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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 165 84 it is the complementary color RGB 122 90 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 165 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 133 165 84 shade: RGB 138 165 79, RGB 155 183 98, RGB 172 201 117, RGB 189 219 136 and RGB 206 237 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 165 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 133 165 84 shade: RGB 133 165 84, RGB 116 147 65, RGB 99 129 46, RGB 82 111 27 and RGB 65 93 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 133 165 84 shade: RGB 133 166 83, RGB 155 166 83, RGB 166 154 83, RGB 166 132 83 and RGB 166 109 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 133 165 84 shade: RGB 133 166 83, RGB 111 166 83, RGB 89 166 83, RGB 83 166 100 and RGB 83 166 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 133 165 84 shade matches the following richer shades: RGB 133 166 83, RGB 137 186 63, RGB 142 206 43, RGB 146 226 23 and RGB 150 247 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 133 165 84 shade: RGB 133 166 83, RGB 129 145 103, RGB 125 125 124, RGB 120 105 144 and RGB 116 85 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 133 165 84 shade: RGB 166 153 83, RGB 156 166 83, RGB 134 166 83, RGB 112 166 83 and RGB 90 166 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 133 165 84 shade: RGB 89 111 56, RGB 111 138 69, RGB 133 166 83, RGB 153 181 109 and RGB 172 195 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 133 165 84 shade: RGB 133 165 84, RGB 83 166 131 and RGB 164 83 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 133 165 84 shade: RGB 133 165 84, RGB 83 134 166 and RGB 166 83 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 133 165 84 shade: RGB 133 165 84, RGB 83 166 131, RGB 115 83 166 and RGB 166 83 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 133 165 84 shade: RGB 133 165 84, RGB 83 166 156, RGB 115 83 166 and RGB 166 83 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 49 / 35

HEX #85A554

RGB 133 165 84

HSL 83.7, 0.33%, 0.49%

LAB 63.78, -24.7, 38.16

 

Complementary color

CMYK 29 / 47 / 0 / 33

HEX #7A5AAB

RGB 122 90 171

HSL 263.7, 0.33%, 0.51%

LAB 44.79, 30.51, -38.79

 

CMYK 16 / 0 / 52 / 35

HEX #8AA54F

RGB 138 165 79

HSL 78.84, 0.35%, 0.48%

LAB 64.06, -23.26, 41.08

 

CMYK 15 / 0 / 46 / 28

HEX #9BB762

RGB 155 183 98

HSL 79.76, 0.37%, 0.55%

LAB 70.68, -23.41, 39.91

 

CMYK 14 / 0 / 42 / 21

HEX #ACC975

RGB 172 201 117

HSL 80.71, 0.44%, 0.62%

LAB 77.18, -23.5, 38.73

 

CMYK 14 / 0 / 38 / 14

HEX #BDDB88

RGB 189 219 136

HSL 81.69, 0.54%, 0.7%

LAB 83.58, -23.55, 37.58

 

CMYK 13 / 0 / 35 / 7

HEX #CEED9B

RGB 206 237 155

HSL 82.68, 0.69%, 0.77%

LAB 89.89, -23.58, 36.47

 

CMYK 19 / 0 / 49 / 35

HEX #85A554

RGB 133 165 84

HSL 83.7, 0.33%, 0.49%

LAB 63.78, -24.7, 38.16

 

CMYK 21 / 0 / 56 / 42

HEX #749341

RGB 116 147 65

HSL 82.68, 0.39%, 0.42%

LAB 57.04, -24.58, 39.33

 

CMYK 23 / 0 / 64 / 49

HEX #63812E

RGB 99 129 46

HSL 81.69, 0.47%, 0.34%

LAB 50.16, -24.35, 40.34

 

CMYK 26 / 0 / 76 / 56

HEX #526F1B

RGB 82 111 27

HSL 80.71, 0.61%, 0.27%

LAB 43.13, -23.94, 40.87

 

CMYK 30 / 0 / 91 / 64

HEX #415D08

RGB 65 93 8

HSL 79.76, 0.84%, 0.2%

LAB 35.93, -23.22, 40.16

 

CMYK 20 / 0 / 50 / 35

HEX #85A653

RGB 133 166 83

HSL 83.86, 0.33%, 0.49%

LAB 64.07, -25.31, 39.01

 

CMYK 7 / 0 / 50 / 35

HEX #9BA653

RGB 155 166 83

HSL 67.95, 0.33%, 0.49%

LAB 65.64, -16.41, 41.28

 

CMYK 0 / 7 / 50 / 35

HEX #A69A53

RGB 166 154 83

HSL 51.33, 0.33%, 0.49%

LAB 63.21, -5.44, 38.57

 

CMYK 0 / 20 / 50 / 35

HEX #A68453

RGB 166 132 83

HSL 35.42, 0.33%, 0.49%

LAB 57.3, 6.68, 31.28

 

CMYK 0 / 34 / 50 / 35

HEX #A66D53

RGB 166 109 83

HSL 18.8, 0.33%, 0.49%

LAB 51.46, 19.69, 23.79

 

CMYK 20 / 0 / 50 / 35

HEX #85A653

RGB 133 166 83

HSL 83.86, 0.33%, 0.49%

LAB 64.07, -25.31, 39.01

 

CMYK 33 / 0 / 50 / 35

HEX #6FA653

RGB 111 166 83

HSL 99.76, 0.33%, 0.49%

LAB 62.74, -33.56, 37.09

 

CMYK 46 / 0 / 50 / 35

HEX #59A653

RGB 89 166 83

HSL 115.66, 0.33%, 0.49%

LAB 61.67, -40.82, 35.54

 

CMYK 50 / 0 / 40 / 35

HEX #53A664

RGB 83 166 100

HSL 132.29, 0.33%, 0.49%

LAB 61.68, -39.92, 26.61

 

CMYK 50 / 0 / 27 / 35

HEX #53A67A

RGB 83 166 122

HSL 148.19, 0.33%, 0.49%

LAB 62.1, -35.72, 15.18

 

CMYK 20 / 0 / 50 / 35

HEX #85A653

RGB 133 166 83

HSL 83.86, 0.33%, 0.49%

LAB 64.07, -25.31, 39.01

 

CMYK 26 / 0 / 66 / 27

HEX #89BA3F

RGB 137 186 63

HSL 83.9, 0.49%, 0.49%

LAB 70.03, -35.1, 55.01

 

CMYK 31 / 0 / 79 / 19

HEX #8ECE2B

RGB 142 206 43

HSL 83.56, 0.65%, 0.49%

LAB 76.11, -43.27, 68.05

 

CMYK 35 / 0 / 90 / 11

HEX #92E217

RGB 146 226 23

HSL 83.65, 0.82%, 0.49%

LAB 82.14, -50.84, 77.69

 

CMYK 39 / 0 / 99 / 3

HEX #96F702

RGB 150 247 2

HSL 83.76, 0.98%, 0.49%

LAB 88.45, -58.09, 84.92

 

CMYK 20 / 0 / 50 / 35

HEX #85A653

RGB 133 166 83

HSL 83.86, 0.33%, 0.49%

LAB 64.07, -25.31, 39.01

 

CMYK 11 / 0 / 29 / 43

HEX #819167

RGB 129 145 103

HSL 82.86, 0.17%, 0.49%

LAB 57.94, -13.45, 20.44

 

CMYK 0 / 0 / 1 / 51

HEX #7D7D7C

RGB 125 125 124

HSL 60, 0%, 0.49%

LAB 52.38, -0.2, 0.54

 

CMYK 17 / 27 / 0 / 44

HEX #786990

RGB 120 105 144

HSL 263.08, 0.16%, 0.49%

LAB 47.12, 14.17, -19.19

 

CMYK 29 / 48 / 0 / 36

HEX #7455A4

RGB 116 85 164

HSL 263.54, 0.32%, 0.49%

LAB 42.6, 29.97, -38.16

 

CMYK 0 / 8 / 50 / 35

HEX #A69953

RGB 166 153 83

HSL 50.6, 0.33%, 0.49%

LAB 62.94, -4.9, 38.24

 

CMYK 6 / 0 / 50 / 35

HEX #9CA653

RGB 156 166 83

HSL 67.23, 0.33%, 0.49%

LAB 65.72, -16, 41.39

 

CMYK 19 / 0 / 50 / 35

HEX #86A653

RGB 134 166 83

HSL 83.13, 0.33%, 0.49%

LAB 64.13, -24.92, 39.11

 

CMYK 33 / 0 / 50 / 35

HEX #70A653

RGB 112 166 83

HSL 99.04, 0.33%, 0.49%

LAB 62.8, -33.2, 37.17

 

CMYK 46 / 0 / 50 / 35

HEX #5AA653

RGB 90 166 83

HSL 114.94, 0.33%, 0.49%

LAB 61.72, -40.52, 35.6

 

CMYK 20 / 0 / 50 / 56

HEX #596F38

RGB 89 111 56

HSL 84, 0.33%, 0.33%

LAB 43.91, -18.2, 27.85

 

CMYK 20 / 0 / 50 / 46

HEX #6F8A45

RGB 111 138 69

HSL 83.48, 0.33%, 0.41%

LAB 54.01, -21.63, 33.61

 

CMYK 20 / 0 / 50 / 35

HEX #85A653

RGB 133 166 83

HSL 83.86, 0.33%, 0.49%

LAB 64.07, -25.31, 39.01

 

CMYK 15 / 0 / 40 / 29

HEX #99B56D

RGB 153 181 109

HSL 83.33, 0.33%, 0.57%

LAB 70.12, -21.86, 33.56

 

CMYK 12 / 0 / 30 / 24

HEX #ACC388

RGB 172 195 136

HSL 83.39, 0.33%, 0.65%

LAB 75.81, -18.03, 27.14

 

CMYK 19 / 0 / 49 / 35

HEX #85A554

RGB 133 165 84

HSL 83.7, 0.33%, 0.49%

LAB 63.78, -24.7, 38.16

 

CMYK 50 / 0 / 21 / 35

HEX #53A683

RGB 83 166 131

HSL 154.7, 0.33%, 0.49%

LAB 62.3, -33.78, 10.46

 

CMYK 1 / 50 / 0 / 35

HEX #A453A6

RGB 164 83 166

HSL 298.55, 0.33%, 0.49%

LAB 48.05, 45.51, -30.37

 

CMYK 19 / 0 / 49 / 35

HEX #85A554

RGB 133 165 84

HSL 83.7, 0.33%, 0.49%

LAB 63.78, -24.7, 38.16

 

CMYK 50 / 19 / 0 / 35

HEX #5386A6

RGB 83 134 166

HSL 203.13, 0.33%, 0.49%

LAB 53.65, -7.97, -22.26

 

CMYK 0 / 50 / 19 / 35

HEX #A65386

RGB 166 83 134

HSL 323.13, 0.33%, 0.49%

LAB 46.99, 40.6, -12.91

 

CMYK 19 / 0 / 49 / 35

HEX #85A554

RGB 133 165 84

HSL 83.7, 0.33%, 0.49%

LAB 63.78, -24.7, 38.16

 

CMYK 50 / 0 / 21 / 35

HEX #53A683

RGB 83 166 131

HSL 154.7, 0.33%, 0.49%

LAB 62.3, -33.78, 10.46

 

CMYK 31 / 50 / 0 / 35

HEX #7353A6

RGB 115 83 166

HSL 263.13, 0.33%, 0.49%

LAB 42.13, 31.41, -40.1

 

CMYK 0 / 50 / 29 / 35

HEX #A65376

RGB 166 83 118

HSL 334.7, 0.33%, 0.49%

LAB 46.45, 38.24, -4.07

 

CMYK 19 / 0 / 49 / 35

HEX #85A554

RGB 133 165 84

HSL 83.7, 0.33%, 0.49%

LAB 63.78, -24.7, 38.16

 

CMYK 50 / 0 / 6 / 35

HEX #53A69C

RGB 83 166 156

HSL 172.77, 0.33%, 0.49%

LAB 62.94, -27.75, -2.6

 

CMYK 31 / 50 / 0 / 35

HEX #7353A6

RGB 115 83 166

HSL 263.13, 0.33%, 0.49%

LAB 42.13, 31.41, -40.1

 

CMYK 0 / 50 / 44 / 35

HEX #A6535D

RGB 166 83 93

HSL 352.77, 0.33%, 0.49%

LAB 45.75, 35.13, 10.12

 

Description

Color code: RGB 133 165 84 | qconv.com Color code: RGB 133 165 84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 165 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 165 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 49 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 49% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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