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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 28 185 it is the complementary color RGB 122 227 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 28 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 133 28 185 shade: RGB 138 28 180, RGB 155 46 199, RGB 172 64 218, RGB 189 82 237 and RGB 206 100 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 28 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 133 28 185 shade: RGB 133 28 185, RGB 116 10 166, RGB 99 0 147, RGB 82 0 128 and RGB 65 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 133 28 185 shade: RGB 133 27 186, RGB 176 27 186, RGB 186 27 153, RGB 186 27 110 and RGB 186 27 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 133 28 185 shade: RGB 133 27 186, RGB 91 27 186, RGB 48 27 186 and RGB 27 27 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 133 28 185 shade matches the following richer shades: RGB 133 27 186 and RGB 139 10 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 133 28 185 shade: RGB 133 27 186, RGB 128 45 169, RGB 122 62 151, RGB 116 79 134 and RGB 110 97 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 133 28 185 shade: RGB 48 27 186, RGB 91 27 186, RGB 133 27 186, RGB 175 27 186 and RGB 186 27 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 133 28 185 shade: RGB 82 17 114, RGB 108 22 150, RGB 133 27 186, RGB 159 33 221 and RGB 175 69 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 133 28 185 shade: RGB 133 28 185, RGB 186 27 48 and RGB 27 186 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 133 28 185 shade: RGB 133 28 185, RGB 186 133 27 and RGB 27 186 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 133 28 185 shade: RGB 133 28 185, RGB 186 27 48, RGB 80 186 27 and RGB 27 186 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 133 28 185 shade: RGB 133 28 185, RGB 186 54 27, RGB 80 186 27 and RGB 27 159 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 85 / 0 / 27

HEX #851CB9

RGB 133 28 185

HSL 280.13, 0.74%, 0.42%

LAB 36.59, 64.86, -60.16

 

Complementary color

CMYK 46 / 0 / 69 / 11

HEX #7AE346

RGB 122 227 70

HSL 100.13, 0.74%, 0.58%

LAB 81.58, -56.82, 64.13

 

CMYK 23 / 84 / 0 / 29

HEX #8A1CB4

RGB 138 28 180

HSL 283.42, 0.73%, 0.41%

LAB 36.98, 64.67, -56.52

 

CMYK 22 / 77 / 0 / 22

HEX #9B2EC7

RGB 155 46 199

HSL 282.75, 0.62%, 0.48%

LAB 42.83, 65.93, -58.08

 

CMYK 21 / 71 / 0 / 15

HEX #AC40DA

RGB 172 64 218

HSL 282.08, 0.68%, 0.55%

LAB 48.88, 66.35, -59.13

 

CMYK 20 / 65 / 0 / 7

HEX #BD52ED

RGB 189 82 237

HSL 281.42, 0.81%, 0.63%

LAB 55.04, 66.26, -59.84

 

CMYK 19 / 61 / 0 / 0

HEX #CE64FF

RGB 206 100 255

HSL 281.03, 1%, 0.7%

LAB 61.18, 65.66, -59.87

 

CMYK 28 / 85 / 0 / 27

HEX #851CB9

RGB 133 28 185

HSL 280.13, 0.74%, 0.42%

LAB 36.59, 64.86, -60.16

 

CMYK 30 / 94 / 0 / 35

HEX #740AA6

RGB 116 10 166

HSL 280.77, 0.89%, 0.35%

LAB 31.07, 62.36, -57.92

 

CMYK 33 / 100 / 0 / 42

HEX #630093

RGB 99 0 147

HSL 280.41, 1%, 0.29%

LAB 26.04, 58.05, -54.66

 

CMYK 36 / 100 / 0 / 50

HEX #520080

RGB 82 0 128

HSL 278.44, 1%, 0.25%

LAB 21.4, 52.05, -50.48

 

CMYK 40 / 100 / 0 / 57

HEX #41006D

RGB 65 0 109

HSL 275.78, 1%, 0.21%

LAB 16.64, 45.91, -46.18

 

CMYK 28 / 85 / 0 / 27

HEX #851BBA

RGB 133 27 186

HSL 280, 0.75%, 0.42%

LAB 36.58, 65.32, -60.76

 

CMYK 5 / 85 / 0 / 27

HEX #B01BBA

RGB 176 27 186

HSL 296.23, 0.75%, 0.42%

LAB 43.59, 72.46, -49.09

 

CMYK 0 / 85 / 18 / 27

HEX #BA1B99

RGB 186 27 153

HSL 312.45, 0.75%, 0.42%

LAB 43.54, 69.55, -29.42

 

CMYK 0 / 85 / 41 / 27

HEX #BA1B6E

RGB 186 27 110

HSL 328.68, 0.75%, 0.42%

LAB 41.77, 64.64, -5.72

 

CMYK 0 / 85 / 64 / 27

HEX #BA1B43

RGB 186 27 67

HSL 344.91, 0.75%, 0.42%

LAB 40.62, 61.33, 19.8

 

CMYK 28 / 85 / 0 / 27

HEX #851BBA

RGB 133 27 186

HSL 280, 0.75%, 0.42%

LAB 36.58, 65.32, -60.76

 

CMYK 51 / 85 / 0 / 27

HEX #5B1BBA

RGB 91 27 186

HSL 264.15, 0.75%, 0.42%

LAB 30.77, 59.74, -70.52

 

CMYK 74 / 85 / 0 / 27

HEX #301BBA

RGB 48 27 186

HSL 247.92, 0.75%, 0.42%

LAB 26.61, 56.04, -77.53

 

CMYK 85 / 85 / 0 / 27

HEX #1B1BBA

RGB 27 27 186

HSL 240, 0.75%, 0.42%

LAB 25.45, 55.05, -79.5

 

CMYK 28 / 85 / 0 / 27

HEX #851BBA

RGB 133 27 186

HSL 280, 0.75%, 0.42%

LAB 36.58, 65.32, -60.76

 

CMYK 32 / 95 / 0 / 20

HEX #8B0ACB

RGB 139 10 203

HSL 280.1, 0.91%, 0.42%

LAB 37.87, 72.6, -68.58

 

CMYK 28 / 85 / 0 / 27

HEX #851BBA

RGB 133 27 186

HSL 280, 0.75%, 0.42%

LAB 36.58, 65.32, -60.76

 

CMYK 24 / 73 / 0 / 34

HEX #802DA9

RGB 128 45 169

HSL 280.16, 0.58%, 0.42%

LAB 36.61, 54.94, -50.64

 

CMYK 19 / 59 / 0 / 41

HEX #7A3E97

RGB 122 62 151

HSL 280.45, 0.42%, 0.42%

LAB 37.51, 41.54, -38.4

 

CMYK 13 / 41 / 0 / 47

HEX #744F86

RGB 116 79 134

HSL 280.36, 0.26%, 0.42%

LAB 39.62, 26.18, -24.79

 

CMYK 6 / 17 / 0 / 54

HEX #6E6175

RGB 110 97 117

HSL 279, 0.09%, 0.42%

LAB 42.99, 9.28, -9.34

 

CMYK 74 / 85 / 0 / 27

HEX #301BBA

RGB 48 27 186

HSL 247.92, 0.75%, 0.42%

LAB 26.61, 56.04, -77.53

 

CMYK 51 / 85 / 0 / 27

HEX #5B1BBA

RGB 91 27 186

HSL 264.15, 0.75%, 0.42%

LAB 30.77, 59.74, -70.52

 

CMYK 28 / 85 / 0 / 27

HEX #851BBA

RGB 133 27 186

HSL 280, 0.75%, 0.42%

LAB 36.58, 65.32, -60.76

 

CMYK 6 / 85 / 0 / 27

HEX #AF1BBA

RGB 175 27 186

HSL 295.85, 0.75%, 0.42%

LAB 43.42, 72.28, -49.37

 

CMYK 0 / 85 / 17 / 27

HEX #BA1B9A

RGB 186 27 154

HSL 312.08, 0.75%, 0.42%

LAB 43.59, 69.69, -29.94

 

CMYK 28 / 85 / 0 / 55

HEX #521172

RGB 82 17 114

HSL 280.21, 0.74%, 0.26%

LAB 21.61, 44.59, -41.18

 

CMYK 28 / 85 / 0 / 41

HEX #6C1696

RGB 108 22 150

HSL 280.31, 0.74%, 0.34%

LAB 29.32, 55.32, -51.09

 

CMYK 28 / 85 / 0 / 27

HEX #851BBA

RGB 133 27 186

HSL 280, 0.75%, 0.42%

LAB 36.58, 65.32, -60.76

 

CMYK 28 / 85 / 0 / 13

HEX #9F21DD

RGB 159 33 221

HSL 280.21, 0.74%, 0.5%

LAB 43.77, 74.64, -69.22

 

CMYK 23 / 70 / 0 / 11

HEX #AF45E3

RGB 175 69 227

HSL 280.25, 0.74%, 0.58%

LAB 50.59, 66.77, -61.47

 

CMYK 28 / 85 / 0 / 27

HEX #851CB9

RGB 133 28 185

HSL 280.13, 0.74%, 0.42%

LAB 36.59, 64.86, -60.16

 

CMYK 0 / 85 / 74 / 27

HEX #BA1B30

RGB 186 27 48

HSL 352.08, 0.75%, 0.42%

LAB 40.31, 60.41, 31.22

 

CMYK 85 / 0 / 62 / 27

HEX #1BBA46

RGB 27 186 70

HSL 136.23, 0.75%, 0.42%

LAB 66.36, -62.06, 46.93

 

CMYK 28 / 85 / 0 / 27

HEX #851CB9

RGB 133 28 185

HSL 280.13, 0.74%, 0.42%

LAB 36.59, 64.86, -60.16

 

CMYK 0 / 28 / 85 / 27

HEX #BA851B

RGB 186 133 27

HSL 40, 0.75%, 0.42%

LAB 59.24, 11.64, 59.15

 

CMYK 85 / 0 / 28 / 27

HEX #1BBA85

RGB 27 186 133

HSL 160, 0.75%, 0.42%

LAB 67.31, -50.97, 16.2

 

CMYK 28 / 85 / 0 / 27

HEX #851CB9

RGB 133 28 185

HSL 280.13, 0.74%, 0.42%

LAB 36.59, 64.86, -60.16

 

CMYK 0 / 85 / 74 / 27

HEX #BA1B30

RGB 186 27 48

HSL 352.08, 0.75%, 0.42%

LAB 40.31, 60.41, 31.22

 

CMYK 57 / 0 / 85 / 27

HEX #50BA1B

RGB 80 186 27

HSL 100, 0.75%, 0.42%

LAB 67.2, -56.05, 63.15

 

CMYK 85 / 0 / 11 / 27

HEX #1BBAA5

RGB 27 186 165

HSL 172.08, 0.75%, 0.42%

LAB 68.07, -42.86, -0.22

 

CMYK 28 / 85 / 0 / 27

HEX #851CB9

RGB 133 28 185

HSL 280.13, 0.74%, 0.42%

LAB 36.59, 64.86, -60.16

 

CMYK 0 / 71 / 85 / 27

HEX #BA361B

RGB 186 54 27

HSL 10.19, 0.75%, 0.42%

LAB 43, 51.6, 45.42

 

CMYK 57 / 0 / 85 / 27

HEX #50BA1B

RGB 80 186 27

HSL 100, 0.75%, 0.42%

LAB 67.2, -56.05, 63.15

 

CMYK 85 / 15 / 0 / 27

HEX #1B9FBA

RGB 27 159 186

HSL 190.19, 0.75%, 0.42%

LAB 60.4, -23.67, -23.41

 

Description

Color code: RGB 133 28 185 | qconv.com Color code: RGB 133 28 185 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 28 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 28 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 85 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 85% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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