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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 172 245 it is the complementary color RGB 123 83 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 172 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 172 245 shade: RGB 137 172 240, RGB 154 190 255, RGB 171 208 255, RGB 188 226 255 and RGB 205 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 172 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 172 245 shade: RGB 132 172 245, RGB 115 154 226, RGB 98 136 207, RGB 81 118 188 and RGB 64 100 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 172 245 shade: RGB 132 172 245, RGB 132 141 245, RGB 153 132 245, RGB 183 132 245 and RGB 214 132 245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 172 245 shade: RGB 132 172 245, RGB 132 141 245 and RGB 132 132 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 172 245 shade matches the following richer shades: RGB 132 172 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 172 245 shade: RGB 132 172 245, RGB 143 175 234, RGB 153 178 223, RGB 164 181 212 and RGB 175 184 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 172 245 shade: RGB 132 233 245, RGB 132 203 245, RGB 132 173 245, RGB 132 143 245 and RGB 151 132 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 172 245 shade: RGB 56 120 238, RGB 94 146 241, RGB 132 172 245, RGB 170 197 248 and RGB 208 223 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 172 245 shade: RGB 132 172 245, RGB 226 132 245 and RGB 218 245 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 172 245 shade: RGB 132 172 245, RGB 245 132 173 and RGB 173 245 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 172 245 shade: RGB 132 172 245, RGB 226 132 245, RGB 245 203 132 and RGB 151 245 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 172 245 shade: RGB 132 172 245, RGB 245 132 230, RGB 245 203 132 and RGB 132 245 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 30 / 0 / 4

HEX #84ACF5

RGB 132 172 245

HSL 218.76, 0.85%, 0.74%

LAB 70.18, 5.56, -40.6

 

Complementary color

CMYK 0 / 33 / 92 / 52

HEX #7B530A

RGB 123 83 10

HSL 38.76, 0.85%, 0.26%

LAB 38.58, 10.7, 44.11

 

CMYK 43 / 28 / 0 / 6

HEX #89ACF0

RGB 137 172 240

HSL 219.61, 0.77%, 0.74%

LAB 70.26, 5.37, -37.74

 

CMYK 40 / 25 / 0 / 0

HEX #9ABEFF

RGB 154 190 255

HSL 218.61, 1%, 0.8%

LAB 76.63, 3.8, -35.87

 

CMYK 33 / 18 / 0 / 0

HEX #ABD0FF

RGB 171 208 255

HSL 213.57, 1%, 0.84%

LAB 82.37, -1.39, -26.95

 

CMYK 26 / 11 / 0 / 0

HEX #BCE2FF

RGB 188 226 255

HSL 205.97, 1%, 0.87%

LAB 88.11, -6.04, -18.14

 

CMYK 20 / 4 / 0 / 0

HEX #CDF4FF

RGB 205 244 255

HSL 193.2, 1%, 0.9%

LAB 93.84, -10.23, -9.47

 

CMYK 46 / 30 / 0 / 4

HEX #84ACF5

RGB 132 172 245

HSL 218.76, 0.85%, 0.74%

LAB 70.18, 5.56, -40.6

 

CMYK 49 / 32 / 0 / 11

HEX #739AE2

RGB 115 154 226

HSL 218.92, 0.66%, 0.67%

LAB 63.55, 6.24, -40.63

 

CMYK 53 / 34 / 0 / 19

HEX #6288CF

RGB 98 136 207

HSL 219.08, 0.53%, 0.6%

LAB 56.79, 7.04, -40.69

 

CMYK 57 / 37 / 0 / 26

HEX #5176BC

RGB 81 118 188

HSL 219.25, 0.44%, 0.53%

LAB 49.9, 8.03, -40.8

 

CMYK 62 / 41 / 0 / 34

HEX #4064A9

RGB 64 100 169

HSL 219.43, 0.45%, 0.46%

LAB 42.87, 9.27, -40.94

 

CMYK 46 / 30 / 0 / 4

HEX #84ACF5

RGB 132 172 245

HSL 218.76, 0.85%, 0.74%

LAB 70.18, 5.56, -40.6

 

CMYK 46 / 42 / 0 / 4

HEX #848DF5

RGB 132 141 245

HSL 235.22, 0.85%, 0.74%

LAB 62.12, 23.41, -53.29

 

CMYK 38 / 46 / 0 / 4

HEX #9984F5

RGB 153 132 245

HSL 251.15, 0.85%, 0.74%

LAB 61.54, 33.7, -54.12

 

CMYK 25 / 46 / 0 / 4

HEX #B784F5

RGB 183 132 245

HSL 267.08, 0.85%, 0.74%

LAB 64.29, 41.47, -49.58

 

CMYK 13 / 46 / 0 / 4

HEX #D684F5

RGB 214 132 245

HSL 283.54, 0.85%, 0.74%

LAB 67.57, 49.94, -44.19

 

CMYK 46 / 30 / 0 / 4

HEX #84ACF5

RGB 132 172 245

HSL 218.76, 0.85%, 0.74%

LAB 70.18, 5.56, -40.6

 

CMYK 46 / 42 / 0 / 4

HEX #848DF5

RGB 132 141 245

HSL 235.22, 0.85%, 0.74%

LAB 62.12, 23.41, -53.29

 

CMYK 46 / 46 / 0 / 4

HEX #8484F5

RGB 132 132 245

HSL 240, 0.85%, 0.74%

LAB 59.89, 28.69, -56.84

 

CMYK 46 / 30 / 0 / 4

HEX #84ACF5

RGB 132 172 245

HSL 218.76, 0.85%, 0.74%

LAB 70.18, 5.56, -40.6

 

CMYK 46 / 30 / 0 / 4

HEX #84ACF5

RGB 132 172 245

HSL 218.76, 0.85%, 0.74%

LAB 70.18, 5.56, -40.6

 

CMYK 39 / 25 / 0 / 8

HEX #8FAFEA

RGB 143 175 234

HSL 218.9, 0.68%, 0.74%

LAB 71.17, 3.6, -33.02

 

CMYK 31 / 20 / 0 / 13

HEX #99B2DF

RGB 153 178 223

HSL 218.57, 0.52%, 0.74%

LAB 72.19, 1.85, -25.41

 

CMYK 23 / 15 / 0 / 17

HEX #A4B5D4

RGB 164 181 212

HSL 218.75, 0.36%, 0.74%

LAB 73.35, 0.85, -17.58

 

CMYK 13 / 9 / 0 / 21

HEX #AFB8CA

RGB 175 184 202

HSL 220, 0.2%, 0.74%

LAB 74.61, 0.52, -10.15

 

CMYK 46 / 5 / 0 / 4

HEX #84E9F5

RGB 132 233 245

HSL 186.37, 0.85%, 0.74%

LAB 86.89, -26.48, -15.02

 

CMYK 46 / 17 / 0 / 4

HEX #84CBF5

RGB 132 203 245

HSL 202.3, 0.85%, 0.74%

LAB 78.58, -11.31, -27.6

 

CMYK 46 / 29 / 0 / 4

HEX #84ADF5

RGB 132 173 245

HSL 218.23, 0.85%, 0.74%

LAB 70.44, 5, -40.18

 

CMYK 46 / 42 / 0 / 4

HEX #848FF5

RGB 132 143 245

HSL 234.16, 0.85%, 0.74%

LAB 62.63, 22.24, -52.48

 

CMYK 38 / 46 / 0 / 4

HEX #9784F5

RGB 151 132 245

HSL 250.09, 0.85%, 0.74%

LAB 61.37, 33.2, -54.39

 

CMYK 76 / 50 / 0 / 7

HEX #3878EE

RGB 56 120 238

HSL 218.9, 0.84%, 0.58%

LAB 52.34, 20.5, -65.3

 

CMYK 61 / 39 / 0 / 5

HEX #5E92F1

RGB 94 146 241

HSL 218.78, 0.84%, 0.66%

LAB 61.04, 11.28, -52.95

 

CMYK 46 / 30 / 0 / 4

HEX #84ACF5

RGB 132 172 245

HSL 218.76, 0.85%, 0.74%

LAB 70.18, 5.56, -40.6

 

CMYK 31 / 21 / 0 / 3

HEX #AAC5F8

RGB 170 197 248

HSL 219.23, 0.85%, 0.82%

LAB 79.19, 2.51, -28.09

 

CMYK 17 / 11 / 0 / 2

HEX #D0DFFB

RGB 208 223 251

HSL 219.07, 0.84%, 0.9%

LAB 88.52, 0.62, -15.3

 

CMYK 46 / 30 / 0 / 4

HEX #84ACF5

RGB 132 172 245

HSL 218.76, 0.85%, 0.74%

LAB 70.18, 5.56, -40.6

 

CMYK 8 / 46 / 0 / 4

HEX #E284F5

RGB 226 132 245

HSL 289.91, 0.85%, 0.74%

LAB 68.94, 53.28, -41.94

 

CMYK 11 / 0 / 46 / 4

HEX #DAF584

RGB 218 245 132

HSL 74.34, 0.85%, 0.74%

LAB 92.52, -25.6, 51.19

 

CMYK 46 / 30 / 0 / 4

HEX #84ACF5

RGB 132 172 245

HSL 218.76, 0.85%, 0.74%

LAB 70.18, 5.56, -40.6

 

CMYK 0 / 46 / 29 / 4

HEX #F584AD

RGB 245 132 173

HSL 338.23, 0.85%, 0.74%

LAB 68.7, 47.61, -2.09

 

CMYK 29 / 0 / 46 / 4

HEX #ADF584

RGB 173 245 132

HSL 98.23, 0.85%, 0.74%

LAB 89.79, -41.75, 47.22

 

CMYK 46 / 30 / 0 / 4

HEX #84ACF5

RGB 132 172 245

HSL 218.76, 0.85%, 0.74%

LAB 70.18, 5.56, -40.6

 

CMYK 8 / 46 / 0 / 4

HEX #E284F5

RGB 226 132 245

HSL 289.91, 0.85%, 0.74%

LAB 68.94, 53.28, -41.94

 

CMYK 0 / 17 / 46 / 4

HEX #F5CB84

RGB 245 203 132

HSL 37.7, 0.85%, 0.74%

LAB 83.86, 5.94, 40.86

 

CMYK 38 / 0 / 46 / 4

HEX #97F584

RGB 151 245 132

HSL 109.91, 0.85%, 0.74%

LAB 88.71, -48.84, 45.63

 

CMYK 46 / 30 / 0 / 4

HEX #84ACF5

RGB 132 172 245

HSL 218.76, 0.85%, 0.74%

LAB 70.18, 5.56, -40.6

 

CMYK 0 / 46 / 6 / 4

HEX #F584E6

RGB 245 132 230

HSL 307.96, 0.85%, 0.74%

LAB 70.61, 56.04, -30.93

 

CMYK 0 / 17 / 46 / 4

HEX #F5CB84

RGB 245 203 132

HSL 37.7, 0.85%, 0.74%

LAB 83.86, 5.94, 40.86

 

CMYK 46 / 0 / 40 / 4

HEX #84F593

RGB 132 245 147

HSL 127.96, 0.85%, 0.74%

LAB 88.12, -52.19, 37.41

 

Description

Color code: RGB 132 172 245 | qconv.com Color code: RGB 132 172 245 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 172 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 172 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 30 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 30% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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