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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 76 120 it is the complementary color RGB 123 179 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 76 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 76 120 shade: RGB 137 76 115, RGB 154 94 134, RGB 171 112 153, RGB 188 130 172 and RGB 205 148 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 76 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 76 120 shade: RGB 132 76 120, RGB 115 58 101, RGB 98 40 82, RGB 81 22 63 and RGB 64 4 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 76 120 shade: RGB 132 76 120, RGB 132 76 105, RGB 132 76 90 and RGB 132 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 76 120 shade: RGB 132 76 120, RGB 129 76 132, RGB 114 76 132, RGB 99 76 132 and RGB 83 76 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 76 120 shade matches the following richer shades: RGB 132 76 120, RGB 149 59 130, RGB 166 42 140, RGB 183 25 149 and RGB 200 8 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 76 120 shade: RGB 132 76 120, RGB 115 93 111, RGB 98 110 101, RGB 82 127 91 and RGB 65 143 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 76 120 shade: RGB 113 76 132, RGB 129 76 132, RGB 132 76 121, RGB 132 76 106 and RGB 132 76 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 76 120 shade: RGB 80 46 73, RGB 106 61 96, RGB 132 76 120, RGB 158 91 144 and RGB 175 116 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 76 120 shade: RGB 132 76 120, RGB 132 98 76 and RGB 76 132 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 76 120 shade: RGB 132 76 120, RGB 121 132 76 and RGB 76 121 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 76 120 shade: RGB 132 76 120, RGB 132 98 76, RGB 76 132 87 and RGB 76 110 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 76 120 shade: RGB 132 76 120, RGB 132 115 76, RGB 76 132 87 and RGB 76 93 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 9 / 48

HEX #844C78

RGB 132 76 120

HSL 312.86, 0.27%, 0.41%

LAB 40.3, 30.46, -15.01

 

Complementary color

CMYK 31 / 0 / 25 / 30

HEX #7BB387

RGB 123 179 135

HSL 132.86, 0.27%, 0.59%

LAB 68.17, -27.5, 16.76

 

CMYK 0 / 45 / 16 / 46

HEX #894C73

RGB 137 76 115

HSL 321.64, 0.29%, 0.42%

LAB 40.78, 31.33, -11.14

 

CMYK 0 / 39 / 13 / 40

HEX #9A5E86

RGB 154 94 134

HSL 320, 0.24%, 0.49%

LAB 47.75, 30.5, -11.93

 

CMYK 0 / 35 / 11 / 33

HEX #AB7099

RGB 171 112 153

HSL 318.31, 0.26%, 0.55%

LAB 54.6, 29.71, -12.61

 

CMYK 0 / 31 / 9 / 26

HEX #BC82AC

RGB 188 130 172

HSL 316.55, 0.3%, 0.62%

LAB 61.34, 28.97, -13.21

 

CMYK 0 / 28 / 7 / 20

HEX #CD94BF

RGB 205 148 191

HSL 314.74, 0.36%, 0.69%

LAB 67.96, 28.28, -13.77

 

CMYK 0 / 42 / 9 / 48

HEX #844C78

RGB 132 76 120

HSL 312.86, 0.27%, 0.41%

LAB 40.3, 30.46, -15.01

 

CMYK 0 / 50 / 12 / 55

HEX #733A65

RGB 115 58 101

HSL 314.74, 0.33%, 0.34%

LAB 33.16, 31.27, -14.24

 

CMYK 0 / 59 / 16 / 62

HEX #622852

RGB 98 40 82

HSL 316.55, 0.42%, 0.27%

LAB 25.93, 31.98, -13.21

 

CMYK 0 / 73 / 22 / 68

HEX #51163F

RGB 81 22 63

HSL 318.31, 0.57%, 0.2%

LAB 18.72, 32.25, -11.65

 

CMYK 0 / 94 / 31 / 75

HEX #40042C

RGB 64 4 44

HSL 320, 0.88%, 0.13%

LAB 11.68, 31.58, -9.18

 

CMYK 0 / 42 / 9 / 48

HEX #844C78

RGB 132 76 120

HSL 312.86, 0.27%, 0.41%

LAB 40.3, 30.46, -15.01

 

CMYK 0 / 42 / 20 / 48

HEX #844C69

RGB 132 76 105

HSL 328.93, 0.27%, 0.41%

LAB 39.74, 27.83, -6.58

 

CMYK 0 / 42 / 32 / 48

HEX #844C5A

RGB 132 76 90

HSL 345, 0.27%, 0.41%

LAB 39.26, 25.51, 2.06

 

CMYK 0 / 42 / 42 / 48

HEX #844C4C

RGB 132 76 76

HSL 0, 0.27%, 0.41%

LAB 38.89, 23.66, 10.26

 

CMYK 0 / 42 / 9 / 48

HEX #844C78

RGB 132 76 120

HSL 312.86, 0.27%, 0.41%

LAB 40.3, 30.46, -15.01

 

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

CMYK 14 / 42 / 0 / 48

HEX #724C84

RGB 114 76 132

HSL 280.71, 0.27%, 0.41%

LAB 38.57, 26.86, -25.22

 

CMYK 25 / 42 / 0 / 48

HEX #634C84

RGB 99 76 132

HSL 264.64, 0.27%, 0.41%

LAB 36.91, 22.05, -27.95

 

CMYK 37 / 42 / 0 / 48

HEX #534C84

RGB 83 76 132

HSL 247.5, 0.27%, 0.41%

LAB 35.35, 17.18, -30.51

 

CMYK 0 / 42 / 9 / 48

HEX #844C78

RGB 132 76 120

HSL 312.86, 0.27%, 0.41%

LAB 40.3, 30.46, -15.01

 

CMYK 0 / 60 / 13 / 42

HEX #953B82

RGB 149 59 130

HSL 312.67, 0.43%, 0.41%

LAB 39.8, 46.56, -21.72

 

CMYK 0 / 75 / 16 / 35

HEX #A62A8C

RGB 166 42 140

HSL 312.58, 0.6%, 0.41%

LAB 40.66, 59.4, -26.28

 

CMYK 0 / 86 / 19 / 28

HEX #B71995

RGB 183 25 149

HSL 312.91, 0.76%, 0.41%

LAB 42.66, 68.79, -28.42

 

CMYK 0 / 96 / 21 / 22

HEX #C8089F

RGB 200 8 159

HSL 312.81, 0.92%, 0.41%

LAB 45.57, 75.65, -29.65

 

CMYK 0 / 42 / 9 / 48

HEX #844C78

RGB 132 76 120

HSL 312.86, 0.27%, 0.41%

LAB 40.3, 30.46, -15.01

 

CMYK 0 / 19 / 3 / 55

HEX #735D6F

RGB 115 93 111

HSL 310.91, 0.11%, 0.41%

LAB 42.19, 12.33, -6.83

 

CMYK 11 / 0 / 8 / 57

HEX #626E65

RGB 98 110 101

HSL 135, 0.06%, 0.41%

LAB 45.2, -6.45, 3.48

 

CMYK 35 / 0 / 28 / 50

HEX #527F5B

RGB 82 127 91

HSL 132, 0.22%, 0.41%

LAB 49.16, -23.55, 14.8

 

CMYK 55 / 0 / 43 / 44

HEX #418F52

RGB 65 143 82

HSL 133.08, 0.38%, 0.41%

LAB 53.36, -37.93, 25.33

 

CMYK 14 / 42 / 0 / 48

HEX #714C84

RGB 113 76 132

HSL 279.64, 0.27%, 0.41%

LAB 38.46, 26.54, -25.42

 

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

CMYK 0 / 42 / 8 / 48

HEX #844C79

RGB 132 76 121

HSL 311.79, 0.27%, 0.41%

LAB 40.34, 30.64, -15.56

 

CMYK 0 / 42 / 20 / 48

HEX #844C6A

RGB 132 76 106

HSL 327.86, 0.27%, 0.41%

LAB 39.77, 28, -7.15

 

CMYK 0 / 42 / 31 / 48

HEX #844C5B

RGB 132 76 91

HSL 343.93, 0.27%, 0.41%

LAB 39.29, 25.66, 1.48

 

CMYK 0 / 43 / 9 / 69

HEX #502E49

RGB 80 46 73

HSL 312.35, 0.27%, 0.25%

LAB 24.13, 20.28, -10.21

 

CMYK 0 / 42 / 9 / 58

HEX #6A3D60

RGB 106 61 96

HSL 313.33, 0.27%, 0.33%

LAB 32.36, 25.4, -12.38

 

CMYK 0 / 42 / 9 / 48

HEX #844C78

RGB 132 76 120

HSL 312.86, 0.27%, 0.41%

LAB 40.3, 30.46, -15.01

 

CMYK 0 / 42 / 9 / 38

HEX #9E5B90

RGB 158 91 144

HSL 312.54, 0.27%, 0.49%

LAB 47.96, 35.32, -17.53

 

CMYK 0 / 34 / 7 / 31

HEX #AF74A2

RGB 175 116 162

HSL 313.22, 0.27%, 0.57%

LAB 56.3, 30.47, -15.22

 

CMYK 0 / 42 / 9 / 48

HEX #844C78

RGB 132 76 120

HSL 312.86, 0.27%, 0.41%

LAB 40.3, 30.46, -15.01

 

CMYK 0 / 26 / 42 / 48

HEX #84624C

RGB 132 98 76

HSL 23.57, 0.27%, 0.41%

LAB 44.47, 10.7, 17.88

 

CMYK 42 / 0 / 8 / 48

HEX #4C8479

RGB 76 132 121

HSL 168.21, 0.27%, 0.41%

LAB 51.17, -21.26, 0.15

 

CMYK 0 / 42 / 9 / 48

HEX #844C78

RGB 132 76 120

HSL 312.86, 0.27%, 0.41%

LAB 40.3, 30.46, -15.01

 

CMYK 8 / 0 / 42 / 48

HEX #79844C

RGB 121 132 76

HSL 71.79, 0.27%, 0.41%

LAB 53.05, -13.49, 28.84

 

CMYK 42 / 8 / 0 / 48

HEX #4C7984

RGB 76 121 132

HSL 191.79, 0.27%, 0.41%

LAB 48.1, -12.36, -10.87

 

CMYK 0 / 42 / 9 / 48

HEX #844C78

RGB 132 76 120

HSL 312.86, 0.27%, 0.41%

LAB 40.3, 30.46, -15.01

 

CMYK 0 / 26 / 42 / 48

HEX #84624C

RGB 132 98 76

HSL 23.57, 0.27%, 0.41%

LAB 44.47, 10.7, 17.88

 

CMYK 42 / 0 / 34 / 48

HEX #4C8457

RGB 76 132 87

HSL 131.79, 0.27%, 0.41%

LAB 50.37, -28.76, 18.67

 

CMYK 42 / 17 / 0 / 48

HEX #4C6E84

RGB 76 110 132

HSL 203.57, 0.27%, 0.41%

LAB 44.74, -6.04, -15.98

 

CMYK 0 / 42 / 9 / 48

HEX #844C78

RGB 132 76 120

HSL 312.86, 0.27%, 0.41%

LAB 40.3, 30.46, -15.01

 

CMYK 0 / 13 / 42 / 48

HEX #84734C

RGB 132 115 76

HSL 41.79, 0.27%, 0.41%

LAB 49.12, 0.77, 24.01

 

CMYK 42 / 0 / 34 / 48

HEX #4C8457

RGB 76 132 87

HSL 131.79, 0.27%, 0.41%

LAB 50.37, -28.76, 18.67

 

CMYK 42 / 30 / 0 / 48

HEX #4C5D84

RGB 76 93 132

HSL 221.79, 0.27%, 0.41%

LAB 39.63, 4.31, -23.84

 

Description

Color code: RGB 132 76 120 | qconv.com Color code: RGB 132 76 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 76 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 76 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 9 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 9% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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