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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 14 207 it is the complementary color RGB 121 241 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 14 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 14 207 shade: RGB 139 14 202, RGB 156 32 221, RGB 173 50 240, RGB 190 68 255 and RGB 207 86 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 14 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 14 207 shade: RGB 134 14 207, RGB 117 0 188, RGB 100 0 169, RGB 83 0 150 and RGB 66 0 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 14 207 shade: RGB 132 14 205, RGB 184 14 205, RGB 205 14 174, RGB 205 14 122 and RGB 205 14 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 14 207 shade: RGB 132 14 205, RGB 81 14 205, RGB 29 14 205 and RGB 14 14 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 14 207 shade matches the following richer shades: RGB 132 14 205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 14 207 shade: RGB 132 14 205, RGB 128 31 187, RGB 124 49 169, RGB 119 67 151 and RGB 115 85 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 14 207 shade: RGB 30 14 205, RGB 81 14 205, RGB 131 14 205, RGB 182 14 205 and RGB 205 14 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 14 207 shade: RGB 82 8 127, RGB 107 11 166, RGB 132 14 205, RGB 156 21 238 and RGB 172 60 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 14 207 shade: RGB 134 14 207, RGB 205 14 49 and RGB 14 205 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 14 207 shade: RGB 134 14 207, RGB 205 131 14 and RGB 14 205 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 14 207 shade: RGB 134 14 207, RGB 205 14 49, RGB 87 205 14 and RGB 14 205 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 14 207 shade: RGB 134 14 207, RGB 205 36 14, RGB 87 205 14 and RGB 14 182 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 93 / 0 / 19

HEX #860ECF

RGB 134 14 207

HSL 277.31, 0.87%, 0.43%

LAB 37.64, 72.27, -71.32

 

Complementary color

CMYK 50 / 0 / 80 / 5

HEX #79F130

RGB 121 241 48

HSL 97.31, 0.87%, 0.57%

LAB 85.6, -63.63, 75.04

 

CMYK 31 / 93 / 0 / 21

HEX #8B0ECA

RGB 139 14 202

HSL 279.89, 0.87%, 0.42%

LAB 37.96, 71.89, -67.86

 

CMYK 29 / 86 / 0 / 13

HEX #9C20DD

RGB 156 32 221

HSL 279.37, 0.75%, 0.5%

LAB 43.24, 74.45, -70.09

 

CMYK 28 / 79 / 0 / 6

HEX #AD32F0

RGB 173 50 240

HSL 278.84, 0.86%, 0.57%

LAB 48.83, 75.85, -71.66

 

CMYK 25 / 73 / 0 / 0

HEX #BE44FF

RGB 190 68 255

HSL 279.14, 1%, 0.63%

LAB 54.35, 75.66, -70.98

 

CMYK 19 / 66 / 0 / 0

HEX #CF56FF

RGB 207 86 255

HSL 282.96, 1%, 0.67%

LAB 59.1, 71.97, -63.19

 

CMYK 35 / 93 / 0 / 19

HEX #860ECF

RGB 134 14 207

HSL 277.31, 0.87%, 0.43%

LAB 37.64, 72.27, -71.32

 

CMYK 38 / 100 / 0 / 26

HEX #7500BC

RGB 117 0 188

HSL 277.34, 1%, 0.37%

LAB 32.73, 68.4, -68.35

 

CMYK 41 / 100 / 0 / 34

HEX #6400A9

RGB 100 0 169

HSL 275.5, 1%, 0.33%

LAB 28.31, 62.71, -64.36

 

CMYK 45 / 100 / 0 / 41

HEX #530096

RGB 83 0 150

HSL 273.2, 1%, 0.29%

LAB 23.81, 56.93, -60.28

 

CMYK 50 / 100 / 0 / 49

HEX #420083

RGB 66 0 131

HSL 270.23, 1%, 0.26%

LAB 19.21, 51.04, -56.07

 

CMYK 36 / 93 / 0 / 20

HEX #840ECD

RGB 132 14 205

HSL 277.07, 0.87%, 0.43%

LAB 37.17, 71.63, -70.95

 

CMYK 10 / 93 / 0 / 20

HEX #B80ECD

RGB 184 14 205

HSL 293.4, 0.87%, 0.43%

LAB 45.51, 78.82, -57

 

CMYK 0 / 93 / 15 / 20

HEX #CD0EAE

RGB 205 14 174

HSL 309.74, 0.87%, 0.43%

LAB 47.43, 77.93, -35.6

 

CMYK 0 / 93 / 40 / 20

HEX #CD0E7A

RGB 205 14 122

HSL 326.07, 0.87%, 0.43%

LAB 45.22, 72.14, -7.62

 

CMYK 0 / 93 / 65 / 20

HEX #CD0E47

RGB 205 14 71

HSL 342.09, 0.87%, 0.43%

LAB 43.87, 68.47, 22.27

 

CMYK 36 / 93 / 0 / 20

HEX #840ECD

RGB 132 14 205

HSL 277.07, 0.87%, 0.43%

LAB 37.17, 71.63, -70.95

 

CMYK 60 / 93 / 0 / 20

HEX #510ECD

RGB 81 14 205

HSL 261.05, 0.87%, 0.43%

LAB 30.57, 66.85, -82.05

 

CMYK 86 / 93 / 0 / 20

HEX #1D0ECD

RGB 29 14 205

HSL 244.71, 0.87%, 0.43%

LAB 26.69, 64.61, -88.63

 

CMYK 93 / 93 / 0 / 20

HEX #0E0ECD

RGB 14 14 205

HSL 240, 0.87%, 0.43%

LAB 26.2, 64.37, -89.45

 

CMYK 36 / 93 / 0 / 20

HEX #840ECD

RGB 132 14 205

HSL 277.07, 0.87%, 0.43%

LAB 37.17, 71.63, -70.95

 

CMYK 36 / 93 / 0 / 20

HEX #840ECD

RGB 132 14 205

HSL 277.07, 0.87%, 0.43%

LAB 37.17, 71.63, -70.95

 

CMYK 32 / 83 / 0 / 27

HEX #801FBB

RGB 128 31 187

HSL 277.31, 0.72%, 0.43%

LAB 36.28, 63.68, -61.87

 

CMYK 27 / 71 / 0 / 34

HEX #7C31A9

RGB 124 49 169

HSL 277.5, 0.55%, 0.43%

LAB 36.64, 52.42, -50.62

 

CMYK 21 / 56 / 0 / 41

HEX #774397

RGB 119 67 151

HSL 277.14, 0.39%, 0.43%

LAB 38.15, 38.01, -37.42

 

CMYK 14 / 37 / 0 / 47

HEX #735586

RGB 115 85 134

HSL 276.73, 0.22%, 0.43%

LAB 41, 22.23, -22.66

 

CMYK 85 / 93 / 0 / 20

HEX #1E0ECD

RGB 30 14 205

HSL 245.03, 0.87%, 0.43%

LAB 26.73, 64.63, -88.55

 

CMYK 60 / 93 / 0 / 20

HEX #510ECD

RGB 81 14 205

HSL 261.05, 0.87%, 0.43%

LAB 30.57, 66.85, -82.05

 

CMYK 36 / 93 / 0 / 20

HEX #830ECD

RGB 131 14 205

HSL 276.75, 0.87%, 0.43%

LAB 37.02, 71.51, -71.2

 

CMYK 11 / 93 / 0 / 20

HEX #B60ECD

RGB 182 14 205

HSL 292.77, 0.87%, 0.43%

LAB 45.17, 78.51, -57.56

 

CMYK 0 / 93 / 14 / 20

HEX #CD0EB0

RGB 205 14 176

HSL 309.11, 0.87%, 0.43%

LAB 47.53, 78.19, -36.62

 

CMYK 35 / 94 / 0 / 50

HEX #52087F

RGB 82 8 127

HSL 277.31, 0.88%, 0.26%

LAB 21.94, 49.92, -48.96

 

CMYK 36 / 93 / 0 / 35

HEX #6B0BA6

RGB 107 11 166

HSL 277.16, 0.88%, 0.35%

LAB 29.71, 61.03, -60.21

 

CMYK 36 / 93 / 0 / 20

HEX #840ECD

RGB 132 14 205

HSL 277.07, 0.87%, 0.43%

LAB 37.17, 71.63, -70.95

 

CMYK 34 / 91 / 0 / 7

HEX #9C15EE

RGB 156 21 238

HSL 277.33, 0.86%, 0.51%

LAB 43.91, 79.95, -78.66

 

CMYK 29 / 75 / 0 / 5

HEX #AC3CF1

RGB 172 60 241

HSL 277.13, 0.87%, 0.59%

LAB 49.92, 72.54, -70.46

 

CMYK 35 / 93 / 0 / 19

HEX #860ECF

RGB 134 14 207

HSL 277.31, 0.87%, 0.43%

LAB 37.64, 72.27, -71.32

 

CMYK 0 / 93 / 76 / 20

HEX #CD0E31

RGB 205 14 49

HSL 349.01, 0.87%, 0.43%

LAB 43.53, 67.52, 35.33

 

CMYK 93 / 0 / 73 / 20

HEX #0ECD37

RGB 14 205 55

HSL 132.88, 0.87%, 0.43%

LAB 72.25, -70.16, 59.24

 

CMYK 35 / 93 / 0 / 19

HEX #860ECF

RGB 134 14 207

HSL 277.31, 0.87%, 0.43%

LAB 37.64, 72.27, -71.32

 

CMYK 0 / 36 / 93 / 20

HEX #CD830E

RGB 205 131 14

HSL 36.75, 0.87%, 0.43%

LAB 61, 20.86, 64.64

 

CMYK 93 / 0 / 36 / 20

HEX #0ECD83

RGB 14 205 131

HSL 156.75, 0.87%, 0.43%

LAB 73.15, -59.24, 25.24

 

CMYK 35 / 93 / 0 / 19

HEX #860ECF

RGB 134 14 207

HSL 277.31, 0.87%, 0.43%

LAB 37.64, 72.27, -71.32

 

CMYK 0 / 93 / 76 / 20

HEX #CD0E31

RGB 205 14 49

HSL 349.01, 0.87%, 0.43%

LAB 43.53, 67.52, 35.33

 

CMYK 58 / 0 / 93 / 20

HEX #57CD0E

RGB 87 205 14

HSL 97.07, 0.87%, 0.43%

LAB 73.36, -61.28, 70.73

 

CMYK 93 / 0 / 17 / 20

HEX #0ECDAA

RGB 14 205 170

HSL 169.01, 0.87%, 0.43%

LAB 73.97, -50.16, 5.6

 

CMYK 35 / 93 / 0 / 19

HEX #860ECF

RGB 134 14 207

HSL 277.31, 0.87%, 0.43%

LAB 37.64, 72.27, -71.32

 

CMYK 0 / 82 / 93 / 20

HEX #CD240E

RGB 205 36 14

HSL 6.91, 0.87%, 0.43%

LAB 44.62, 62.81, 53.51

 

CMYK 58 / 0 / 93 / 20

HEX #57CD0E

RGB 87 205 14

HSL 97.07, 0.87%, 0.43%

LAB 73.36, -61.28, 70.73

 

CMYK 93 / 11 / 0 / 20

HEX #0EB6CD

RGB 14 182 205

HSL 187.23, 0.87%, 0.43%

LAB 67.99, -29.61, -22.39

 

Description

Color code: RGB 134 14 207 | qconv.com Color code: RGB 134 14 207 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 14 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 14 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 93 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 93% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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