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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 25 225 it is the complementary color RGB 120 230 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 25 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 25 225 shade: RGB 140 25 220, RGB 157 43 239, RGB 174 61 255, RGB 191 79 255 and RGB 208 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 25 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 25 225 shade: RGB 135 25 225, RGB 118 7 206, RGB 101 0 187, RGB 84 0 168 and RGB 67 0 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 25 225 shade: RGB 134 24 224, RGB 188 24 224, RGB 224 24 207, RGB 224 24 153 and RGB 224 24 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 25 225 shade: RGB 134 24 224, RGB 81 24 224, RGB 27 24 224 and RGB 24 24 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 25 225 shade matches the following richer shades: RGB 134 24 224 and RGB 136 4 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 25 225 shade: RGB 134 24 224, RGB 132 45 204, RGB 130 65 184, RGB 128 85 164 and RGB 126 105 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 25 225 shade: RGB 28 24 224, RGB 81 24 224, RGB 134 24 224, RGB 188 24 224 and RGB 224 24 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 25 225 shade: RGB 90 16 150, RGB 112 20 187, RGB 134 24 224, RGB 154 58 233 and RGB 173 95 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 25 225 shade: RGB 135 25 225, RGB 224 24 74 and RGB 24 224 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 25 225 shade: RGB 135 25 225, RGB 224 134 24 and RGB 24 224 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 25 225 shade: RGB 135 25 225, RGB 224 24 74, RGB 114 224 24 and RGB 24 224 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 25 225 shade: RGB 135 25 225, RGB 224 34 24, RGB 114 224 24 and RGB 24 214 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 89 / 0 / 12

HEX #8719E1

RGB 135 25 225

HSL 273, 0.8%, 0.49%

LAB 40.05, 74.12, -77.72

 

Complementary color

CMYK 48 / 0 / 87 / 10

HEX #78E61E

RGB 120 230 30

HSL 93, 0.8%, 0.51%

LAB 82.21, -60.62, 76.09

 

CMYK 36 / 89 / 0 / 14

HEX #8C19DC

RGB 140 25 220

HSL 275.38, 0.8%, 0.48%

LAB 40.31, 73.68, -74.41

 

CMYK 34 / 82 / 0 / 6

HEX #9D2BEF

RGB 157 43 239

HSL 274.9, 0.86%, 0.55%

LAB 45.81, 75.33, -76.12

 

CMYK 32 / 76 / 0 / 0

HEX #AE3DFF

RGB 174 61 255

HSL 274.95, 1%, 0.62%

LAB 51.33, 75.43, -75.97

 

CMYK 25 / 69 / 0 / 0

HEX #BF4FFF

RGB 191 79 255

HSL 278.18, 1%, 0.65%

LAB 55.98, 71.6, -68.34

 

CMYK 18 / 62 / 0 / 0

HEX #D061FF

RGB 208 97 255

HSL 282.15, 1%, 0.69%

LAB 60.94, 67.47, -60.24

 

CMYK 40 / 89 / 0 / 12

HEX #8719E1

RGB 135 25 225

HSL 273, 0.8%, 0.49%

LAB 40.05, 74.12, -77.72

 

CMYK 43 / 97 / 0 / 19

HEX #7607CE

RGB 118 7 206

HSL 273.47, 0.93%, 0.42%

LAB 34.92, 71.25, -75.29

 

CMYK 46 / 100 / 0 / 27

HEX #6500BB

RGB 101 0 187

HSL 272.41, 1%, 0.37%

LAB 30.29, 66.63, -71.86

 

CMYK 50 / 100 / 0 / 34

HEX #5400A8

RGB 84 0 168

HSL 270, 1%, 0.33%

LAB 25.9, 61.01, -67.82

 

CMYK 55 / 100 / 0 / 42

HEX #430095

RGB 67 0 149

HSL 266.98, 1%, 0.29%

LAB 21.44, 55.32, -63.64

 

CMYK 40 / 89 / 0 / 12

HEX #8618E0

RGB 134 24 224

HSL 273, 0.81%, 0.49%

LAB 39.75, 74, -77.65

 

CMYK 16 / 89 / 0 / 12

HEX #BC18E0

RGB 188 24 224

HSL 289.2, 0.81%, 0.49%

LAB 47.91, 81.25, -63.99

 

CMYK 0 / 89 / 8 / 12

HEX #E018CF

RGB 224 24 207

HSL 305.1, 0.81%, 0.49%

LAB 52.96, 84.61, -45.85

 

CMYK 0 / 89 / 32 / 12

HEX #E01899

RGB 224 24 153

HSL 321.3, 0.81%, 0.49%

LAB 50.45, 78.04, -18.16

 

CMYK 0 / 89 / 56 / 12

HEX #E01863

RGB 224 24 99

HSL 337.5, 0.81%, 0.49%

LAB 48.76, 73.41, 12.16

 

CMYK 40 / 89 / 0 / 12

HEX #8618E0

RGB 134 24 224

HSL 273, 0.81%, 0.49%

LAB 39.75, 74, -77.65

 

CMYK 64 / 89 / 0 / 12

HEX #5118E0

RGB 81 24 224

HSL 257.1, 0.81%, 0.49%

LAB 33.53, 69.18, -88.13

 

CMYK 88 / 89 / 0 / 12

HEX #1B18E0

RGB 27 24 224

HSL 240.9, 0.81%, 0.49%

LAB 30.08, 66.9, -93.97

 

CMYK 89 / 89 / 0 / 12

HEX #1818E0

RGB 24 24 224

HSL 240, 0.81%, 0.49%

LAB 29.98, 66.84, -94.13

 

CMYK 40 / 89 / 0 / 12

HEX #8618E0

RGB 134 24 224

HSL 273, 0.81%, 0.49%

LAB 39.75, 74, -77.65

 

CMYK 44 / 98 / 0 / 4

HEX #8804F5

RGB 136 4 245

HSL 272.86, 0.97%, 0.49%

LAB 41.08, 81.34, -87.38

 

CMYK 40 / 89 / 0 / 12

HEX #8618E0

RGB 134 24 224

HSL 273, 0.81%, 0.49%

LAB 39.75, 74, -77.65

 

CMYK 35 / 78 / 0 / 20

HEX #842DCC

RGB 132 45 204

HSL 272.83, 0.64%, 0.49%

LAB 39.82, 63.36, -66.03

 

CMYK 29 / 65 / 0 / 28

HEX #8241B8

RGB 130 65 184

HSL 272.77, 0.48%, 0.49%

LAB 41.2, 49.61, -52.13

 

CMYK 22 / 48 / 0 / 36

HEX #8055A4

RGB 128 85 164

HSL 272.66, 0.32%, 0.49%

LAB 43.9, 33.42, -36.03

 

CMYK 13 / 27 / 0 / 44

HEX #7E6990

RGB 126 105 144

HSL 272.31, 0.16%, 0.49%

LAB 47.69, 16.22, -18.27

 

CMYK 88 / 89 / 0 / 12

HEX #1C18E0

RGB 28 24 224

HSL 241.2, 0.81%, 0.49%

LAB 30.11, 66.92, -93.91

 

CMYK 64 / 89 / 0 / 12

HEX #5118E0

RGB 81 24 224

HSL 257.1, 0.81%, 0.49%

LAB 33.53, 69.18, -88.13

 

CMYK 40 / 89 / 0 / 12

HEX #8618E0

RGB 134 24 224

HSL 273, 0.81%, 0.49%

LAB 39.75, 74, -77.65

 

CMYK 16 / 89 / 0 / 12

HEX #BC18E0

RGB 188 24 224

HSL 289.2, 0.81%, 0.49%

LAB 47.91, 81.25, -63.99

 

CMYK 0 / 89 / 7 / 12

HEX #E018D0

RGB 224 24 208

HSL 304.8, 0.81%, 0.49%

LAB 53.01, 84.75, -46.34

 

CMYK 40 / 89 / 0 / 41

HEX #5A1096

RGB 90 16 150

HSL 273.13, 0.81%, 0.33%

LAB 26, 54.28, -56.63

 

CMYK 40 / 89 / 0 / 27

HEX #7014BB

RGB 112 20 187

HSL 273.05, 0.81%, 0.41%

LAB 32.99, 64.35, -67.36

 

CMYK 40 / 89 / 0 / 12

HEX #8618E0

RGB 134 24 224

HSL 273, 0.81%, 0.49%

LAB 39.75, 74, -77.65

 

CMYK 34 / 75 / 0 / 9

HEX #9A3AE9

RGB 154 58 233

HSL 272.91, 0.8%, 0.57%

LAB 46.68, 68.52, -71.32

 

CMYK 27 / 60 / 0 / 7

HEX #AD5FED

RGB 173 95 237

HSL 272.96, 0.8%, 0.65%

LAB 55.26, 56.64, -59.59

 

CMYK 40 / 89 / 0 / 12

HEX #8719E1

RGB 135 25 225

HSL 273, 0.8%, 0.49%

LAB 40.05, 74.12, -77.72

 

CMYK 0 / 89 / 67 / 12

HEX #E0184A

RGB 224 24 74

HSL 345, 0.81%, 0.49%

LAB 48.25, 71.97, 26.82

 

CMYK 89 / 0 / 76 / 12

HEX #18E036

RGB 24 224 54

HSL 129, 0.81%, 0.49%

LAB 78.33, -75.1, 65.67

 

CMYK 40 / 89 / 0 / 12

HEX #8719E1

RGB 135 25 225

HSL 273, 0.8%, 0.49%

LAB 40.05, 74.12, -77.72

 

CMYK 0 / 40 / 89 / 12

HEX #E08618

RGB 224 134 24

HSL 33, 0.81%, 0.49%

LAB 64.13, 27.51, 65.84

 

CMYK 89 / 0 / 40 / 12

HEX #18E086

RGB 24 224 134

HSL 153, 0.81%, 0.49%

LAB 79.17, -64.81, 31.73

 

CMYK 40 / 89 / 0 / 12

HEX #8719E1

RGB 135 25 225

HSL 273, 0.8%, 0.49%

LAB 40.05, 74.12, -77.72

 

CMYK 0 / 89 / 67 / 12

HEX #E0184A

RGB 224 24 74

HSL 345, 0.81%, 0.49%

LAB 48.25, 71.97, 26.82

 

CMYK 49 / 0 / 89 / 12

HEX #72E018

RGB 114 224 24

HSL 93, 0.81%, 0.49%

LAB 80.15, -60.36, 75.31

 

CMYK 89 / 0 / 22 / 12

HEX #18E0AE

RGB 24 224 174

HSL 165, 0.81%, 0.49%

LAB 79.93, -56.24, 12

 

CMYK 40 / 89 / 0 / 12

HEX #8719E1

RGB 135 25 225

HSL 273, 0.8%, 0.49%

LAB 40.05, 74.12, -77.72

 

CMYK 0 / 85 / 89 / 12

HEX #E02218

RGB 224 34 24

HSL 3, 0.81%, 0.49%

LAB 48.33, 68.64, 54.09

 

CMYK 49 / 0 / 89 / 12

HEX #72E018

RGB 114 224 24

HSL 93, 0.81%, 0.49%

LAB 80.15, -60.36, 75.31

 

CMYK 89 / 4 / 0 / 12

HEX #18D6E0

RGB 24 214 224

HSL 183, 0.81%, 0.49%

LAB 78.27, -38.38, -17.1

 

Description

Color code: RGB 135 25 225 | qconv.com Color code: RGB 135 25 225 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 25 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 25 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 89 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 89% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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