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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 56 142 it is the complementary color RGB 121 199 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 56 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 56 142 shade: RGB 139 56 137, RGB 156 74 156, RGB 173 92 175, RGB 190 110 194 and RGB 207 128 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 56 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 56 142 shade: RGB 134 56 142, RGB 117 38 123, RGB 100 20 104, RGB 83 2 85 and RGB 66 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 56 142 shade: RGB 134 56 142, RGB 142 56 127, RGB 142 56 104, RGB 142 56 80 and RGB 142 56 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 56 142 shade: RGB 134 56 142, RGB 111 56 142, RGB 88 56 142, RGB 65 56 142 and RGB 56 56 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 56 142 shade matches the following richer shades: RGB 134 56 142, RGB 147 40 158, RGB 160 24 174 and RGB 173 8 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 56 142 shade: RGB 134 56 142, RGB 121 72 126, RGB 108 88 110, RGB 94 104 93 and RGB 81 121 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 56 142 shade: RGB 88 56 142, RGB 110 56 142, RGB 133 56 142, RGB 142 56 127 and RGB 142 56 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 56 142 shade: RGB 78 33 83, RGB 106 44 112, RGB 134 56 142, RGB 162 68 171 and RGB 180 91 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 56 142 shade: RGB 134 56 142, RGB 142 65 56 and RGB 56 142 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 56 142 shade: RGB 134 56 142, RGB 142 133 56 and RGB 56 142 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 56 142 shade: RGB 134 56 142, RGB 142 65 56, RGB 65 142 56 and RGB 56 133 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 56 142 shade: RGB 134 56 142, RGB 142 90 56, RGB 65 142 56 and RGB 56 108 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 61 / 0 / 44

HEX #86388E

RGB 134 56 142

HSL 294.42, 0.43%, 0.39%

LAB 37.57, 45.9, -32.73

 

Complementary color

CMYK 39 / 0 / 43 / 22

HEX #79C771

RGB 121 199 113

HSL 114.42, 0.43%, 0.61%

LAB 73.61, -41.02, 35.61

 

CMYK 0 / 60 / 1 / 45

HEX #8B3889

RGB 139 56 137

HSL 301.45, 0.43%, 0.38%

LAB 38.06, 46.33, -28.84

 

CMYK 0 / 53 / 0 / 39

HEX #9C4A9C

RGB 156 74 156

HSL 300, 0.36%, 0.45%

LAB 44.75, 45.87, -29.67

 

CMYK 1 / 47 / 0 / 31

HEX #AD5CAF

RGB 173 92 175

HSL 298.55, 0.34%, 0.52%

LAB 51.42, 45.22, -30.3

 

CMYK 2 / 43 / 0 / 24

HEX #BE6EC2

RGB 190 110 194

HSL 297.14, 0.41%, 0.6%

LAB 58.03, 44.49, -30.8

 

CMYK 3 / 40 / 0 / 16

HEX #CF80D5

RGB 207 128 213

HSL 295.76, 0.5%, 0.67%

LAB 64.57, 43.74, -31.22

 

CMYK 6 / 61 / 0 / 44

HEX #86388E

RGB 134 56 142

HSL 294.42, 0.43%, 0.39%

LAB 37.57, 45.9, -32.73

 

CMYK 5 / 69 / 0 / 52

HEX #75267B

RGB 117 38 123

HSL 295.76, 0.53%, 0.32%

LAB 30.87, 46, -31.73

 

CMYK 4 / 81 / 0 / 59

HEX #641468

RGB 100 20 104

HSL 297.14, 0.68%, 0.24%

LAB 24.35, 45.24, -30.13

 

CMYK 2 / 98 / 0 / 67

HEX #530255

RGB 83 2 85

HSL 298.55, 0.95%, 0.17%

LAB 18.09, 43.22, -27.72

 

CMYK 0 / 100 / 0 / 74

HEX #420042

RGB 66 0 66

HSL 300, 1%, 0.13%

LAB 12.93, 37.25, -23.07

 

CMYK 6 / 61 / 0 / 44

HEX #86388E

RGB 134 56 142

HSL 294.42, 0.43%, 0.39%

LAB 37.57, 45.9, -32.73

 

CMYK 0 / 61 / 11 / 44

HEX #8E387F

RGB 142 56 127

HSL 310.47, 0.43%, 0.39%

LAB 38.04, 45.42, -22.68

 

CMYK 0 / 61 / 27 / 44

HEX #8E3868

RGB 142 56 104

HSL 326.51, 0.43%, 0.39%

LAB 37.08, 41.84, -9.8

 

CMYK 0 / 61 / 44 / 44

HEX #8E3850

RGB 142 56 80

HSL 343.26, 0.43%, 0.39%

LAB 36.29, 38.79, 4.28

 

CMYK 0 / 61 / 60 / 44

HEX #8E3839

RGB 142 56 57

HSL 359.3, 0.43%, 0.39%

LAB 35.74, 36.61, 18.16

 

CMYK 6 / 61 / 0 / 44

HEX #86388E

RGB 134 56 142

HSL 294.42, 0.43%, 0.39%

LAB 37.57, 45.9, -32.73

 

CMYK 22 / 61 / 0 / 44

HEX #6F388E

RGB 111 56 142

HSL 278.37, 0.43%, 0.39%

LAB 34.32, 39.76, -38.1

 

CMYK 38 / 61 / 0 / 44

HEX #58388E

RGB 88 56 142

HSL 262.33, 0.43%, 0.39%

LAB 31.48, 33.9, -42.81

 

CMYK 54 / 61 / 0 / 44

HEX #41388E

RGB 65 56 142

HSL 246.28, 0.43%, 0.39%

LAB 29.17, 28.68, -46.65

 

CMYK 61 / 61 / 0 / 44

HEX #38388E

RGB 56 56 142

HSL 240, 0.43%, 0.39%

LAB 28.44, 26.91, -47.87

 

CMYK 6 / 61 / 0 / 44

HEX #86388E

RGB 134 56 142

HSL 294.42, 0.43%, 0.39%

LAB 37.57, 45.9, -32.73

 

CMYK 7 / 75 / 0 / 38

HEX #93289E

RGB 147 40 158

HSL 294.41, 0.6%, 0.39%

LAB 38.18, 58.63, -41.36

 

CMYK 8 / 86 / 0 / 32

HEX #A018AE

RGB 160 24 174

HSL 294.4, 0.76%, 0.39%

LAB 39.89, 68.25, -48.09

 

CMYK 9 / 96 / 0 / 25

HEX #AD08BE

RGB 173 8 190

HSL 294.4, 0.92%, 0.39%

LAB 42.42, 75.29, -53.34

 

CMYK 6 / 61 / 0 / 44

HEX #86388E

RGB 134 56 142

HSL 294.42, 0.43%, 0.39%

LAB 37.57, 45.9, -32.73

 

CMYK 4 / 43 / 0 / 51

HEX #79487E

RGB 121 72 126

HSL 294.44, 0.27%, 0.39%

LAB 38.21, 30.2, -22.04

 

CMYK 2 / 20 / 0 / 57

HEX #6C586E

RGB 108 88 110

HSL 294.55, 0.11%, 0.39%

LAB 40.07, 12.51, -9.46

 

CMYK 10 / 0 / 11 / 59

HEX #5E685D

RGB 94 104 93

HSL 114.55, 0.06%, 0.39%

LAB 42.87, -6.15, 4.89

 

CMYK 33 / 0 / 36 / 53

HEX #51794D

RGB 81 121 77

HSL 114.55, 0.22%, 0.39%

LAB 46.92, -23.41, 19.81

 

CMYK 38 / 61 / 0 / 44

HEX #58388E

RGB 88 56 142

HSL 262.33, 0.43%, 0.39%

LAB 31.48, 33.9, -42.81

 

CMYK 23 / 61 / 0 / 44

HEX #6E388E

RGB 110 56 142

HSL 277.67, 0.43%, 0.39%

LAB 34.18, 39.49, -38.32

 

CMYK 6 / 61 / 0 / 44

HEX #85388E

RGB 133 56 142

HSL 293.72, 0.43%, 0.39%

LAB 37.42, 45.63, -32.97

 

CMYK 0 / 61 / 11 / 44

HEX #8E387F

RGB 142 56 127

HSL 310.47, 0.43%, 0.39%

LAB 38.04, 45.42, -22.68

 

CMYK 0 / 61 / 26 / 44

HEX #8E3869

RGB 142 56 105

HSL 325.81, 0.43%, 0.39%

LAB 37.11, 41.98, -10.37

 

CMYK 6 / 60 / 0 / 67

HEX #4E2153

RGB 78 33 83

HSL 294, 0.43%, 0.23%

LAB 21.33, 29.49, -21.29

 

CMYK 5 / 61 / 0 / 56

HEX #6A2C70

RGB 106 44 112

HSL 294.71, 0.44%, 0.31%

LAB 29.5, 38.08, -27.04

 

CMYK 6 / 61 / 0 / 44

HEX #86388E

RGB 134 56 142

HSL 294.42, 0.43%, 0.39%

LAB 37.57, 45.9, -32.73

 

CMYK 5 / 60 / 0 / 33

HEX #A244AB

RGB 162 68 171

HSL 294.76, 0.43%, 0.47%

LAB 45.3, 53.2, -37.67

 

CMYK 5 / 52 / 0 / 26

HEX #B45BBD

RGB 180 91 189

HSL 294.49, 0.43%, 0.55%

LAB 52.8, 50.39, -36.2

 

CMYK 6 / 61 / 0 / 44

HEX #86388E

RGB 134 56 142

HSL 294.42, 0.43%, 0.39%

LAB 37.57, 45.9, -32.73

 

CMYK 0 / 54 / 61 / 44

HEX #8E4138

RGB 142 65 56

HSL 6.28, 0.43%, 0.39%

LAB 37.51, 31.88, 21.07

 

CMYK 61 / 0 / 30 / 44

HEX #388E63

RGB 56 142 99

HSL 150, 0.43%, 0.39%

LAB 53.05, -36.37, 15.38

 

CMYK 6 / 61 / 0 / 44

HEX #86388E

RGB 134 56 142

HSL 294.42, 0.43%, 0.39%

LAB 37.57, 45.9, -32.73

 

CMYK 0 / 6 / 61 / 44

HEX #8E8538

RGB 142 133 56

HSL 53.72, 0.43%, 0.39%

LAB 54.88, -6.84, 41.79

 

CMYK 61 / 0 / 6 / 44

HEX #388E85

RGB 56 142 133

HSL 173.72, 0.43%, 0.39%

LAB 53.9, -27.9, -2.91

 

CMYK 6 / 61 / 0 / 44

HEX #86388E

RGB 134 56 142

HSL 294.42, 0.43%, 0.39%

LAB 37.57, 45.9, -32.73

 

CMYK 0 / 54 / 61 / 44

HEX #8E4138

RGB 142 65 56

HSL 6.28, 0.43%, 0.39%

LAB 37.51, 31.88, 21.07

 

CMYK 54 / 0 / 61 / 44

HEX #418E38

RGB 65 142 56

HSL 113.72, 0.43%, 0.39%

LAB 52.68, -41.32, 37.97

 

CMYK 61 / 6 / 0 / 44

HEX #38858E

RGB 56 133 142

HSL 186.28, 0.43%, 0.39%

LAB 51.35, -20.68, -11.95

 

CMYK 6 / 61 / 0 / 44

HEX #86388E

RGB 134 56 142

HSL 294.42, 0.43%, 0.39%

LAB 37.57, 45.9, -32.73

 

CMYK 0 / 37 / 61 / 44

HEX #8E5A38

RGB 142 90 56

HSL 23.72, 0.43%, 0.39%

LAB 43.28, 17.79, 28.28

 

CMYK 54 / 0 / 61 / 44

HEX #418E38

RGB 65 142 56

HSL 113.72, 0.43%, 0.39%

LAB 52.68, -41.32, 37.97

 

CMYK 61 / 24 / 0 / 44

HEX #386C8E

RGB 56 108 142

HSL 203.72, 0.43%, 0.39%

LAB 43.53, -6.65, -23.89

 

Description

Color code: RGB 134 56 142 | qconv.com Color code: RGB 134 56 142 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 56 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 56 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 61 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 61% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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