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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 81 18 it is the complementary color RGB 121 174 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 81 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 81 18 shade: RGB 139 81 13, RGB 156 99 32, RGB 173 117 51, RGB 190 135 70 and RGB 207 153 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 81 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 81 18 shade: RGB 134 81 18, RGB 117 63 0, RGB 100 45 0, RGB 83 27 0 and RGB 66 9 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 81 18 shade: RGB 134 81 18, RGB 134 50 18, RGB 134 18 18 and RGB 134 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 81 18 shade: RGB 134 81 18, RGB 134 112 18, RGB 125 134 18, RGB 93 134 18 and RGB 62 134 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 81 18 shade matches the following richer shades: RGB 134 81 18 and RGB 147 82 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 81 18 shade: RGB 134 81 18, RGB 122 80 30, RGB 109 79 43, RGB 97 78 55 and RGB 85 77 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 81 18 shade: RGB 134 18 18, RGB 134 49 18, RGB 134 80 18, RGB 134 111 18 and RGB 126 134 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 81 18 shade: RGB 62 37 8, RGB 98 59 13, RGB 134 81 18, RGB 170 103 23 and RGB 207 125 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 81 18 shade: RGB 134 81 18, RGB 49 134 18 and RGB 33 18 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 81 18 shade: RGB 134 81 18, RGB 18 134 80 and RGB 80 18 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 81 18 shade: RGB 134 81 18, RGB 49 134 18, RGB 18 72 134 and RGB 103 18 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 81 18 shade: RGB 134 81 18, RGB 18 134 22, RGB 18 72 134 and RGB 134 18 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 87 / 47

HEX #865112

RGB 134 81 18

HSL 32.59, 0.76%, 0.3%

LAB 39.58, 17.29, 42.91

 

Complementary color

CMYK 49 / 27 / 0 / 7

HEX #79AEED

RGB 121 174 237

HSL 212.59, 0.76%, 0.7%

LAB 69.79, -0.45, -36.9

 

CMYK 0 / 42 / 91 / 45

HEX #8B510D

RGB 139 81 13

HSL 32.38, 0.83%, 0.3%

LAB 40.25, 19.46, 45.46

 

CMYK 0 / 37 / 79 / 39

HEX #9C6320

RGB 156 99 32

HSL 32.42, 0.66%, 0.37%

LAB 47.1, 17.43, 45.19

 

CMYK 0 / 32 / 71 / 32

HEX #AD7533

RGB 173 117 51

HSL 32.46, 0.54%, 0.44%

LAB 53.86, 15.74, 44.04

 

CMYK 0 / 29 / 63 / 25

HEX #BE8746

RGB 190 135 70

HSL 32.5, 0.48%, 0.51%

LAB 60.53, 14.31, 42.62

 

CMYK 0 / 26 / 57 / 19

HEX #CF9959

RGB 207 153 89

HSL 32.54, 0.55%, 0.58%

LAB 67.1, 13.11, 41.16

 

CMYK 0 / 40 / 87 / 47

HEX #865112

RGB 134 81 18

HSL 32.59, 0.76%, 0.3%

LAB 39.58, 17.29, 42.91

 

CMYK 0 / 46 / 100 / 54

HEX #753F00

RGB 117 63 0

HSL 32.31, 1%, 0.23%

LAB 32.56, 19.53, 42.76

 

CMYK 0 / 55 / 100 / 61

HEX #642D00

RGB 100 45 0

HSL 27, 1%, 0.2%

LAB 25.52, 22.24, 36.01

 

CMYK 0 / 67 / 100 / 67

HEX #531B00

RGB 83 27 0

HSL 19.52, 1%, 0.16%

LAB 18.47, 24.77, 27.58

 

CMYK 0 / 86 / 100 / 74

HEX #420900

RGB 66 9 0

HSL 8.18, 1%, 0.13%

LAB 11.65, 26.39, 18.11

 

CMYK 0 / 40 / 87 / 47

HEX #865112

RGB 134 81 18

HSL 32.59, 0.76%, 0.3%

LAB 39.58, 17.29, 42.91

 

CMYK 0 / 63 / 87 / 47

HEX #863212

RGB 134 50 18

HSL 16.55, 0.76%, 0.3%

LAB 32.69, 34.41, 36.92

 

CMYK 0 / 87 / 87 / 47

HEX #861212

RGB 134 18 18

HSL 0, 0.76%, 0.3%

LAB 28.23, 46.61, 32.94

 

CMYK 0 / 87 / 87 / 47

HEX #861212

RGB 134 18 18

HSL 0, 0.76%, 0.3%

LAB 28.23, 46.61, 32.94

 

CMYK 0 / 40 / 87 / 47

HEX #865112

RGB 134 81 18

HSL 32.59, 0.76%, 0.3%

LAB 39.58, 17.29, 42.91

 

CMYK 0 / 16 / 87 / 47

HEX #867012

RGB 134 112 18

HSL 48.62, 0.76%, 0.3%

LAB 47.88, -0.8, 49.96

 

CMYK 7 / 0 / 87 / 47

HEX #7D8612

RGB 125 134 18

HSL 64.66, 0.76%, 0.3%

LAB 53.44, -17.1, 54.3

 

CMYK 31 / 0 / 87 / 47

HEX #5D8612

RGB 93 134 18

HSL 81.21, 0.76%, 0.3%

LAB 51.18, -30.96, 51.46

 

CMYK 54 / 0 / 87 / 47

HEX #3E8612

RGB 62 134 18

HSL 97.24, 0.76%, 0.3%

LAB 49.64, -42.1, 49.52

 

CMYK 0 / 40 / 87 / 47

HEX #865112

RGB 134 81 18

HSL 32.59, 0.76%, 0.3%

LAB 39.58, 17.29, 42.91

 

CMYK 0 / 44 / 97 / 42

HEX #935205

RGB 147 82 5

HSL 32.54, 0.93%, 0.3%

LAB 41.61, 22.35, 49.21

 

CMYK 0 / 40 / 87 / 47

HEX #865112

RGB 134 81 18

HSL 32.59, 0.76%, 0.3%

LAB 39.58, 17.29, 42.91

 

CMYK 0 / 34 / 75 / 52

HEX #7A501E

RGB 122 80 30

HSL 32.61, 0.61%, 0.3%

LAB 37.79, 12.77, 35.39

 

CMYK 0 / 28 / 61 / 57

HEX #6D4F2B

RGB 109 79 43

HSL 32.73, 0.43%, 0.3%

LAB 36.02, 8.14, 25.95

 

CMYK 0 / 20 / 43 / 62

HEX #614E37

RGB 97 78 55

HSL 32.86, 0.28%, 0.3%

LAB 34.53, 4.41, 16.62

 

CMYK 0 / 9 / 21 / 67

HEX #554D43

RGB 85 77 67

HSL 33.33, 0.12%, 0.3%

LAB 33.23, 1.43, 7.14

 

CMYK 0 / 87 / 87 / 47

HEX #861212

RGB 134 18 18

HSL 0, 0.76%, 0.3%

LAB 28.23, 46.61, 32.94

 

CMYK 0 / 63 / 87 / 47

HEX #863112

RGB 134 49 18

HSL 16.03, 0.76%, 0.3%

LAB 32.5, 34.9, 36.75

 

CMYK 0 / 40 / 87 / 47

HEX #865012

RGB 134 80 18

HSL 32.07, 0.76%, 0.3%

LAB 39.33, 17.88, 42.7

 

CMYK 0 / 17 / 87 / 47

HEX #866F12

RGB 134 111 18

HSL 48.1, 0.76%, 0.3%

LAB 47.6, -0.23, 49.72

 

CMYK 6 / 0 / 87 / 47

HEX #7E8612

RGB 126 134 18

HSL 64.14, 0.76%, 0.3%

LAB 53.52, -16.65, 54.4

 

CMYK 0 / 40 / 87 / 76

HEX #3E2508

RGB 62 37 8

HSL 32.22, 0.77%, 0.14%

LAB 17.3, 8.89, 22.04

 

CMYK 0 / 40 / 87 / 62

HEX #623B0D

RGB 98 59 13

HSL 32.47, 0.77%, 0.22%

LAB 28.78, 13.25, 33.46

 

CMYK 0 / 40 / 87 / 47

HEX #865112

RGB 134 81 18

HSL 32.59, 0.76%, 0.3%

LAB 39.58, 17.29, 42.91

 

CMYK 0 / 39 / 86 / 33

HEX #AA6717

RGB 170 103 23

HSL 32.65, 0.76%, 0.38%

LAB 49.87, 21.13, 51.8

 

CMYK 0 / 40 / 86 / 19

HEX #CF7D1C

RGB 207 125 28

HSL 32.51, 0.76%, 0.46%

LAB 59.9, 25.23, 60.45

 

CMYK 0 / 40 / 87 / 47

HEX #865112

RGB 134 81 18

HSL 32.59, 0.76%, 0.3%

LAB 39.58, 17.29, 42.91

 

CMYK 63 / 0 / 87 / 47

HEX #318612

RGB 49 134 18

HSL 103.97, 0.76%, 0.3%

LAB 49.19, -45.72, 48.95

 

CMYK 75 / 87 / 0 / 47

HEX #211286

RGB 33 18 134

HSL 247.76, 0.76%, 0.3%

LAB 17.82, 43.41, -60.4

 

CMYK 0 / 40 / 87 / 47

HEX #865112

RGB 134 81 18

HSL 32.59, 0.76%, 0.3%

LAB 39.58, 17.29, 42.91

 

CMYK 87 / 0 / 40 / 47

HEX #128650

RGB 18 134 80

HSL 152.07, 0.76%, 0.3%

LAB 49.2, -43.26, 20.76

 

CMYK 40 / 87 / 0 / 47

HEX #501286

RGB 80 18 134

HSL 272.07, 0.76%, 0.3%

LAB 23.2, 48.57, -51.33

 

CMYK 0 / 40 / 87 / 47

HEX #865112

RGB 134 81 18

HSL 32.59, 0.76%, 0.3%

LAB 39.58, 17.29, 42.91

 

CMYK 63 / 0 / 87 / 47

HEX #318612

RGB 49 134 18

HSL 103.97, 0.76%, 0.3%

LAB 49.19, -45.72, 48.95

 

CMYK 87 / 46 / 0 / 47

HEX #124886

RGB 18 72 134

HSL 212.07, 0.76%, 0.3%

LAB 30.6, 7.4, -39.52

 

CMYK 23 / 87 / 0 / 47

HEX #671286

RGB 103 18 134

HSL 283.97, 0.76%, 0.3%

LAB 26.84, 52.27, -45.24

 

CMYK 0 / 40 / 87 / 47

HEX #865112

RGB 134 81 18

HSL 32.59, 0.76%, 0.3%

LAB 39.58, 17.29, 42.91

 

CMYK 87 / 0 / 84 / 47

HEX #128616

RGB 18 134 22

HSL 122.07, 0.76%, 0.3%

LAB 48.56, -51.05, 47.02

 

CMYK 87 / 46 / 0 / 47

HEX #124886

RGB 18 72 134

HSL 212.07, 0.76%, 0.3%

LAB 30.6, 7.4, -39.52

 

CMYK 0 / 87 / 3 / 47

HEX #861282

RGB 134 18 130

HSL 302.07, 0.76%, 0.3%

LAB 32.06, 57.38, -34.05

 

Description

Color code: RGB 134 81 18 | qconv.com Color code: RGB 134 81 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 81 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 81 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 87 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 87% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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