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Color name
RGB 135 182 92

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 182 92 it is the complementary color RGB 120 73 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 182 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 182 92 shade: RGB 140 182 87, RGB 157 200 106, RGB 174 218 125, RGB 191 236 144 and RGB 208 254 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 182 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 182 92 shade: RGB 135 182 92, RGB 118 164 73, RGB 101 146 54, RGB 84 128 35 and RGB 67 110 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 182 92 shade: RGB 135 182 93, RGB 159 182 93, RGB 182 180 93, RGB 182 156 93 and RGB 182 132 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 182 92 shade: RGB 135 182 93, RGB 111 182 93, RGB 93 182 98, RGB 93 182 122 and RGB 93 182 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 182 92 shade matches the following richer shades: RGB 135 182 93, RGB 134 201 74, RGB 134 220 55 and RGB 133 239 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 182 92 shade: RGB 135 182 93, RGB 136 163 112, RGB 137 144 131, RGB 138 125 150 and RGB 139 106 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 182 92 shade: RGB 182 180 93, RGB 159 182 93, RGB 136 182 93, RGB 112 182 93 and RGB 93 182 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 182 92 shade: RGB 94 133 59, RGB 115 161 72, RGB 135 182 93, RGB 156 195 121 and RGB 177 207 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 182 92 shade: RGB 135 182 92, RGB 93 182 157 and RGB 182 93 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 182 92 shade: RGB 135 182 92, RGB 93 136 182 and RGB 182 93 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 182 92 shade: RGB 135 182 92, RGB 93 182 157, RGB 139 93 182 and RGB 182 93 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 182 92 shade: RGB 135 182 92, RGB 93 180 182, RGB 139 93 182 and RGB 182 94 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 49 / 29

HEX #87B65C

RGB 135 182 92

HSL 91.33, 0.38%, 0.54%

LAB 69.03, -31.24, 40.58

 

Complementary color

CMYK 26 / 55 / 0 / 36

HEX #7849A3

RGB 120 73 163

HSL 271.33, 0.38%, 0.46%

LAB 40.25, 37.81, -41.27

 

CMYK 23 / 0 / 52 / 29

HEX #8CB657

RGB 140 182 87

HSL 86.53, 0.39%, 0.53%

LAB 69.27, -29.92, 43.4

 

CMYK 22 / 0 / 47 / 22

HEX #9DC86A

RGB 157 200 106

HSL 87.45, 0.46%, 0.6%

LAB 75.77, -29.96, 42.24

 

CMYK 20 / 0 / 43 / 15

HEX #AEDA7D

RGB 174 218 125

HSL 88.39, 0.56%, 0.67%

LAB 82.18, -29.96, 41.08

 

CMYK 19 / 0 / 39 / 7

HEX #BFEC90

RGB 191 236 144

HSL 89.35, 0.71%, 0.75%

LAB 88.49, -29.92, 39.94

 

CMYK 18 / 0 / 36 / 0

HEX #D0FEA3

RGB 208 254 163

HSL 90.33, 0.98%, 0.82%

LAB 94.71, -29.87, 38.83

 

CMYK 26 / 0 / 49 / 29

HEX #87B65C

RGB 135 182 92

HSL 91.33, 0.38%, 0.54%

LAB 69.03, -31.24, 40.58

 

CMYK 28 / 0 / 55 / 36

HEX #76A449

RGB 118 164 73

HSL 90.33, 0.38%, 0.46%

LAB 62.41, -31.21, 41.74

 

CMYK 31 / 0 / 63 / 43

HEX #659236

RGB 101 146 54

HSL 89.35, 0.46%, 0.39%

LAB 55.68, -31.09, 42.76

 

CMYK 34 / 0 / 73 / 50

HEX #548023

RGB 84 128 35

HSL 88.39, 0.57%, 0.32%

LAB 48.82, -30.8, 43.42

 

CMYK 39 / 0 / 85 / 57

HEX #436E10

RGB 67 110 16

HSL 87.45, 0.75%, 0.25%

LAB 41.82, -30.24, 43.15

 

CMYK 26 / 0 / 49 / 29

HEX #87B65D

RGB 135 182 93

HSL 91.69, 0.38%, 0.54%

LAB 69.04, -31.12, 40.1

 

CMYK 13 / 0 / 49 / 29

HEX #9FB65D

RGB 159 182 93

HSL 75.51, 0.38%, 0.54%

LAB 70.61, -21.87, 42.37

 

CMYK 0 / 1 / 49 / 29

HEX #B6B45D

RGB 182 180 93

HSL 58.65, 0.38%, 0.54%

LAB 71.81, -11.49, 44.24

 

CMYK 0 / 14 / 49 / 29

HEX #B69C5D

RGB 182 156 93

HSL 42.47, 0.38%, 0.54%

LAB 65.37, 1.25, 36.38

 

CMYK 0 / 27 / 49 / 29

HEX #B6845D

RGB 182 132 93

HSL 26.29, 0.38%, 0.54%

LAB 59.19, 14.49, 28.56

 

CMYK 26 / 0 / 49 / 29

HEX #87B65D

RGB 135 182 93

HSL 91.69, 0.38%, 0.54%

LAB 69.04, -31.12, 40.1

 

CMYK 39 / 0 / 49 / 29

HEX #6FB65D

RGB 111 182 93

HSL 107.87, 0.38%, 0.54%

LAB 67.74, -39.5, 38.22

 

CMYK 49 / 0 / 46 / 29

HEX #5DB662

RGB 93 182 98

HSL 123.37, 0.38%, 0.54%

LAB 67.02, -44.28, 34.62

 

CMYK 49 / 0 / 33 / 29

HEX #5DB67A

RGB 93 182 122

HSL 139.55, 0.38%, 0.54%

LAB 67.42, -40.25, 22.53

 

CMYK 49 / 0 / 20 / 29

HEX #5DB692

RGB 93 182 146

HSL 155.73, 0.38%, 0.54%

LAB 67.92, -35.35, 10.19

 

CMYK 26 / 0 / 49 / 29

HEX #87B65D

RGB 135 182 93

HSL 91.69, 0.38%, 0.54%

LAB 69.04, -31.12, 40.1

 

CMYK 33 / 0 / 63 / 21

HEX #86C94A

RGB 134 201 74

HSL 91.65, 0.54%, 0.54%

LAB 74.4, -42, 55.09

 

CMYK 39 / 0 / 75 / 14

HEX #86DC37

RGB 134 220 55

HSL 91.27, 0.7%, 0.54%

LAB 79.91, -51.28, 67.85

 

CMYK 44 / 0 / 85 / 6

HEX #85EF24

RGB 133 239 36

HSL 91.33, 0.86%, 0.54%

LAB 85.43, -59.83, 77.88

 

CMYK 26 / 0 / 49 / 29

HEX #87B65D

RGB 135 182 93

HSL 91.69, 0.38%, 0.54%

LAB 69.04, -31.12, 40.1

 

CMYK 17 / 0 / 31 / 36

HEX #88A370

RGB 136 163 112

HSL 91.76, 0.22%, 0.54%

LAB 63.83, -18.81, 23.5

 

CMYK 5 / 0 / 9 / 44

HEX #899083

RGB 137 144 131

HSL 92.31, 0.06%, 0.54%

LAB 58.88, -5.06, 6.03

 

CMYK 8 / 17 / 0 / 41

HEX #8A7D96

RGB 138 125 150

HSL 271.2, 0.11%, 0.54%

LAB 54.31, 9.93, -11.63

 

CMYK 18 / 37 / 0 / 34

HEX #8B6AA9

RGB 139 106 169

HSL 271.43, 0.27%, 0.54%

LAB 50.29, 25.68, -28.86

 

CMYK 0 / 1 / 49 / 29

HEX #B6B45D

RGB 182 180 93

HSL 58.65, 0.38%, 0.54%

LAB 71.81, -11.49, 44.24

 

CMYK 13 / 0 / 49 / 29

HEX #9FB65D

RGB 159 182 93

HSL 75.51, 0.38%, 0.54%

LAB 70.61, -21.87, 42.37

 

CMYK 25 / 0 / 49 / 29

HEX #88B65D

RGB 136 182 93

HSL 91.01, 0.38%, 0.54%

LAB 69.1, -30.75, 40.19

 

CMYK 38 / 0 / 49 / 29

HEX #70B65D

RGB 112 182 93

HSL 107.19, 0.38%, 0.54%

LAB 67.79, -39.17, 38.29

 

CMYK 49 / 0 / 47 / 29

HEX #5DB661

RGB 93 182 97

HSL 122.7, 0.38%, 0.54%

LAB 67.01, -44.43, 35.11

 

CMYK 29 / 0 / 56 / 48

HEX #5E853B

RGB 94 133 59

HSL 91.62, 0.39%, 0.38%

LAB 51.23, -27.05, 35.16

 

CMYK 29 / 0 / 55 / 37

HEX #73A148

RGB 115 161 72

HSL 91.01, 0.38%, 0.46%

LAB 61.31, -31.03, 40.89

 

CMYK 26 / 0 / 49 / 29

HEX #87B65D

RGB 135 182 93

HSL 91.69, 0.38%, 0.54%

LAB 69.04, -31.12, 40.1

 

CMYK 20 / 0 / 38 / 24

HEX #9CC379

RGB 156 195 121

HSL 91.62, 0.38%, 0.62%

LAB 74.49, -26.05, 33.04

 

CMYK 14 / 0 / 28 / 19

HEX #B1CF96

RGB 177 207 150

HSL 91.58, 0.37%, 0.7%

LAB 79.71, -20.14, 25.11

 

CMYK 26 / 0 / 49 / 29

HEX #87B65C

RGB 135 182 92

HSL 91.33, 0.38%, 0.54%

LAB 69.03, -31.24, 40.58

 

CMYK 49 / 0 / 14 / 29

HEX #5DB69D

RGB 93 182 157

HSL 163.15, 0.38%, 0.54%

LAB 68.18, -32.84, 4.53

 

CMYK 0 / 49 / 6 / 29

HEX #B65DAB

RGB 182 93 171

HSL 307.42, 0.38%, 0.54%

LAB 52.64, 46.68, -25.99

 

CMYK 26 / 0 / 49 / 29

HEX #87B65C

RGB 135 182 92

HSL 91.33, 0.38%, 0.54%

LAB 69.03, -31.24, 40.58

 

CMYK 49 / 25 / 0 / 29

HEX #5D88B6

RGB 93 136 182

HSL 211.01, 0.38%, 0.54%

LAB 55.39, -1.85, -28.71

 

CMYK 0 / 49 / 25 / 29

HEX #B65D88

RGB 182 93 136

HSL 331.01, 0.38%, 0.54%

LAB 51.33, 41.1, -7.38

 

CMYK 26 / 0 / 49 / 29

HEX #87B65C

RGB 135 182 92

HSL 91.33, 0.38%, 0.54%

LAB 69.03, -31.24, 40.58

 

CMYK 49 / 0 / 14 / 29

HEX #5DB69D

RGB 93 182 157

HSL 163.15, 0.38%, 0.54%

LAB 68.18, -32.84, 4.53

 

CMYK 24 / 49 / 0 / 29

HEX #8B5DB6

RGB 139 93 182

HSL 271.01, 0.38%, 0.54%

LAB 47.87, 36.28, -40.23

 

CMYK 0 / 49 / 35 / 29

HEX #B65D76

RGB 182 93 118

HSL 343.15, 0.38%, 0.54%

LAB 50.78, 38.69, 2.55

 

CMYK 26 / 0 / 49 / 29

HEX #87B65C

RGB 135 182 92

HSL 91.33, 0.38%, 0.54%

LAB 69.03, -31.24, 40.58

 

CMYK 49 / 1 / 0 / 29

HEX #5DB4B6

RGB 93 180 182

HSL 181.35, 0.38%, 0.54%

LAB 68.28, -25.57, -9.12

 

CMYK 24 / 49 / 0 / 29

HEX #8B5DB6

RGB 139 93 182

HSL 271.01, 0.38%, 0.54%

LAB 47.87, 36.28, -40.23

 

CMYK 0 / 48 / 49 / 29

HEX #B65E5D

RGB 182 94 93

HSL 0.67, 0.38%, 0.54%

LAB 50.38, 35.38, 16.88

 

Description

Color code: RGB 135 182 92 | qconv.com Color code: RGB 135 182 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 182 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 182 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 49 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 49% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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