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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 190 63 it is the complementary color RGB 122 65 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 190 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 133 190 63 shade: RGB 138 190 58, RGB 155 208 77, RGB 172 226 96, RGB 189 244 115 and RGB 206 255 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 190 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 133 190 63 shade: RGB 133 190 63, RGB 116 172 44, RGB 99 154 25, RGB 82 136 6 and RGB 65 118 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 133 190 63 shade: RGB 134 191 63, RGB 168 191 63, RGB 191 179 63, RGB 191 145 63 and RGB 191 110 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 133 190 63 shade: RGB 134 191 63, RGB 99 191 63, RGB 65 191 63, RGB 63 191 96 and RGB 63 191 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 133 190 63 shade matches the following richer shades: RGB 134 191 63, RGB 136 211 43, RGB 138 232 22 and RGB 140 253 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 133 190 63 shade: RGB 134 191 63, RGB 131 170 84, RGB 129 149 105, RGB 127 129 125 and RGB 125 108 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 133 190 63 shade: RGB 191 178 63, RGB 170 191 63, RGB 136 191 63, RGB 102 191 63 and RGB 68 191 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 133 190 63 shade: RGB 90 129 43, RGB 112 160 53, RGB 134 191 63, RGB 153 201 94 and RGB 173 211 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 133 190 63 shade: RGB 133 190 63, RGB 63 191 144 and RGB 191 63 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 133 190 63 shade: RGB 133 190 63, RGB 63 136 191 and RGB 191 63 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 133 190 63 shade: RGB 133 190 63, RGB 63 191 144, RGB 119 63 191 and RGB 191 63 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 133 190 63 shade: RGB 133 190 63, RGB 63 191 182, RGB 119 63 191 and RGB 191 63 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 67 / 25

HEX #85BE3F

RGB 133 190 63

HSL 86.93, 0.5%, 0.5%

LAB 70.99, -38.41, 55.95

 

Complementary color

CMYK 36 / 66 / 0 / 25

HEX #7A41C0

RGB 122 65 192

HSL 266.93, 0.5%, 0.5%

LAB 40.77, 49.83, -57.55

 

CMYK 27 / 0 / 69 / 25

HEX #8ABE3A

RGB 138 190 58

HSL 83.64, 0.53%, 0.49%

LAB 71.24, -36.89, 58.26

 

CMYK 25 / 0 / 63 / 18

HEX #9BD04D

RGB 155 208 77

HSL 84.27, 0.58%, 0.56%

LAB 77.65, -37.22, 57.7

 

CMYK 24 / 0 / 58 / 11

HEX #ACE260

RGB 172 226 96

HSL 84.92, 0.69%, 0.63%

LAB 83.97, -37.43, 56.85

 

CMYK 23 / 0 / 53 / 4

HEX #BDF473

RGB 189 244 115

HSL 85.58, 0.85%, 0.7%

LAB 90.21, -37.56, 55.85

 

CMYK 19 / 0 / 47 / 0

HEX #CEFF86

RGB 206 255 134

HSL 84.3, 1%, 0.76%

LAB 94.47, -34.47, 52.46

 

CMYK 30 / 0 / 67 / 25

HEX #85BE3F

RGB 133 190 63

HSL 86.93, 0.5%, 0.5%

LAB 70.99, -38.41, 55.95

 

CMYK 33 / 0 / 74 / 33

HEX #74AC2C

RGB 116 172 44

HSL 86.25, 0.59%, 0.42%

LAB 64.48, -38.02, 56.24

 

CMYK 36 / 0 / 84 / 40

HEX #639A19

RGB 99 154 25

HSL 85.58, 0.72%, 0.35%

LAB 57.88, -37.41, 55.68

 

CMYK 40 / 0 / 96 / 47

HEX #528806

RGB 82 136 6

HSL 84.92, 0.92%, 0.28%

LAB 51.17, -36.5, 53.64

 

CMYK 45 / 0 / 100 / 54

HEX #417600

RGB 65 118 0

HSL 86.95, 1%, 0.23%

LAB 44.35, -35.15, 49.07

 

CMYK 30 / 0 / 67 / 25

HEX #86BF3F

RGB 134 191 63

HSL 86.72, 0.5%, 0.5%

LAB 71.34, -38.49, 56.34

 

CMYK 12 / 0 / 67 / 25

HEX #A8BF3F

RGB 168 191 63

HSL 70.78, 0.5%, 0.5%

LAB 73.51, -25.14, 59.27

 

CMYK 0 / 6 / 67 / 25

HEX #BFB33F

RGB 191 179 63

HSL 54.38, 0.5%, 0.5%

LAB 72.01, -9.4, 58.3

 

CMYK 0 / 24 / 67 / 25

HEX #BF913F

RGB 191 145 63

HSL 38.44, 0.5%, 0.5%

LAB 63.08, 8.8, 48.89

 

CMYK 0 / 42 / 67 / 25

HEX #BF6E3F

RGB 191 110 63

HSL 22.03, 0.5%, 0.5%

LAB 54.64, 28.03, 39.49

 

CMYK 30 / 0 / 67 / 25

HEX #86BF3F

RGB 134 191 63

HSL 86.72, 0.5%, 0.5%

LAB 71.34, -38.49, 56.34

 

CMYK 48 / 0 / 67 / 25

HEX #63BF3F

RGB 99 191 63

HSL 103.13, 0.5%, 0.5%

LAB 69.66, -50.28, 54.05

 

CMYK 66 / 0 / 67 / 25

HEX #41BF3F

RGB 65 191 63

HSL 119.06, 0.5%, 0.5%

LAB 68.57, -58.88, 52.55

 

CMYK 67 / 0 / 50 / 25

HEX #3FBF60

RGB 63 191 96

HSL 135.47, 0.5%, 0.5%

LAB 68.87, -55.18, 37.74

 

CMYK 67 / 0 / 31 / 25

HEX #3FBF83

RGB 63 191 131

HSL 151.88, 0.5%, 0.5%

LAB 69.44, -48.87, 20.31

 

CMYK 30 / 0 / 67 / 25

HEX #86BF3F

RGB 134 191 63

HSL 86.72, 0.5%, 0.5%

LAB 71.34, -38.49, 56.34

 

CMYK 36 / 0 / 80 / 17

HEX #88D32B

RGB 136 211 43

HSL 86.79, 0.66%, 0.5%

LAB 77.28, -47.53, 69.01

 

CMYK 41 / 0 / 91 / 9

HEX #8AE816

RGB 138 232 22

HSL 86.86, 0.83%, 0.5%

LAB 83.53, -55.95, 78.83

 

CMYK 45 / 0 / 100 / 1

HEX #8CFD01

RGB 140 253 1

HSL 86.9, 0.99%, 0.5%

LAB 89.78, -63.54, 85.85

 

CMYK 30 / 0 / 67 / 25

HEX #86BF3F

RGB 134 191 63

HSL 86.72, 0.5%, 0.5%

LAB 71.34, -38.49, 56.34

 

CMYK 23 / 0 / 51 / 33

HEX #83AA54

RGB 131 170 84

HSL 87.21, 0.34%, 0.5%

LAB 65.13, -27.93, 39.77

 

CMYK 13 / 0 / 30 / 42

HEX #819569

RGB 129 149 105

HSL 87.27, 0.17%, 0.5%

LAB 59.14, -15.27, 20.95

 

CMYK 2 / 0 / 3 / 49

HEX #7F817D

RGB 127 129 125

HSL 90, 0.02%, 0.5%

LAB 53.7, -1.53, 1.9

 

CMYK 14 / 26 / 0 / 43

HEX #7D6C92

RGB 125 108 146

HSL 266.84, 0.15%, 0.5%

LAB 48.46, 14.54, -18.28

 

CMYK 0 / 7 / 67 / 25

HEX #BFB23F

RGB 191 178 63

HSL 53.91, 0.5%, 0.5%

LAB 71.74, -8.88, 58.03

 

CMYK 11 / 0 / 67 / 25

HEX #AABF3F

RGB 170 191 63

HSL 69.84, 0.5%, 0.5%

LAB 73.65, -24.32, 59.46

 

CMYK 29 / 0 / 67 / 25

HEX #88BF3F

RGB 136 191 63

HSL 85.78, 0.5%, 0.5%

LAB 71.46, -37.74, 56.5

 

CMYK 47 / 0 / 67 / 25

HEX #66BF3F

RGB 102 191 63

HSL 101.72, 0.5%, 0.5%

LAB 69.79, -49.37, 54.22

 

CMYK 64 / 0 / 67 / 25

HEX #44BF3F

RGB 68 191 63

HSL 117.66, 0.5%, 0.5%

LAB 68.64, -58.25, 52.66

 

CMYK 30 / 0 / 67 / 49

HEX #5A812B

RGB 90 129 43

HSL 87.21, 0.5%, 0.34%

LAB 49.55, -28.28, 40.88

 

CMYK 30 / 0 / 67 / 37

HEX #70A035

RGB 112 160 53

HSL 86.92, 0.5%, 0.42%

LAB 60.64, -33.48, 48.77

 

CMYK 30 / 0 / 67 / 25

HEX #86BF3F

RGB 134 191 63

HSL 86.72, 0.5%, 0.5%

LAB 71.34, -38.49, 56.34

 

CMYK 24 / 0 / 53 / 21

HEX #99C95E

RGB 153 201 94

HSL 86.92, 0.5%, 0.58%

LAB 75.67, -33.22, 47.85

 

CMYK 18 / 0 / 41 / 17

HEX #ADD37D

RGB 173 211 125

HSL 86.51, 0.49%, 0.66%

LAB 80.15, -26.99, 38.5

 

CMYK 30 / 0 / 67 / 25

HEX #85BE3F

RGB 133 190 63

HSL 86.93, 0.5%, 0.5%

LAB 70.99, -38.41, 55.95

 

CMYK 67 / 0 / 25 / 25

HEX #3FBF90

RGB 63 191 144

HSL 157.97, 0.5%, 0.5%

LAB 69.71, -46.04, 13.68

 

CMYK 0 / 67 / 2 / 25

HEX #BF3FBB

RGB 191 63 187

HSL 301.88, 0.5%, 0.5%

LAB 49.76, 65.23, -39.71

 

CMYK 30 / 0 / 67 / 25

HEX #85BE3F

RGB 133 190 63

HSL 86.93, 0.5%, 0.5%

LAB 70.99, -38.41, 55.95

 

CMYK 67 / 29 / 0 / 25

HEX #3F88BF

RGB 63 136 191

HSL 205.78, 0.5%, 0.5%

LAB 54.48, -5.11, -35.37

 

CMYK 0 / 67 / 29 / 25

HEX #BF3F87

RGB 191 63 135

HSL 326.25, 0.5%, 0.5%

LAB 47.47, 57.67, -12.42

 

CMYK 30 / 0 / 67 / 25

HEX #85BE3F

RGB 133 190 63

HSL 86.93, 0.5%, 0.5%

LAB 70.99, -38.41, 55.95

 

CMYK 67 / 0 / 25 / 25

HEX #3FBF90

RGB 63 191 144

HSL 157.97, 0.5%, 0.5%

LAB 69.71, -46.04, 13.68

 

CMYK 38 / 67 / 0 / 25

HEX #773FBF

RGB 119 63 191

HSL 266.25, 0.5%, 0.5%

LAB 39.98, 49.98, -58.27

 

CMYK 0 / 67 / 42 / 25

HEX #BF3F6E

RGB 191 63 110

HSL 337.97, 0.5%, 0.5%

LAB 46.65, 54.84, 1.57

 

CMYK 30 / 0 / 67 / 25

HEX #85BE3F

RGB 133 190 63

HSL 86.93, 0.5%, 0.5%

LAB 70.99, -38.41, 55.95

 

CMYK 67 / 0 / 5 / 25

HEX #3FBFB6

RGB 63 191 182

HSL 175.78, 0.5%, 0.5%

LAB 70.66, -36.45, -5.67

 

CMYK 38 / 67 / 0 / 25

HEX #773FBF

RGB 119 63 191

HSL 266.25, 0.5%, 0.5%

LAB 39.98, 49.98, -58.27

 

CMYK 0 / 67 / 62 / 25

HEX #BF3F48

RGB 191 63 72

HSL 355.78, 0.5%, 0.5%

LAB 45.77, 51.67, 23.59

 

Description

Color code: RGB 133 190 63 | qconv.com Color code: RGB 133 190 63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 190 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 190 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 67 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 67% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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