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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 202 57 it is the complementary color RGB 121 53 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 202 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 202 57 shade: RGB 139 202 52, RGB 156 220 71, RGB 173 238 90, RGB 190 255 109 and RGB 207 255 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 202 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 202 57 shade: RGB 134 202 57, RGB 117 184 38, RGB 100 166 19, RGB 83 148 0 and RGB 66 130 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 202 57 shade: RGB 134 202 57, RGB 173 202 57, RGB 202 192 57, RGB 202 153 57 and RGB 202 114 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 202 57 shade: RGB 134 202 57, RGB 95 202 57, RGB 57 202 58, RGB 57 202 97 and RGB 57 202 136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 202 57 shade matches the following richer shades: RGB 134 202 57, RGB 135 222 37 and RGB 137 242 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 202 57 shade: RGB 134 202 57, RGB 133 182 77, RGB 132 162 98, RGB 130 141 118 and RGB 129 121 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 202 57 shade: RGB 202 192 57, RGB 173 202 57, RGB 134 202 57, RGB 96 202 57 and RGB 57 202 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 202 57 shade: RGB 91 140 37, RGB 113 172 45, RGB 134 202 57, RGB 154 211 90 and RGB 174 219 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 202 57 shade: RGB 134 202 57, RGB 57 202 154 and RGB 202 57 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 202 57 shade: RGB 134 202 57, RGB 57 134 202 and RGB 202 57 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 202 57 shade: RGB 134 202 57, RGB 57 202 154, RGB 125 57 202 and RGB 202 57 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 202 57 shade: RGB 134 202 57, RGB 57 202 197, RGB 125 57 202 and RGB 202 57 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

Complementary color

CMYK 39 / 73 / 0 / 22

HEX #7935C6

RGB 121 53 198

HSL 268.14, 0.58%, 0.49%

LAB 39.05, 56.86, -63.85

 

CMYK 31 / 0 / 74 / 21

HEX #8BCA34

RGB 139 202 52

HSL 85.2, 0.59%, 0.5%

LAB 74.81, -42.19, 63.98

 

CMYK 29 / 0 / 68 / 14

HEX #9CDC47

RGB 156 220 71

HSL 85.77, 0.68%, 0.57%

LAB 81.13, -42.6, 63.8

 

CMYK 27 / 0 / 62 / 7

HEX #ADEE5A

RGB 173 238 90

HSL 86.35, 0.81%, 0.64%

LAB 87.37, -42.88, 63.2

 

CMYK 25 / 0 / 57 / 0

HEX #BEFF6D

RGB 190 255 109

HSL 86.71, 1%, 0.71%

LAB 93.26, -42.63, 62.04

 

CMYK 19 / 0 / 50 / 0

HEX #CFFF80

RGB 207 255 128

HSL 82.68, 1%, 0.75%

LAB 94.46, -34.73, 55.24

 

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

CMYK 36 / 0 / 79 / 28

HEX #75B826

RGB 117 184 38

HSL 87.53, 0.66%, 0.44%

LAB 68.17, -43.18, 61.71

 

CMYK 40 / 0 / 89 / 35

HEX #64A613

RGB 100 166 19

HSL 86.94, 0.79%, 0.36%

LAB 61.68, -42.42, 60.4

 

CMYK 44 / 0 / 100 / 42

HEX #539400

RGB 83 148 0

HSL 86.35, 1%, 0.29%

LAB 55.09, -41.39, 57.81

 

CMYK 49 / 0 / 100 / 49

HEX #428200

RGB 66 130 0

HSL 89.54, 1%, 0.25%

LAB 48.42, -39.82, 52.27

 

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

CMYK 14 / 0 / 72 / 21

HEX #ADCA39

RGB 173 202 57

HSL 72, 0.58%, 0.51%

LAB 76.93, -28.73, 65.05

 

CMYK 0 / 5 / 72 / 21

HEX #CAC039

RGB 202 192 57

HSL 55.86, 0.58%, 0.51%

LAB 76.41, -11.67, 65.3

 

CMYK 0 / 24 / 72 / 21

HEX #CA9939

RGB 202 153 57

HSL 39.72, 0.58%, 0.51%

LAB 66.24, 8.91, 55.24

 

CMYK 0 / 44 / 72 / 21

HEX #CA7239

RGB 202 114 57

HSL 23.59, 0.58%, 0.51%

LAB 56.96, 30.09, 45.55

 

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

CMYK 53 / 0 / 72 / 21

HEX #5FCA39

RGB 95 202 57

HSL 104.28, 0.58%, 0.51%

LAB 72.87, -56.1, 59.66

 

CMYK 72 / 0 / 71 / 21

HEX #39CA3A

RGB 57 202 58

HSL 120.41, 0.58%, 0.51%

LAB 71.84, -64.47, 57.9

 

CMYK 72 / 0 / 52 / 21

HEX #39CA61

RGB 57 202 97

HSL 136.55, 0.58%, 0.51%

LAB 72.21, -60.01, 41.35

 

CMYK 72 / 0 / 33 / 21

HEX #39CA88

RGB 57 202 136

HSL 152.69, 0.58%, 0.51%

LAB 72.82, -53.14, 22.24

 

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

CMYK 39 / 0 / 83 / 13

HEX #87DE25

RGB 135 222 37

HSL 88.22, 0.74%, 0.51%

LAB 80.48, -52.59, 73.38

 

CMYK 43 / 0 / 93 / 5

HEX #89F211

RGB 137 242 17

HSL 88, 0.9%, 0.51%

LAB 86.44, -60.18, 81.8

 

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

CMYK 27 / 0 / 58 / 29

HEX #85B64D

RGB 133 182 77

HSL 88, 0.42%, 0.51%

LAB 68.74, -33.58, 47.41

 

CMYK 19 / 0 / 40 / 36

HEX #84A262

RGB 132 162 98

HSL 88.13, 0.26%, 0.51%

LAB 63.03, -21.85, 29.94

 

CMYK 8 / 0 / 16 / 45

HEX #828D76

RGB 130 141 118

HSL 88.7, 0.09%, 0.51%

LAB 57.18, -8.42, 10.93

 

CMYK 7 / 12 / 0 / 46

HEX #81798A

RGB 129 121 138

HSL 268.24, 0.07%, 0.51%

LAB 52.04, 6.49, -8.13

 

CMYK 0 / 5 / 72 / 21

HEX #CAC039

RGB 202 192 57

HSL 55.86, 0.58%, 0.51%

LAB 76.41, -11.67, 65.3

 

CMYK 14 / 0 / 72 / 21

HEX #ADCA39

RGB 173 202 57

HSL 72, 0.58%, 0.51%

LAB 76.93, -28.73, 65.05

 

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

CMYK 52 / 0 / 72 / 21

HEX #60CA39

RGB 96 202 57

HSL 103.86, 0.58%, 0.51%

LAB 72.91, -55.83, 59.7

 

CMYK 72 / 0 / 72 / 21

HEX #39CA39

RGB 57 202 57

HSL 120, 0.58%, 0.51%

LAB 71.83, -64.55, 58.26

 

CMYK 35 / 0 / 74 / 45

HEX #5B8C25

RGB 91 140 37

HSL 88.54, 0.58%, 0.35%

LAB 53.07, -33.51, 47.06

 

CMYK 34 / 0 / 74 / 33

HEX #71AC2D

RGB 113 172 45

HSL 87.87, 0.59%, 0.43%

LAB 64.33, -39.07, 55.68

 

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

CMYK 27 / 0 / 57 / 17

HEX #9AD35A

RGB 154 211 90

HSL 88.26, 0.58%, 0.59%

LAB 78.58, -37.81, 53.08

 

CMYK 21 / 0 / 44 / 14

HEX #AEDB7A

RGB 174 219 122

HSL 87.84, 0.57%, 0.67%

LAB 82.41, -30.79, 42.86

 

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

CMYK 72 / 0 / 24 / 21

HEX #39CA9A

RGB 57 202 154

HSL 160.14, 0.58%, 0.51%

LAB 73.18, -49.2, 13.16

 

CMYK 0 / 72 / 5 / 21

HEX #CA39C0

RGB 202 57 192

HSL 304.14, 0.58%, 0.51%

LAB 51.02, 70.63, -40.5

 

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

CMYK 72 / 34 / 0 / 21

HEX #3986CA

RGB 57 134 202

HSL 208.14, 0.58%, 0.51%

LAB 54.22, -1.02, -42.03

 

CMYK 0 / 72 / 34 / 21

HEX #CA3986

RGB 202 57 134

HSL 328.14, 0.58%, 0.51%

LAB 48.52, 62.81, -10.06

 

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

CMYK 72 / 0 / 24 / 21

HEX #39CA9A

RGB 57 202 154

HSL 160.14, 0.58%, 0.51%

LAB 73.18, -49.2, 13.16

 

CMYK 38 / 72 / 0 / 21

HEX #7D39CA

RGB 125 57 202

HSL 268.14, 0.58%, 0.51%

LAB 40.49, 56.75, -63.81

 

CMYK 0 / 72 / 48 / 21

HEX #CA3969

RGB 202 57 105

HSL 340.14, 0.58%, 0.51%

LAB 47.63, 59.9, 6.28

 

CMYK 34 / 0 / 72 / 21

HEX #86CA39

RGB 134 202 57

HSL 88.14, 0.58%, 0.51%

LAB 74.57, -43.7, 61.93

 

CMYK 72 / 0 / 2 / 21

HEX #39CAC5

RGB 57 202 197

HSL 177.93, 0.58%, 0.51%

LAB 74.28, -38.12, -8.48

 

CMYK 38 / 72 / 0 / 21

HEX #7D39CA

RGB 125 57 202

HSL 268.14, 0.58%, 0.51%

LAB 40.49, 56.75, -63.81

 

CMYK 0 / 72 / 69 / 21

HEX #CA393E

RGB 202 57 62

HSL 357.93, 0.58%, 0.51%

LAB 46.75, 56.94, 31.22

 

Description

Color code: RGB 134 202 57 | qconv.com Color code: RGB 134 202 57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 202 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 202 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 72 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 72% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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