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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 93 240 it is the complementary color RGB 123 162 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 93 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 93 240 shade: RGB 137 93 235, RGB 154 111 254, RGB 171 129 255, RGB 188 147 255 and RGB 205 165 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 93 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 93 240 shade: RGB 132 93 240, RGB 115 75 221, RGB 98 57 202, RGB 81 39 183 and RGB 64 21 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 93 240 shade: RGB 130 91 239, RGB 170 91 239, RGB 210 91 239, RGB 239 91 228 and RGB 239 91 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 93 240 shade: RGB 130 91 239 and RGB 91 91 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 93 240 shade matches the following richer shades: RGB 130 91 239 and RGB 124 77 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 93 240 shade: RGB 130 91 239, RGB 137 106 225, RGB 144 120 210, RGB 151 134 196 and RGB 158 149 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 93 240 shade: RGB 91 133 239, RGB 91 94 239, RGB 128 91 239, RGB 168 91 239 and RGB 207 91 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 93 240 shade: RGB 75 21 227, RGB 102 53 236, RGB 130 91 239, RGB 159 129 243 and RGB 188 167 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 93 240 shade: RGB 132 93 240, RGB 239 91 173 and RGB 113 239 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 93 240 shade: RGB 132 93 240, RGB 239 128 91 and RGB 91 239 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 93 240 shade: RGB 132 93 240, RGB 239 91 173, RGB 202 239 91 and RGB 91 239 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 93 240 shade: RGB 132 93 240, RGB 239 91 128, RGB 202 239 91 and RGB 91 239 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 61 / 0 / 6

HEX #845DF0

RGB 132 93 240

HSL 255.92, 0.83%, 0.65%

LAB 50.72, 49.64, -68.82

 

Complementary color

CMYK 24 / 0 / 91 / 36

HEX #7BA20F

RGB 123 162 15

HSL 75.92, 0.83%, 0.35%

LAB 61.73, -31.93, 61.72

 

CMYK 42 / 60 / 0 / 8

HEX #895DEB

RGB 137 93 235

HSL 258.59, 0.78%, 0.64%

LAB 50.86, 49.3, -65.76

 

CMYK 39 / 56 / 0 / 0

HEX #9A6FFE

RGB 154 111 254

HSL 258.04, 0.99%, 0.72%

LAB 57.46, 48.13, -65.61

 

CMYK 33 / 49 / 0 / 0

HEX #AB81FF

RGB 171 129 255

HSL 260, 1%, 0.75%

LAB 62.99, 42.44, -57.2

 

CMYK 26 / 42 / 0 / 0

HEX #BC93FF

RGB 188 147 255

HSL 262.78, 1%, 0.79%

LAB 68.59, 36.91, -48.23

 

CMYK 20 / 35 / 0 / 0

HEX #CDA5FF

RGB 205 165 255

HSL 266.67, 1%, 0.82%

LAB 74.26, 31.81, -39.25

 

CMYK 45 / 61 / 0 / 6

HEX #845DF0

RGB 132 93 240

HSL 255.92, 0.83%, 0.65%

LAB 50.72, 49.64, -68.82

 

CMYK 48 / 66 / 0 / 13

HEX #734BDD

RGB 115 75 221

HSL 256.44, 0.68%, 0.58%

LAB 44.09, 50.94, -68.93

 

CMYK 51 / 72 / 0 / 21

HEX #6239CA

RGB 98 57 202

HSL 256.97, 0.58%, 0.51%

LAB 37.46, 52.18, -68.89

 

CMYK 56 / 79 / 0 / 28

HEX #5127B7

RGB 81 39 183

HSL 257.5, 0.65%, 0.44%

LAB 30.92, 53.13, -68.52

 

CMYK 61 / 87 / 0 / 36

HEX #4015A4

RGB 64 21 164

HSL 258.04, 0.77%, 0.36%

LAB 24.66, 53.34, -67.52

 

CMYK 46 / 62 / 0 / 6

HEX #825BEF

RGB 130 91 239

HSL 255.81, 0.82%, 0.65%

LAB 50.05, 50.07, -69.35

 

CMYK 29 / 62 / 0 / 6

HEX #AA5BEF

RGB 170 91 239

HSL 272.03, 0.82%, 0.65%

LAB 54.3, 58.4, -62.27

 

CMYK 12 / 62 / 0 / 6

HEX #D25BEF

RGB 210 91 239

HSL 288.24, 0.82%, 0.65%

LAB 59.36, 67.46, -53.89

 

CMYK 0 / 62 / 5 / 6

HEX #EF5BE4

RGB 239 91 228

HSL 304.46, 0.82%, 0.65%

LAB 62.87, 72.46, -41.93

 

CMYK 0 / 62 / 21 / 6

HEX #EF5BBC

RGB 239 91 188

HSL 320.68, 0.82%, 0.65%

LAB 61.19, 66.61, -21.95

 

CMYK 46 / 62 / 0 / 6

HEX #825BEF

RGB 130 91 239

HSL 255.81, 0.82%, 0.65%

LAB 50.05, 50.07, -69.35

 

CMYK 62 / 62 / 0 / 6

HEX #5B5BEF

RGB 91 91 239

HSL 240, 0.82%, 0.65%

LAB 46.89, 43.33, -74.62

 

CMYK 46 / 62 / 0 / 6

HEX #825BEF

RGB 130 91 239

HSL 255.81, 0.82%, 0.65%

LAB 50.05, 50.07, -69.35

 

CMYK 51 / 70 / 0 / 0

HEX #7C4DFE

RGB 124 77 254

HSL 255.93, 0.99%, 0.65%

LAB 47.94, 60.44, -81.19

 

CMYK 46 / 62 / 0 / 6

HEX #825BEF

RGB 130 91 239

HSL 255.81, 0.82%, 0.65%

LAB 50.05, 50.07, -69.35

 

CMYK 39 / 53 / 0 / 12

HEX #896AE1

RGB 137 106 225

HSL 255.63, 0.66%, 0.65%

LAB 53.02, 39.35, -56.66

 

CMYK 31 / 43 / 0 / 18

HEX #9078D2

RGB 144 120 210

HSL 256, 0.5%, 0.65%

LAB 56.1, 29.08, -43.25

 

CMYK 23 / 32 / 0 / 23

HEX #9786C4

RGB 151 134 196

HSL 256.45, 0.34%, 0.65%

LAB 59.54, 19.5, -29.91

 

CMYK 13 / 18 / 0 / 29

HEX #9E95B6

RGB 158 149 182

HSL 256.36, 0.18%, 0.65%

LAB 63.46, 9.96, -15.96

 

CMYK 62 / 44 / 0 / 6

HEX #5B85EF

RGB 91 133 239

HSL 222.97, 0.82%, 0.65%

LAB 57.3, 17.86, -57.8

 

CMYK 62 / 61 / 0 / 6

HEX #5B5EEF

RGB 91 94 239

HSL 238.78, 0.82%, 0.65%

LAB 47.57, 41.55, -73.51

 

CMYK 46 / 62 / 0 / 6

HEX #805BEF

RGB 128 91 239

HSL 255, 0.82%, 0.65%

LAB 49.86, 49.69, -69.66

 

CMYK 30 / 62 / 0 / 6

HEX #A85BEF

RGB 168 91 239

HSL 271.22, 0.82%, 0.65%

LAB 54.07, 57.96, -62.66

 

CMYK 13 / 62 / 0 / 6

HEX #CF5BEF

RGB 207 91 239

HSL 287.03, 0.82%, 0.65%

LAB 58.96, 66.77, -54.56

 

CMYK 67 / 91 / 0 / 11

HEX #4B15E3

RGB 75 21 227

HSL 255.73, 0.83%, 0.49%

LAB 33.09, 70.32, -90.6

 

CMYK 57 / 78 / 0 / 7

HEX #6635EC

RGB 102 53 236

HSL 256.07, 0.83%, 0.57%

LAB 40.29, 63.86, -83.72

 

CMYK 46 / 62 / 0 / 6

HEX #825BEF

RGB 130 91 239

HSL 255.81, 0.82%, 0.65%

LAB 50.05, 50.07, -69.35

 

CMYK 35 / 47 / 0 / 5

HEX #9F81F3

RGB 159 129 243

HSL 255.79, 0.83%, 0.73%

LAB 61.26, 36.39, -53.43

 

CMYK 24 / 32 / 0 / 4

HEX #BCA7F6

RGB 188 167 246

HSL 255.95, 0.81%, 0.81%

LAB 72.88, 23.71, -36.64

 

CMYK 45 / 61 / 0 / 6

HEX #845DF0

RGB 132 93 240

HSL 255.92, 0.83%, 0.65%

LAB 50.72, 49.64, -68.82

 

CMYK 0 / 62 / 28 / 6

HEX #EF5BAD

RGB 239 91 173

HSL 326.76, 0.82%, 0.65%

LAB 60.65, 64.67, -14.16

 

CMYK 53 / 0 / 62 / 6

HEX #71EF5B

RGB 113 239 91

HSL 111.08, 0.82%, 0.65%

LAB 85, -62, 59.41

 

CMYK 45 / 61 / 0 / 6

HEX #845DF0

RGB 132 93 240

HSL 255.92, 0.83%, 0.65%

LAB 50.72, 49.64, -68.82

 

CMYK 0 / 46 / 62 / 6

HEX #EF805B

RGB 239 128 91

HSL 15, 0.82%, 0.65%

LAB 65.39, 39.46, 38.95

 

CMYK 62 / 0 / 46 / 6

HEX #5BEF80

RGB 91 239 128

HSL 135, 0.82%, 0.65%

LAB 84.75, -62.47, 42.12

 

CMYK 45 / 61 / 0 / 6

HEX #845DF0

RGB 132 93 240

HSL 255.92, 0.83%, 0.65%

LAB 50.72, 49.64, -68.82

 

CMYK 0 / 62 / 28 / 6

HEX #EF5BAD

RGB 239 91 173

HSL 326.76, 0.82%, 0.65%

LAB 60.65, 64.67, -14.16

 

CMYK 15 / 0 / 62 / 6

HEX #CAEF5B

RGB 202 239 91

HSL 75, 0.82%, 0.65%

LAB 89.41, -32.45, 65.52

 

CMYK 62 / 0 / 34 / 6

HEX #5BEF9E

RGB 91 239 158

HSL 147.16, 0.82%, 0.65%

LAB 85.21, -57.39, 27.78

 

CMYK 45 / 61 / 0 / 6

HEX #845DF0

RGB 132 93 240

HSL 255.92, 0.83%, 0.65%

LAB 50.72, 49.64, -68.82

 

CMYK 0 / 62 / 46 / 6

HEX #EF5B80

RGB 239 91 128

HSL 345, 0.82%, 0.65%

LAB 59.33, 59.81, 10.04

 

CMYK 15 / 0 / 62 / 6

HEX #CAEF5B

RGB 202 239 91

HSL 75, 0.82%, 0.65%

LAB 89.41, -32.45, 65.52

 

CMYK 62 / 0 / 15 / 6

HEX #5BEFCA

RGB 91 239 202

HSL 165, 0.82%, 0.65%

LAB 86.12, -48.05, 6.27

 

Description

Color code: RGB 132 93 240 | qconv.com Color code: RGB 132 93 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 93 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 93 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 61 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 61% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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