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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 66 239 it is the complementary color RGB 121 189 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 66 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 66 239 shade: RGB 139 66 234, RGB 156 84 253, RGB 173 102 255, RGB 190 120 255 and RGB 207 138 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 66 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 66 239 shade: RGB 134 66 239, RGB 117 48 220, RGB 100 30 201, RGB 83 12 182 and RGB 66 0 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 66 239 shade: RGB 134 67 238, RGB 180 67 238, RGB 227 67 238, RGB 238 67 204 and RGB 238 67 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 66 239 shade: RGB 134 67 238, RGB 88 67 238 and RGB 67 67 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 66 239 shade matches the following richer shades: RGB 134 67 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 66 239 shade: RGB 134 67 238, RGB 138 83 222, RGB 141 100 205, RGB 145 116 189 and RGB 148 133 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 66 239 shade: RGB 67 93 238, RGB 87 67 238, RGB 133 67 238, RGB 178 67 238 and RGB 224 67 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 66 239 shade: RGB 91 17 205, RGB 110 29 235, RGB 134 67 238, RGB 159 105 241 and RGB 183 143 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 66 239 shade: RGB 134 66 239, RGB 238 67 138 and RGB 70 238 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 66 239 shade: RGB 134 66 239, RGB 238 133 67 and RGB 67 238 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 66 239 shade: RGB 134 66 239, RGB 238 67 138, RGB 172 238 67 and RGB 67 238 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 66 239 shade: RGB 134 66 239, RGB 238 67 87, RGB 172 238 67 and RGB 67 238 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 72 / 0 / 6

HEX #8642EF

RGB 134 66 239

HSL 263.58, 0.84%, 0.6%

LAB 45.9, 63.32, -76.08

 

Complementary color

CMYK 36 / 0 / 92 / 26

HEX #79BD10

RGB 121 189 16

HSL 83.58, 0.84%, 0.4%

LAB 69.82, -44.62, 68.13

 

CMYK 41 / 72 / 0 / 8

HEX #8B42EA

RGB 139 66 234

HSL 266.07, 0.8%, 0.59%

LAB 46.08, 62.91, -72.95

 

CMYK 38 / 67 / 0 / 1

HEX #9C54FD

RGB 156 84 253

HSL 265.56, 0.98%, 0.66%

LAB 52.4, 62.23, -73.22

 

CMYK 32 / 60 / 0 / 0

HEX #AD66FF

RGB 173 102 255

HSL 267.84, 1%, 0.7%

LAB 57.66, 57.29, -65.73

 

CMYK 25 / 53 / 0 / 0

HEX #BE78FF

RGB 190 120 255

HSL 271.11, 1%, 0.74%

LAB 63.01, 52, -57.06

 

CMYK 19 / 46 / 0 / 0

HEX #CF8AFF

RGB 207 138 255

HSL 275.38, 1%, 0.77%

LAB 68.51, 46.96, -48.24

 

CMYK 44 / 72 / 0 / 6

HEX #8642EF

RGB 134 66 239

HSL 263.58, 0.84%, 0.6%

LAB 45.9, 63.32, -76.08

 

CMYK 47 / 78 / 0 / 14

HEX #7530DC

RGB 117 48 220

HSL 264.07, 0.71%, 0.53%

LAB 39.69, 63.73, -75.55

 

CMYK 50 / 85 / 0 / 21

HEX #641EC9

RGB 100 30 201

HSL 264.56, 0.74%, 0.45%

LAB 33.68, 63.45, -74.51

 

CMYK 54 / 93 / 0 / 29

HEX #530CB6

RGB 83 12 182

HSL 265.06, 0.88%, 0.38%

LAB 28.06, 61.91, -72.65

 

CMYK 60 / 100 / 0 / 36

HEX #4200A3

RGB 66 0 163

HSL 264.29, 1%, 0.32%

LAB 23.01, 58.55, -69.64

 

CMYK 44 / 72 / 0 / 7

HEX #8643EE

RGB 134 67 238

HSL 263.51, 0.83%, 0.6%

LAB 45.98, 62.62, -75.39

 

CMYK 24 / 72 / 0 / 7

HEX #B443EE

RGB 180 67 238

HSL 279.65, 0.83%, 0.6%

LAB 51.71, 70.77, -65.82

 

CMYK 5 / 72 / 0 / 7

HEX #E343EE

RGB 227 67 238

HSL 296.14, 0.83%, 0.6%

LAB 58.53, 80.01, -54.51

 

CMYK 0 / 72 / 14 / 7

HEX #EE43CC

RGB 238 67 204

HSL 311.93, 0.83%, 0.6%

LAB 58.56, 77.27, -35.16

 

CMYK 0 / 72 / 34 / 7

HEX #EE439D

RGB 238 67 157

HSL 328.42, 0.83%, 0.6%

LAB 56.71, 71.48, -10.81

 

CMYK 44 / 72 / 0 / 7

HEX #8643EE

RGB 134 67 238

HSL 263.51, 0.83%, 0.6%

LAB 45.98, 62.62, -75.39

 

CMYK 63 / 72 / 0 / 7

HEX #5843EE

RGB 88 67 238

HSL 247.37, 0.83%, 0.6%

LAB 41.63, 56.08, -82.69

 

CMYK 72 / 72 / 0 / 7

HEX #4343EE

RGB 67 67 238

HSL 240, 0.83%, 0.6%

LAB 40.21, 53.87, -85.07

 

CMYK 44 / 72 / 0 / 7

HEX #8643EE

RGB 134 67 238

HSL 263.51, 0.83%, 0.6%

LAB 45.98, 62.62, -75.39

 

CMYK 44 / 72 / 0 / 7

HEX #8643EE

RGB 134 67 238

HSL 263.51, 0.83%, 0.6%

LAB 45.98, 62.62, -75.39

 

CMYK 38 / 63 / 0 / 13

HEX #8A53DE

RGB 138 83 222

HSL 263.74, 0.68%, 0.6%

LAB 48.09, 51.46, -62.9

 

CMYK 31 / 51 / 0 / 20

HEX #8D64CD

RGB 141 100 205

HSL 263.43, 0.51%, 0.6%

LAB 50.9, 38.52, -48.67

 

CMYK 23 / 39 / 0 / 26

HEX #9174BD

RGB 145 116 189

HSL 263.84, 0.36%, 0.6%

LAB 54.22, 26.44, -34.25

 

CMYK 14 / 23 / 0 / 33

HEX #9485AC

RGB 148 133 172

HSL 263.08, 0.19%, 0.6%

LAB 58.08, 13.55, -18.52

 

CMYK 72 / 61 / 0 / 7

HEX #435DEE

RGB 67 93 238

HSL 230.88, 0.83%, 0.6%

LAB 45.9, 38.6, -75.74

 

CMYK 63 / 72 / 0 / 7

HEX #5743EE

RGB 87 67 238

HSL 247.02, 0.83%, 0.6%

LAB 41.55, 55.96, -82.82

 

CMYK 44 / 72 / 0 / 7

HEX #8543EE

RGB 133 67 238

HSL 263.16, 0.83%, 0.6%

LAB 45.87, 62.45, -75.57

 

CMYK 25 / 72 / 0 / 7

HEX #B243EE

RGB 178 67 238

HSL 278.95, 0.83%, 0.6%

LAB 51.44, 70.39, -66.27

 

CMYK 6 / 72 / 0 / 7

HEX #E043EE

RGB 224 67 238

HSL 295.09, 0.83%, 0.6%

LAB 58.07, 79.4, -55.27

 

CMYK 56 / 92 / 0 / 20

HEX #5B11CD

RGB 91 17 205

HSL 263.62, 0.85%, 0.44%

LAB 31.88, 66.99, -79.85

 

CMYK 53 / 88 / 0 / 8

HEX #6E1DEB

RGB 110 29 235

HSL 263.59, 0.84%, 0.52%

LAB 38.18, 72.81, -86.61

 

CMYK 44 / 72 / 0 / 7

HEX #8643EE

RGB 134 67 238

HSL 263.51, 0.83%, 0.6%

LAB 45.98, 62.62, -75.39

 

CMYK 34 / 56 / 0 / 5

HEX #9F69F1

RGB 159 105 241

HSL 263.82, 0.83%, 0.68%

LAB 55.91, 49.19, -60.86

 

CMYK 25 / 42 / 0 / 4

HEX #B78FF5

RGB 183 143 245

HSL 263.53, 0.84%, 0.76%

LAB 66.75, 35.4, -45.7

 

CMYK 44 / 72 / 0 / 6

HEX #8642EF

RGB 134 66 239

HSL 263.58, 0.84%, 0.6%

LAB 45.9, 63.32, -76.08

 

CMYK 0 / 72 / 42 / 7

HEX #EE438A

RGB 238 67 138

HSL 335.09, 0.83%, 0.6%

LAB 56.11, 69.56, -0.5

 

CMYK 71 / 0 / 72 / 7

HEX #46EE43

RGB 70 238 67

HSL 118.95, 0.83%, 0.6%

LAB 83.37, -72.97, 66.57

 

CMYK 44 / 72 / 0 / 6

HEX #8642EF

RGB 134 66 239

HSL 263.58, 0.84%, 0.6%

LAB 45.9, 63.32, -76.08

 

CMYK 0 / 44 / 72 / 7

HEX #EE8543

RGB 238 133 67

HSL 23.16, 0.83%, 0.6%

LAB 66.03, 35.16, 51.85

 

CMYK 72 / 0 / 44 / 7

HEX #43EE85

RGB 67 238 133

HSL 143.16, 0.83%, 0.6%

LAB 83.98, -65.48, 38.6

 

CMYK 44 / 72 / 0 / 6

HEX #8642EF

RGB 134 66 239

HSL 263.58, 0.84%, 0.6%

LAB 45.9, 63.32, -76.08

 

CMYK 0 / 72 / 42 / 7

HEX #EE438A

RGB 238 67 138

HSL 335.09, 0.83%, 0.6%

LAB 56.11, 69.56, -0.5

 

CMYK 28 / 0 / 72 / 7

HEX #ACEE43

RGB 172 238 67

HSL 83.16, 0.83%, 0.6%

LAB 87.16, -44.81, 71.61

 

CMYK 72 / 0 / 30 / 7

HEX #43EEA7

RGB 67 238 167

HSL 155.09, 0.83%, 0.6%

LAB 84.55, -59.14, 22.18

 

CMYK 44 / 72 / 0 / 6

HEX #8642EF

RGB 134 66 239

HSL 263.58, 0.84%, 0.6%

LAB 45.9, 63.32, -76.08

 

CMYK 0 / 72 / 63 / 7

HEX #EE4357

RGB 238 67 87

HSL 352.98, 0.83%, 0.6%

LAB 54.95, 65.69, 28.12

 

CMYK 28 / 0 / 72 / 7

HEX #ACEE43

RGB 172 238 67

HSL 83.16, 0.83%, 0.6%

LAB 87.16, -44.81, 71.61

 

CMYK 72 / 0 / 8 / 7

HEX #43EEDA

RGB 67 238 218

HSL 172.98, 0.83%, 0.6%

LAB 85.71, -47.13, -2.78

 

Description

Color code: RGB 134 66 239 | qconv.com Color code: RGB 134 66 239 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 66 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 66 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 72 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 72% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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