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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 37 46 it is the complementary color RGB 122 218 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 37 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 133 37 46 shade: RGB 138 37 41, RGB 155 55 60, RGB 172 73 79, RGB 189 91 98 and RGB 206 109 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 37 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 133 37 46 shade: RGB 133 37 46, RGB 116 19 27, RGB 99 1 8, RGB 82 0 0 and RGB 65 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 133 37 46 shade: RGB 131 37 45 and RGB 131 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 133 37 46 shade: RGB 131 37 45, RGB 131 37 71, RGB 131 37 96, RGB 131 37 122 and RGB 115 37 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 133 37 46 shade matches the following richer shades: RGB 131 37 45, RGB 144 23 34 and RGB 158 9 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 133 37 46 shade: RGB 131 37 45, RGB 117 50 56, RGB 104 64 67, RGB 90 77 79 and RGB 76 91 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 133 37 46 shade: RGB 131 37 96, RGB 131 37 71, RGB 131 37 46, RGB 131 52 37 and RGB 131 77 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 133 37 46 shade: RGB 66 18 23, RGB 99 27 34, RGB 131 37 45, RGB 163 46 57 and RGB 195 55 68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 133 37 46 shade: RGB 133 37 46, RGB 121 131 37 and RGB 37 84 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 133 37 46 shade: RGB 133 37 46, RGB 46 131 37 and RGB 37 46 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 133 37 46 shade: RGB 133 37 46, RGB 121 131 37, RGB 37 131 121 and RGB 46 37 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 133 37 46 shade: RGB 133 37 46, RGB 93 131 37, RGB 37 131 121 and RGB 74 37 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 65 / 48

HEX #85252E

RGB 133 37 46

HSL 354.38, 0.56%, 0.33%

LAB 30.66, 41.27, 18.28

 

Complementary color

CMYK 44 / 0 / 4 / 15

HEX #7ADAD1

RGB 122 218 209

HSL 174.38, 0.56%, 0.67%

LAB 81.23, -30.53, -4.43

 

CMYK 0 / 73 / 70 / 46

HEX #8A2529

RGB 138 37 41

HSL 357.62, 0.58%, 0.34%

LAB 31.55, 42.66, 22.81

 

CMYK 0 / 65 / 61 / 39

HEX #9B373C

RGB 155 55 60

HSL 357, 0.48%, 0.41%

LAB 37.89, 42.05, 19.51

 

CMYK 0 / 58 / 54 / 33

HEX #AC494F

RGB 172 73 79

HSL 356.36, 0.4%, 0.48%

LAB 44.38, 41.1, 16.9

 

CMYK 0 / 52 / 48 / 26

HEX #BD5B62

RGB 189 91 98

HSL 355.71, 0.43%, 0.55%

LAB 50.9, 40.04, 14.79

 

CMYK 0 / 47 / 43 / 19

HEX #CE6D75

RGB 206 109 117

HSL 355.05, 0.5%, 0.62%

LAB 57.41, 38.98, 13.02

 

CMYK 0 / 72 / 65 / 48

HEX #85252E

RGB 133 37 46

HSL 354.38, 0.56%, 0.33%

LAB 30.66, 41.27, 18.28

 

CMYK 0 / 84 / 77 / 55

HEX #74131B

RGB 116 19 27

HSL 355.05, 0.72%, 0.26%

LAB 24.51, 41.12, 22.36

 

CMYK 0 / 99 / 92 / 61

HEX #630108

RGB 99 1 8

HSL 355.71, 0.98%, 0.2%

LAB 18.77, 39.97, 25.56

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 72 / 66 / 49

HEX #83252D

RGB 131 37 45

HSL 354.89, 0.56%, 0.33%

LAB 30.25, 40.53, 18.33

 

CMYK 0 / 72 / 72 / 49

HEX #832525

RGB 131 37 37

HSL 0, 0.56%, 0.33%

LAB 30.11, 40.04, 23.3

 

CMYK 0 / 72 / 66 / 49

HEX #83252D

RGB 131 37 45

HSL 354.89, 0.56%, 0.33%

LAB 30.25, 40.53, 18.33

 

CMYK 0 / 72 / 46 / 49

HEX #832547

RGB 131 37 71

HSL 338.3, 0.56%, 0.33%

LAB 30.89, 42.73, 2.09

 

CMYK 0 / 72 / 27 / 49

HEX #832560

RGB 131 37 96

HSL 322.34, 0.56%, 0.33%

LAB 31.79, 45.76, -12.89

 

CMYK 0 / 72 / 7 / 49

HEX #83257A

RGB 131 37 122

HSL 305.74, 0.56%, 0.33%

LAB 33.04, 49.74, -27.53

 

CMYK 12 / 72 / 0 / 49

HEX #732583

RGB 115 37 131

HSL 289.79, 0.56%, 0.33%

LAB 30.89, 47.5, -36.73

 

CMYK 0 / 72 / 66 / 49

HEX #83252D

RGB 131 37 45

HSL 354.89, 0.56%, 0.33%

LAB 30.25, 40.53, 18.33

 

CMYK 0 / 84 / 76 / 44

HEX #901722

RGB 144 23 34

HSL 354.55, 0.72%, 0.33%

LAB 31.01, 48.86, 26.91

 

CMYK 0 / 94 / 85 / 38

HEX #9E0917

RGB 158 9 23

HSL 354.36, 0.89%, 0.33%

LAB 32.98, 55.15, 36.42

 

CMYK 0 / 72 / 66 / 49

HEX #83252D

RGB 131 37 45

HSL 354.89, 0.56%, 0.33%

LAB 30.25, 40.53, 18.33

 

CMYK 0 / 57 / 52 / 54

HEX #753238

RGB 117 50 56

HSL 354.63, 0.4%, 0.33%

LAB 30.28, 30.03, 10.73

 

CMYK 0 / 38 / 36 / 59

HEX #684043

RGB 104 64 67

HSL 355.5, 0.24%, 0.33%

LAB 31.84, 17.87, 5.49

 

CMYK 0 / 14 / 12 / 65

HEX #5A4D4F

RGB 90 77 79

HSL 350.77, 0.08%, 0.33%

LAB 34.08, 5.81, 0.82

 

CMYK 16 / 0 / 1 / 64

HEX #4C5B5A

RGB 76 91 90

HSL 176, 0.09%, 0.33%

LAB 37.4, -6, -1.37

 

CMYK 0 / 72 / 27 / 49

HEX #832560

RGB 131 37 96

HSL 322.34, 0.56%, 0.33%

LAB 31.79, 45.76, -12.89

 

CMYK 0 / 72 / 46 / 49

HEX #832547

RGB 131 37 71

HSL 338.3, 0.56%, 0.33%

LAB 30.89, 42.73, 2.09

 

CMYK 0 / 72 / 65 / 49

HEX #83252E

RGB 131 37 46

HSL 354.26, 0.56%, 0.33%

LAB 30.27, 40.59, 17.7

 

CMYK 0 / 60 / 72 / 49

HEX #833425

RGB 131 52 37

HSL 9.57, 0.56%, 0.33%

LAB 32.73, 33.03, 26.39

 

CMYK 0 / 41 / 72 / 49

HEX #834D25

RGB 131 77 37

HSL 25.53, 0.56%, 0.33%

LAB 38.32, 19.11, 32.7

 

CMYK 0 / 73 / 65 / 74

HEX #421217

RGB 66 18 23

HSL 353.75, 0.57%, 0.16%

LAB 13.55, 23.63, 9.18

 

CMYK 0 / 73 / 66 / 61

HEX #631B22

RGB 99 27 34

HSL 354.17, 0.57%, 0.25%

LAB 22.13, 32.79, 13.94

 

CMYK 0 / 72 / 66 / 49

HEX #83252D

RGB 131 37 45

HSL 354.89, 0.56%, 0.33%

LAB 30.25, 40.53, 18.33

 

CMYK 0 / 72 / 65 / 36

HEX #A32E39

RGB 163 46 57

HSL 354.36, 0.56%, 0.41%

LAB 37.91, 48.36, 21.7

 

CMYK 0 / 72 / 65 / 24

HEX #C33744

RGB 195 55 68

HSL 354.43, 0.56%, 0.49%

LAB 45.29, 55.81, 25.54

 

CMYK 0 / 72 / 65 / 48

HEX #85252E

RGB 133 37 46

HSL 354.38, 0.56%, 0.33%

LAB 30.66, 41.27, 18.28

 

CMYK 8 / 0 / 72 / 49

HEX #798325

RGB 121 131 37

HSL 66.38, 0.56%, 0.33%

LAB 52.32, -16.49, 46.98

 

CMYK 72 / 36 / 0 / 49

HEX #255483

RGB 37 84 131

HSL 210, 0.56%, 0.33%

LAB 34.75, 0.66, -31.04

 

CMYK 0 / 72 / 65 / 48

HEX #85252E

RGB 133 37 46

HSL 354.38, 0.56%, 0.33%

LAB 30.66, 41.27, 18.28

 

CMYK 65 / 0 / 72 / 49

HEX #2E8325

RGB 46 131 37

HSL 114.26, 0.56%, 0.33%

LAB 48.19, -44.03, 41.44

 

CMYK 72 / 65 / 0 / 49

HEX #252E83

RGB 37 46 131

HSL 234.26, 0.56%, 0.33%

LAB 23.63, 26.47, -48.92

 

CMYK 0 / 72 / 65 / 48

HEX #85252E

RGB 133 37 46

HSL 354.38, 0.56%, 0.33%

LAB 30.66, 41.27, 18.28

 

CMYK 8 / 0 / 72 / 49

HEX #798325

RGB 121 131 37

HSL 66.38, 0.56%, 0.33%

LAB 52.32, -16.49, 46.98

 

CMYK 72 / 0 / 8 / 49

HEX #258379

RGB 37 131 121

HSL 173.62, 0.56%, 0.33%

LAB 49.5, -29.23, -2.46

 

CMYK 65 / 72 / 0 / 49

HEX #2E2583

RGB 46 37 131

HSL 245.74, 0.56%, 0.33%

LAB 22.1, 33.59, -51.4

 

CMYK 0 / 72 / 65 / 48

HEX #85252E

RGB 133 37 46

HSL 354.38, 0.56%, 0.33%

LAB 30.66, 41.27, 18.28

 

CMYK 29 / 0 / 72 / 49

HEX #5D8325

RGB 93 131 37

HSL 84.26, 0.56%, 0.33%

LAB 50.33, -28.51, 44.32

 

CMYK 72 / 0 / 8 / 49

HEX #258379

RGB 37 131 121

HSL 173.62, 0.56%, 0.33%

LAB 49.5, -29.23, -2.46

 

CMYK 44 / 72 / 0 / 49

HEX #4A2583

RGB 74 37 131

HSL 263.62, 0.56%, 0.33%

LAB 25.01, 38.49, -46.53

 

Description

Color code: RGB 133 37 46 | qconv.com Color code: RGB 133 37 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 37 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 37 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 65 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 65% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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