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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 209 61 it is the complementary color RGB 120 46 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 209 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 209 61 shade: RGB 140 209 56, RGB 157 227 75, RGB 174 245 94, RGB 191 255 113 and RGB 208 255 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 209 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 209 61 shade: RGB 135 209 61, RGB 118 191 42, RGB 101 173 23, RGB 84 155 4 and RGB 67 137 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 209 61 shade: RGB 135 209 60, RGB 175 209 60, RGB 209 203 60, RGB 209 163 60 and RGB 209 123 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 209 61 shade: RGB 135 209 60, RGB 95 209 60, RGB 60 209 66, RGB 60 209 106 and RGB 60 209 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 209 61 shade matches the following richer shades: RGB 135 209 60, RGB 135 228 41 and RGB 135 248 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 209 61 shade: RGB 135 209 60, RGB 135 190 80, RGB 135 170 99, RGB 135 151 119 and RGB 135 131 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 209 61 shade: RGB 209 204 60, RGB 174 209 60, RGB 135 209 60, RGB 95 209 60 and RGB 60 209 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 209 61 shade: RGB 93 152 35, RGB 114 185 43, RGB 135 209 60, RGB 155 217 94 and RGB 176 225 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 209 61 shade: RGB 135 209 61, RGB 60 209 164 and RGB 209 60 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 209 61 shade: RGB 135 209 61, RGB 60 135 209 and RGB 209 60 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 209 61 shade: RGB 135 209 61, RGB 60 209 164, RGB 135 60 209 and RGB 209 60 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 209 61 shade: RGB 135 209 61, RGB 60 209 209, RGB 135 60 209 and RGB 209 60 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 71 / 18

HEX #87D13D

RGB 135 209 61

HSL 90, 0.62%, 0.53%

LAB 76.73, -46.05, 62.67

 

Complementary color

CMYK 38 / 76 / 0 / 24

HEX #782EC2

RGB 120 46 194

HSL 270, 0.62%, 0.47%

LAB 37.56, 58.71, -63.96

 

CMYK 33 / 0 / 73 / 18

HEX #8CD138

RGB 140 209 56

HSL 87.06, 0.62%, 0.52%

LAB 76.96, -44.6, 64.74

 

CMYK 31 / 0 / 67 / 11

HEX #9DE34B

RGB 157 227 75

HSL 87.63, 0.73%, 0.59%

LAB 83.24, -44.98, 64.48

 

CMYK 29 / 0 / 62 / 4

HEX #AEF55E

RGB 174 245 94

HSL 88.21, 0.88%, 0.66%

LAB 89.45, -45.23, 63.84

 

CMYK 25 / 0 / 56 / 0

HEX #BFFF71

RGB 191 255 113

HSL 87.04, 1%, 0.72%

LAB 93.36, -41.92, 60.43

 

CMYK 18 / 0 / 48 / 0

HEX #D0FF84

RGB 208 255 132

HSL 82.93, 1%, 0.76%

LAB 94.57, -33.96, 53.54

 

CMYK 35 / 0 / 71 / 18

HEX #87D13D

RGB 135 209 61

HSL 90, 0.62%, 0.53%

LAB 76.73, -46.05, 62.67

 

CMYK 38 / 0 / 78 / 25

HEX #76BF2A

RGB 118 191 42

HSL 89.4, 0.64%, 0.46%

LAB 70.37, -45.57, 62.58

 

CMYK 42 / 0 / 87 / 32

HEX #65AD17

RGB 101 173 23

HSL 88.8, 0.77%, 0.38%

LAB 63.93, -44.84, 61.51

 

CMYK 46 / 0 / 97 / 39

HEX #549B04

RGB 84 155 4

HSL 88.21, 0.95%, 0.31%

LAB 57.4, -43.81, 59.01

 

CMYK 51 / 0 / 100 / 46

HEX #438900

RGB 67 137 0

HSL 90.66, 1%, 0.27%

LAB 50.79, -42.3, 54.14

 

CMYK 35 / 0 / 71 / 18

HEX #87D13C

RGB 135 209 60

HSL 89.8, 0.62%, 0.53%

LAB 76.73, -46.12, 63.03

 

CMYK 16 / 0 / 71 / 18

HEX #AFD13C

RGB 175 209 60

HSL 73.69, 0.62%, 0.53%

LAB 79.06, -31.07, 66.13

 

CMYK 0 / 3 / 71 / 18

HEX #D1CB3C

RGB 209 203 60

HSL 57.58, 0.62%, 0.53%

LAB 79.95, -14.12, 67.86

 

CMYK 0 / 22 / 71 / 18

HEX #D1A33C

RGB 209 163 60

HSL 41.48, 0.62%, 0.53%

LAB 69.52, 6.7, 57.55

 

CMYK 0 / 41 / 71 / 18

HEX #D17B3C

RGB 209 123 60

HSL 25.37, 0.62%, 0.53%

LAB 59.93, 28.32, 47.55

 

CMYK 35 / 0 / 71 / 18

HEX #87D13C

RGB 135 209 60

HSL 89.8, 0.62%, 0.53%

LAB 76.73, -46.12, 63.03

 

CMYK 55 / 0 / 71 / 18

HEX #5FD13C

RGB 95 209 60

HSL 105.91, 0.62%, 0.53%

LAB 75.05, -58.45, 60.79

 

CMYK 71 / 0 / 68 / 18

HEX #3CD142

RGB 60 209 66

HSL 122.42, 0.62%, 0.53%

LAB 74.16, -65.52, 57.31

 

CMYK 71 / 0 / 49 / 18

HEX #3CD16A

RGB 60 209 106

HSL 138.52, 0.62%, 0.53%

LAB 74.57, -60.64, 39.9

 

CMYK 71 / 0 / 30 / 18

HEX #3CD192

RGB 60 209 146

HSL 154.63, 0.62%, 0.53%

LAB 75.22, -53.34, 20.27

 

CMYK 35 / 0 / 71 / 18

HEX #87D13C

RGB 135 209 60

HSL 89.8, 0.62%, 0.53%

LAB 76.73, -46.12, 63.03

 

CMYK 41 / 0 / 82 / 11

HEX #87E429

RGB 135 228 41

HSL 89.84, 0.78%, 0.53%

LAB 82.27, -54.8, 74.02

 

CMYK 46 / 0 / 91 / 3

HEX #87F816

RGB 135 248 22

HSL 90, 0.94%, 0.53%

LAB 88.13, -62.93, 82.55

 

CMYK 35 / 0 / 71 / 18

HEX #87D13C

RGB 135 209 60

HSL 89.8, 0.62%, 0.53%

LAB 76.73, -46.12, 63.03

 

CMYK 29 / 0 / 58 / 25

HEX #87BE50

RGB 135 190 80

HSL 90, 0.46%, 0.53%

LAB 71.25, -36.22, 48.94

 

CMYK 21 / 0 / 42 / 33

HEX #87AA63

RGB 135 170 99

HSL 89.58, 0.29%, 0.53%

LAB 65.59, -24.57, 32.73

 

CMYK 11 / 0 / 21 / 41

HEX #879777

RGB 135 151 119

HSL 90, 0.13%, 0.53%

LAB 60.44, -11.76, 14.99

 

CMYK 2 / 5 / 0 / 46

HEX #87838A

RGB 135 131 138

HSL 274.29, 0.03%, 0.53%

LAB 55.3, 2.88, -3.24

 

CMYK 0 / 2 / 71 / 18

HEX #D1CC3C

RGB 209 204 60

HSL 57.99, 0.62%, 0.53%

LAB 80.22, -14.62, 68.11

 

CMYK 17 / 0 / 71 / 18

HEX #AED13C

RGB 174 209 60

HSL 74.09, 0.62%, 0.53%

LAB 79, -31.47, 66.04

 

CMYK 35 / 0 / 71 / 18

HEX #87D13C

RGB 135 209 60

HSL 89.8, 0.62%, 0.53%

LAB 76.73, -46.12, 63.03

 

CMYK 55 / 0 / 71 / 18

HEX #5FD13C

RGB 95 209 60

HSL 105.91, 0.62%, 0.53%

LAB 75.05, -58.45, 60.79

 

CMYK 71 / 0 / 69 / 18

HEX #3CD141

RGB 60 209 65

HSL 122.01, 0.62%, 0.53%

LAB 74.15, -65.61, 57.69

 

CMYK 39 / 0 / 77 / 40

HEX #5D9823

RGB 93 152 35

HSL 90.26, 0.63%, 0.37%

LAB 56.98, -38.24, 51.67

 

CMYK 38 / 0 / 77 / 27

HEX #72B92B

RGB 114 185 43

HSL 90, 0.62%, 0.45%

LAB 68.35, -44.4, 60.28

 

CMYK 35 / 0 / 71 / 18

HEX #87D13C

RGB 135 209 60

HSL 89.8, 0.62%, 0.53%

LAB 76.73, -46.12, 63.03

 

CMYK 29 / 0 / 57 / 15

HEX #9BD95E

RGB 155 217 94

HSL 90.24, 0.62%, 0.61%

LAB 80.41, -39.75, 53.4

 

CMYK 22 / 0 / 44 / 12

HEX #B0E17F

RGB 176 225 127

HSL 90, 0.62%, 0.69%

LAB 84.28, -32.27, 42.78

 

CMYK 35 / 0 / 71 / 18

HEX #87D13D

RGB 135 209 61

HSL 90, 0.62%, 0.53%

LAB 76.73, -46.05, 62.67

 

CMYK 71 / 0 / 22 / 18

HEX #3CD1A4

RGB 60 209 164

HSL 161.88, 0.62%, 0.53%

LAB 75.6, -49.32, 11.23

 

CMYK 0 / 71 / 7 / 18

HEX #D13CC2

RGB 209 60 194

HSL 306.04, 0.62%, 0.53%

LAB 52.6, 71.51, -39.1

 

CMYK 35 / 0 / 71 / 18

HEX #87D13D

RGB 135 209 61

HSL 90, 0.62%, 0.53%

LAB 76.73, -46.05, 62.67

 

CMYK 71 / 35 / 0 / 18

HEX #3C87D1

RGB 60 135 209

HSL 209.8, 0.62%, 0.53%

LAB 54.96, 1.3, -44.82

 

CMYK 0 / 71 / 35 / 18

HEX #D13C87

RGB 209 60 135

HSL 329.8, 0.62%, 0.53%

LAB 50.14, 63.77, -8.1

 

CMYK 35 / 0 / 71 / 18

HEX #87D13D

RGB 135 209 61

HSL 90, 0.62%, 0.53%

LAB 76.73, -46.05, 62.67

 

CMYK 71 / 0 / 22 / 18

HEX #3CD1A4

RGB 60 209 164

HSL 161.88, 0.62%, 0.53%

LAB 75.6, -49.32, 11.23

 

CMYK 35 / 71 / 0 / 18

HEX #873CD1

RGB 135 60 209

HSL 270.2, 0.62%, 0.53%

LAB 42.74, 58.9, -64.14

 

CMYK 0 / 71 / 50 / 18

HEX #D13C69

RGB 209 60 105

HSL 341.88, 0.62%, 0.53%

LAB 49.26, 60.87, 8.78

 

CMYK 35 / 0 / 71 / 18

HEX #87D13D

RGB 135 209 61

HSL 90, 0.62%, 0.53%

LAB 76.73, -46.05, 62.67

 

CMYK 71 / 0 / 0 / 18

HEX #3CD1D1

RGB 60 209 209

HSL 180, 0.62%, 0.53%

LAB 76.78, -37.57, -11.23

 

CMYK 35 / 71 / 0 / 18

HEX #873CD1

RGB 135 60 209

HSL 270.2, 0.62%, 0.53%

LAB 42.74, 58.9, -64.14

 

CMYK 0 / 71 / 71 / 18

HEX #D13C3C

RGB 209 60 60

HSL 0, 0.62%, 0.53%

LAB 48.4, 57.95, 34.66

 

Description

Color code: RGB 135 209 61 | qconv.com Color code: RGB 135 209 61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 209 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 209 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 71 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 71% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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