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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 130 246 it is the complementary color RGB 121 125 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 130 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 130 246 shade: RGB 139 130 241, RGB 156 148 255, RGB 173 166 255, RGB 190 184 255 and RGB 207 202 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 130 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 130 246 shade: RGB 134 130 246, RGB 117 112 227, RGB 100 94 208, RGB 83 76 189 and RGB 66 58 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 130 246 shade: RGB 134 131 246, RGB 166 131 246, RGB 197 131 246, RGB 228 131 246 and RGB 246 131 233

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 130 246 shade: RGB 134 131 246 and RGB 131 131 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 130 246 shade matches the following richer shades: RGB 134 131 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 130 246 shade: RGB 134 131 246, RGB 144 141 235, RGB 154 152 224, RGB 164 163 214 and RGB 174 173 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 130 246 shade: RGB 131 188 246, RGB 131 157 246, RGB 134 131 246, RGB 165 131 246 and RGB 196 131 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 130 246 shade: RGB 60 53 241, RGB 97 92 243, RGB 134 131 246, RGB 172 169 249 and RGB 209 208 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 130 246 shade: RGB 134 130 246, RGB 246 131 219 and RGB 173 246 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 130 246 shade: RGB 134 130 246, RGB 246 134 131 and RGB 131 246 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 130 246 shade: RGB 134 130 246, RGB 246 131 219, RGB 242 246 131 and RGB 131 246 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 130 246 shade: RGB 134 130 246, RGB 246 131 184, RGB 242 246 131 and RGB 131 246 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 47 / 0 / 4

HEX #8682F6

RGB 134 130 246

HSL 242.07, 0.87%, 0.74%

LAB 59.61, 30.61, -57.84

 

Complementary color

CMYK 3 / 0 / 93 / 51

HEX #797D09

RGB 121 125 9

HSL 62.07, 0.87%, 0.26%

LAB 50.4, -14.39, 53.58

 

CMYK 42 / 46 / 0 / 5

HEX #8B82F1

RGB 139 130 241

HSL 244.86, 0.8%, 0.73%

LAB 59.71, 30.35, -54.88

 

CMYK 39 / 42 / 0 / 0

HEX #9C94FF

RGB 156 148 255

HSL 244.49, 1%, 0.79%

LAB 66.11, 27.97, -52.33

 

CMYK 32 / 35 / 0 / 0

HEX #ADA6FF

RGB 173 166 255

HSL 244.72, 1%, 0.83%

LAB 71.81, 22.21, -43.27

 

CMYK 25 / 28 / 0 / 0

HEX #BEB8FF

RGB 190 184 255

HSL 245.07, 1%, 0.86%

LAB 77.55, 17, -34.25

 

CMYK 19 / 21 / 0 / 0

HEX #CFCAFF

RGB 207 202 255

HSL 245.66, 1%, 0.9%

LAB 83.3, 12.29, -25.31

 

CMYK 46 / 47 / 0 / 4

HEX #8682F6

RGB 134 130 246

HSL 242.07, 0.87%, 0.74%

LAB 59.61, 30.61, -57.84

 

CMYK 48 / 51 / 0 / 11

HEX #7570E3

RGB 117 112 227

HSL 242.61, 0.67%, 0.66%

LAB 52.86, 31.86, -58.13

 

CMYK 52 / 55 / 0 / 18

HEX #645ED0

RGB 100 94 208

HSL 243.16, 0.55%, 0.59%

LAB 46, 33.31, -58.46

 

CMYK 56 / 60 / 0 / 26

HEX #534CBD

RGB 83 76 189

HSL 243.72, 0.46%, 0.52%

LAB 39.04, 34.97, -58.78

 

CMYK 61 / 66 / 0 / 33

HEX #423AAA

RGB 66 58 170

HSL 244.29, 0.49%, 0.45%

LAB 32, 36.87, -59.05

 

CMYK 46 / 47 / 0 / 4

HEX #8683F6

RGB 134 131 246

HSL 241.57, 0.86%, 0.74%

LAB 59.85, 30.02, -57.45

 

CMYK 33 / 47 / 0 / 4

HEX #A683F6

RGB 166 131 246

HSL 258.26, 0.86%, 0.74%

LAB 62.5, 37.81, -53.07

 

CMYK 20 / 47 / 0 / 4

HEX #C583F6

RGB 197 131 246

HSL 274.43, 0.86%, 0.74%

LAB 65.56, 46.01, -48.03

 

CMYK 7 / 47 / 0 / 4

HEX #E483F6

RGB 228 131 246

HSL 290.61, 0.86%, 0.74%

LAB 69.03, 54.53, -42.34

 

CMYK 0 / 47 / 5 / 4

HEX #F683E9

RGB 246 131 233

HSL 306.78, 0.86%, 0.74%

LAB 70.67, 57.31, -32.48

 

CMYK 46 / 47 / 0 / 4

HEX #8683F6

RGB 134 131 246

HSL 241.57, 0.86%, 0.74%

LAB 59.85, 30.02, -57.45

 

CMYK 47 / 47 / 0 / 4

HEX #8383F6

RGB 131 131 246

HSL 240, 0.86%, 0.74%

LAB 59.63, 29.34, -57.82

 

CMYK 46 / 47 / 0 / 4

HEX #8683F6

RGB 134 131 246

HSL 241.57, 0.86%, 0.74%

LAB 59.85, 30.02, -57.45

 

CMYK 46 / 47 / 0 / 4

HEX #8683F6

RGB 134 131 246

HSL 241.57, 0.86%, 0.74%

LAB 59.85, 30.02, -57.45

 

CMYK 39 / 40 / 0 / 8

HEX #908DEB

RGB 144 141 235

HSL 241.91, 0.7%, 0.74%

LAB 62.49, 23.52, -47.14

 

CMYK 31 / 32 / 0 / 12

HEX #9A98E0

RGB 154 152 224

HSL 241.67, 0.54%, 0.74%

LAB 65.52, 16.99, -36.25

 

CMYK 23 / 24 / 0 / 16

HEX #A4A3D6

RGB 164 163 214

HSL 241.18, 0.38%, 0.74%

LAB 68.71, 11.26, -25.74

 

CMYK 14 / 15 / 0 / 20

HEX #AEADCB

RGB 174 173 203

HSL 242, 0.22%, 0.74%

LAB 71.69, 6.4, -15.08

 

CMYK 47 / 24 / 0 / 4

HEX #83BCF6

RGB 131 188 246

HSL 210.26, 0.86%, 0.74%

LAB 74.47, -3.25, -34.47

 

CMYK 47 / 36 / 0 / 4

HEX #839DF6

RGB 131 157 246

HSL 226.43, 0.86%, 0.74%

LAB 66.21, 14.17, -47.38

 

CMYK 46 / 47 / 0 / 4

HEX #8683F6

RGB 134 131 246

HSL 241.57, 0.86%, 0.74%

LAB 59.85, 30.02, -57.45

 

CMYK 33 / 47 / 0 / 4

HEX #A583F6

RGB 165 131 246

HSL 257.74, 0.86%, 0.74%

LAB 62.41, 37.55, -53.22

 

CMYK 20 / 47 / 0 / 4

HEX #C483F6

RGB 196 131 246

HSL 273.91, 0.86%, 0.74%

LAB 65.45, 45.74, -48.21

 

CMYK 75 / 78 / 0 / 5

HEX #3C35F1

RGB 60 53 241

HSL 242.23, 0.87%, 0.58%

LAB 37.59, 61.45, -91.13

 

CMYK 60 / 62 / 0 / 5

HEX #615CF3

RGB 97 92 243

HSL 241.99, 0.86%, 0.66%

LAB 47.84, 44.92, -75.31

 

CMYK 46 / 47 / 0 / 4

HEX #8683F6

RGB 134 131 246

HSL 241.57, 0.86%, 0.74%

LAB 59.85, 30.02, -57.45

 

CMYK 31 / 32 / 0 / 2

HEX #ACA9F9

RGB 172 169 249

HSL 242.25, 0.87%, 0.82%

LAB 72.22, 18.74, -39.39

 

CMYK 17 / 17 / 0 / 2

HEX #D1D0FB

RGB 209 208 251

HSL 241.4, 0.84%, 0.9%

LAB 84.81, 8.83, -20.88

 

CMYK 46 / 47 / 0 / 4

HEX #8682F6

RGB 134 130 246

HSL 242.07, 0.87%, 0.74%

LAB 59.61, 30.61, -57.84

 

CMYK 0 / 47 / 11 / 4

HEX #F683DB

RGB 246 131 219

HSL 314.09, 0.86%, 0.74%

LAB 70.13, 55.03, -25.59

 

CMYK 30 / 0 / 47 / 4

HEX #ADF683

RGB 173 246 131

HSL 98.09, 0.86%, 0.74%

LAB 90.06, -42.31, 48.03

 

CMYK 46 / 47 / 0 / 4

HEX #8682F6

RGB 134 130 246

HSL 242.07, 0.87%, 0.74%

LAB 59.61, 30.61, -57.84

 

CMYK 0 / 46 / 47 / 4

HEX #F68683

RGB 246 134 131

HSL 1.57, 0.86%, 0.74%

LAB 68.23, 42.26, 20.83

 

CMYK 47 / 0 / 46 / 4

HEX #83F686

RGB 131 246 134

HSL 121.57, 0.86%, 0.74%

LAB 88.19, -54.77, 43.84

 

CMYK 46 / 47 / 0 / 4

HEX #8682F6

RGB 134 130 246

HSL 242.07, 0.87%, 0.74%

LAB 59.61, 30.61, -57.84

 

CMYK 0 / 47 / 11 / 4

HEX #F683DB

RGB 246 131 219

HSL 314.09, 0.86%, 0.74%

LAB 70.13, 55.03, -25.59

 

CMYK 2 / 0 / 47 / 4

HEX #F2F683

RGB 242 246 131

HSL 62.09, 0.86%, 0.74%

LAB 94.49, -16.98, 54.46

 

CMYK 47 / 0 / 36 / 4

HEX #83F69D

RGB 131 246 157

HSL 133.57, 0.86%, 0.74%

LAB 88.53, -51.28, 32.95

 

CMYK 46 / 47 / 0 / 4

HEX #8682F6

RGB 134 130 246

HSL 242.07, 0.87%, 0.74%

LAB 59.61, 30.61, -57.84

 

CMYK 0 / 47 / 25 / 4

HEX #F683B8

RGB 246 131 184

HSL 332.35, 0.86%, 0.74%

LAB 68.96, 49.89, -7.87

 

CMYK 2 / 0 / 47 / 4

HEX #F2F683

RGB 242 246 131

HSL 62.09, 0.86%, 0.74%

LAB 94.49, -16.98, 54.46

 

CMYK 47 / 0 / 22 / 4

HEX #83F6C0

RGB 131 246 192

HSL 151.83, 0.86%, 0.74%

LAB 89.18, -44.86, 16

 

Description

Color code: RGB 134 130 246 | qconv.com Color code: RGB 134 130 246 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 130 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 130 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 47 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 47% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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