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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 77 213 it is the complementary color RGB 121 178 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 77 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 77 213 shade: RGB 139 77 208, RGB 156 95 227, RGB 173 113 246, RGB 190 131 255 and RGB 207 149 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 77 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 77 213 shade: RGB 134 77 213, RGB 117 59 194, RGB 100 41 175, RGB 83 23 156 and RGB 66 5 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 77 213 shade: RGB 134 77 213, RGB 171 77 213, RGB 207 77 213, RGB 213 77 182 and RGB 213 77 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 77 213 shade: RGB 134 77 213, RGB 97 77 213 and RGB 77 77 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 77 213 shade matches the following richer shades: RGB 134 77 213, RGB 131 59 231 and RGB 128 41 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 77 213 shade: RGB 134 77 213, RGB 137 95 195, RGB 140 112 177, RGB 142 130 160 and RGB 145 148 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 77 213 shade: RGB 77 93 213, RGB 97 77 213, RGB 134 77 213, RGB 170 77 213 and RGB 206 77 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 77 213 shade: RGB 93 39 168, RGB 112 47 202, RGB 134 77 213, RGB 157 110 221 and RGB 179 144 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 77 213 shade: RGB 134 77 213, RGB 213 77 129 and RGB 77 213 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 77 213 shade: RGB 134 77 213, RGB 213 134 77 and RGB 77 213 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 77 213 shade: RGB 134 77 213, RGB 213 77 129, RGB 156 213 77 and RGB 77 213 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 77 213 shade: RGB 134 77 213, RGB 213 77 88, RGB 156 213 77 and RGB 77 213 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

Complementary color

CMYK 32 / 0 / 76 / 30

HEX #79B22A

RGB 121 178 42

HSL 85.15, 0.62%, 0.43%

LAB 66.58, -38.92, 59.04

 

CMYK 33 / 63 / 0 / 18

HEX #8B4DD0

RGB 139 77 208

HSL 268.4, 0.58%, 0.56%

LAB 46.11, 51.29, -58.09

 

CMYK 31 / 58 / 0 / 11

HEX #9C5FE3

RGB 156 95 227

HSL 267.73, 0.7%, 0.63%

LAB 52.73, 50.39, -58.15

 

CMYK 30 / 54 / 0 / 4

HEX #AD71F6

RGB 173 113 246

HSL 267.07, 0.88%, 0.7%

LAB 59.3, 49.44, -58.14

 

CMYK 25 / 49 / 0 / 0

HEX #BE83FF

RGB 190 131 255

HSL 268.55, 1%, 0.76%

LAB 65.28, 46.17, -53.46

 

CMYK 19 / 42 / 0 / 0

HEX #CF95FF

RGB 207 149 255

HSL 272.83, 1%, 0.79%

LAB 70.86, 41.08, -44.55

 

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

CMYK 40 / 70 / 0 / 24

HEX #753BC2

RGB 117 59 194

HSL 265.78, 0.53%, 0.5%

LAB 39.25, 52.34, -61.21

 

CMYK 43 / 77 / 0 / 31

HEX #6429AF

RGB 100 41 175

HSL 266.42, 0.62%, 0.42%

LAB 32.68, 52.88, -60.79

 

CMYK 47 / 85 / 0 / 39

HEX #53179C

RGB 83 23 156

HSL 267.07, 0.74%, 0.35%

LAB 26.31, 52.68, -59.84

 

CMYK 52 / 96 / 0 / 46

HEX #420589

RGB 66 5 137

HSL 267.73, 0.93%, 0.28%

LAB 20.33, 51.12, -58

 

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

CMYK 20 / 64 / 0 / 16

HEX #AB4DD5

RGB 171 77 213

HSL 281.47, 0.62%, 0.57%

LAB 50.42, 59.58, -53.82

 

CMYK 3 / 64 / 0 / 16

HEX #CF4DD5

RGB 207 77 213

HSL 297.35, 0.62%, 0.57%

LAB 55.46, 67.92, -45.49

 

CMYK 0 / 64 / 15 / 16

HEX #D54DB6

RGB 213 77 182

HSL 313.68, 0.62%, 0.57%

LAB 54.9, 64.48, -28.52

 

CMYK 0 / 64 / 32 / 16

HEX #D54D91

RGB 213 77 145

HSL 330, 0.62%, 0.57%

LAB 53.49, 59.55, -8.99

 

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

CMYK 54 / 64 / 0 / 16

HEX #614DD5

RGB 97 77 213

HSL 248.82, 0.62%, 0.57%

LAB 42.24, 44.35, -67.44

 

CMYK 64 / 64 / 0 / 16

HEX #4D4DD5

RGB 77 77 213

HSL 240, 0.62%, 0.57%

LAB 40.72, 41.18, -69.98

 

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

CMYK 43 / 74 / 0 / 9

HEX #833BE7

RGB 131 59 231

HSL 265.12, 0.78%, 0.57%

LAB 43.83, 63.94, -74.96

 

CMYK 48 / 83 / 0 / 3

HEX #8029F8

RGB 128 41 248

HSL 265.22, 0.94%, 0.57%

LAB 42.69, 74.23, -86.44

 

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

CMYK 30 / 51 / 0 / 24

HEX #895FC3

RGB 137 95 195

HSL 265.2, 0.45%, 0.57%

LAB 48.81, 37.79, -46.29

 

CMYK 21 / 37 / 0 / 31

HEX #8C70B1

RGB 140 112 177

HSL 265.85, 0.29%, 0.57%

LAB 52.22, 24.36, -30.5

 

CMYK 11 / 19 / 0 / 37

HEX #8E82A0

RGB 142 130 160

HSL 264, 0.14%, 0.57%

LAB 56.34, 10.59, -14.33

 

CMYK 2 / 0 / 4 / 42

HEX #91948E

RGB 145 148 142

HSL 90, 0.03%, 0.57%

LAB 60.92, -2.25, 2.78

 

CMYK 64 / 56 / 0 / 16

HEX #4D5DD5

RGB 77 93 213

HSL 232.94, 0.62%, 0.57%

LAB 44.53, 31.36, -63.77

 

CMYK 54 / 64 / 0 / 16

HEX #614DD5

RGB 97 77 213

HSL 248.82, 0.62%, 0.57%

LAB 42.24, 44.35, -67.44

 

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

CMYK 20 / 64 / 0 / 16

HEX #AA4DD5

RGB 170 77 213

HSL 281.03, 0.62%, 0.57%

LAB 50.28, 59.36, -54.04

 

CMYK 3 / 64 / 0 / 16

HEX #CE4DD5

RGB 206 77 213

HSL 296.91, 0.62%, 0.57%

LAB 55.31, 67.68, -45.73

 

CMYK 45 / 77 / 0 / 34

HEX #5D27A8

RGB 93 39 168

HSL 265.12, 0.62%, 0.41%

LAB 30.89, 50.84, -59.56

 

CMYK 45 / 77 / 0 / 21

HEX #702FCA

RGB 112 47 202

HSL 265.16, 0.62%, 0.49%

LAB 37.38, 58.96, -68.96

 

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

CMYK 29 / 50 / 0 / 13

HEX #9D6EDD

RGB 157 110 221

HSL 265.41, 0.62%, 0.65%

LAB 55.62, 41.02, -50.13

 

CMYK 22 / 37 / 0 / 10

HEX #B390E5

RGB 179 144 229

HSL 264.71, 0.62%, 0.73%

LAB 65.89, 29.97, -38.27

 

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

CMYK 0 / 64 / 39 / 16

HEX #D54D81

RGB 213 77 129

HSL 337.06, 0.62%, 0.57%

LAB 52.99, 57.75, -0.22

 

CMYK 64 / 0 / 63 / 16

HEX #4DD54F

RGB 77 213 79

HSL 120.88, 0.62%, 0.57%

LAB 75.9, -62.39, 54.01

 

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

CMYK 0 / 37 / 64 / 16

HEX #D5864D

RGB 213 134 77

HSL 25.15, 0.62%, 0.57%

LAB 63.12, 25.05, 42.76

 

CMYK 64 / 0 / 37 / 16

HEX #4DD586

RGB 77 213 134

HSL 145.15, 0.62%, 0.57%

LAB 76.61, -54.43, 28.48

 

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

CMYK 0 / 64 / 39 / 16

HEX #D54D81

RGB 213 77 129

HSL 337.06, 0.62%, 0.57%

LAB 52.99, 57.75, -0.22

 

CMYK 27 / 0 / 64 / 16

HEX #9CD54D

RGB 156 213 77

HSL 85.15, 0.62%, 0.57%

LAB 79.15, -39.09, 59.34

 

CMYK 64 / 0 / 24 / 16

HEX #4DD5A1

RGB 77 213 161

HSL 157.06, 0.62%, 0.57%

LAB 77.12, -48.96, 15.03

 

CMYK 37 / 64 / 0 / 16

HEX #864DD5

RGB 134 77 213

HSL 265.15, 0.62%, 0.57%

LAB 45.88, 51.47, -61.36

 

CMYK 0 / 64 / 59 / 16

HEX #D54D58

RGB 213 77 88

HSL 355.15, 0.62%, 0.57%

LAB 52.02, 54.14, 22.88

 

CMYK 27 / 0 / 64 / 16

HEX #9CD54D

RGB 156 213 77

HSL 85.15, 0.62%, 0.57%

LAB 79.15, -39.09, 59.34

 

CMYK 64 / 0 / 5 / 16

HEX #4DD5CA

RGB 77 213 202

HSL 175.15, 0.62%, 0.57%

LAB 78.13, -38.96, -5.43

 

Description

Color code: RGB 134 77 213 | qconv.com Color code: RGB 134 77 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 77 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 77 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 64 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 64% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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