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Color name
RGB 132 50 38

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 50 38 it is the complementary color RGB 123 205 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 50 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 50 38 shade: RGB 137 50 33, RGB 154 68 52, RGB 171 86 71, RGB 188 104 90 and RGB 205 122 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 50 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 50 38 shade: RGB 132 50 38, RGB 115 32 19, RGB 98 14 0, RGB 81 0 0 and RGB 64 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 50 38 shade: RGB 130 49 37 and RGB 130 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 50 38 shade: RGB 130 49 37, RGB 130 74 37, RGB 130 99 37, RGB 130 124 37 and RGB 111 130 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 50 38 shade matches the following richer shades: RGB 130 49 37, RGB 144 39 24 and RGB 157 29 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 50 38 shade: RGB 130 49 37, RGB 116 59 51, RGB 103 69 65, RGB 89 80 78 and RGB 75 90 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 50 38 shade: RGB 130 37 76, RGB 130 37 51, RGB 130 48 37, RGB 130 73 37 and RGB 130 98 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 50 38 shade: RGB 66 25 19, RGB 98 37 28, RGB 130 49 37, RGB 162 61 47 and RGB 194 74 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 50 38 shade: RGB 132 50 38, RGB 101 130 37 and RGB 37 64 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 50 38 shade: RGB 132 50 38, RGB 37 130 48 and RGB 48 37 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 50 38 shade: RGB 132 50 38, RGB 101 130 37, RGB 37 119 130 and RGB 67 37 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 50 38 shade: RGB 132 50 38, RGB 73 130 37, RGB 37 119 130 and RGB 94 37 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 71 / 48

HEX #843226

RGB 132 50 38

HSL 7.66, 0.55%, 0.33%

LAB 32.54, 34.49, 25.6

 

Complementary color

CMYK 43 / 6 / 0 / 15

HEX #7BCDD9

RGB 123 205 217

HSL 187.66, 0.55%, 0.67%

LAB 77.81, -21.92, -13.8

 

CMYK 0 / 64 / 76 / 46

HEX #893221

RGB 137 50 33

HSL 9.81, 0.61%, 0.33%

LAB 33.37, 36.15, 29.77

 

CMYK 0 / 56 / 66 / 40

HEX #9A4434

RGB 154 68 52

HSL 9.41, 0.5%, 0.4%

LAB 40, 34.77, 27.02

 

CMYK 0 / 50 / 58 / 33

HEX #AB5647

RGB 171 86 71

HSL 9, 0.41%, 0.47%

LAB 46.67, 33.39, 24.69

 

CMYK 0 / 45 / 52 / 26

HEX #BC685A

RGB 188 104 90

HSL 8.57, 0.42%, 0.55%

LAB 53.31, 32.09, 22.71

 

CMYK 0 / 40 / 47 / 20

HEX #CD7A6D

RGB 205 122 109

HSL 8.13, 0.49%, 0.62%

LAB 59.89, 30.91, 21.01

 

CMYK 0 / 62 / 71 / 48

HEX #843226

RGB 132 50 38

HSL 7.66, 0.55%, 0.33%

LAB 32.54, 34.49, 25.6

 

CMYK 0 / 72 / 83 / 55

HEX #732013

RGB 115 32 19

HSL 8.13, 0.72%, 0.26%

LAB 25.94, 35.63, 28.78

 

CMYK 0 / 86 / 100 / 62

HEX #620E00

RGB 98 14 0

HSL 8.57, 1%, 0.19%

LAB 19.68, 35.93, 29.82

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64 0 0

HSL 0, 1%, 0.13%

LAB 9.72, 29.76, 15.34

 

CMYK 0 / 62 / 72 / 49

HEX #823125

RGB 130 49 37

HSL 7.74, 0.56%, 0.33%

LAB 31.98, 34.15, 25.46

 

CMYK 0 / 72 / 72 / 49

HEX #822525

RGB 130 37 37

HSL 0, 0.56%, 0.33%

LAB 29.92, 39.7, 23.02

 

CMYK 0 / 62 / 72 / 49

HEX #823125

RGB 130 49 37

HSL 7.74, 0.56%, 0.33%

LAB 31.98, 34.15, 25.46

 

CMYK 0 / 43 / 72 / 49

HEX #824A25

RGB 130 74 37

HSL 23.87, 0.56%, 0.33%

LAB 37.44, 20.41, 31.69

 

CMYK 0 / 24 / 72 / 49

HEX #826325

RGB 130 99 37

HSL 40, 0.56%, 0.33%

LAB 43.95, 5.67, 38.72

 

CMYK 0 / 5 / 72 / 49

HEX #827C25

RGB 130 124 37

HSL 56.13, 0.56%, 0.33%

LAB 51.03, -8.61, 45.95

 

CMYK 15 / 0 / 72 / 49

HEX #6F8225

RGB 111 130 37

HSL 72.26, 0.56%, 0.33%

LAB 51.24, -20.41, 45.65

 

CMYK 0 / 62 / 72 / 49

HEX #823125

RGB 130 49 37

HSL 7.74, 0.56%, 0.33%

LAB 31.98, 34.15, 25.46

 

CMYK 0 / 73 / 83 / 44

HEX #902718

RGB 144 39 24

HSL 7.5, 0.71%, 0.33%

LAB 32.8, 43.18, 34.67

 

CMYK 0 / 82 / 94 / 38

HEX #9D1D0A

RGB 157 29 10

HSL 7.76, 0.88%, 0.33%

LAB 34.13, 50.48, 43.38

 

CMYK 0 / 62 / 72 / 49

HEX #823125

RGB 130 49 37

HSL 7.74, 0.56%, 0.33%

LAB 31.98, 34.15, 25.46

 

CMYK 0 / 49 / 56 / 55

HEX #743B33

RGB 116 59 51

HSL 7.38, 0.39%, 0.33%

LAB 31.99, 24.08, 16.22

 

CMYK 0 / 33 / 37 / 60

HEX #674541

RGB 103 69 65

HSL 6.32, 0.23%, 0.33%

LAB 32.97, 14.07, 8.34

 

CMYK 0 / 10 / 12 / 65

HEX #59504E

RGB 89 80 78

HSL 10.91, 0.07%, 0.33%

LAB 34.83, 3.32, 2.52

 

CMYK 18 / 2 / 0 / 64

HEX #4B5A5C

RGB 75 90 92

HSL 187.06, 0.1%, 0.33%

LAB 37.08, -5.29, -3.1

 

CMYK 0 / 72 / 42 / 49

HEX #82254C

RGB 130 37 76

HSL 334.84, 0.56%, 0.33%

LAB 30.86, 42.96, -1.27

 

CMYK 0 / 72 / 61 / 49

HEX #822533

RGB 130 37 51

HSL 350.97, 0.56%, 0.33%

LAB 30.18, 40.61, 14.27

 

CMYK 0 / 63 / 72 / 49

HEX #823025

RGB 130 48 37

HSL 7.1, 0.56%, 0.33%

LAB 31.79, 34.65, 25.24

 

CMYK 0 / 44 / 72 / 49

HEX #824925

RGB 130 73 37

HSL 23.23, 0.56%, 0.33%

LAB 37.2, 20.99, 31.42

 

CMYK 0 / 25 / 72 / 49

HEX #826225

RGB 130 98 37

HSL 39.35, 0.56%, 0.33%

LAB 43.68, 6.25, 38.43

 

CMYK 0 / 62 / 71 / 74

HEX #421913

RGB 66 25 19

HSL 7.66, 0.55%, 0.17%

LAB 14.96, 19.35, 13.77

 

CMYK 0 / 62 / 71 / 62

HEX #62251C

RGB 98 37 28

HSL 7.71, 0.56%, 0.25%

LAB 23.68, 27.02, 19.84

 

CMYK 0 / 62 / 72 / 49

HEX #823125

RGB 130 49 37

HSL 7.74, 0.56%, 0.33%

LAB 31.98, 34.15, 25.46

 

CMYK 0 / 62 / 71 / 36

HEX #A23D2F

RGB 162 61 47

HSL 7.3, 0.55%, 0.41%

LAB 39.96, 40.98, 30.24

 

CMYK 0 / 62 / 71 / 24

HEX #C24A38

RGB 194 74 56

HSL 7.83, 0.55%, 0.49%

LAB 47.82, 47.02, 35.58

 

CMYK 0 / 62 / 71 / 48

HEX #843226

RGB 132 50 38

HSL 7.66, 0.55%, 0.33%

LAB 32.54, 34.49, 25.6

 

CMYK 22 / 0 / 72 / 49

HEX #658225

RGB 101 130 37

HSL 78.71, 0.56%, 0.33%

LAB 50.53, -24.71, 44.7

 

CMYK 72 / 51 / 0 / 49

HEX #254082

RGB 37 64 130

HSL 222.58, 0.56%, 0.33%

LAB 28.57, 13.67, -40.28

 

CMYK 0 / 62 / 71 / 48

HEX #843226

RGB 132 50 38

HSL 7.66, 0.55%, 0.33%

LAB 32.54, 34.49, 25.6

 

CMYK 72 / 0 / 63 / 49

HEX #258230

RGB 37 130 48

HSL 127.1, 0.56%, 0.33%

LAB 47.72, -44.41, 35.9

 

CMYK 63 / 72 / 0 / 49

HEX #302582

RGB 48 37 130

HSL 247.1, 0.56%, 0.33%

LAB 22.17, 33.55, -50.64

 

CMYK 0 / 62 / 71 / 48

HEX #843226

RGB 132 50 38

HSL 7.66, 0.55%, 0.33%

LAB 32.54, 34.49, 25.6

 

CMYK 22 / 0 / 72 / 49

HEX #658225

RGB 101 130 37

HSL 78.71, 0.56%, 0.33%

LAB 50.53, -24.71, 44.7

 

CMYK 72 / 8 / 0 / 49

HEX #257782

RGB 37 119 130

HSL 187.1, 0.56%, 0.33%

LAB 45.91, -20.33, -13.15

 

CMYK 48 / 72 / 0 / 49

HEX #432582

RGB 67 37 130

HSL 259.35, 0.56%, 0.33%

LAB 24.09, 36.83, -47.43

 

CMYK 0 / 62 / 71 / 48

HEX #843226

RGB 132 50 38

HSL 7.66, 0.55%, 0.33%

LAB 32.54, 34.49, 25.6

 

CMYK 44 / 0 / 72 / 49

HEX #498225

RGB 73 130 37

HSL 96.77, 0.56%, 0.33%

LAB 48.9, -35.62, 42.51

 

CMYK 72 / 8 / 0 / 49

HEX #257782

RGB 37 119 130

HSL 187.1, 0.56%, 0.33%

LAB 45.91, -20.33, -13.15

 

CMYK 28 / 72 / 0 / 49

HEX #5E2582

RGB 94 37 130

HSL 276.77, 0.56%, 0.33%

LAB 27.61, 42.47, -41.55

 

Description

Color code: RGB 132 50 38 | qconv.com Color code: RGB 132 50 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 50 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 50 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 71 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 71% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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