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Color name
RGB 134 152 77

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 152 77 it is the complementary color RGB 121 103 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 152 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 152 77 shade: RGB 139 152 72, RGB 156 170 91, RGB 173 188 110, RGB 190 206 129 and RGB 207 224 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 152 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 152 77 shade: RGB 134 152 77, RGB 117 134 58, RGB 100 116 39, RGB 83 98 20 and RGB 66 80 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 152 77 shade: RGB 134 152 76, RGB 152 150 76, RGB 152 129 76, RGB 152 109 76 and RGB 152 89 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 152 77 shade: RGB 134 152 76, RGB 114 152 76, RGB 93 152 76, RGB 76 152 80 and RGB 76 152 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 152 77 shade matches the following richer shades: RGB 134 152 76, RGB 144 171 58, RGB 153 189 39, RGB 163 208 21 and RGB 173 226 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 152 77 shade: RGB 134 152 76, RGB 124 134 95, RGB 115 115 114, RGB 105 96 132 and RGB 95 78 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 152 77 shade: RGB 152 129 76, RGB 152 150 76, RGB 134 152 76, RGB 114 152 76 and RGB 94 152 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 152 77 shade: RGB 86 97 49, RGB 110 125 63, RGB 134 152 76, RGB 155 174 95 and RGB 172 188 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 152 77 shade: RGB 134 152 77, RGB 76 152 109 and RGB 139 76 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 152 77 shade: RGB 134 152 77, RGB 76 134 152 and RGB 152 76 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 152 77 shade: RGB 134 152 77, RGB 76 152 109, RGB 94 76 152 and RGB 152 76 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 152 77 shade: RGB 134 152 77, RGB 76 152 132, RGB 94 76 152 and RGB 152 76 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 49 / 40

HEX #86984D

RGB 134 152 77

HSL 74.4, 0.33%, 0.45%

LAB 59.94, -18.5, 37.07

 

Complementary color

CMYK 32 / 42 / 0 / 30

HEX #7967B2

RGB 121 103 178

HSL 254.4, 0.33%, 0.55%

LAB 48.23, 24.3, -37.45

 

CMYK 9 / 0 / 53 / 40

HEX #8B9848

RGB 139 152 72

HSL 69.75, 0.36%, 0.44%

LAB 60.26, -16.93, 40.06

 

CMYK 8 / 0 / 46 / 33

HEX #9CAA5B

RGB 156 170 91

HSL 70.63, 0.32%, 0.51%

LAB 66.96, -17.23, 38.87

 

CMYK 8 / 0 / 41 / 26

HEX #ADBC6E

RGB 173 188 110

HSL 71.54, 0.37%, 0.58%

LAB 73.53, -17.46, 37.68

 

CMYK 8 / 0 / 37 / 19

HEX #BECE81

RGB 190 206 129

HSL 72.47, 0.44%, 0.66%

LAB 80, -17.64, 36.51

 

CMYK 8 / 0 / 34 / 12

HEX #CFE094

RGB 207 224 148

HSL 73.42, 0.55%, 0.73%

LAB 86.36, -17.77, 35.38

 

CMYK 12 / 0 / 49 / 40

HEX #86984D

RGB 134 152 77

HSL 74.4, 0.33%, 0.45%

LAB 59.94, -18.5, 37.07

 

CMYK 13 / 0 / 57 / 47

HEX #75863A

RGB 117 134 58

HSL 73.42, 0.4%, 0.38%

LAB 53.1, -18.22, 38.24

 

CMYK 14 / 0 / 66 / 55

HEX #647427

RGB 100 116 39

HSL 72.47, 0.5%, 0.3%

LAB 46.11, -17.79, 39.2

 

CMYK 15 / 0 / 80 / 62

HEX #536214

RGB 83 98 20

HSL 71.54, 0.66%, 0.23%

LAB 38.94, -17.14, 39.54

 

CMYK 18 / 0 / 99 / 69

HEX #425001

RGB 66 80 1

HSL 70.63, 0.98%, 0.16%

LAB 31.57, -16.21, 38.92

 

CMYK 12 / 0 / 50 / 40

HEX #86984C

RGB 134 152 76

HSL 74.21, 0.33%, 0.45%

LAB 59.93, -18.61, 37.56

 

CMYK 0 / 1 / 50 / 40

HEX #98964C

RGB 152 150 76

HSL 58.42, 0.33%, 0.45%

LAB 60.79, -9.95, 38.94

 

CMYK 0 / 15 / 50 / 40

HEX #98814C

RGB 152 129 76

HSL 41.84, 0.33%, 0.45%

LAB 54.97, 1.59, 31.84

 

CMYK 0 / 28 / 50 / 40

HEX #986D4C

RGB 152 109 76

HSL 26.05, 0.33%, 0.45%

LAB 49.66, 13, 25.13

 

CMYK 0 / 41 / 50 / 40

HEX #98594C

RGB 152 89 76

HSL 10.26, 0.33%, 0.45%

LAB 44.72, 24.48, 18.66

 

CMYK 12 / 0 / 50 / 40

HEX #86984C

RGB 134 152 76

HSL 74.21, 0.33%, 0.45%

LAB 59.93, -18.61, 37.56

 

CMYK 25 / 0 / 50 / 40

HEX #72984C

RGB 114 152 76

HSL 90, 0.33%, 0.45%

LAB 58.56, -26.63, 35.58

 

CMYK 39 / 0 / 50 / 40

HEX #5D984C

RGB 93 152 76

HSL 106.58, 0.33%, 0.45%

LAB 57.37, -34.29, 33.86

 

CMYK 50 / 0 / 47 / 40

HEX #4C9850

RGB 76 152 80

HSL 123.16, 0.33%, 0.45%

LAB 56.66, -39.08, 30.71

 

CMYK 50 / 0 / 34 / 40

HEX #4C9865

RGB 76 152 101

HSL 139.74, 0.33%, 0.45%

LAB 57.01, -35.45, 19.79

 

CMYK 12 / 0 / 50 / 40

HEX #86984C

RGB 134 152 76

HSL 74.21, 0.33%, 0.45%

LAB 59.93, -18.61, 37.56

 

CMYK 16 / 0 / 66 / 33

HEX #90AB3A

RGB 144 171 58

HSL 74.34, 0.49%, 0.45%

LAB 66.03, -25.59, 52.99

 

CMYK 19 / 0 / 79 / 26

HEX #99BD27

RGB 153 189 39

HSL 74.4, 0.66%, 0.45%

LAB 71.77, -31.56, 65.48

 

CMYK 22 / 0 / 90 / 18

HEX #A3D015

RGB 163 208 21

HSL 74.44, 0.82%, 0.45%

LAB 77.85, -36.83, 74.88

 

CMYK 23 / 0 / 99 / 11

HEX #ADE202

RGB 173 226 2

HSL 74.2, 0.98%, 0.45%

LAB 83.59, -41.19, 81.68

 

CMYK 12 / 0 / 50 / 40

HEX #86984C

RGB 134 152 76

HSL 74.21, 0.33%, 0.45%

LAB 59.93, -18.61, 37.56

 

CMYK 7 / 0 / 29 / 47

HEX #7C865F

RGB 124 134 95

HSL 75.38, 0.17%, 0.45%

LAB 54.2, -10.72, 19.83

 

CMYK 0 / 0 / 1 / 55

HEX #737372

RGB 115 115 114

HSL 60, 0%, 0.45%

LAB 48.41, -0.2, 0.55

 

CMYK 20 / 27 / 0 / 48

HEX #696084

RGB 105 96 132

HSL 255, 0.16%, 0.45%

LAB 42.82, 11.63, -18.73

 

CMYK 37 / 48 / 0 / 41

HEX #5F4E97

RGB 95 78 151

HSL 253.97, 0.32%, 0.45%

LAB 38.05, 24.84, -37.73

 

CMYK 0 / 15 / 50 / 40

HEX #98814C

RGB 152 129 76

HSL 41.84, 0.33%, 0.45%

LAB 54.97, 1.59, 31.84

 

CMYK 0 / 1 / 50 / 40

HEX #98964C

RGB 152 150 76

HSL 58.42, 0.33%, 0.45%

LAB 60.79, -9.95, 38.94

 

CMYK 12 / 0 / 50 / 40

HEX #86984C

RGB 134 152 76

HSL 74.21, 0.33%, 0.45%

LAB 59.93, -18.61, 37.56

 

CMYK 25 / 0 / 50 / 40

HEX #72984C

RGB 114 152 76

HSL 90, 0.33%, 0.45%

LAB 58.56, -26.63, 35.58

 

CMYK 38 / 0 / 50 / 40

HEX #5E984C

RGB 94 152 76

HSL 105.79, 0.33%, 0.45%

LAB 57.42, -33.94, 33.93

 

CMYK 11 / 0 / 49 / 62

HEX #566131

RGB 86 97 49

HSL 73.75, 0.33%, 0.29%

LAB 39.16, -12.69, 25.83

 

CMYK 12 / 0 / 50 / 51

HEX #6E7D3F

RGB 110 125 63

HSL 74.52, 0.33%, 0.37%

LAB 49.91, -15.93, 31.76

 

CMYK 12 / 0 / 50 / 40

HEX #86984C

RGB 134 152 76

HSL 74.21, 0.33%, 0.45%

LAB 59.93, -18.61, 37.56

 

CMYK 11 / 0 / 45 / 32

HEX #9BAE5F

RGB 155 174 95

HSL 74.43, 0.33%, 0.53%

LAB 68.07, -19.24, 38.2

 

CMYK 9 / 0 / 35 / 26

HEX #ACBC7B

RGB 172 188 123

HSL 74.77, 0.33%, 0.61%

LAB 73.65, -16.26, 31.11

 

CMYK 12 / 0 / 49 / 40

HEX #86984D

RGB 134 152 77

HSL 74.4, 0.33%, 0.45%

LAB 59.94, -18.5, 37.07

 

CMYK 50 / 0 / 28 / 40

HEX #4C986D

RGB 76 152 109

HSL 146.05, 0.33%, 0.45%

LAB 57.17, -33.85, 15.55

 

CMYK 9 / 50 / 0 / 40

HEX #8B4C98

RGB 139 76 152

HSL 289.74, 0.33%, 0.45%

LAB 42.65, 39.04, -30.74

 

CMYK 12 / 0 / 49 / 40

HEX #86984D

RGB 134 152 77

HSL 74.4, 0.33%, 0.45%

LAB 59.94, -18.5, 37.07

 

CMYK 50 / 12 / 0 / 40

HEX #4C8698

RGB 76 134 152

HSL 194.21, 0.33%, 0.45%

LAB 52.79, -13.84, -15.5

 

CMYK 0 / 50 / 12 / 40

HEX #984C86

RGB 152 76 134

HSL 314.21, 0.33%, 0.45%

LAB 43.6, 39.67, -18.26

 

CMYK 12 / 0 / 49 / 40

HEX #86984D

RGB 134 152 77

HSL 74.4, 0.33%, 0.45%

LAB 59.94, -18.5, 37.07

 

CMYK 50 / 0 / 28 / 40

HEX #4C986D

RGB 76 152 109

HSL 146.05, 0.33%, 0.45%

LAB 57.17, -33.85, 15.55

 

CMYK 38 / 50 / 0 / 40

HEX #5E4C98

RGB 94 76 152

HSL 254.21, 0.33%, 0.45%

LAB 37.51, 26.1, -39.2

 

CMYK 0 / 50 / 22 / 40

HEX #984C77

RGB 152 76 119

HSL 326.05, 0.33%, 0.45%

LAB 43.03, 37.22, -9.99

 

CMYK 12 / 0 / 49 / 40

HEX #86984D

RGB 134 152 77

HSL 74.4, 0.33%, 0.45%

LAB 59.94, -18.5, 37.07

 

CMYK 50 / 0 / 13 / 40

HEX #4C9884

RGB 76 152 132

HSL 164.21, 0.33%, 0.45%

LAB 57.71, -28.62, 3.31

 

CMYK 38 / 50 / 0 / 40

HEX #5E4C98

RGB 94 76 152

HSL 254.21, 0.33%, 0.45%

LAB 37.51, 26.1, -39.2

 

CMYK 0 / 50 / 36 / 40

HEX #984C61

RGB 152 76 97

HSL 343.42, 0.33%, 0.45%

LAB 42.32, 34.1, 2.5

 

Description

Color code: RGB 134 152 77 | qconv.com Color code: RGB 134 152 77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 152 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 152 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 49 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 49% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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