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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 34 81 it is the complementary color RGB 121 221 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 34 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 34 81 shade: RGB 139 34 76, RGB 156 52 95, RGB 173 70 114, RGB 190 88 133 and RGB 207 106 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 34 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 34 81 shade: RGB 134 34 81, RGB 117 16 62, RGB 100 0 43, RGB 83 0 24 and RGB 66 0 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 34 81 shade: RGB 134 33 81, RGB 134 33 53 and RGB 134 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 34 81 shade: RGB 134 33 81, RGB 134 33 108, RGB 133 33 134, RGB 106 33 134 and RGB 79 33 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 34 81 shade matches the following richer shades: RGB 134 33 81, RGB 148 20 80 and RGB 161 6 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 34 81 shade: RGB 134 33 81, RGB 121 47 81, RGB 107 60 82, RGB 93 74 83 and RGB 80 88 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 34 81 shade: RGB 132 33 134, RGB 134 33 109, RGB 134 33 82, RGB 134 33 55 and RGB 134 38 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 34 81 shade: RGB 68 17 41, RGB 101 25 61, RGB 134 33 81, RGB 167 41 101 and RGB 200 50 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 34 81 shade: RGB 134 34 81, RGB 134 106 33 and RGB 33 122 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 34 81 shade: RGB 134 34 81, RGB 82 134 33 and RGB 33 82 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 34 81 shade: RGB 134 34 81, RGB 134 106 33, RGB 33 134 85 and RGB 33 62 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 34 81 shade: RGB 134 34 81, RGB 132 134 33, RGB 33 134 85 and RGB 35 33 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 40 / 47

HEX #862251

RGB 134 34 81

HSL 331.8, 0.6%, 0.33%

LAB 31.36, 45.91, -3.72

 

Complementary color

CMYK 45 / 0 / 21 / 13

HEX #79DDAE

RGB 121 221 174

HSL 151.8, 0.6%, 0.67%

LAB 81.2, -40.01, 14.09

 

CMYK 0 / 76 / 45 / 45

HEX #8B224C

RGB 139 34 76

HSL 336, 0.61%, 0.34%

LAB 32.16, 46.86, 0.83

 

CMYK 0 / 67 / 39 / 39

HEX #9C345F

RGB 156 52 95

HSL 335.19, 0.5%, 0.41%

LAB 38.46, 46.98, -1.79

 

CMYK 0 / 60 / 34 / 32

HEX #AD4672

RGB 173 70 114

HSL 334.37, 0.42%, 0.48%

LAB 44.91, 46.57, -3.78

 

CMYK 0 / 54 / 30 / 25

HEX #BE5885

RGB 190 88 133

HSL 333.53, 0.44%, 0.55%

LAB 51.4, 45.91, -5.35

 

CMYK 0 / 49 / 27 / 19

HEX #CF6A98

RGB 207 106 152

HSL 332.67, 0.51%, 0.61%

LAB 57.89, 45.14, -6.64

 

CMYK 0 / 75 / 40 / 47

HEX #862251

RGB 134 34 81

HSL 331.8, 0.6%, 0.33%

LAB 31.36, 45.91, -3.72

 

CMYK 0 / 86 / 47 / 54

HEX #75103E

RGB 117 16 62

HSL 332.67, 0.76%, 0.26%

LAB 25.26, 44.79, -0.4

 

CMYK 0 / 100 / 57 / 61

HEX #64002B

RGB 100 0 43

HSL 334.2, 1%, 0.2%

LAB 19.57, 42.29, 4.17

 

CMYK 0 / 100 / 71 / 67

HEX #530018

RGB 83 0 24

HSL 342.65, 1%, 0.16%

LAB 14.98, 36.41, 11.05

 

CMYK 0 / 100 / 92 / 74

HEX #420005

RGB 66 0 5

HSL 355.45, 1%, 0.13%

LAB 10.33, 30.59, 14.24

 

CMYK 0 / 75 / 40 / 47

HEX #862151

RGB 134 33 81

HSL 331.49, 0.6%, 0.33%

LAB 31.23, 46.27, -3.92

 

CMYK 0 / 75 / 60 / 47

HEX #862135

RGB 134 33 53

HSL 348.12, 0.6%, 0.33%

LAB 30.43, 43.66, 13.43

 

CMYK 0 / 75 / 75 / 47

HEX #862121

RGB 134 33 33

HSL 0, 0.6%, 0.33%

LAB 30.07, 42.46, 25.91

 

CMYK 0 / 75 / 40 / 47

HEX #862151

RGB 134 33 81

HSL 331.49, 0.6%, 0.33%

LAB 31.23, 46.27, -3.92

 

CMYK 0 / 75 / 19 / 47

HEX #86216C

RGB 134 33 108

HSL 315.45, 0.6%, 0.33%

LAB 32.34, 49.78, -19.7

 

CMYK 1 / 75 / 0 / 47

HEX #852186

RGB 133 33 134

HSL 299.41, 0.6%, 0.33%

LAB 33.55, 53.69, -34.18

 

CMYK 21 / 75 / 0 / 47

HEX #6A2186

RGB 106 33 134

HSL 283.37, 0.6%, 0.33%

LAB 29.09, 47.75, -41.58

 

CMYK 41 / 75 / 0 / 47

HEX #4F2186

RGB 79 33 134

HSL 267.33, 0.6%, 0.33%

LAB 25.17, 42.31, -48.11

 

CMYK 0 / 75 / 40 / 47

HEX #862151

RGB 134 33 81

HSL 331.49, 0.6%, 0.33%

LAB 31.23, 46.27, -3.92

 

CMYK 0 / 86 / 46 / 42

HEX #941450

RGB 148 20 80

HSL 331.88, 0.76%, 0.33%

LAB 32.65, 53.81, -0.86

 

CMYK 0 / 96 / 51 / 37

HEX #A1064F

RGB 161 6 79

HSL 331.74, 0.93%, 0.33%

LAB 34.54, 59.22, 2.89

 

CMYK 0 / 75 / 40 / 47

HEX #862151

RGB 134 33 81

HSL 331.49, 0.6%, 0.33%

LAB 31.23, 46.27, -3.92

 

CMYK 0 / 61 / 33 / 53

HEX #792F51

RGB 121 47 81

HSL 332.43, 0.44%, 0.33%

LAB 31.1, 36.05, -4.37

 

CMYK 0 / 44 / 23 / 58

HEX #6B3C52

RGB 107 60 82

HSL 331.91, 0.28%, 0.33%

LAB 31.73, 23.85, -4.31

 

CMYK 0 / 20 / 11 / 64

HEX #5D4A53

RGB 93 74 83

HSL 331.58, 0.11%, 0.33%

LAB 33.67, 9.73, -2.29

 

CMYK 9 / 0 / 5 / 65

HEX #505854

RGB 80 88 84

HSL 150, 0.05%, 0.33%

LAB 36.6, -4.04, 1.23

 

CMYK 1 / 75 / 0 / 47

HEX #842186

RGB 132 33 134

HSL 298.81, 0.6%, 0.33%

LAB 33.38, 53.47, -34.46

 

CMYK 0 / 75 / 19 / 47

HEX #86216D

RGB 134 33 109

HSL 314.85, 0.6%, 0.33%

LAB 32.39, 49.92, -20.26

 

CMYK 0 / 75 / 39 / 47

HEX #862152

RGB 134 33 82

HSL 330.89, 0.6%, 0.33%

LAB 31.27, 46.39, -4.52

 

CMYK 0 / 75 / 59 / 47

HEX #862137

RGB 134 33 55

HSL 346.93, 0.6%, 0.33%

LAB 30.48, 43.81, 12.17

 

CMYK 0 / 72 / 75 / 47

HEX #862621

RGB 134 38 33

HSL 2.97, 0.6%, 0.33%

LAB 30.79, 40.47, 26.73

 

CMYK 0 / 75 / 40 / 73

HEX #441129

RGB 68 17 41

HSL 331.76, 0.6%, 0.17%

LAB 14.34, 26.95, -2.86

 

CMYK 0 / 75 / 40 / 60

HEX #65193D

RGB 101 25 61

HSL 331.58, 0.6%, 0.25%

LAB 23, 36.98, -3.43

 

CMYK 0 / 75 / 40 / 47

HEX #862151

RGB 134 33 81

HSL 331.49, 0.6%, 0.33%

LAB 31.23, 46.27, -3.92

 

CMYK 0 / 75 / 40 / 35

HEX #A72965

RGB 167 41 101

HSL 331.43, 0.61%, 0.41%

LAB 39.14, 55.08, -4.36

 

CMYK 0 / 75 / 40 / 22

HEX #C83278

RGB 200 50 120

HSL 332, 0.6%, 0.49%

LAB 46.86, 63.1, -4.05

 

CMYK 0 / 75 / 40 / 47

HEX #862251

RGB 134 34 81

HSL 331.8, 0.6%, 0.33%

LAB 31.36, 45.91, -3.72

 

CMYK 0 / 21 / 75 / 47

HEX #866A21

RGB 134 106 33

HSL 43.37, 0.6%, 0.33%

LAB 46.29, 3.25, 43.07

 

CMYK 75 / 9 / 0 / 47

HEX #217A86

RGB 33 122 134

HSL 187.13, 0.6%, 0.33%

LAB 46.93, -21.17, -13.99

 

CMYK 0 / 75 / 40 / 47

HEX #862251

RGB 134 34 81

HSL 331.8, 0.6%, 0.33%

LAB 31.36, 45.91, -3.72

 

CMYK 39 / 0 / 75 / 47

HEX #528621

RGB 82 134 33

HSL 90.89, 0.6%, 0.33%

LAB 50.63, -34.45, 45.99

 

CMYK 75 / 39 / 0 / 47

HEX #215286

RGB 33 82 134

HSL 210.89, 0.6%, 0.33%

LAB 34.15, 2.49, -33.84

 

CMYK 0 / 75 / 40 / 47

HEX #862251

RGB 134 34 81

HSL 331.8, 0.6%, 0.33%

LAB 31.36, 45.91, -3.72

 

CMYK 0 / 21 / 75 / 47

HEX #866A21

RGB 134 106 33

HSL 43.37, 0.6%, 0.33%

LAB 46.29, 3.25, 43.07

 

CMYK 75 / 0 / 37 / 47

HEX #218655

RGB 33 134 85

HSL 150.89, 0.6%, 0.33%

LAB 49.53, -40.35, 18.43

 

CMYK 75 / 54 / 0 / 47

HEX #213E86

RGB 33 62 134

HSL 222.77, 0.6%, 0.33%

LAB 28.09, 16.03, -43.55

 

CMYK 0 / 75 / 40 / 47

HEX #862251

RGB 134 34 81

HSL 331.8, 0.6%, 0.33%

LAB 31.36, 45.91, -3.72

 

CMYK 1 / 0 / 75 / 47

HEX #848621

RGB 132 134 33

HSL 61.19, 0.6%, 0.33%

LAB 54.1, -13.34, 50.54

 

CMYK 75 / 0 / 37 / 47

HEX #218655

RGB 33 134 85

HSL 150.89, 0.6%, 0.33%

LAB 49.53, -40.35, 18.43

 

CMYK 74 / 75 / 0 / 47

HEX #232186

RGB 35 33 134

HSL 241.19, 0.6%, 0.33%

LAB 20.7, 35.68, -55.62

 

Description

Color code: RGB 134 34 81 | qconv.com Color code: RGB 134 34 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 34 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 34 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 40 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 40% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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