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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 187 133 it is the complementary color RGB 121 68 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 187 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 187 133 shade: RGB 139 187 128, RGB 156 205 147, RGB 173 223 166, RGB 190 241 185 and RGB 207 255 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 187 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 187 133 shade: RGB 134 187 133, RGB 117 169 114, RGB 100 151 95, RGB 83 133 76 and RGB 66 115 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 187 133 shade: RGB 135 187 134, RGB 149 187 134, RGB 163 187 134, RGB 177 187 134 and RGB 187 181 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 187 133 shade: RGB 135 187 134, RGB 134 187 147, RGB 134 187 161, RGB 134 187 175 and RGB 134 183 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 187 133 shade matches the following richer shades: RGB 135 187 134, RGB 120 202 118, RGB 105 217 103, RGB 91 232 88 and RGB 76 248 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 187 133 shade: RGB 135 187 134, RGB 149 171 149, RGB 164 156 164, RGB 179 141 180 and RGB 194 126 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 187 133 shade: RGB 164 187 134, RGB 150 187 134, RGB 135 187 134, RGB 134 187 146 and RGB 134 187 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 187 133 shade: RGB 87 152 85, RGB 109 172 107, RGB 135 187 134, RGB 161 201 160 and RGB 187 216 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 187 133 shade: RGB 134 187 133, RGB 134 178 187 and RGB 187 134 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 187 133 shade: RGB 134 187 133, RGB 134 135 187 and RGB 187 134 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 187 133 shade: RGB 134 187 133, RGB 134 178 187, RGB 185 134 187 and RGB 187 143 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 187 133 shade: RGB 134 187 133, RGB 134 162 187, RGB 185 134 187 and RGB 187 158 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 29 / 27

HEX #86BB85

RGB 134 187 133

HSL 118.89, 0.28%, 0.63%

LAB 71.08, -28.1, 21.94

 

Complementary color

CMYK 1 / 44 / 0 / 52

HEX #79447A

RGB 121 68 122

HSL 298.89, 0.28%, 0.37%

LAB 37.12, 31.67, -21.25

 

CMYK 26 / 0 / 32 / 27

HEX #8BBB80

RGB 139 187 128

HSL 108.81, 0.3%, 0.62%

LAB 71.27, -27.21, 24.92

 

CMYK 24 / 0 / 28 / 20

HEX #9CCD93

RGB 156 205 147

HSL 110.69, 0.37%, 0.69%

LAB 77.78, -27.02, 23.84

 

CMYK 22 / 0 / 26 / 13

HEX #ADDFA6

RGB 173 223 166

HSL 112.63, 0.47%, 0.76%

LAB 84.18, -26.83, 22.82

 

CMYK 21 / 0 / 23 / 5

HEX #BEF1B9

RGB 190 241 185

HSL 114.64, 0.67%, 0.84%

LAB 90.49, -26.66, 21.85

 

CMYK 19 / 0 / 20 / 0

HEX #CFFFCC

RGB 207 255 204

HSL 116.47, 1%, 0.9%

LAB 95.64, -24.59, 19.45

 

CMYK 28 / 0 / 29 / 27

HEX #86BB85

RGB 134 187 133

HSL 118.89, 0.28%, 0.63%

LAB 71.08, -28.1, 21.94

 

CMYK 31 / 0 / 33 / 34

HEX #75A972

RGB 117 169 114

HSL 116.73, 0.24%, 0.55%

LAB 64.46, -28.34, 23.05

 

CMYK 34 / 0 / 37 / 41

HEX #64975F

RGB 100 151 95

HSL 114.64, 0.23%, 0.48%

LAB 57.72, -28.59, 24.25

 

CMYK 38 / 0 / 43 / 48

HEX #53854C

RGB 83 133 76

HSL 112.63, 0.27%, 0.41%

LAB 50.85, -28.81, 25.52

 

CMYK 43 / 0 / 50 / 55

HEX #427339

RGB 66 115 57

HSL 110.69, 0.34%, 0.34%

LAB 43.82, -28.98, 26.87

 

CMYK 28 / 0 / 28 / 27

HEX #87BB86

RGB 135 187 134

HSL 118.87, 0.28%, 0.63%

LAB 71.15, -27.6, 21.51

 

CMYK 20 / 0 / 28 / 27

HEX #95BB86

RGB 149 187 134

HSL 103.02, 0.28%, 0.63%

LAB 71.99, -22.73, 22.79

 

CMYK 13 / 0 / 28 / 27

HEX #A3BB86

RGB 163 187 134

HSL 87.17, 0.28%, 0.63%

LAB 72.92, -17.63, 24.21

 

CMYK 5 / 0 / 28 / 27

HEX #B1BB86

RGB 177 187 134

HSL 71.32, 0.28%, 0.63%

LAB 73.94, -12.33, 25.75

 

CMYK 0 / 3 / 28 / 27

HEX #BBB586

RGB 187 181 134

HSL 53.21, 0.28%, 0.63%

LAB 73.11, -5.33, 24.77

 

CMYK 28 / 0 / 28 / 27

HEX #87BB86

RGB 135 187 134

HSL 118.87, 0.28%, 0.63%

LAB 71.15, -27.6, 21.51

 

CMYK 28 / 0 / 21 / 27

HEX #86BB93

RGB 134 187 147

HSL 134.72, 0.28%, 0.63%

LAB 71.36, -25.6, 14.78

 

CMYK 28 / 0 / 14 / 27

HEX #86BBA1

RGB 134 187 161

HSL 150.57, 0.28%, 0.63%

LAB 71.68, -22.87, 7.62

 

CMYK 28 / 0 / 6 / 27

HEX #86BBAF

RGB 134 187 175

HSL 166.42, 0.28%, 0.63%

LAB 72.03, -19.9, 0.49

 

CMYK 28 / 2 / 0 / 27

HEX #86B7BB

RGB 134 183 187

HSL 184.53, 0.28%, 0.63%

LAB 71.23, -15.12, -7.26

 

CMYK 28 / 0 / 28 / 27

HEX #87BB86

RGB 135 187 134

HSL 118.87, 0.28%, 0.63%

LAB 71.15, -27.6, 21.51

 

CMYK 41 / 0 / 42 / 21

HEX #78CA76

RGB 120 202 118

HSL 118.57, 0.44%, 0.63%

LAB 74.54, -41.91, 34.25

 

CMYK 52 / 0 / 53 / 15

HEX #69D967

RGB 105 217 103

HSL 118.95, 0.6%, 0.63%

LAB 78.23, -54.45, 46.12

 

CMYK 61 / 0 / 62 / 9

HEX #5BE858

RGB 91 232 88

HSL 118.75, 0.76%, 0.63%

LAB 82.19, -65.06, 57.34

 

CMYK 69 / 0 / 71 / 3

HEX #4CF849

RGB 76 248 73

HSL 118.97, 0.93%, 0.63%

LAB 86.58, -74.62, 67.79

 

CMYK 28 / 0 / 28 / 27

HEX #87BB86

RGB 135 187 134

HSL 118.87, 0.28%, 0.63%

LAB 71.15, -27.6, 21.51

 

CMYK 13 / 0 / 13 / 33

HEX #95AB95

RGB 149 171 149

HSL 120, 0.12%, 0.63%

LAB 67.79, -11.94, 8.77

 

CMYK 0 / 5 / 0 / 36

HEX #A49CA4

RGB 164 156 164

HSL 300, 0.04%, 0.63%

LAB 65.24, 4.42, -3.13

 

CMYK 1 / 22 / 0 / 29

HEX #B38DB4

RGB 179 141 180

HSL 298.46, 0.21%, 0.63%

LAB 63.28, 21.2, -14.91

 

CMYK 1 / 35 / 0 / 24

HEX #C27EC3

RGB 194 126 195

HSL 299.13, 0.37%, 0.63%

LAB 61.94, 37.37, -25.29

 

CMYK 12 / 0 / 28 / 27

HEX #A4BB86

RGB 164 187 134

HSL 86.04, 0.28%, 0.63%

LAB 72.99, -17.25, 24.32

 

CMYK 20 / 0 / 28 / 27

HEX #96BB86

RGB 150 187 134

HSL 101.89, 0.28%, 0.63%

LAB 72.06, -22.37, 22.89

 

CMYK 28 / 0 / 28 / 27

HEX #87BB86

RGB 135 187 134

HSL 118.87, 0.28%, 0.63%

LAB 71.15, -27.6, 21.51

 

CMYK 28 / 0 / 22 / 27

HEX #86BB92

RGB 134 187 146

HSL 133.58, 0.28%, 0.63%

LAB 71.34, -25.79, 15.29

 

CMYK 28 / 0 / 14 / 27

HEX #86BBA0

RGB 134 187 160

HSL 149.43, 0.28%, 0.63%

LAB 71.65, -23.07, 8.13

 

CMYK 43 / 0 / 44 / 40

HEX #579855

RGB 87 152 85

HSL 118.21, 0.28%, 0.46%

LAB 57.21, -34.97, 28.86

 

CMYK 37 / 0 / 38 / 33

HEX #6DAC6B

RGB 109 172 107

HSL 118.15, 0.28%, 0.55%

LAB 64.82, -33.59, 27.21

 

CMYK 28 / 0 / 28 / 27

HEX #87BB86

RGB 135 187 134

HSL 118.87, 0.28%, 0.63%

LAB 71.15, -27.6, 21.51

 

CMYK 20 / 0 / 20 / 21

HEX #A1C9A0

RGB 161 201 160

HSL 118.54, 0.28%, 0.71%

LAB 77.21, -21.16, 16.22

 

CMYK 13 / 0 / 13 / 15

HEX #BBD8BB

RGB 187 216 187

HSL 120, 0.27%, 0.79%

LAB 83.58, -15.07, 11.09

 

CMYK 28 / 0 / 29 / 27

HEX #86BB85

RGB 134 187 133

HSL 118.89, 0.28%, 0.63%

LAB 71.08, -28.1, 21.94

 

CMYK 28 / 5 / 0 / 27

HEX #86B2BB

RGB 134 178 187

HSL 190.19, 0.28%, 0.63%

LAB 69.82, -12.49, -9.36

 

CMYK 0 / 28 / 16 / 27

HEX #BB869D

RGB 187 134 157

HSL 333.96, 0.28%, 0.63%

LAB 61.7, 23.84, -4.14

 

CMYK 28 / 0 / 29 / 27

HEX #86BB85

RGB 134 187 133

HSL 118.89, 0.28%, 0.63%

LAB 71.08, -28.1, 21.94

 

CMYK 28 / 28 / 0 / 27

HEX #8687BB

RGB 134 135 187

HSL 238.87, 0.28%, 0.63%

LAB 58.02, 11.5, -27.27

 

CMYK 0 / 28 / 28 / 27

HEX #BB8687

RGB 187 134 135

HSL 358.87, 0.28%, 0.63%

LAB 61.1, 20.47, 7.55

 

CMYK 28 / 0 / 29 / 27

HEX #86BB85

RGB 134 187 133

HSL 118.89, 0.28%, 0.63%

LAB 71.08, -28.1, 21.94

 

CMYK 28 / 5 / 0 / 27

HEX #86B2BB

RGB 134 178 187

HSL 190.19, 0.28%, 0.63%

LAB 69.82, -12.49, -9.36

 

CMYK 1 / 28 / 0 / 27

HEX #B986BB

RGB 185 134 187

HSL 297.74, 0.28%, 0.63%

LAB 62.47, 28.51, -20.05

 

CMYK 0 / 24 / 28 / 27

HEX #BB8F86

RGB 187 143 134

HSL 10.19, 0.28%, 0.63%

LAB 63.29, 15.33, 11.22

 

CMYK 28 / 0 / 29 / 27

HEX #86BB85

RGB 134 187 133

HSL 118.89, 0.28%, 0.63%

LAB 71.08, -28.1, 21.94

 

CMYK 28 / 13 / 0 / 27

HEX #86A2BB

RGB 134 162 187

HSL 208.3, 0.28%, 0.63%

LAB 65.36, -3.84, -16.06

 

CMYK 1 / 28 / 0 / 27

HEX #B986BB

RGB 185 134 187

HSL 297.74, 0.28%, 0.63%

LAB 62.47, 28.51, -20.05

 

CMYK 0 / 16 / 28 / 27

HEX #BB9E86

RGB 187 158 134

HSL 27.17, 0.28%, 0.63%

LAB 67.08, 7.05, 16.52

 

Description

Color code: RGB 134 187 133 | qconv.com Color code: RGB 134 187 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 187 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 187 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 29 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 29% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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