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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 45 52 it is the complementary color RGB 120 210 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 45 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 45 52 shade: RGB 140 45 47, RGB 157 63 66, RGB 174 81 85, RGB 191 99 104 and RGB 208 117 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 45 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 45 52 shade: RGB 135 45 52, RGB 118 27 33, RGB 101 9 14, RGB 84 0 0 and RGB 67 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 45 52 shade: RGB 133 44 51 and RGB 133 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 45 52 shade: RGB 133 44 51, RGB 133 44 75, RGB 133 44 99, RGB 133 44 123 and RGB 119 44 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 45 52 shade matches the following richer shades: RGB 133 44 51, RGB 148 30 39, RGB 162 15 27 and RGB 177 1 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 45 52 shade: RGB 133 44 51, RGB 119 59 63, RGB 104 73 75, RGB 90 87 88 and RGB 76 102 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 45 52 shade: RGB 133 44 99, RGB 133 44 75, RGB 133 44 52, RGB 133 60 44 and RGB 133 84 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 45 52 shade: RGB 71 23 27, RGB 102 34 39, RGB 133 44 51, RGB 164 54 63 and RGB 192 68 77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 45 52 shade: RGB 135 45 52, RGB 123 133 44 and RGB 44 87 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 45 52 shade: RGB 135 45 52, RGB 52 133 44 and RGB 44 52 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 45 52 shade: RGB 135 45 52, RGB 123 133 44, RGB 44 133 126 and RGB 55 44 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 45 52 shade: RGB 135 45 52, RGB 96 133 44, RGB 44 133 126 and RGB 81 44 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 61 / 47

HEX #872D34

RGB 135 45 52

HSL 355.33, 0.5%, 0.35%

LAB 32.43, 38.92, 16.76

 

Complementary color

CMYK 43 / 0 / 3 / 18

HEX #78D2CB

RGB 120 210 203

HSL 175.33, 0.5%, 0.65%

LAB 78.69, -28.62, -4.97

 

CMYK 0 / 68 / 66 / 45

HEX #8C2D2F

RGB 140 45 47

HSL 358.74, 0.51%, 0.36%

LAB 33.26, 40.35, 21.21

 

CMYK 0 / 60 / 58 / 38

HEX #9D3F42

RGB 157 63 66

HSL 358.09, 0.43%, 0.43%

LAB 39.78, 39.44, 18.32

 

CMYK 0 / 53 / 51 / 32

HEX #AE5155

RGB 174 81 85

HSL 357.42, 0.36%, 0.5%

LAB 46.36, 38.36, 16.01

 

CMYK 0 / 48 / 46 / 25

HEX #BF6368

RGB 191 99 104

HSL 356.74, 0.42%, 0.57%

LAB 52.95, 37.26, 14.11

 

CMYK 0 / 44 / 41 / 18

HEX #D0757B

RGB 208 117 123

HSL 356.04, 0.49%, 0.64%

LAB 59.49, 36.2, 12.51

 

CMYK 0 / 67 / 61 / 47

HEX #872D34

RGB 135 45 52

HSL 355.33, 0.5%, 0.35%

LAB 32.43, 38.92, 16.76

 

CMYK 0 / 77 / 72 / 54

HEX #761B21

RGB 118 27 33

HSL 356.04, 0.63%, 0.28%

LAB 26, 39.35, 20.3

 

CMYK 0 / 91 / 86 / 60

HEX #65090E

RGB 101 9 14

HSL 356.74, 0.84%, 0.22%

LAB 20.02, 38.65, 24.49

 

CMYK 0 / 100 / 100 / 67

HEX #540000

RGB 84 0 0

HSL 0, 1%, 0.16%

LAB 14.87, 35.72, 23.19

 

CMYK 0 / 100 / 100 / 74

HEX #430000

RGB 67 0 0

HSL 0, 1%, 0.13%

LAB 10.51, 30.67, 16.57

 

CMYK 0 / 67 / 62 / 48

HEX #852C33

RGB 133 44 51

HSL 355.28, 0.5%, 0.35%

LAB 31.87, 38.59, 16.61

 

CMYK 0 / 67 / 67 / 48

HEX #852C2C

RGB 133 44 44

HSL 0, 0.5%, 0.35%

LAB 31.74, 38.1, 20.93

 

CMYK 0 / 67 / 62 / 48

HEX #852C33

RGB 133 44 51

HSL 355.28, 0.5%, 0.35%

LAB 31.87, 38.59, 16.61

 

CMYK 0 / 67 / 44 / 48

HEX #852C4B

RGB 133 44 75

HSL 339.1, 0.5%, 0.35%

LAB 32.47, 40.81, 1.8

 

CMYK 0 / 67 / 26 / 48

HEX #852C63

RGB 133 44 99

HSL 322.92, 0.5%, 0.35%

LAB 33.33, 43.85, -12.45

 

CMYK 0 / 67 / 8 / 48

HEX #852C7B

RGB 133 44 123

HSL 306.74, 0.5%, 0.35%

LAB 34.43, 47.61, -25.93

 

CMYK 11 / 67 / 0 / 48

HEX #772C85

RGB 119 44 133

HSL 290.56, 0.5%, 0.35%

LAB 32.74, 45.82, -35

 

CMYK 0 / 67 / 62 / 48

HEX #852C33

RGB 133 44 51

HSL 355.28, 0.5%, 0.35%

LAB 31.87, 38.59, 16.61

 

CMYK 0 / 80 / 74 / 42

HEX #941E27

RGB 148 30 39

HSL 355.42, 0.66%, 0.35%

LAB 32.64, 48.26, 25.86

 

CMYK 0 / 91 / 83 / 36

HEX #A20F1B

RGB 162 15 27

HSL 355.1, 0.83%, 0.35%

LAB 34.19, 55.45, 35.63

 

CMYK 0 / 99 / 92 / 31

HEX #B1010E

RGB 177 1 14

HSL 355.57, 0.99%, 0.35%

LAB 36.74, 60.96, 45.59

 

CMYK 0 / 67 / 62 / 48

HEX #852C33

RGB 133 44 51

HSL 355.28, 0.5%, 0.35%

LAB 31.87, 38.59, 16.61

 

CMYK 0 / 50 / 47 / 53

HEX #773B3F

RGB 119 59 63

HSL 356, 0.34%, 0.35%

LAB 32.72, 26.58, 9.61

 

CMYK 0 / 30 / 28 / 59

HEX #68494B

RGB 104 73 75

HSL 356.13, 0.18%, 0.35%

LAB 34.43, 13.54, 4.06

 

CMYK 0 / 3 / 2 / 65

HEX #5A5758

RGB 90 87 88

HSL 340, 0.02%, 0.35%

LAB 37.29, 1.42, -0.15

 

CMYK 25 / 0 / 2 / 60

HEX #4C6664

RGB 76 102 100

HSL 175.38, 0.15%, 0.35%

LAB 41.15, -10.05, -2.01

 

CMYK 0 / 67 / 26 / 48

HEX #852C63

RGB 133 44 99

HSL 322.92, 0.5%, 0.35%

LAB 33.33, 43.85, -12.45

 

CMYK 0 / 67 / 44 / 48

HEX #852C4B

RGB 133 44 75

HSL 339.1, 0.5%, 0.35%

LAB 32.47, 40.81, 1.8

 

CMYK 0 / 67 / 61 / 48

HEX #852C34

RGB 133 44 52

HSL 354.61, 0.5%, 0.35%

LAB 31.89, 38.67, 15.99

 

CMYK 0 / 55 / 67 / 48

HEX #853C2C

RGB 133 60 44

HSL 10.79, 0.5%, 0.35%

LAB 34.8, 30.05, 24.7

 

CMYK 0 / 37 / 67 / 48

HEX #85542C

RGB 133 84 44

HSL 26.97, 0.5%, 0.35%

LAB 40.42, 16.36, 31.34

 

CMYK 0 / 68 / 62 / 72

HEX #47171B

RGB 71 23 27

HSL 355, 0.51%, 0.18%

LAB 15.65, 23.37, 9.27

 

CMYK 0 / 67 / 62 / 60

HEX #662227

RGB 102 34 39

HSL 355.59, 0.5%, 0.27%

LAB 24.05, 30.98, 13.16

 

CMYK 0 / 67 / 62 / 48

HEX #852C33

RGB 133 44 51

HSL 355.28, 0.5%, 0.35%

LAB 31.87, 38.59, 16.61

 

CMYK 0 / 67 / 62 / 36

HEX #A4363F

RGB 164 54 63

HSL 355.09, 0.5%, 0.43%

LAB 39.39, 45.82, 19.91

 

CMYK 0 / 65 / 60 / 25

HEX #C0444D

RGB 192 68 77

HSL 355.65, 0.5%, 0.51%

LAB 46.81, 50.24, 21.96

 

CMYK 0 / 67 / 61 / 47

HEX #872D34

RGB 135 45 52

HSL 355.33, 0.5%, 0.35%

LAB 32.43, 38.92, 16.76

 

CMYK 8 / 0 / 67 / 48

HEX #7B852C

RGB 123 133 44

HSL 66.74, 0.5%, 0.35%

LAB 53.13, -16.21, 44.94

 

CMYK 67 / 35 / 0 / 48

HEX #2C5785

RGB 44 87 133

HSL 211.01, 0.5%, 0.35%

LAB 36.07, 0.72, -30.15

 

CMYK 0 / 67 / 61 / 47

HEX #872D34

RGB 135 45 52

HSL 355.33, 0.5%, 0.35%

LAB 32.43, 38.92, 16.76

 

CMYK 61 / 0 / 67 / 48

HEX #34852C

RGB 52 133 44

HSL 114.61, 0.5%, 0.35%

LAB 49.11, -42.61, 39.44

 

CMYK 67 / 61 / 0 / 48

HEX #2C3485

RGB 44 52 133

HSL 234.61, 0.5%, 0.35%

LAB 25.82, 24.22, -46.58

 

CMYK 0 / 67 / 61 / 47

HEX #872D34

RGB 135 45 52

HSL 355.33, 0.5%, 0.35%

LAB 32.43, 38.92, 16.76

 

CMYK 8 / 0 / 67 / 48

HEX #7B852C

RGB 123 133 44

HSL 66.74, 0.5%, 0.35%

LAB 53.13, -16.21, 44.94

 

CMYK 67 / 0 / 5 / 48

HEX #2C857E

RGB 44 133 126

HSL 175.28, 0.5%, 0.35%

LAB 50.47, -27.64, -3.94

 

CMYK 59 / 67 / 0 / 48

HEX #372C85

RGB 55 44 133

HSL 247.42, 0.5%, 0.35%

LAB 24.66, 31.38, -48.43

 

CMYK 0 / 67 / 61 / 47

HEX #872D34

RGB 135 45 52

HSL 355.33, 0.5%, 0.35%

LAB 32.43, 38.92, 16.76

 

CMYK 28 / 0 / 67 / 48

HEX #60852C

RGB 96 133 44

HSL 84.94, 0.5%, 0.35%

LAB 51.2, -27.72, 42.31

 

CMYK 67 / 0 / 5 / 48

HEX #2C857E

RGB 44 133 126

HSL 175.28, 0.5%, 0.35%

LAB 50.47, -27.64, -3.94

 

CMYK 39 / 67 / 0 / 48

HEX #512C85

RGB 81 44 133

HSL 264.94, 0.5%, 0.35%

LAB 27.42, 36.69, -43.82

 

Description

Color code: RGB 135 45 52 | qconv.com Color code: RGB 135 45 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 45 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 45 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 61 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 61% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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