / 70 / 0 / 47

HEX #462988

RGB 70 41 136

HSL 258.32, 0.54%, 0.35%

LAB 25.76, 36.93, -48.45

 

CMYK 0 / 48 / 69 / 47

HEX #87462A

RGB 135 70 42

HSL 18.06, 0.53%, 0.35%

LAB 37.3, 25.22, 28.92

 

CMYK 35 / 0 / 70 / 47

HEX #598829

RGB 89 136 41

HSL 89.68, 0.54%, 0.35%

LAB 51.72, -32.14, 44.02

 

CMYK 70 / 21 / 0 / 47

HEX #296C88

RGB 41 108 136

HSL 197.68, 0.54%, 0.35%

LAB 42.72, -11.54, -21.6

 

CMYK 35 / 70 / 0 / 47

HEX #592988

RGB 89 41 136

HSL 270.32, 0.54%, 0.35%

LAB 28.08, 40.87, -44.57

 

CMYK 0 / 48 / 69 / 47

HEX #87462A

RGB 135 70 42

HSL 18.06, 0.53%, 0.35%

LAB 37.3, 25.22, 28.92

 

CMYK 56 / 0 / 70 / 47

HEX #3C8829

RGB 60 136 41

HSL 108, 0.54%, 0.35%

LAB 50.37, -41.91, 42.2

 

CMYK 70 / 21 / 0 / 47

HEX #296C88

RGB 41 108 136

HSL 197.68, 0.54%, 0.35%

LAB 42.72, -11.54, -21.6

 

CMYK 14 / 70 / 0 / 47

HEX #752988

RGB 117 41 136

HSL 288, 0.54%, 0.35%

LAB 32.14, 47.28, -37.84

 

Description

Color code: RGB 135 70 42 | qconv.com Color code: RGB 135 70 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 70 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 70 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 69 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 69% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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