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Color name
RGB 134 250 116

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 250 116 it is the complementary color RGB 121 5 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 250 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 250 116 shade: RGB 139 250 111, RGB 156 255 130, RGB 173 255 149, RGB 190 255 168 and RGB 207 255 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 250 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 250 116 shade: RGB 134 250 116, RGB 117 232 97, RGB 100 214 78, RGB 83 196 59 and RGB 66 178 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 250 116 shade: RGB 135 250 117, RGB 170 250 117, RGB 206 250 117, RGB 242 250 117 and RGB 250 221 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 250 116 shade: RGB 135 250 117, RGB 117 250 135, RGB 117 250 170, RGB 117 250 206 and RGB 117 250 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 250 116 shade matches the following richer shades: RGB 135 250 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 250 116 shade: RGB 135 250 117, RGB 143 238 128, RGB 151 226 140, RGB 160 215 151 and RGB 168 203 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 250 116 shade: RGB 207 250 117, RGB 172 250 117, RGB 137 250 117, RGB 117 250 132 and RGB 117 250 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 250 116 shade: RGB 65 247 37, RGB 100 248 77, RGB 135 250 117, RGB 169 251 157 and RGB 204 252 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 250 116 shade: RGB 134 250 116, RGB 117 243 250 and RGB 250 117 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 250 116 shade: RGB 134 250 116, RGB 117 137 250 and RGB 250 117 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 250 116 shade: RGB 134 250 116, RGB 117 243 250, RGB 230 117 250 and RGB 250 123 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 250 116 shade: RGB 134 250 116, RGB 117 203 250, RGB 230 117 250 and RGB 250 163 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 54 / 2

HEX #86FA74

RGB 134 250 116

HSL 111.94, 0.93%, 0.72%

LAB 89.25, -57.81, 53.6

 

Complementary color

CMYK 13 / 96 / 0 / 45

HEX #79058B

RGB 121 5 139

HSL 291.94, 0.93%, 0.28%

LAB 29.51, 58.79, -43.89

 

CMYK 44 / 0 / 56 / 2

HEX #8BFA6F

RGB 139 250 111

HSL 107.91, 0.93%, 0.71%

LAB 89.4, -56.95, 56.06

 

CMYK 39 / 0 / 49 / 0

HEX #9CFF82

RGB 156 255 130

HSL 107.52, 1%, 0.75%

LAB 91.77, -51.71, 50.43

 

CMYK 32 / 0 / 42 / 0

HEX #ADFF95

RGB 173 255 149

HSL 106.42, 1%, 0.79%

LAB 92.83, -43.97, 42.87

 

CMYK 25 / 0 / 34 / 0

HEX #BEFFA8

RGB 190 255 168

HSL 104.83, 1%, 0.83%

LAB 94.01, -35.79, 35.24

 

CMYK 19 / 0 / 27 / 0

HEX #CFFFBB

RGB 207 255 187

HSL 102.35, 1%, 0.87%

LAB 95.32, -27.29, 27.63

 

CMYK 46 / 0 / 54 / 2

HEX #86FA74

RGB 134 250 116

HSL 111.94, 0.93%, 0.72%

LAB 89.25, -57.81, 53.6

 

CMYK 50 / 0 / 58 / 9

HEX #75E861

RGB 117 232 97

HSL 111.11, 0.75%, 0.65%

LAB 83.1, -57.7, 54.72

 

CMYK 53 / 0 / 64 / 16

HEX #64D64E

RGB 100 214 78

HSL 110.29, 0.62%, 0.57%

LAB 76.89, -57.42, 55.72

 

CMYK 58 / 0 / 70 / 23

HEX #53C43B

RGB 83 196 59

HSL 109.49, 0.54%, 0.5%

LAB 70.62, -56.9, 56.47

 

CMYK 63 / 0 / 78 / 30

HEX #42B228

RGB 66 178 40

HSL 108.7, 0.63%, 0.43%

LAB 64.28, -56.02, 56.7

 

CMYK 46 / 0 / 53 / 2

HEX #87FA75

RGB 135 250 117

HSL 111.88, 0.93%, 0.72%

LAB 89.3, -57.42, 53.22

 

CMYK 32 / 0 / 53 / 2

HEX #AAFA75

RGB 170 250 117

HSL 96.09, 0.93%, 0.72%

LAB 90.87, -46.6, 55.47

 

CMYK 18 / 0 / 53 / 2

HEX #CEFA75

RGB 206 250 117

HSL 79.85, 0.93%, 0.72%

LAB 92.92, -33.86, 58.38

 

CMYK 3 / 0 / 53 / 2

HEX #F2FA75

RGB 242 250 117

HSL 63.61, 0.93%, 0.72%

LAB 95.38, -20.1, 61.88

 

CMYK 0 / 12 / 53 / 2

HEX #FADD75

RGB 250 221 117

HSL 46.92, 0.93%, 0.72%

LAB 88.6, -2.6, 54.12

 

CMYK 46 / 0 / 53 / 2

HEX #87FA75

RGB 135 250 117

HSL 111.88, 0.93%, 0.72%

LAB 89.3, -57.42, 53.22

 

CMYK 53 / 0 / 46 / 2

HEX #75FA87

RGB 117 250 135

HSL 128.12, 0.93%, 0.72%

LAB 88.88, -59.79, 44.12

 

CMYK 53 / 0 / 32 / 2

HEX #75FAAA

RGB 117 250 170

HSL 143.91, 0.93%, 0.72%

LAB 89.42, -54.08, 27.51

 

CMYK 53 / 0 / 18 / 2

HEX #75FACE

RGB 117 250 206

HSL 160.15, 0.93%, 0.72%

LAB 90.14, -46.84, 10.06

 

CMYK 53 / 0 / 3 / 2

HEX #75FAF2

RGB 117 250 242

HSL 176.39, 0.93%, 0.72%

LAB 91.04, -38.37, -7.32

 

CMYK 46 / 0 / 53 / 2

HEX #87FA75

RGB 135 250 117

HSL 111.88, 0.93%, 0.72%

LAB 89.3, -57.42, 53.22

 

CMYK 46 / 0 / 53 / 2

HEX #87FA75

RGB 135 250 117

HSL 111.88, 0.93%, 0.72%

LAB 89.3, -57.42, 53.22

 

CMYK 40 / 0 / 46 / 7

HEX #8FEE80

RGB 143 238 128

HSL 111.82, 0.76%, 0.72%

LAB 86.28, -48.87, 44.43

 

CMYK 33 / 0 / 38 / 11

HEX #97E28C

RGB 151 226 140

HSL 112.33, 0.6%, 0.72%

LAB 83.37, -39.52, 34.86

 

CMYK 26 / 0 / 30 / 16

HEX #A0D797

RGB 160 215 151

HSL 111.56, 0.44%, 0.72%

LAB 80.91, -29.81, 26.04

 

CMYK 17 / 0 / 20 / 20

HEX #A8CBA3

RGB 168 203 163

HSL 112.5, 0.28%, 0.72%

LAB 78.28, -19.23, 16.17

 

CMYK 17 / 0 / 53 / 2

HEX #CFFA75

RGB 207 250 117

HSL 79.4, 0.93%, 0.72%

LAB 92.98, -33.49, 58.47

 

CMYK 31 / 0 / 53 / 2

HEX #ACFA75

RGB 172 250 117

HSL 95.19, 0.93%, 0.72%

LAB 90.97, -45.93, 55.61

 

CMYK 45 / 0 / 53 / 2

HEX #89FA75

RGB 137 250 117

HSL 110.98, 0.93%, 0.72%

LAB 89.38, -56.85, 53.33

 

CMYK 53 / 0 / 47 / 2

HEX #75FA84

RGB 117 250 132

HSL 126.77, 0.93%, 0.72%

LAB 88.84, -60.21, 45.51

 

CMYK 53 / 0 / 33 / 2

HEX #75FAA8

RGB 117 250 168

HSL 143.01, 0.93%, 0.72%

LAB 89.38, -54.44, 28.48

 

CMYK 74 / 0 / 85 / 3

HEX #41F725

RGB 65 247 37

HSL 112, 0.93%, 0.56%

LAB 85.9, -78.2, 77.33

 

CMYK 60 / 0 / 69 / 3

HEX #64F84D

RGB 100 248 77

HSL 111.93, 0.92%, 0.64%

LAB 87.18, -69.55, 67.15

 

CMYK 46 / 0 / 53 / 2

HEX #87FA75

RGB 135 250 117

HSL 111.88, 0.93%, 0.72%

LAB 89.3, -57.42, 53.22

 

CMYK 33 / 0 / 37 / 2

HEX #A9FB9D

RGB 169 251 157

HSL 112.34, 0.92%, 0.8%

LAB 91.62, -42.38, 37.35

 

CMYK 19 / 0 / 22 / 1

HEX #CCFCC4

RGB 204 252 196

HSL 111.43, 0.9%, 0.88%

LAB 94.5, -25.46, 21.91

 

CMYK 46 / 0 / 54 / 2

HEX #86FA74

RGB 134 250 116

HSL 111.94, 0.93%, 0.72%

LAB 89.25, -57.81, 53.6

 

CMYK 53 / 3 / 0 / 2

HEX #75F3FA

RGB 117 243 250

HSL 183.16, 0.93%, 0.72%

LAB 89.29, -33.08, -14.09

 

CMYK 0 / 53 / 24 / 2

HEX #FA75BE

RGB 250 117 190

HSL 327.07, 0.93%, 0.72%

LAB 67.1, 58.67, -13.96

 

CMYK 46 / 0 / 54 / 2

HEX #86FA74

RGB 134 250 116

HSL 111.94, 0.93%, 0.72%

LAB 89.25, -57.81, 53.6

 

CMYK 53 / 45 / 0 / 2

HEX #7589FA

RGB 117 137 250

HSL 230.98, 0.93%, 0.72%

LAB 60.41, 23.99, -58.83

 

CMYK 0 / 53 / 45 / 2

HEX #FA7589

RGB 250 117 137

HSL 350.98, 0.93%, 0.72%

LAB 65.63, 52.57, 13.96

 

CMYK 46 / 0 / 54 / 2

HEX #86FA74

RGB 134 250 116

HSL 111.94, 0.93%, 0.72%

LAB 89.25, -57.81, 53.6

 

CMYK 53 / 3 / 0 / 2

HEX #75F3FA

RGB 117 243 250

HSL 183.16, 0.93%, 0.72%

LAB 89.29, -33.08, -14.09

 

CMYK 8 / 53 / 0 / 2

HEX #E675FA

RGB 230 117 250

HSL 290.98, 0.93%, 0.72%

LAB 66.86, 62.63, -47.92

 

CMYK 0 / 51 / 53 / 2

HEX #FA7B75

RGB 250 123 117

HSL 2.71, 0.93%, 0.72%

LAB 66.35, 47.92, 26.21

 

CMYK 46 / 0 / 54 / 2

HEX #86FA74

RGB 134 250 116

HSL 111.94, 0.93%, 0.72%

LAB 89.25, -57.81, 53.6

 

CMYK 53 / 19 / 0 / 2

HEX #75CBFA

RGB 117 203 250

HSL 201.2, 0.93%, 0.72%

LAB 78.11, -13.23, -31.06

 

CMYK 8 / 53 / 0 / 2

HEX #E675FA

RGB 230 117 250

HSL 290.98, 0.93%, 0.72%

LAB 66.86, 62.63, -47.92

 

CMYK 0 / 35 / 53 / 2

HEX #FAA375

RGB 250 163 117

HSL 20.75, 0.93%, 0.72%

LAB 74.7, 27.55, 37.06

 

Description

Color code: RGB 134 250 116 | qconv.com Color code: RGB 134 250 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 250 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 250 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 54 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 54% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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