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Color name
RGB 133 240 24

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 240 24 it is the complementary color RGB 122 15 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 240 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 133 240 24 shade: RGB 138 240 19, RGB 155 255 38, RGB 172 255 57, RGB 189 255 76 and RGB 206 255 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 240 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 133 240 24 shade: RGB 133 240 24, RGB 116 222 5, RGB 99 204 0, RGB 82 186 0 and RGB 65 168 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 133 240 24 shade: RGB 133 240 24, RGB 191 240 24, RGB 240 230 24, RGB 240 172 24 and RGB 240 114 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 133 240 24 shade: RGB 133 240 24, RGB 75 240 24, RGB 24 240 32, RGB 24 240 90 and RGB 24 240 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 133 240 24 shade matches the following richer shades: RGB 133 240 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 133 240 24 shade: RGB 133 240 24, RGB 133 220 44, RGB 133 200 64, RGB 133 180 84 and RGB 132 161 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 133 240 24 shade: RGB 240 229 24, RGB 193 240 24, RGB 136 240 24, RGB 78 240 24 and RGB 24 240 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 133 240 24 shade: RGB 92 171 10, RGB 112 210 13, RGB 133 240 24, RGB 154 242 63 and RGB 174 245 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 133 240 24 shade: RGB 133 240 24, RGB 24 240 172 and RGB 240 24 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 133 240 24 shade: RGB 133 240 24, RGB 24 136 240 and RGB 240 24 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 133 240 24 shade: RGB 133 240 24, RGB 24 240 172, RGB 129 24 240 and RGB 240 24 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 133 240 24 shade: RGB 133 240 24, RGB 24 240 236, RGB 129 24 240 and RGB 240 24 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 90 / 6

HEX #85F018

RGB 133 240 24

HSL 89.72, 0.88%, 0.52%

LAB 85.69, -60.54, 80.23

 

Complementary color

CMYK 47 / 94 / 0 / 9

HEX #7A0FE7

RGB 122 15 231

HSL 269.72, 0.88%, 0.48%

LAB 38.29, 75.87, -84.12

 

CMYK 43 / 0 / 92 / 6

HEX #8AF013

RGB 138 240 19

HSL 87.69, 0.88%, 0.51%

LAB 85.89, -59.08, 81.15

 

CMYK 39 / 0 / 85 / 0

HEX #9BFF26

RGB 155 255 38

HSL 87.65, 1%, 0.57%

LAB 91.07, -58.87, 82.71

 

CMYK 33 / 0 / 78 / 0

HEX #ACFF39

RGB 172 255 57

HSL 85.15, 1%, 0.61%

LAB 91.95, -52.43, 79.26

 

CMYK 26 / 0 / 70 / 0

HEX #BDFF4C

RGB 189 255 76

HSL 82.12, 1%, 0.65%

LAB 92.95, -45.4, 74.6

 

CMYK 19 / 0 / 63 / 0

HEX #CEFF5F

RGB 206 255 95

HSL 78.38, 1%, 0.69%

LAB 94.08, -37.91, 69.01

 

CMYK 45 / 0 / 90 / 6

HEX #85F018

RGB 133 240 24

HSL 89.72, 0.88%, 0.52%

LAB 85.69, -60.54, 80.23

 

CMYK 48 / 0 / 98 / 13

HEX #74DE05

RGB 116 222 5

HSL 89.31, 0.96%, 0.45%

LAB 79.59, -59.38, 77.09

 

CMYK 51 / 0 / 100 / 20

HEX #63CC00

RGB 99 204 0

HSL 90.88, 1%, 0.4%

LAB 73.44, -57.9, 72.45

 

CMYK 56 / 0 / 100 / 27

HEX #52BA00

RGB 82 186 0

HSL 93.55, 1%, 0.36%

LAB 67.21, -56.21, 67.29

 

CMYK 61 / 0 / 100 / 34

HEX #41A800

RGB 65 168 0

HSL 96.79, 1%, 0.33%

LAB 60.9, -54.32, 62.08

 

CMYK 45 / 0 / 90 / 6

HEX #85F018

RGB 133 240 24

HSL 89.72, 0.88%, 0.52%

LAB 85.69, -60.54, 80.23

 

CMYK 20 / 0 / 90 / 6

HEX #BFF018

RGB 191 240 24

HSL 73.61, 0.88%, 0.52%

LAB 88.67, -40.1, 83.88

 

CMYK 0 / 4 / 90 / 6

HEX #F0E618

RGB 240 230 24

HSL 57.22, 0.88%, 0.52%

LAB 89.48, -15.5, 86.02

 

CMYK 0 / 28 / 90 / 6

HEX #F0AC18

RGB 240 172 24

HSL 41.11, 0.88%, 0.52%

LAB 74.89, 14.16, 74.83

 

CMYK 0 / 53 / 90 / 6

HEX #F07218

RGB 240 114 24

HSL 25, 0.88%, 0.52%

LAB 62.19, 44.16, 65.38

 

CMYK 45 / 0 / 90 / 6

HEX #85F018

RGB 133 240 24

HSL 89.72, 0.88%, 0.52%

LAB 85.69, -60.54, 80.23

 

CMYK 69 / 0 / 90 / 6

HEX #4BF018

RGB 75 240 24

HSL 105.83, 0.88%, 0.52%

LAB 83.9, -74.9, 78.01

 

CMYK 90 / 0 / 87 / 6

HEX #18F020

RGB 24 240 32

HSL 122.22, 0.88%, 0.52%

LAB 83.24, -80.66, 75.81

 

CMYK 90 / 0 / 63 / 6

HEX #18F05A

RGB 24 240 90

HSL 138.33, 0.88%, 0.52%

LAB 83.58, -76.43, 57.76

 

CMYK 90 / 0 / 38 / 6

HEX #18F094

RGB 24 240 148

HSL 154.44, 0.88%, 0.52%

LAB 84.3, -67.65, 31.45

 

CMYK 45 / 0 / 90 / 6

HEX #85F018

RGB 133 240 24

HSL 89.72, 0.88%, 0.52%

LAB 85.69, -60.54, 80.23

 

CMYK 45 / 0 / 90 / 6

HEX #85F018

RGB 133 240 24

HSL 89.72, 0.88%, 0.52%

LAB 85.69, -60.54, 80.23

 

CMYK 40 / 0 / 80 / 14

HEX #85DC2C

RGB 133 220 44

HSL 89.66, 0.72%, 0.52%

LAB 79.82, -52.17, 71

 

CMYK 34 / 0 / 68 / 22

HEX #85C840

RGB 133 200 64

HSL 89.56, 0.55%, 0.52%

LAB 73.98, -42.72, 58.68

 

CMYK 26 / 0 / 53 / 29

HEX #85B454

RGB 133 180 84

HSL 89.38, 0.39%, 0.52%

LAB 68.22, -31.93, 43.5

 

CMYK 18 / 0 / 35 / 37

HEX #84A168

RGB 132 161 104

HSL 90.53, 0.23%, 0.52%

LAB 62.84, -20.5, 26.47

 

CMYK 0 / 5 / 90 / 6

HEX #F0E518

RGB 240 229 24

HSL 56.94, 0.88%, 0.52%

LAB 89.22, -15.01, 85.82

 

CMYK 20 / 0 / 90 / 6

HEX #C1F018

RGB 193 240 24

HSL 73.06, 0.88%, 0.52%

LAB 88.79, -39.33, 84.04

 

CMYK 43 / 0 / 90 / 6

HEX #88F018

RGB 136 240 24

HSL 88.89, 0.88%, 0.52%

LAB 85.82, -59.61, 80.38

 

CMYK 68 / 0 / 90 / 6

HEX #4EF018

RGB 78 240 24

HSL 105, 0.88%, 0.52%

LAB 83.97, -74.35, 78.09

 

CMYK 90 / 0 / 88 / 6

HEX #18F01C

RGB 24 240 28

HSL 121.11, 0.88%, 0.52%

LAB 83.23, -80.8, 76.53

 

CMYK 46 / 0 / 94 / 33

HEX #5CAB0A

RGB 92 171 10

HSL 89.44, 0.89%, 0.35%

LAB 62.86, -47.41, 62.72

 

CMYK 47 / 0 / 94 / 18

HEX #70D20D

RGB 112 210 13

HSL 89.85, 0.88%, 0.44%

LAB 75.8, -56.02, 73.22

 

CMYK 45 / 0 / 90 / 6

HEX #85F018

RGB 133 240 24

HSL 89.72, 0.88%, 0.52%

LAB 85.69, -60.54, 80.23

 

CMYK 36 / 0 / 74 / 5

HEX #9AF23F

RGB 154 242 63

HSL 89.5, 0.87%, 0.6%

LAB 87.36, -53, 72.81

 

CMYK 29 / 0 / 58 / 4

HEX #AEF566

RGB 174 245 102

HSL 89.79, 0.88%, 0.68%

LAB 89.52, -44.55, 60.56

 

CMYK 45 / 0 / 90 / 6

HEX #85F018

RGB 133 240 24

HSL 89.72, 0.88%, 0.52%

LAB 85.69, -60.54, 80.23

 

CMYK 90 / 0 / 28 / 6

HEX #18F0AC

RGB 24 240 172

HSL 161.11, 0.88%, 0.52%

LAB 84.74, -62.72, 19.78

 

CMYK 0 / 90 / 8 / 6

HEX #F018DE

RGB 240 24 222

HSL 305, 0.88%, 0.52%

LAB 56.54, 89.47, -48.55

 

CMYK 45 / 0 / 90 / 6

HEX #85F018

RGB 133 240 24

HSL 89.72, 0.88%, 0.52%

LAB 85.69, -60.54, 80.23

 

CMYK 90 / 43 / 0 / 6

HEX #1888F0

RGB 24 136 240

HSL 208.89, 0.88%, 0.52%

LAB 56.18, 8.84, -60.26

 

CMYK 0 / 90 / 43 / 6

HEX #F01888

RGB 240 24 136

HSL 328.89, 0.88%, 0.52%

LAB 52.9, 79.9, -3.99

 

CMYK 45 / 0 / 90 / 6

HEX #85F018

RGB 133 240 24

HSL 89.72, 0.88%, 0.52%

LAB 85.69, -60.54, 80.23

 

CMYK 90 / 0 / 28 / 6

HEX #18F0AC

RGB 24 240 172

HSL 161.11, 0.88%, 0.52%

LAB 84.74, -62.72, 19.78

 

CMYK 46 / 90 / 0 / 6

HEX #8118F0

RGB 129 24 240

HSL 269.17, 0.88%, 0.52%

LAB 40.59, 76.89, -85.39

 

CMYK 0 / 90 / 61 / 6

HEX #F0185D

RGB 240 24 93

HSL 340.83, 0.88%, 0.52%

LAB 51.8, 76.86, 20.49

 

CMYK 45 / 0 / 90 / 6

HEX #85F018

RGB 133 240 24

HSL 89.72, 0.88%, 0.52%

LAB 85.69, -60.54, 80.23

 

CMYK 90 / 0 / 2 / 6

HEX #18F0EC

RGB 24 240 236

HSL 178.89, 0.88%, 0.52%

LAB 86.29, -46.43, -11.43

 

CMYK 46 / 90 / 0 / 6

HEX #8118F0

RGB 129 24 240

HSL 269.17, 0.88%, 0.52%

LAB 40.59, 76.89, -85.39

 

CMYK 0 / 90 / 88 / 6

HEX #F0181C

RGB 240 24 28

HSL 358.89, 0.88%, 0.52%

LAB 50.99, 74.57, 55.82

 

Description

Color code: RGB 133 240 24 | qconv.com Color code: RGB 133 240 24 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 240 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 240 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 90% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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