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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 202 48 it is the complementary color RGB 121 53 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 202 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 202 48 shade: RGB 139 202 43, RGB 156 220 62, RGB 173 238 81, RGB 190 255 100 and RGB 207 255 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 202 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 202 48 shade: RGB 134 202 48, RGB 117 184 29, RGB 100 166 10, RGB 83 148 0 and RGB 66 130 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 202 48 shade: RGB 134 202 47, RGB 175 202 47, RGB 202 187 47, RGB 202 145 47 and RGB 202 103 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 202 48 shade: RGB 134 202 47, RGB 92 202 47, RGB 50 202 47, RGB 47 202 86 and RGB 47 202 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 202 48 shade matches the following richer shades: RGB 134 202 47, RGB 136 222 27 and RGB 138 242 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 202 48 shade: RGB 134 202 47, RGB 131 182 67, RGB 129 161 87, RGB 126 141 108 and RGB 124 121 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 202 48 shade: RGB 202 186 47, RGB 176 202 47, RGB 135 202 47, RGB 93 202 47 and RGB 52 202 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 202 48 shade: RGB 89 135 31, RGB 111 168 39, RGB 134 202 47, RGB 153 213 77 and RGB 172 221 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 202 48 shade: RGB 134 202 48, RGB 47 202 145 and RGB 202 47 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 202 48 shade: RGB 134 202 48, RGB 47 135 202 and RGB 202 47 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 202 48 shade: RGB 134 202 48, RGB 47 202 145, RGB 114 47 202 and RGB 202 47 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 202 48 shade: RGB 134 202 48, RGB 47 202 192, RGB 114 47 202 and RGB 202 47 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 76 / 21

HEX #86CA30

RGB 134 202 48

HSL 86.49, 0.62%, 0.49%

LAB 74.52, -44.22, 64.92

 

Complementary color

CMYK 42 / 74 / 0 / 19

HEX #7935CF

RGB 121 53 207

HSL 266.49, 0.62%, 0.51%

LAB 39.78, 59.05, -67.9

 

CMYK 31 / 0 / 79 / 21

HEX #8BCA2B

RGB 139 202 43

HSL 83.77, 0.65%, 0.48%

LAB 74.76, -42.65, 66.76

 

CMYK 29 / 0 / 72 / 14

HEX #9CDC3E

RGB 156 220 62

HSL 84.3, 0.69%, 0.55%

LAB 81.07, -43.18, 67.02

 

CMYK 27 / 0 / 66 / 7

HEX #ADEE51

RGB 173 238 81

HSL 84.84, 0.82%, 0.63%

LAB 87.3, -43.56, 66.7

 

CMYK 25 / 0 / 61 / 0

HEX #BEFF64

RGB 190 255 100

HSL 85.16, 1%, 0.7%

LAB 93.18, -43.39, 65.74

 

CMYK 19 / 0 / 53 / 0

HEX #CFFF77

RGB 207 255 119

HSL 81.18, 1%, 0.73%

LAB 94.36, -35.59, 59.19

 

CMYK 34 / 0 / 76 / 21

HEX #86CA30

RGB 134 202 48

HSL 86.49, 0.62%, 0.49%

LAB 74.52, -44.22, 64.92

 

CMYK 36 / 0 / 84 / 28

HEX #75B81D

RGB 117 184 29

HSL 85.94, 0.73%, 0.42%

LAB 68.13, -43.57, 64.09

 

CMYK 40 / 0 / 94 / 35

HEX #64A60A

RGB 100 166 10

HSL 85.38, 0.89%, 0.35%

LAB 61.66, -42.65, 61.89

 

CMYK 44 / 0 / 100 / 42

HEX #539400

RGB 83 148 0

HSL 86.35, 1%, 0.29%

LAB 55.09, -41.39, 57.81

 

CMYK 49 / 0 / 100 / 49

HEX #428200

RGB 66 130 0

HSL 89.54, 1%, 0.25%

LAB 48.42, -39.82, 52.27

 

CMYK 34 / 0 / 77 / 21

HEX #86CA2F

RGB 134 202 47

HSL 86.32, 0.62%, 0.49%

LAB 74.52, -44.28, 65.23

 

CMYK 13 / 0 / 77 / 21

HEX #AFCA2F

RGB 175 202 47

HSL 70.45, 0.62%, 0.49%

LAB 77.02, -28.4, 68.46

 

CMYK 0 / 7 / 77 / 21

HEX #CABB2F

RGB 202 187 47

HSL 54.19, 0.62%, 0.49%

LAB 75.02, -9.54, 67.4

 

CMYK 0 / 28 / 77 / 21

HEX #CA912F

RGB 202 145 47

HSL 37.94, 0.62%, 0.49%

LAB 64.17, 12.8, 57.29

 

CMYK 0 / 49 / 77 / 21

HEX #CA672F

RGB 202 103 47

HSL 21.68, 0.62%, 0.49%

LAB 54.51, 35.43, 47.83

 

CMYK 34 / 0 / 77 / 21

HEX #86CA2F

RGB 134 202 47

HSL 86.32, 0.62%, 0.49%

LAB 74.52, -44.28, 65.23

 

CMYK 54 / 0 / 77 / 21

HEX #5CCA2F

RGB 92 202 47

HSL 102.58, 0.62%, 0.49%

LAB 72.71, -57.59, 62.86

 

CMYK 75 / 0 / 77 / 21

HEX #32CA2F

RGB 50 202 47

HSL 118.84, 0.62%, 0.49%

LAB 71.64, -66.41, 61.46

 

CMYK 77 / 0 / 57 / 21

HEX #2FCA56

RGB 47 202 86

HSL 135.1, 0.62%, 0.49%

LAB 71.9, -62.99, 46.15

 

CMYK 77 / 0 / 37 / 21

HEX #2FCA80

RGB 47 202 128

HSL 151.35, 0.62%, 0.49%

LAB 72.5, -56.1, 25.99

 

CMYK 34 / 0 / 77 / 21

HEX #86CA2F

RGB 134 202 47

HSL 86.32, 0.62%, 0.49%

LAB 74.52, -44.28, 65.23

 

CMYK 39 / 0 / 88 / 13

HEX #88DE1B

RGB 136 222 27

HSL 86.46, 0.78%, 0.49%

LAB 80.49, -52.57, 75.46

 

CMYK 43 / 0 / 97 / 5

HEX #8AF207

RGB 138 242 7

HSL 86.55, 0.94%, 0.49%

LAB 86.47, -60.01, 82.74

 

CMYK 34 / 0 / 77 / 21

HEX #86CA2F

RGB 134 202 47

HSL 86.32, 0.62%, 0.49%

LAB 74.52, -44.28, 65.23

 

CMYK 28 / 0 / 63 / 29

HEX #83B643

RGB 131 182 67

HSL 86.61, 0.46%, 0.49%

LAB 68.52, -35.23, 51.61

 

CMYK 20 / 0 / 46 / 37

HEX #81A157

RGB 129 161 87

HSL 85.95, 0.3%, 0.49%

LAB 62.38, -23.93, 34.84

 

CMYK 11 / 0 / 23 / 45

HEX #7E8D6C

RGB 126 141 108

HSL 87.27, 0.13%, 0.49%

LAB 56.65, -11.67, 15.84

 

CMYK 3 / 5 / 0 / 50

HEX #7C7980

RGB 124 121 128

HSL 265.71, 0.03%, 0.49%

LAB 51.29, 2.55, -3.42

 

CMYK 0 / 8 / 77 / 21

HEX #CABA2F

RGB 202 186 47

HSL 53.81, 0.62%, 0.49%

LAB 74.75, -9.03, 67.16

 

CMYK 13 / 0 / 77 / 21

HEX #B0CA2F

RGB 176 202 47

HSL 70.06, 0.62%, 0.49%

LAB 77.09, -27.99, 68.55

 

CMYK 33 / 0 / 77 / 21

HEX #87CA2F

RGB 135 202 47

HSL 85.94, 0.62%, 0.49%

LAB 74.57, -43.92, 65.29

 

CMYK 54 / 0 / 77 / 21

HEX #5DCA2F

RGB 93 202 47

HSL 102.19, 0.62%, 0.49%

LAB 72.74, -57.32, 62.91

 

CMYK 74 / 0 / 77 / 21

HEX #34CA2F

RGB 52 202 47

HSL 118.06, 0.62%, 0.49%

LAB 71.67, -66.1, 61.51

 

CMYK 34 / 0 / 77 / 47

HEX #59871F

RGB 89 135 31

HSL 86.54, 0.63%, 0.33%

LAB 51.33, -32.37, 47.53

 

CMYK 34 / 0 / 77 / 34

HEX #6FA827

RGB 111 168 39

HSL 86.51, 0.62%, 0.41%

LAB 62.95, -38.41, 56.38

 

CMYK 34 / 0 / 77 / 21

HEX #86CA2F

RGB 134 202 47

HSL 86.32, 0.62%, 0.49%

LAB 74.52, -44.28, 65.23

 

CMYK 28 / 0 / 64 / 16

HEX #99D54D

RGB 153 213 77

HSL 86.47, 0.62%, 0.57%

LAB 78.98, -40.19, 59.11

 

CMYK 22 / 0 / 50 / 13

HEX #ACDD6F

RGB 172 221 111

HSL 86.73, 0.62%, 0.65%

LAB 82.72, -33.68, 48.52

 

CMYK 34 / 0 / 76 / 21

HEX #86CA30

RGB 134 202 48

HSL 86.49, 0.62%, 0.49%

LAB 74.52, -44.22, 64.92

 

CMYK 77 / 0 / 28 / 21

HEX #2FCA91

RGB 47 202 145

HSL 157.94, 0.62%, 0.49%

LAB 72.82, -52.53, 17.44

 

CMYK 0 / 77 / 2 / 21

HEX #CA2FC5

RGB 202 47 197

HSL 301.94, 0.62%, 0.49%

LAB 50.24, 74.4, -44.64

 

CMYK 34 / 0 / 76 / 21

HEX #86CA30

RGB 134 202 48

HSL 86.49, 0.62%, 0.49%

LAB 74.52, -44.22, 64.92

 

CMYK 77 / 33 / 0 / 21

HEX #2F87CA

RGB 47 135 202

HSL 205.94, 0.62%, 0.49%

LAB 54.23, -2.9, -42.03

 

CMYK 0 / 77 / 33 / 21

HEX #CA2F87

RGB 202 47 135

HSL 325.94, 0.62%, 0.49%

LAB 47.42, 66.13, -12.32

 

CMYK 34 / 0 / 76 / 21

HEX #86CA30

RGB 134 202 48

HSL 86.49, 0.62%, 0.49%

LAB 74.52, -44.22, 64.92

 

CMYK 77 / 0 / 28 / 21

HEX #2FCA91

RGB 47 202 145

HSL 157.94, 0.62%, 0.49%

LAB 72.82, -52.53, 17.44

 

CMYK 44 / 77 / 0 / 21

HEX #722FCA

RGB 114 47 202

HSL 265.94, 0.62%, 0.49%

LAB 37.62, 59.27, -68.56

 

CMYK 0 / 77 / 49 / 21

HEX #CA2F68

RGB 202 47 104

HSL 337.94, 0.62%, 0.49%

LAB 46.43, 63.09, 5.19

 

CMYK 34 / 0 / 76 / 21

HEX #86CA30

RGB 134 202 48

HSL 86.49, 0.62%, 0.49%

LAB 74.52, -44.22, 64.92

 

CMYK 77 / 0 / 5 / 21

HEX #2FCAC0

RGB 47 202 192

HSL 176.13, 0.62%, 0.49%

LAB 73.97, -40.65, -6.26

 

CMYK 44 / 77 / 0 / 21

HEX #722FCA

RGB 114 47 202

HSL 265.94, 0.62%, 0.49%

LAB 37.62, 59.27, -68.56

 

CMYK 0 / 77 / 72 / 21

HEX #CA2F39

RGB 202 47 57

HSL 356.13, 0.62%, 0.49%

LAB 45.48, 60.06, 32.66

 

Description

Color code: RGB 134 202 48 | qconv.com Color code: RGB 134 202 48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 202 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 202 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 76 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 76% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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