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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 185 12 it is the complementary color RGB 120 70 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 185 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 185 12 shade: RGB 140 185 7, RGB 157 203 26, RGB 174 221 45, RGB 191 239 64 and RGB 208 255 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 185 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 185 12 shade: RGB 135 185 12, RGB 118 167 0, RGB 101 149 0, RGB 84 131 0 and RGB 67 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 185 12 shade: RGB 136 186 11, RGB 183 186 11, RGB 186 143 11, RGB 186 95 11 and RGB 186 48 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 185 12 shade: RGB 136 186 11, RGB 89 186 11, RGB 41 186 11, RGB 11 186 29 and RGB 11 186 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 185 12 shade matches the following richer shades: RGB 136 186 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 185 12 shade: RGB 136 186 11, RGB 129 170 28, RGB 122 154 44, RGB 116 138 60 and RGB 109 122 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 185 12 shade: RGB 186 143 11, RGB 184 186 11, RGB 137 186 11, RGB 90 186 11 and RGB 44 186 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 185 12 shade: RGB 79 109 6, RGB 108 148 9, RGB 136 186 11, RGB 164 225 14 and RGB 183 241 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 185 12 shade: RGB 135 185 12, RGB 11 186 96 and RGB 166 11 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 185 12 shade: RGB 135 185 12, RGB 11 137 186 and RGB 186 11 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 185 12 shade: RGB 135 185 12, RGB 11 186 96, RGB 61 11 186 and RGB 186 11 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 185 12 shade: RGB 135 185 12, RGB 11 186 149, RGB 61 11 186 and RGB 186 11 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 94 / 27

HEX #87B90C

RGB 135 185 12

HSL 77.34, 0.88%, 0.39%

LAB 69.38, -37.69, 68.64

 

Complementary color

CMYK 51 / 71 / 0 / 5

HEX #7846F3

RGB 120 70 243

HSL 257.34, 0.88%, 0.61%

LAB 45.42, 60.3, -79.18

 

CMYK 24 / 0 / 96 / 27

HEX #8CB907

RGB 140 185 7

HSL 75.17, 0.93%, 0.38%

LAB 69.67, -35.79, 69.59

 

CMYK 23 / 0 / 87 / 20

HEX #9DCB1A

RGB 157 203 26

HSL 75.59, 0.77%, 0.45%

LAB 76.04, -36.83, 72.38

 

CMYK 21 / 0 / 80 / 13

HEX #AEDD2D

RGB 174 221 45

HSL 76.02, 0.72%, 0.52%

LAB 82.33, -37.66, 73.82

 

CMYK 20 / 0 / 73 / 6

HEX #BFEF40

RGB 191 239 64

HSL 76.46, 0.85%, 0.59%

LAB 88.53, -38.31, 74.32

 

CMYK 18 / 0 / 67 / 0

HEX #D0FF53

RGB 208 255 83

HSL 76.4, 1%, 0.66%

LAB 94.12, -37.94, 73.66

 

CMYK 27 / 0 / 94 / 27

HEX #87B90C

RGB 135 185 12

HSL 77.34, 0.88%, 0.39%

LAB 69.38, -37.69, 68.64

 

CMYK 29 / 0 / 100 / 35

HEX #76A700

RGB 118 167 0

HSL 77.6, 1%, 0.33%

LAB 62.92, -36.51, 64.66

 

CMYK 32 / 0 / 100 / 42

HEX #659500

RGB 101 149 0

HSL 79.33, 1%, 0.29%

LAB 56.35, -35.12, 59.19

 

CMYK 36 / 0 / 100 / 49

HEX #548300

RGB 84 131 0

HSL 81.53, 1%, 0.26%

LAB 49.64, -33.69, 53.6

 

CMYK 41 / 0 / 100 / 56

HEX #437100

RGB 67 113 0

HSL 84.42, 1%, 0.22%

LAB 42.77, -32.2, 47.89

 

CMYK 27 / 0 / 94 / 27

HEX #88BA0B

RGB 136 186 11

HSL 77.14, 0.89%, 0.39%

LAB 69.74, -37.76, 69.07

 

CMYK 2 / 0 / 94 / 27

HEX #B7BA0B

RGB 183 186 11

HSL 61.03, 0.89%, 0.39%

LAB 73.03, -18.18, 73.06

 

CMYK 0 / 23 / 94 / 27

HEX #BA8F0B

RGB 186 143 11

HSL 45.26, 0.89%, 0.39%

LAB 61.75, 5.81, 64.7

 

CMYK 0 / 49 / 94 / 27

HEX #BA5F0B

RGB 186 95 11

HSL 28.8, 0.89%, 0.39%

LAB 50.27, 32.13, 56.45

 

CMYK 0 / 74 / 94 / 27

HEX #BA300B

RGB 186 48 11

HSL 12.69, 0.89%, 0.39%

LAB 42.12, 53.51, 51.03

 

CMYK 27 / 0 / 94 / 27

HEX #88BA0B

RGB 136 186 11

HSL 77.14, 0.89%, 0.39%

LAB 69.74, -37.76, 69.07

 

CMYK 52 / 0 / 94 / 27

HEX #59BA0B

RGB 89 186 11

HSL 93.26, 0.89%, 0.39%

LAB 67.48, -54.03, 66.31

 

CMYK 78 / 0 / 94 / 27

HEX #29BA0B

RGB 41 186 11

HSL 109.71, 0.89%, 0.39%

LAB 66.22, -64.47, 64.76

 

CMYK 94 / 0 / 84 / 27

HEX #0BBA1D

RGB 11 186 29

HSL 126.17, 0.89%, 0.39%

LAB 65.96, -66.6, 61.09

 

CMYK 94 / 0 / 59 / 27

HEX #0BBA4C

RGB 11 186 76

HSL 142.29, 0.89%, 0.39%

LAB 66.3, -62.37, 44.1

 

CMYK 27 / 0 / 94 / 27

HEX #88BA0B

RGB 136 186 11

HSL 77.14, 0.89%, 0.39%

LAB 69.74, -37.76, 69.07

 

CMYK 27 / 0 / 94 / 27

HEX #88BA0B

RGB 136 186 11

HSL 77.14, 0.89%, 0.39%

LAB 69.74, -37.76, 69.07

 

CMYK 24 / 0 / 84 / 33

HEX #81AA1C

RGB 129 170 28

HSL 77.32, 0.72%, 0.39%

LAB 64.56, -32.83, 61.47

 

CMYK 21 / 0 / 71 / 40

HEX #7A9A2C

RGB 122 154 44

HSL 77.45, 0.56%, 0.39%

LAB 59.37, -27.3, 51.3

 

CMYK 16 / 0 / 57 / 46

HEX #748A3C

RGB 116 138 60

HSL 76.92, 0.39%, 0.39%

LAB 54.26, -20.53, 38.56

 

CMYK 11 / 0 / 38 / 52

HEX #6D7A4C

RGB 109 122 76

HSL 76.96, 0.23%, 0.39%

LAB 49.12, -13.09, 23.62

 

CMYK 0 / 23 / 94 / 27

HEX #BA8F0B

RGB 186 143 11

HSL 45.26, 0.89%, 0.39%

LAB 61.75, 5.81, 64.7

 

CMYK 1 / 0 / 94 / 27

HEX #B8BA0B

RGB 184 186 11

HSL 60.69, 0.89%, 0.39%

LAB 73.11, -17.75, 73.15

 

CMYK 26 / 0 / 94 / 27

HEX #89BA0B

RGB 137 186 11

HSL 76.8, 0.89%, 0.39%

LAB 69.8, -37.37, 69.15

 

CMYK 52 / 0 / 94 / 27

HEX #5ABA0B

RGB 90 186 11

HSL 92.91, 0.89%, 0.39%

LAB 67.51, -53.74, 66.35

 

CMYK 76 / 0 / 94 / 27

HEX #2CBA0B

RGB 44 186 11

HSL 108.69, 0.89%, 0.39%

LAB 66.27, -64.03, 64.82

 

CMYK 28 / 0 / 94 / 57

HEX #4F6D06

RGB 79 109 6

HSL 77.48, 0.9%, 0.23%

LAB 42.17, -25.19, 46.27

 

CMYK 27 / 0 / 94 / 42

HEX #6C9409

RGB 108 148 9

HSL 77.27, 0.89%, 0.31%

LAB 56.47, -31.65, 58.03

 

CMYK 27 / 0 / 94 / 27

HEX #88BA0B

RGB 136 186 11

HSL 77.14, 0.89%, 0.39%

LAB 69.74, -37.76, 69.07

 

CMYK 27 / 0 / 94 / 12

HEX #A4E10E

RGB 164 225 14

HSL 77.35, 0.88%, 0.47%

LAB 82.79, -44.05, 79.77

 

CMYK 24 / 0 / 83 / 5

HEX #B7F128

RGB 183 241 40

HSL 77.31, 0.88%, 0.55%

LAB 88.51, -43.2, 80.67

 

CMYK 27 / 0 / 94 / 27

HEX #87B90C

RGB 135 185 12

HSL 77.34, 0.88%, 0.39%

LAB 69.38, -37.69, 68.64

 

CMYK 94 / 0 / 48 / 27

HEX #0BBA60

RGB 11 186 96

HSL 149.14, 0.89%, 0.39%

LAB 66.55, -59.36, 34.67

 

CMYK 11 / 94 / 0 / 27

HEX #A60BBA

RGB 166 11 186

HSL 293.14, 0.89%, 0.39%

LAB 41.04, 73.23, -53.28

 

CMYK 27 / 0 / 94 / 27

HEX #87B90C

RGB 135 185 12

HSL 77.34, 0.88%, 0.39%

LAB 69.38, -37.69, 68.64

 

CMYK 94 / 26 / 0 / 27

HEX #0B89BA

RGB 11 137 186

HSL 196.8, 0.89%, 0.39%

LAB 53.5, -12.72, -34.12

 

CMYK 0 / 94 / 26 / 27

HEX #BA0B89

RGB 186 11 137

HSL 316.8, 0.89%, 0.39%

LAB 41.98, 69.97, -22.12

 

CMYK 27 / 0 / 94 / 27

HEX #87B90C

RGB 135 185 12

HSL 77.34, 0.88%, 0.39%

LAB 69.38, -37.69, 68.64

 

CMYK 94 / 0 / 48 / 27

HEX #0BBA60

RGB 11 186 96

HSL 149.14, 0.89%, 0.39%

LAB 66.55, -59.36, 34.67

 

CMYK 67 / 94 / 0 / 27

HEX #3D0BBA

RGB 61 11 186

HSL 257.14, 0.89%, 0.39%

LAB 26.09, 61.56, -78.37

 

CMYK 0 / 94 / 45 / 27

HEX #BA0B66

RGB 186 11 102

HSL 328.8, 0.89%, 0.39%

LAB 40.63, 66.41, -2.37

 

CMYK 27 / 0 / 94 / 27

HEX #87B90C

RGB 135 185 12

HSL 77.34, 0.88%, 0.39%

LAB 69.38, -37.69, 68.64

 

CMYK 94 / 0 / 20 / 27

HEX #0BBA95

RGB 11 186 149

HSL 167.31, 0.89%, 0.39%

LAB 67.55, -47.98, 7.79

 

CMYK 67 / 94 / 0 / 27

HEX #3D0BBA

RGB 61 11 186

HSL 257.14, 0.89%, 0.39%

LAB 26.09, 61.56, -78.37

 

CMYK 0 / 94 / 74 / 27

HEX #BA0B31

RGB 186 11 49

HSL 346.97, 0.89%, 0.39%

LAB 39.41, 63.06, 29.57

 

Description

Color code: RGB 135 185 12 | qconv.com Color code: RGB 135 185 12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 185 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 185 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 94 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 94% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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